Orchestra - all SKU: PR.816600040 Composed by Wolfgang Amadeus Mozart. CD...(+)
Orchestra - all
SKU:
PR.816600040
Composed
by Wolfgang Amadeus
Mozart. CD Sheet Music
(Version 1). Full Scores
to all of the major works
for orchestra by Mozart -
parts not included.
Classical Period. CD
Sheet Music. 2000
printable pages.
Published by Theodore
Presser Company
(PR.816600040).
UPC:
680160600045. 5.5x5
inches.
This disk
contains study scores of
all 41 of Mozart's
Symphonies, as well as
Concertos for Winds and
Strings (Piano Concertos
are on a companion
CD-ROM), Serenades, Opera
Overtures, Divertimentos,
and other works.
About CD Sheet
Music (Version
1)
CD
Sheet Music (Version 1)
was the initial CD Sheet
Music series distributed
by Theodore Presser. The
CDs include thousands of
pages of music that are
viewable and printable on
Mac or PC. Version 1
titles are a great value
at 40% off, as we make
room in our warehouse for
the newly enhanced CD
Sheet Music (Version 2.0)
series.
Orchestra (Score) SKU: HL.14008392 Caroline Mathilde Act I (Concert Su...(+)
Orchestra (Score)
SKU:
HL.14008392
Caroline Mathilde Act
I (Concert Suite).
Composed by Sir Peter
Maxwell Davies. Music
Sales America. 20th
Century. Book
[Softcover]. Composed
1999. 74 pages. Chester
Music #CH60949. Published
by Chester Music
(HL.14008392).
ISBN
9780711936942.
The
story centres on the
English princess Caroline
Mathilde (1751-1775),
sister of George III, who
at the age of 15 was sent
to Denmark to marry the
17-year-old eccentric and
schizophrenic Danish
King, Christian VII. The
ballet portrays her
unhappy marriage, the
King's growing madness
and her fatal love-affair
with Struensee, the
King's influential
physician, which leads to
their arrest, his
execution and her exile,
at the age of 20,
separated from her two
young children. In
keeping with the period,
and perhaps also with the
traditions of Romantic
ballet, the music is
relatively simple in
harmony and form, and
most of the action is
conveyed in set-piece
dances. The suite, which
consists essentially of
the second half of Act I,
begins with one of these,
a bristling interplay of
wind and string ensembles
in D major, portraying in
the ballet a curious
nuptial game with the
king and princess on
movable pedestals. The
slow music that follows
has to do with the king's
healing by Dr. Struensee
and the new queen's
unquiet reverie (oboe and
cor anglais solos). Then
the suite, like the act,
is capped by a pair of
pas-de-deux, the first
savage and bizarre for
the royal couple, the
second rich and
passionate for the queen
and the miracle-working
doctor. Score
(miniature). Duration c.
25mins.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099).
ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German.
On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009.
Score and Parts Concert Band; Wind Ensemble - Grade 5 For Wind Orchestra Score ...(+)
Score and Parts Concert
Band;
Wind Ensemble - Grade 5
For Wind Orchestra Score
and
Parts. Composed by Johan
De
Meij. Amstel Music.
Concert.
Softcover. Duration 2580
seconds. Amstel Music
#AM200-
010. Published by Amstel
Music
Orchestra (Study Score) SKU: HL.51489070 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489070
Study Score.
Composed by Franz Joseph
Haydn. Henle Music
Folios. Classical.
Softcover. G. Henle
#HN9070. Published by G.
Henle (HL.51489070).
UPC: 840126989410.
6.75x9.5x0.259
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic oeuvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95. The
energetic, surging
B-flat-major Symphony no.
102 belongs to the group
of the last three
symphonies premiered in
early 1795.
Exceptionally, Haydn here
dispenses with the
clarinets that are
otherwise generally
featured in his late
symphonies. The
instrumentation of the
Adagio is also unusual,
in that Haydn includes
trumpets and timpani,
both muted. This study
edition adopts the
musical text of the Haydn
Complete Edition, thereby
guaranteeing the highest
scholarly quality. An
informative preface and a
brief Critical Report
make the handy score an
ideal companion for all
current and soon-to-be
Haydn fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
(I. The Way of the Ship, II. Mists and Mystery, III. Songs in the Salty Air, IV....(+)
(I. The Way of the Ship,
II. Mists and Mystery,
III. Songs in the Salty
Air, IV. Waltz of the
Clipper Ships, V. Finale,
introducing the S.S.
