Full orchestra SKU: LO.30-3668MD Composed by Jay Rouse. Choral. Sacred An...(+)
Full orchestra
SKU:
LO.30-3668MD
Composed
by Jay Rouse. Choral.
Sacred Anthem,
Eastertide, General.
Orchestral score and
parts. Medallion Music
#30/3668MD. Published by
Medallion Music
(LO.30-3668MD).
UPC:
000308152951.
Orche
stral Score and Parts for
10/5296MD Bursting with
energy from beginning to
end, this arrangement of
the familiar Easter hymn
is the striking opening
number from The Lamb
(55/1192MD), a musical by
Jay Rouse and Rose
Aspinall. Jay added some
modern flair and groove
to this setting while
keeping the melody
intact. Ending with a
grand and glorious
conclusion, this anthem
will make a long-lasting
impact on worshipers.
Orchestra SKU: FG.706334-27-1 Composed by Harri Vuori. Score. Published b...(+)
Orchestra
SKU:
FG.706334-27-1
Composed by Harri Vuori.
Score. Published by
Fennica Gehrman
(FG.706334-27-1).
ISBN
979-0-706334-27-1.
A commission from the
Finnish Radio Symphony
Orchestra completed in
2003 and premiered in
December 2004. This is
music constructed in
broad arches culminating
in shamanistic rhythms in
the closing movement.
Lasting 40 minutes, it is
Vuori's biggest work and
rests on two simple
kernels. In his striving
to develop his material
he confesses to be a
Sibelian symphonist.
Study Score.
Composed by James
Macmillan. Boosey &
Hawkes Scores/Books.
Classical. Softcover. 80
pages. Duration 900
seconds. Boosey & Hawkes
#M060136009. Published by
Boosey & Hawkes
(HL.48024880).
ISBN
9781784545154. UPC:
840126918670.
7.25x10.25x0.319
inches.
This
publication presents
under one cover various
short works for sundry
orchestral scorings.
Larghetto for Orchestra
is MacMillan's
orchestration (2017) of
his celebrated Miserere
for a cappella mixed
choir (2009), a setting
in Latin of Psalm 51,
'Have mercy upon me, O
God, according to thy
great mercy', the
penitential text famously
set in the 17th century
by Gregorio Allegri. The
Larghetto orchestration
was commissioned by the
Pittsburgh Symphony
Orchestra in celebration
of Manfred Honeck's 10th
Anniversary as Music
Director. Memoire
imperiale is one of a
number of variations on
General John Reids march
tune Old Gaul
commissioned from
Scottish composers to
mark the centenary in
1994 of the Faculty of
Music at Edinburgh
University. The Faculty
was established following
a bequest by General Reid
(1721-1807), a former law
student at the University
and a renowned flute
player and composer of
marches for the
BritishArmy, and he asked
that an annual concert be
organised at which one or
more of his compositions
be played. Composed in
2012 for the Britten
Sinfonia, One is a monody
in which a single line is
passed around the
instruments, painting it
with different colours as
it emerges and develops.
Lasting only a few
minutes, its singularity
is maintained until
blossoming in the lastfew
bars. For Sonny (2011,
orch 2013) and Ein
Lamplein verlosch (2018,
orch 2019) are short,
private memorial tributes
originally for string
quartet and here rescored
for string orchestra.
Hirta was composed in
2016 as part of Deccas
The Lost Songs of St
Kilda project. Nearly a
century ago, the last 36
residents were evacuated
from the most remote part
of the British Isles, St
Kilda, an isolated
archipelago off the
beautiful and rugged
western coast of
Scotland. After 86 years,
the music of St Kilda was
rediscovered, recorded in
a Scottish care home by
Trevor Morrison, an
elderly man who had been
taught piano by an
inhabitant of St Kilda.
The songs were
'reimagined' for the
Decca album by
various.
Orchestra SKU: HL.48187533 Composed by Francis Poulenc. Heugel. Classical...(+)
Orchestra
SKU:
HL.48187533
Composed
by Francis Poulenc.
Heugel. Classical.
Softcover. 128 pages.
Heugel & Cie #HE31215.
Published by Heugel & Cie
(HL.48187533).
UPC:
888680843779. 6x8.25
inches.
“This
edition of Les Biches by
Francis Poulenc features
the score for the whole
Orchestra. Initially
written as Ballet, it was
revised as a suite for
Orchestra in the 1940s.
