According to the Critical Complete Edition. Par BERG ALBAN. UE presents a new critical edition of Berg's Violin Concerto, which seeks to correct errors which have been incorporated in the score since its first publication. Carefully researched, this new definitive score is now the most accurate. Published in oversize (11' x 13') hardbound format. Dur.: 22'-25'/ Répertoire / Violon et Orchestre

Par PANUFNIK ANDRZEJ. Détails de la formation instrumentale: strings(8.6.4.4.2) - Durée: 22' -/ Répertoire / Violon et Orchestre

In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane? and both versions remain a 'must? for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane? from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.- First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano- Includes Jelly D'Aranyi's fingering / Violon Et Orchestre

Mozart, Wolfgang Amadeus Works for Violin and Orchestra KV 2017, 211, 216, 218, 219, 261, 269 (261a), 373 Based on the Urtext of the 'New Mozart Edition', this new study score unites the five violin concertos and the 3 single movements for violin from the pen of Mozart in one thoroughly reliable study score. A new historical introduction by Gudula Schütz provides valuable additional information. Full scores, piano reductions and performance material to all works included in the study score are readily available. This new edition will replace the following study scores: Concerto for Violin and Orchestra no. 1 K. 207, TP 270 Concerto for Violin and Orchestra no. 2 K. 211, TP 271 These study scores will continue to be available: Concerto for Violin and Orchestra no. 3 K. 216, TP 272 Concerto for Violin and Orchestra no. 4 K. 218, TP 273 Concerto for Violin and Orchestra no. 5 K. 219, TP 20 Edition no.: TP 325 ISMN: 9790006205349 Editor: Mahling, Christoph-Hellmut Language(s) of text: German, English Product format: Study score, Anthology, Urtext edition Binding: Paperback Pages / Format: XXII, 303 S. - 22,5 x 16,5 cm

for Violin and Orchestra. Par STREICH LISA. / Date parution : 2022-10-12/ Répertoire / Orchestre et Violon

Par QUERLEUX ALAIN. Ce « petit Concerto de chambre » comprend trois mouvements, pour une durée globale de 18 minutes environ. L?essence de son propos est le dialogue concertant et chantant entre un violon soliste et un orchestre à cordes (pouvant se réduire à un simple quatuor à cordes ). Le premier mouvement est sous-titré « ..Par un chemin d?échos divers.. » : il évoque une promenade et ses sons, rumeurs, chants et bruits ? naissant, s?amplifiant, s?éloignant ou renaissant en échos. Plusieurs tempi modérés s?enchaînent au gré des tonalités de ré mineur, ré majeur, sol mineur et sol majeur. Les interprètes devront varier les climats, nuances et couleurs. Le mouvement central, très lent et expressif, est de facture plus classique : l?orchestre expose le thème principal, bientôt repris et varié par la cantilène du violon solo, dans le ton de la mineur.Le passage central module en la majeur, un grand crescendo s?en suit, jusqu?au retour du premier thème ? soliste et orchestre réunis. Le Finale apporte joie et détente, dans un tempo vif et spirituel.C?est une forme Rondo, avec un refrain apparaissant à cinq reprises, et quatre couplets énoncés par le violon solo. Quelques traits virtuoses participent de la fête, le ton de La hésitant entre mineur et majeur. La partie de soliste conviendra aux violonistes à partir de la fin du 2ème cycle des conservatoires. Les parties d?orchestre sont abordables à partir du second cycle./ Répertoire / Violon Concertant et Orchestre

Par WIENIAWSKI HENRYK. Format: New Edition portrait/ Répertoire / Violon et Orchestre