Eagle March). Composed by
Robert Russell Bennett
(1894-1981). Concert
Band. Concert Band;
Score. Belwin Classic
Band. TV. Grade 5. 88
pages. Published by
Belwin Music
I Got Rhythm Orchestre - Débutant Alfred Publishing
Concert Band; Orchestra - Grade 1 SKU: AP.49165S Composed by George Gersh...(+)
Concert Band; Orchestra -
Grade 1
SKU:
AP.49165S
Composed by
George Gershwin and Ira
Gershwin. Arranged by
Michael Story. 5 or More;
Mixed Instruments -
Flexible Instrumentation;
Performance Music
Ensemble; Quartet; Single
Titles; Solo Small
Ensembles. Pop Beginning
Band. Classic Pop; Jazz.
Score. 16 pages. Duration
1:45. Alfred Music
#00-49165S. Published by
Alfred Music (AP.49165S).
UPC: 038081563688.
English.
This
version of I Got Rhythm
arranged by Michael Story
is part of our Belwin
FLEX offerings and is
designed with maximum
flexibility for use by
any mix of
instruments---wind,
strings, and percussion,
including like- or
mixed-ensembles with as
few as 4 players. The
suggested instrumentation
and a customizable
Teacher Map will help you
plan out how to best
assign parts to suit your
ensemble's needs. The
4-part instrumentation
will support balanced
instrumentation of the
lower voices. It also
comes with supplemental
parts for maximum
flexibility. With the
purchase of this piece,
permission is granted to
photocopy the parts as
needed for your ensemble.
A percussion
accompaniment track is
also available as a free
download. String parts
have been carefully
edited with extra
fingerings and
appropriate bowings to
support students in mixed
ensembles playing in less
familiar keys.
This timeless
George and Ira Gershwin
jazz classic has been
covered by dozens of
popular artists. The song
remains one of the most
recognizable melodies
from the 20th century. In
a charismatic
contemporary arrangement,
I Got Rhythm is
accessible to first-year
students and will be an
upbeat addition to any
program. (1:45) This
title is available in
MakeMusic Cloud.
I Got Rhythm Orchestre - Débutant Alfred Publishing
Concert Band; Orchestra - Grade 1 SKU: AP.49165 Composed by George Gershw...(+)
Concert Band; Orchestra -
Grade 1
SKU:
AP.49165
Composed by
George Gershwin and Ira
Gershwin. Arranged by
Michael Story. 5 or More;
MakeMusic Cloud; Mixed
Instruments - Flexible
Instrumentation;
Performance Music
Ensemble; Quartet; Single
Titles; Solo Small
Ensembles. Pop Beginning
Band. Classic Pop; Jazz.
Score and Part(s). 76
pages. Duration 1:45.
Alfred Music #00-49165.
Published by Alfred Music
(AP.49165).
UPC:
038081563671.
English.
This
version of I Got Rhythm
arranged by Michael Story
is part of our Belwin
FLEX offerings and is
designed with maximum
flexibility for use by
any mix of
instruments---wind,
strings, and percussion,
including like- or
mixed-ensembles with as
few as 4 players. The
suggested instrumentation
and a customizable
Teacher Map will help you
plan out how to best
assign parts to suit your
ensemble's needs. The
4-part instrumentation
will support balanced
instrumentation of the
lower voices. It also
comes with supplemental
parts for maximum
flexibility. With the
purchase of this piece,
permission is granted to
photocopy the parts as
needed for your ensemble.
A percussion
accompaniment track is
also available as a free
download. String parts
have been carefully
edited with extra
fingerings and
appropriate bowings to
support students in mixed
ensembles playing in less
familiar keys.
This timeless
George and Ira Gershwin
jazz classic has been
covered by dozens of
popular artists. The song
remains one of the most
recognizable melodies
from the 20th century. In
a charismatic
contemporary arrangement,
I Got Rhythm is
accessible to first-year
students and will be an
upbeat addition to any
program. (1:45) This
title is available in
MakeMusic Cloud.
Orchestra Study Score. Composed by Franz Joseph Haydn (1732-1809). Edited by ...(+)
Orchestra Study Score.
Composed by Franz Joseph
Haydn (1732-1809). Edited
by
Andreas Friesenhagen.
Henle
Study Scores. Classical.
Softcover. 52 pages. G.
Henle #HN9056. Published
by
G. Henle
Composed by Franz Joseph Haydn (1732-1809). Edited by Andreas Friesenhagen. This...(+)
Composed by Franz Joseph
Haydn (1732-1809). Edited
by Andreas Friesenhagen.