This piece has a light
style, considered
'beautiful and
melancholic' by Jean
Cocteau. Lasting 15
minutes 30 seconds, it is
divided into five parts:
1. Rondeau 2. Adagietto
3. Rag-Mazurka 4.
Andantino 5. Finale
Francis Poulenc is French
composer and pianist. He
also produced Piano and
Chamber pieces, Operas,
ballets as well as some
Orchestral
works.&rdquo.
Orchestra SKU: BT.ALHE31215 Composed by Francis Poulenc. Classical. Study...(+)
Orchestra
SKU:
BT.ALHE31215
Composed
by Francis Poulenc.
Classical. Study Score.
128 pages. Heugel & Cie
#ALHE31215. Published by
Heugel & Cie
(BT.ALHE31215).
French.
This
edition of Les Biches by
Francis Poulenc features
the score for the whole
Orchestra. Initially
written as Ballet, it was
revised as a suite for
Orchestra in the 1940s.
This piece has a light
style, considered
_x001A_beautiful
andmelancholic_x001A_ by
Jean Cocteau. Lasting 15
minutes 30 seconds, it is
divided into five parts:
1. Rondeau 2. Adagietto
3. Rag-Mazurka 4.
Andantino 5. Finale
Francis Poulenc is French
composer and pianist. He
also producedPiano and
Chamber pieces, Operas,
ballets as well as some
Orchestral works.
St John Passion Orchestre [Conducteur d'étude / Miniature] Boosey and Hawkes
Baritone, Choral, Orchestra (Study Score) SKU: HL.48024806 The Passion...(+)
Baritone, Choral,
Orchestra (Study Score)
SKU: HL.48024806
The Passion of our
Lord Jesus Christ
according to John Study
Score. Composed by
James Macmillan. Boosey &
Hawkes Scores/Books.
Classical, Sacred.
Softcover. 380 pages.
Boosey & Hawkes
#M060134470. Published by
Boosey & Hawkes
(HL.48024806).
ISBN
9781784543792. UPC:
888680978648. 8.25x11.75
inches.
Scored for
baritone solo, small
'narrator' chorus, large
chorus and orchestra,
MacMillan's first Passion
setting was composed in
2007. Lasting 87 minutes
the work is divided into
two parts, with 10
movements overall. As
Paul Spicer has
commented, “The
originality of the St
John Passion lies in
MacMillan's ability to
mix old with new, rather
in the manner of Bach in
his day. There are
passages of sumptuous
polyphony and there is a
fresh look at the text
where passages of Latin
are interspersed with the
Gospel story in English.
In movement seven ('Jesus
and his Mother'),
MacMillan introduces not
only part of the Stabat
Mater but also his own
words ('Lully, lulla, my
dear darling'). The final
movement, which is purely
orchestral, is a kind of
via doloroso march with a
Scots lament over quite
brass chords. The string
writing here, with its
elegiac cello lines, is
deeply reminiscent of the
early 20th-century
English school. This
should be the War Requiem
of the 21st
century.&rdquo.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Himmel Punk Orchestre SATB, Orchestre Fennica Gehrman
Orchestra SKU: FG.55011-652-8 Composed by Antti Auvinen. Study score. Fen...(+)
Orchestra
SKU:
FG.55011-652-8
Composed by Antti
Auvinen. Study score.
Fennica Gehrman
#55011-652-8. Published
by Fennica Gehrman
(FG.55011-652-8).
ISBN
9790550116528.
Himm
el Punk was born out of
social commentary. It
addresses
narrow-mindedness
manifesting itself in the
rejection of particular
values on religous
grounds. Piety turns to
hypocrisy as those who
think otherwise are
branded as an inferior
caste, thereby even
justifying the denial of
human rights to them.
Pan Op. 28 Orchestre SATB, Orchestre [Conducteur] Fennica Gehrman
Orchestra SKU: FG.042-08325-3 Composed by Aarre Merikanto. Score. Publish...(+)
Orchestra
SKU:
FG.042-08325-3
Composed by Aarre
Merikanto. Score.
Published by Fennica
Gehrman (FG.042-08325-3).
ISBN
979-0-042-08325-3.
Merikanto completed the
third and final version
of Pan in 1924, having
destroyed the earlier
versions in fits of
self-criticism. Its music
is full of life,
sprouting new impulses
and possibilities, but
there are also opposite
forces at work, arresting
the flow and nurturing
meditative
concen!tration.
Orchestra (Full Score) SKU: HL.14043674 Konzertoper in zwei Akten....(+)
Orchestra (Full Score)
SKU: HL.14043674
Konzertoper in zwei
Akten. Composed by
Hans Werner Henze. Music
Sales America. Opera.
Softcover. 266 pages.
Chester Music #CH69586.
Published by Chester
Music (HL.14043674).
ISBN 9781783054725.
12.25x16.75x0.9
inches.
Phaedra by
German composer Hans
Werner Henze is a
'concert opera' in two
acts whose first
performance was given at
the Berlin State Opera in
2007. Phaedra was Henze
's penultimate opera, and
this item presents the
full score, with the
entire work lasting
around 75 minutes.
Featuring a unique
libretto by Christian
Lehnert and sound effects
by Francesco Antonioni,
this opera presents the
wonderful story of
Phaedra, filled with
drama and fantastic
music. This Full Score
presents the work
in German and English
language, and features
detailed instructions for
the supplied CD, on which
some sound effects are
included that are to be
used in conjunction with
the instruments.
Phaedrawas
co-commissioned and
co-produced by Staatsoper
Unter den Linden Berlin,
Berliner Festspiele,
Theatre de la Monnaie
Brussels, Alte Oper
Frankfurt and Wiener
Festwochen. Hans Werner
Henze was a hugely
prolific composer who
drew influences from a
wide number of sources.
Phaedra is regarded as
among his greatest works
and would certainly make
for a stunning
performance.
Fury Orchestre [Conducteur et Parties séparées] - Facile Alfred Publishing
Orchestra - Grade 2 SKU: AP.50831 Composed by Chris M. Bernotas. MakeMusi...(+)
Orchestra - Grade 2
SKU: AP.50831
Composed by Chris M.
Bernotas. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Score and
Part(s). Alfred Music
#00-50831. Published by
Alfred Music (AP.50831).
ISBN 9781470666194.
UPC: 038081584805.
English.
Fury, by
Chris M. Bernotas, is an
exhilarating piece that
will excite and energize
your intermediate string
orchestra. It features
angular rhythms, strong
melodic lines for all,
and intense energy that
will keep students on the
edge of their seats.
Whether played at a
contest, as a concert
opener or closer, this
piece will leave a
lasting impression.
(2:35) Correlates to
Sound Innovations, Book
1, Level 4.
Fury Orchestre [Conducteur] - Facile Alfred Publishing
Orchestra - Grade 2 SKU: AP.50831S Composed by Chris M. Bernotas. MakeMus...(+)
Orchestra - Grade 2
SKU: AP.50831S
Composed by Chris M.
Bernotas. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Score. Alfred
Music #00-50831S.
Published by Alfred Music
(AP.50831S).
ISBN
9781470666200. UPC:
038081584812.
English.
Fury, by
Chris M. Bernotas, is an
exhilarating piece that
will excite and energize
your intermediate string
orchestra. It features
angular rhythms, strong
melodic lines for all,
and intense energy that
will keep students on the
edge of their seats.
Whether played at a
contest, as a concert
opener or closer, this
piece will leave a
lasting impression.
(2:35) Correlates to
Sound Innovations, Book
1, Level 4.
Cello; Orchestra (Study Score) SKU: HL.48024791 Cello and Orchestra St...(+)
Cello; Orchestra (Study
Score)
SKU:
HL.48024791
Cello
and Orchestra Study
Score. Composed by
Magnus Lindberg. Boosey &
Hawkes Scores/Books.
Classical. Softcover. 92
pages. Duration 1200
seconds. Boosey & Hawkes
#M060136498. Published by
Boosey & Hawkes
(HL.48024791).
ISBN
9781784545536. UPC:
888680967789.
9.0x12.0x0.243
inches.
This work
was composed in 2013 to a
commission by the Los
Angeles Philharmonic
Association. It was first
performed that year at
WaltDisney Concert Hall,
Los Angeles, by Anssi
Karttunen (cello) and the
Los Angeles Philharmonic,
conducted by Esa-Pekka
Salonen. The piece is
formed in a single span
lasting 20 minutes.
Orchestra (Study Score) SKU: HL.48024642 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.48024642
Orchestra Study
Score. Composed by
Sergei Prokofiev. Boosey
& Hawkes Scores/Books.
Classical, Russian.
Softcover. 68 pages.
Duration 780 seconds.
Boosey & Hawkes
#M060133053. Published by
Boosey & Hawkes
(HL.48024642).
ISBN
9781784542658. UPC:
888680949068.
7.25x10.25x0.241
inches.