This edition: urtext
edition. Stapled. Urtext
from: Joseph Haydn Werke,
G. Henle Verlag Munchen.
Score. Hob. I:89.
Duration 22 minutes.
Published by Baerenreiter
Verlag (BA.BA10979).
Orchestra Study Score. Composed by Franz Joseph Haydn (1732-1809). Edited by ...(+)
Orchestra Study Score.
Composed by Franz Joseph
Haydn (1732-1809). Edited
by
Andreas Friesenhagen.
Henle
Study Scores. Classical.
Softcover. 45 pages. G.
Henle #HN9057. Published
by
G. Henle
Orchestra SKU: HL.51489062 Study Score. Composed by Franz Joseph H...(+)
Orchestra
SKU:
HL.51489062
Study
Score. Composed by
Franz Joseph Haydn.
Edited by Robert v. Zahn.
Henle Music Folios.
Classical. Softcover. 66
pages. G. Henle #HN9062.
Published by G. Henle
(HL.51489062).
UPC:
840126951950.
6.75x9.5x0.263
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic oeuvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95. To
this day, the G-major
symphony, first performed
in March 1792, numbers
among Haydn's most
popular works. It owes
its English nickname
“Surprise†to
the striking tutti chords
in the Andante, which
apparently caught the
audience off guard. Haydn
had consciously
incorporated this effect
at a later stage - and
was thus subsequently
also perfectly willing to
authorize this nickname
that had been dreamt up
by a London musician.
This popular work also
spread rapidly through
German-speaking
countries, where it is
still firmly established
in the repertoire as the
“symphony with the
drumbeat.†This
study edition adopts the
musical text of the Haydn
Complete Edition, thereby
guaranteeing the highest
scholarly quality. An
informative preface and a
brief Critical Report
make the handy score an
ideal companion for all
current and soon-to-be
Haydn fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Orchestra) SKU: HL.48187841 Composed by Henri Dutilleux. Leduc...(+)
Orchestra (Orchestra)
SKU: HL.48187841
Composed by Henri
Dutilleux. Leduc.
Classical. Softcover. 232
pages. Heugel & Cie
#HE31721. Published by
Heugel & Cie
(HL.48187841).
UPC:
888680873813.
7.5x10.75x0.547
inches.
Symphonie
No. 2,?Le Double, is a
symphonic piece for
oOrchestra and chamber
orchestra composed by
Henri Dutilleux. It was
commissioned for the 75th
birthday of the Boston
Symphony Orchestra in
1959. The piece features
three movements, which
consists in dialogues
between the Orchestra and
the Chamber Orchestra: I.
Animato, ma misterioso
II. Andantino sostenuto
III. Allegro fuocoso.
Calmato This is the
conductor's score which
also includes all parts.
Henri Dutilleux was
internationally acclaimed
for his work winning
prizes such as the Gold
Medal of the Royal
Philharmonic Society and
the UNESCO's
International Rostrum of
Composers, amongst many
others. His work also
includes a Piano sonata,
two symphonies, the Cello
concerto 'Tout un monde
lointain' (A whole
distant world), the
Violin concerto 'L'arbre
des songes' (The tree of
dreams) and the string
quartet 'Ainsi la nuit'
(Thus the night)..
Orchestra SKU: BT.ALHE31721 Composed by Henri Dutilleux. Classical. Study...(+)
Orchestra
SKU:
BT.ALHE31721
Composed
by Henri Dutilleux.
Classical. Study Score.
96 pages. Heugel & Cie
#ALHE31721. Published by
Heugel & Cie
(BT.ALHE31721).
French.
2ème
Symphonie,
“Le Double”
is a symphonic piece for
Orchestra and chamber
orchestra composed by
Henri Dutilleux.
It was commissioned for
the 75th birthday of the
BostonSymphony Orchestra
in 1959.
The
piece features three
movements, which consists
in dialogues between the
Orchestra and the Chamber
Orchestra: I.
Animato, ma misterioso
II. Andantino
sostenuto
III.Allegro fuocoso
— Calmato
This is the
conductor's score which
also includes all parts.
Henri
Dutilleux was
internationally acclaimed
for his work winning
prizes such as the Gold
Medalofthe Royal
Philharmonic Society and
the UNESCO's
International Rostrum of
Composers, amongst many
others. His work also
includes a Piano sonata,
two symphonies, the Cello
concerto 'Tout un monde
lointain' (A whole
distant world),the Violin
concerto 'L'arbre des
songes' (The tree of
dreams) and the string
quartet 'Ainsi la nuit'
(Thus the night).
Orchestra SKU: HL.51489068 Study Score. Composed by Franz Joseph H...(+)
Orchestra
SKU:
HL.51489068
Study
Score. Composed by
Franz Joseph Haydn.
Edited by Horst Walter.
Henle Music Folios.
Classical. Softcover. 85
pages. G. Henle #HN9068.
Published by G. Henle
(HL.51489068).
UPC:
840126951967.
6.75x9.5x0.278
inches.
Haydn
arrived in London at the
beginning of February
1794 for his second stay
in England. Two movements
of the Symphony in G
major Hob. I:100 had
already been completed by
then, and the finished
work was premiered on 31
March. The trumpet
fanfare in the second
movement and the use of
“janissaryâ€
percussion gave the
symphony its nickname
“Military
Symphony,†which
Haydn himself even used.
Its success in London was
enormous; in 1794/95
alone, the work was
performed nine times and
thus quickly became one
of the most popular Haydn
symphonies of all time.
To everyone wishing to
become more acquainted
with this symphony, let
this inexpensive study
edition be commended -
with reliable
commentaries on its
genesis, sources, and
edition as well as an
unassailable musical text
taken from the Haydn
Complete Edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Double Bass; Orchestra (STUDY SCORE) SKU: HL.51487451 Study Score....(+)
Double Bass; Orchestra
(STUDY SCORE)
SKU:
HL.51487451
Study
Score. Composed by
Serge Koussevitzky.
Edited by Tobias Glö
and ckler. Henle Study
Scores. Classical.
Softcover. 92 pages. G.
Henle #HN7451. Published
by G. Henle
(HL.51487451).
UPC:
196288158110.
6.75x9.5x0.294
inches.
Thanks to
its skilful combination
of Romantic melody and
sparkling virtuosity,
KoussevitzkyÂ’s Double
Bass Concerto op. 3 has
been one of the most
popular works of its
genre since its Moscow
premiere in 1905. No
wonder, for the virtuoso
double bass player
Koussevitzky had composed
it for his very own
instrument. As early as
1906/07 a first piano
reduction was published
in Moscow, followed by a
second in 1910 in
Leipzig. However, both
contain so many mistakes
in the solo part that
there is still
uncertainty about the
correct musical text in
many passages to this
day. The double bass
player Tobias Glöckler
has therefore prepared
his Urtext edition using
several sources: as well
as the manuscript
performance material and
the piano reductions
published during the
composer's lifetime, he
has also studied
recordings with
Koussevitzky as soloist -
thereby finally producing
a
thoroughly-researchedUrte
xt edition of the
orchestral score and
piano reduction of this
classic of the double
bass literature. As with
all double bass concertos
published by Henle
Publishers, this edition
also contains the piano
reduction by Christoph
Sobanski in two keys (E
minor and F sharp minor)
for performance with solo
or orchestral tuning.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.51489064 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489064
Study Score.
Composed by Franz Joseph
Haydn. Edited by Gernot
Gruber. Henle Music
Folios. Classical.
Softcover. G. Henle
#HN9064. Published by G.
Henle (HL.51489064).
UPC: 840126937640.
6.75x9.5x0.214
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic oeuvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95.
Hailing from 1791, the
Symphony in D major no.
96 numbers among the
first symphonies written
in and for London. The
epithet given to it by
posterity, “The
Miracleâ€, was
bestowed erroneously, for
the miracle - that no one
was injured when a
chandelier fell during a
concert - took place
during a performance of a
different Haydn symphony.
And yet it is a miracle
of musical esprit
nonetheless; from the
subtle relations between
the motives consisting of
broken triads that open
all four movements, to
the virtuosic shifts in
mood owing to surprising
harmonies, Haydn here
submits a prime example
of how he develops
musical ideas. This study
edition adopts the
musical text of the Haydn
Complete Edition, thereby
guaranteeing the highest
scholarly quality. An
informative preface and a
brief Critical Report
make the handy score an
ideal companion for all
current and soon-to-be
Haydn fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra - Grade 2 SKU: AP.49453S Composed by Jordan Schmidt, Kane Brown...(+)
Orchestra - Grade 2
SKU: AP.49453S
Composed by Jordan
Schmidt, Kane Brown, Matt
McGinn, and Taylor
Phillips. Arranged by
Douglas E. Wagner.
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Intermediate String
Orchestra. Country; Pop;
Pop/Rock; Radio. Score.