New edition
of this enigmatic,
single-movement work for
full orchestra lasting 13
minutes and dating from
the early-1930s. In his
preface, Gerard McBurney
comments that, Despite
the music's modernist
surface, the Chant
symphonique's 'three
closely integrated
movements' correspond
rather neatly to a
traditional sonata-form
exposition, development
and recapitulation. There
is even an overall
tonality of sorts - D
major. But 'parts',
'moods', keys and
cadences are all
subjected in this unusual
work to tremendous
pressure and distortion,
so that we quickly begin
to suspect that something
other, different and more
mysterious, is really
going on here..
Orchestra SKU: BA.BA08833 Composed by Ludwig van Beethoven. Edited by Hel...(+)
Orchestra
SKU:
BA.BA08833
Composed
by Ludwig van Beethoven.
Edited by Helga
Lühning. This edition:
urtext edition. Stapled.
Score. Composed 1806. No.
3. Baerenreiter Verlag
#BA08833_00. Published by
Baerenreiter Verlag
(BA.BA08833).
ISBN
9790006566594. 31 x 24.3
cm inches. Preface:
Luhning, Helga.
Of
the four overtures that
Beethoven composed for
his only opera, the
“Leonore
Overture†No. 3 is
the most popular. The
first reviewer found
fault with it for its
“incessant
dissonances and overblown
fluttering of the
violins†(Wiener
Theater-Zeitung, 1806),
but it soon became famous
as “one of the most
imposing, difficult, yet
richest and strangest of
compositionsâ€
(Allgemeine Musikalische
Zeitung, 1810). This
version of the
“Leonore
Overture†quickly
established itself
independently of the
stage in the concert hall
and has found a lasting
place in the symphonic
repertoire.
The
editor has devoted
herself to the complex
genesis of the various
“Leonore
Overture†versions,
in particular the
question whether the
trumpet call in measures
272–277 and
294–299 should be
played by one or two
instruments. The edition
is based on the Complete
Edition of the
“Works of Ludwig
van Beethovenâ€
issued by the G. Henle
publishing
company.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra (Score) SKU: HL.49045561 Richard Strauss Werke Complete Edit...(+)
Orchestra (Score)
SKU:
HL.49045561
Richard Strauss Werke
Complete Edition Score
Band 4. Composed by
Richard Strauss. Edited
by Stefan Schenk and
Walter Werbeck. This
edition: Hardback/Hard
Cover. Sheet music.
Edition Schott.
Classical. Hardcover.
Composed 1888-1891. Op.
23. 236 pages. Duration
18'. Schott Music
#RSW304. Published by
Schott Music
(HL.49045561).
ISBN
9783901974045.
Stra
uss's first tone poem
distinguishes itself from
all other subsequent
orchestral compositions
in its existence in three
different versions. Even
among the operas and
other compositions in his
hand there is no other
work with a comparable
history of origin and
publication. What is
more, the final version
of Macbeth is the only
valid form of the work
and the only variant with
further sources (cf.
Critical Report) in
addition to the autograph
score. In contrast, the
second version has only
been preserved in an
autograph score and
autograph piano reduction
(the orchestral parts
which must have existed
have obviously not
survived). This was never
printed and was replaced
by the published third
version. The two
surviving versions should
therefore not be
considered to be of equal
status. Unlike the case
of Ariadne auf Naxos in
which the earlier version
was for a time the sole
valid alternative and was
yet never completely
displaced by the soon
dominating later version
of the opera, only the
final third version of
Macbeth is considered as
valid. Right from the
outset, it was a matter
of course for the editors
of the present volume to
include the second
version as a first
publication (in addition
to the above-mentioned
surviving pages of the
first version), albeit in
different forms. The
surviving pages of the
first version are
reproduced in facsimile
and the second version,
as a subordinate form of
the work, appears
alongside Strauss's piano
reduction in a modified
source edition, i.e.
without intervention on
the part of the editors.
The ultimate third
version is published as a
full edition (please
refer to the Critical
Report for further
details). In order to
facilitate a comparative
study of the second and
third versions, the
relevant page numbers of
the score are placed
opposite one another (the
autograph piano reduction
of the second version is
included at the end of
the music section of the
volume). The editors hope
that this synoptic
representation will
prompt interest in
further studies on
Strauss's art of
orchestration: a field of
research which has still
remained insufficiently
examined. A study of
Macbeth namely
illuminates as clearly as
could be wished how much
significance Strauss
allotted to sound
alongside form. The
subjects were not merely
intended to generate an
individual figure, but
also specific tonal
colours, and the
instrumentation was
simultaneously designed
to provide an optimal
communication of
thematic-motivic texture
to the audience. The 'new
path' threw up
consequences which caused
Strauss a considerable
amount of difficulty. He
was however a fast
learner and had already
swum free with Don Juan
and all the more with Tod
und Verklarung.
By Georges Bizet (1838-1875). Arranged by Richard Meyer. Orchestra. Full Orchest...(+)
By Georges Bizet
(1838-1875). Arranged by
Richard Meyer. Orchestra.
Full Orchestra;
Masterworks; Score;
SmartMusic. Highland
First Philharmonic. Form:
Transcription. Latin;
Masterwork Arrangement;
Romantic. Grade 2. 12
pages. Published by
Alfred Music (AP
Orchestra SKU: HL.14019145 Composed by Magnus Lindberg. Music Sales Ameri...(+)
Orchestra
SKU:
HL.14019145
Composed
by Magnus Lindberg. Music
Sales America. Classical.
Book [Softcover]. 48
pages. Music Sales
#KP00119. Published by
Music Sales
(HL.14019145).
ISBN
9788759860625.
12.0x16.5x0.436 inches.
English.
This work
was written with a mix
between computer
technology and the more
traditional orchestra,
the piece was composed in
such a way that it would
support its own
acoustics. Lindberg
worked with amplification
of instruments and
electronically
transformed sounds thus
producing greater
possibilities to abandon
acoustic limits. In order
for the piece to be
supported by it's own
acoustics, the piece had
to be written in terms of
foreground and background
harmony, every foreground
chord would always have
it's background, a shadow
existing without it's
main chord. Another theme
to the piece is that of
textural motion as rapid
gestures and motions are
a big part of the
composer's interest.
Static repitions seemed
to limit the piece
however so they were
compensated for on
another level, so with a
repetitive rhythmic
pattern, the harmonic
material changes rapidly
or when a chain of chords
is static the rhythmic
and timbral qualities
vary frequently. Work for
orchestra commissioned by
the Finnish Broadcasting
Company.
Grade 4 SKU: CL.CTS-7867-01 Full orchestra (with optional chorus)....(+)
Grade 4
SKU:
CL.CTS-7867-01
Full orchestra (with
optional chorus).
Composed by Claude T.
Smith. Full Orchestra.
Extra full score.
Composed 2018. Claude T.
Smith Publications
#CTS-7867-01. Published
by Claude T. Smith
Publications
(CL.CTS-7867-01).
One of Claude
T. Smith's last completed
works, Raise Your Voice
in Song was commissioned
by the Nebraska Music
Educators Association for
the 50th Anniversary on
NMEA! It was written for
the 1986 All-State Band,
Choir and Orchestra for
their combined
performance on November
22, 1986 in Hastings, NE.
This majestic work lends
itself as a finale, for
full orchestra, or a
combined performance with
choir. There are two sets
of lyrics (secular and
Christmas).
Arranged by Vince Gassi.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Christmas;
Sacred; Traditional;
Winter. Score and
Part(s). 134 pages.
Highland/Etling
#00-31604. Published by
Highland/Etling
(AP.31604).
UPC:
038081349534. English.
Traditional English
Carol.
You'll have
no trouble getting into
the Christmas spirit with
this delightful
adaptation of a
traditional English
Carol. Coated with a
layer of sugar frosting,
this piece will warm you
up with its joyous
harmonies and charming
melodies, making you feel
like you are sitting in
front of a crackly fire
sipping hot cocoa on a
crisp wintry night. Sure
to become an audience
favorite!
Feria Orchestre [Conducteur d'étude / Miniature] Boosey and Hawkes
Orchestra (Study Score) SKU: HL.48024527 Orchestra HPS 1330 Study Scor...(+)
Orchestra (Study Score)
SKU: HL.48024527
Orchestra HPS 1330
Study Score. Composed
by Magnus Lindberg.
Boosey & Hawkes
Scores/Books. Classical.
Softcover. 80 pages.
Duration 1020 seconds.
Boosey & Hawkes
#M060135293. Published by
Boosey & Hawkes
(HL.48024527).
ISBN
9781784544591. 8.0x11.75
inches.
17-minute
work for full orchestra
commissioned by the
Finnish Broadcasting
Company. First performed
by the Finnish Radio
Symphony Orchestra at the
BBC Proms in August 1997.