Duration 1:50. Alfred
Music #00-49453S.
Published by Alfred Music
(AP.49453S).
ISBN
9781470660802. UPC:
038081577593.
English.
Country
music singer and
songwriter Kane Brown's
music has soared to the
top of the charts within
a few short years,
winning the American
Music Awards category
Favorite Country Male
Artist twice (2018 and
2019), along with Video
of the Year in 2021. Like
I Love Country Music,
arranged by Douglas E.
Wagner, is from the
artist's third studio
album Different Man,
released in 2022, and is
full of all the American
country music feels. So
much fun to play!
(1:50).
Orchestra - Grade 2 SKU: AP.49453 Composed by Jordan Schmidt, Kane Brown,...(+)
Orchestra - Grade 2
SKU: AP.49453
Composed by Jordan
Schmidt, Kane Brown, Matt
McGinn, and Taylor
Phillips. Arranged by
Douglas E. Wagner.
MakeMusic Cloud;
Performance Music
Ensemble; String
Orchestra. Pop
Intermediate String
Orchestra. Country; Pop;
Pop/Rock; Radio. Score
and Part(s). Duration
1:50. Alfred Music
#00-49453. Published by
Alfred Music (AP.49453).
ISBN 9781470660796.
UPC: 038081577586.
English.
Country
music singer and
songwriter Kane Brown's
music has soared to the
top of the charts within
a few short years,
winning the American
Music Awards category
Favorite Country Male
Artist twice (2018 and
2019), along with Video
of the Year in 2021. Like
I Love Country Music,
arranged by Douglas E.
Wagner, is from the
artist's third studio
album Different Man,
released in 2022, and is
full of all the American
country music feels. So
much fun to play!
(1:50).
Orchestra (Study Score) SKU: HL.51489061 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489061
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Robert v. Zahn.
Henle Study Scores.
Classical. Softcover. 58
pages. G. Henle #HN9061.
Published by G. Henle
(HL.51489061).
UPC:
840126932836.
6.75x9.5x0.22
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic ouvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95.
Probably composed in the
winter of 1791/92, the
Symphony in D major no.
93 was, with its easily
accessible (butby no
means simple!) musical
structure, perfectly
tailored to London
tastes, which demanded
melodic clarity and
expressive pathos. The
Baroque echoes of Handel
in the slow introduction
to the first movement and
in the festive mood of
the finale with its
timpani and trumpets
would have been well
received - no wonder the
symphony had to be
repeated multiple times
in the same season after
its performance in 1792!
This study edition adopts
the musical text of the
Haydn Complete Edition,
thereby guaranteeing the
highest scholarly
quality. An informative
preface and a brief
Critical Report make the
handy score an ideal
companion for all current
and soon-to-be Haydn
fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.51489063 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489063
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Robert v. Zahn.
Henle Study Scores.
Classical. Softcover. 55
pages. G. Henle #HN906.
Published by G. Henle
(HL.51489063).
UPC:
840126932867.
6.75x9.5x0.204
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic ouvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95.
Probably composed in the
winter of 1791/92, the
Symphony in D major no.
93 was, with its easily
accessible (butby no
means simple!) musical
structure, perfectly
tailored to London
tastes, which demanded
melodic clarity and
expressive pathos. The
Baroque echoes of Handel
in the slow introduction
to the first movement and
in the festive mood of
the finale with its
timpani and trumpets
would have been well
received - no wonder the
symphony had to be
repeated multiple times
in the same season after
its performance in 1792!
This study edition adopts
the musical text of the
Haydn Complete Edition,
thereby guaranteeing the
highest scholarly
quality. An informative
preface and a brief
Critical Report make the
handy score an ideal
companion for all current
and soon-to-be Haydn
fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.51489059 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489059
Study Score.
Composed by Franz Joseph
Haydn. Edited by Andreas
Friesenhagen. Henle Study
Scores. Classical.
Softcover. 58 pages. G.
Henle #HN9059. Published
by G. Henle
(HL.51489059).
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.51489060 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489060
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Andreas
Friesenhagen. Henle Study
Scores. Classical.
Softcover. 64 pages. G.
Henle #HN9060. Published
by G. Henle
(HL.51489060).
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.51489058 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489058
Study Score.
Composed by Franz Joseph
Haydn. Edited by Andreas
Friesenhagen. Henle Study
Scores. Classical.
Softcover. 63 pages. G.
Henle #HN9058. Published
by G. Henle
(HL.51489058).
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)