The composer comments:
The word Feria is Spanish
for an outdoor festival
or fair, the exuberance
of which is alluded to in
this work. In the fast
opening section the
explosive, rhythmic
ideas, especially the
trumpet fanfares which
are a recurring motif in
the piece, herald a
lively public spectacle.
The mainly slower-paced
central section reaches a
focal point which may
well be recognised as a
chord progression from
Monteverdi's
“Lasciatemi
morire†(Lament of
Arianna).
Orchestra (2.2.2.2 - 2.2.3.0 - timp - str) SKU: BR.PB-5208 Grand Symph...(+)
Orchestra (2.2.2.2 -
2.2.3.0 - timp - str)
SKU: BR.PB-5208
Grand Symphony in C
major - Urtext.
Composed by Franz
Schubert. Edited by Peter
Hauschild. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). Peter
Hauschilds Urtext edition
of the Great C major
Symphony i the first
source critical edition
of the posthumously
published work which can
be used in performance as
well. Symphony; Romantic.
Full score. 148 pages.
Duration 50'. Breitkopf
and Haertel #PB 5208.
Published by Breitkopf
and Haertel (BR.PB-5208).
ISBN 9790004210390. 10
x 12.5 inches.
This
edition is based on
authentic sources con
sisting of the autograph
and contemporary
performance material. It
goes without saying that
the issue of the proper
numbering of the Schubert
symphonies - as
controversial as ever
today - is given a
decisive and definitive
treatment in the
Preface.
Peter
Hauschilds Urtext edition
of the Great C major
Symphony i the first
source critical edition
of the posthumously
published work which can
be used in performance as
well.
Orchestra SKU: AP.12-0571572138 Composed by Carl Vine. Full Orchestra (Fu...(+)
Orchestra
SKU:
AP.12-0571572138
Composed by Carl Vine.
Full Orchestra (Full
Score); Masterworks;
Performance Music
Ensemble; Single Titles.
Faber Edition. Form:
Concerto. 20th Century;
Masterwork. Score. Faber
Music #12-0571572138.
Published by Faber Music
(AP.12-0571572138).
ISBN 9780571572137.
English.
Composed
for Steven Isserlis in
2004, Carl Vine's
Concerto for Cello is an
exhilarating 20-minute
work that traverses a
vast emotional palette.
The concerto begins
arrestingly, with soloist
pitted against orchestra,
though as it develops the
two factions move towards
union. A slow chorale led
by the cellist frames the
central section, whilst
relentless motor rhythms
drive the work to its
close.
Orchestra SKU: HL.48187646 Composed by Robert Schumann. Heugel. Romantic....(+)
Orchestra
SKU:
HL.48187646
Composed
by Robert Schumann.
Heugel. Romantic.
Softcover. Heugel & Cie
#HE31440. Published by
Heugel & Cie
(HL.48187646).
UPC:
888680845186.
5.5x7.5x0.568
inches.
Interesting
ly, Schumann?s Third
Symphony was in fact his
last symphony, as the
fourth symphony was
actually composed after
the first. The Symphony
No.3 in E flat Op.97 was
written 1850 during the
composer?s tenure as
conductor at Dusseldorf
on the famous river
Rhine. Schumann claimed
that the history and
spirit surrounding the
noble river inspired him
when writing the
symphony, hence it being
called the ?Rhenish?
symphony. The symphony
was less successful at
its premiere in February
1851 (conducted by
Schumann himself) than
his previous two
symphonic premiers had
been.This symphony is in
five movements, with the
?extra? fourth movement,
originally subtitled ?In
the style of an
accompaniment to a solemn
ceremony?, was inspired
by a visit to Cologne
Cathedral.Available here
is a study score of
Schumann?s Symphony No.3
in E flat ?Rhenish? Op.97
, which is ideal for
study and perusal
usage..
Orchestra SKU: PO.PEL27S Composed by Douglas Lilburn. Sws. Score. Prometh...(+)
Orchestra
SKU:
PO.PEL27S
Composed by
Douglas Lilburn. Sws.
Score. Promethean
Editions #PEL27S.
Published by Promethean
Editions (PO.PEL27S).
ISBN
9781877564420.
From
the compulsive unfurling
of the opening movement,
the choppiness of the
second, the curvaceous
swell of the third and
the upward cresting of
the fourth, we experience
in Lilburn's music for
Allen Curnow's Landfall
in Unknown Seas a
life-affirming endeavour.
The work touches both the
heart and the mind and
was a much-needed tonic
for New Zealand wartime
audiences.