(Chopin National Edition 33 B Vol. VIIIa). Composed by Frederic Chopin (1810-184...(+)
(Chopin National Edition
33 B Vol. VIIIa).
Composed by Frederic
Chopin (1810-1849).
Edited by Jan Ekier and
Pawel Kaminski. For
Orchestra (Study Score).
PWM. 110 pages. Polskie
Wydawnictwo Muzyczne
#51600911. Published by
Polskie Wydawnictwo
Muzyczne
Orchestra, Piano (Orchestra) SKU: HL.48010758 Piano Part Only. Com...(+)
Orchestra, Piano
(Orchestra)
SKU:
HL.48010758
Piano
Part Only. Composed
by Various. Arranged by
David Stone. Boosey &
Hawkes Orchestra.
Classical, Collection,
Contemporary. 10 pages.
Boosey & Hawkes
#M060065248. Published by
Boosey & Hawkes
(HL.48010758).
UPC:
073999764574. 9x12
inches.
Contents:
Entry of the Priests
(Gluck) • March in
Bb (Beethoven)
• Roneau (Purcell)
• Gavot (Boyce)
• Two Dances
(Praetorius) •
Praise to the Lord
(trad.) • At Church
(Tchaikovsky) •
Shortnin' Bread
(trad.).
Orchestra (Orchestra) SKU: HL.49008405 Composed by Rodion Shchedrin. This...(+)
Orchestra (Orchestra)
SKU: HL.49008405
Composed by Rodion
Shchedrin. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Study Score.
Composed 1996. 26 pages.
Duration 10'. Schott
Music #ED 9400. Published
by Schott Music
(HL.49008405).
ISBN
9790001131209.
8.25x11.75x0.121
inches.
Shchedrin
has turned these
well-known piano pieces
into contemporary
orchestral works without
losing any of their verve
and flavour. The
transcriptions are based
on movements in A minor,
and in D major with
additional quotes from
other piano pieces by
Albeniz.
String orchestra (Score) - easy SKU: HL.49027525 Composed by Bela Bartok....(+)
String orchestra (Score)
- easy
SKU:
HL.49027525
Composed
by Bela Bartok. Arranged
by Rudolf Maros. This
edition: Saddle
stitching. Sheet music.
Concertino (Chamber
Orchestra). Score. 16
pages. Duration 8'.
Schott Music #CON 18.
Published by Schott Music
(HL.49027525).
ISBN
9790001116909.
9.0x12.0x0.072
inches.
The 10 easy
pieces adapted from piano
pieces from the famous
collection For Children
offer an ideal approach
to modern music. Numerous
school orchestras have
played this music with
fun and success. Because
the individual parts are
technically easy, one may
concentrate at once on
interpretational
subtleties (rubato,
articulation, tonal
nuances etc.).
[Cembalokonzert Nr. 1
D-Moll BWV 1052] Study
Score. Composed by
Johann Sebastian Bach.
Henle Study Scores.
Classical. Softcover. G.
Henle #HN7380. Published
by G. Henle
(HL.51487380).
UPC:
840126932881.
6.75x9.5x0.251
inches.
Bach's
harpsichord concerti,
extremely popular among
pianists, are presumably
reworkings of pieces
originally written for
the violin. Bach,
however, succeeded in
transferring the diverse
idiosyncrasies of violin
technique to the keyboard
with such ingenuity that
most of today's pianists
also include these
concerti in their
standard repertoire. The
first concerto in D minor
is perhaps the most
popular - not least
because of its jaunty
outer movements and the
eminently forceful solo
part. Now, as a prelude
to a series of all of
Bach's harpsichord
concerti, G. Henle
Publishers presents a
piano reduction and study
edition (score) of the
D-minor concerto. None
other than András
Schiff, the outstanding
Bach expert, has provided
fingering
suggestions.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
By Laszlo
Zempleni. By Franz
Schubert. Arranged by
Lá, Zemplé,
ni, and szló. EMB.
Children. Score and
parts. Editio Musica
Budapest #Z14335.
Published by Editio
Musica Budapest
(HL.50485103).
ISBN
9790080143353. UPC:
073999457063.
9.0x12.0x0.319 inches.
Franz Schubert; Laszlo
Zempleni.
The
material of this volume
consists of the dances
most popular in Vienna at
he beginning of the 19th
century: landler,
ecossaises and German
dances. They were
originally piano pieces,
but were certainly
performed on all sorts of
instruments at social
gatherings and in public
places of entertainment.
This transcription for
children's orchestra of
these miniature
compositions is a modern
continuation of the old
tradition of their
'transcription'.
Ouverture JS 145,
Baletscen JS 163.
Composed by Jean
Sibelius. Edited by Tuija
Wicklund. Linen. Complete
Works. Late-romantic;
Early modern. Complete
Works. 196 pages.
Breitkopf and Haertel
#SON 627. Published by
Breitkopf and Haertel
(BR.SON-627).
ISBN
9790004803295. 10 x 12.5
inches.
In 1998, at
the end of the 20th
century, Breitkopf &
Hartel started the
publication of the
Complete Edition, which
is made possible thanks
to the cooperation of the
various Sibelius
publishers. The Editors
(Helsinki University
Library and The Sibelius
Society of Finland) and
the Editorial Committee
(Chairman: Timo Virtanen,
Helsinki) believe that
the volumes of JSW will
provide the basis for a
now conception of the
creative work of Jean
Sibelius.Reviews: One
immediately recognizes
the towering production
quality of these volumes
- a point that can be
extended to all volumes
thus far published in the
set. The music is a joy
to read; and the lucidity
and thoroughness of the
texts … are models
of scholarly editions,
and should be required
reading for all
bibliography and
music-editing courses.
… In sum, the JSW
is a remarkable project:
the scholarship is
impeccable, the music
scores and texts are
simply a joy to study.
Edward Jurkowski, Notes
December 2011: 442-443At
the back of this
magnificent book are
pages of critical
commentary on a
bar-by-bar analysis of an
endless supply of musical
notation requiring
interpretation by the
editor. … For the
general, non-musically
trained, purchaser of the
edition there is the
magisterial introduction
to read, and fascinating
reading it is. Edward W.
Clark, Sibelius Society
Newsletter 2009 The
Sibelius pieces, however,
are a revelation. I
opened this magnificently
produced volume -
complete with
multilingual critical
report and generous
facsimiles of original
manuscripts - expecting
Grieg-style
quasi-nationalistic
character pieces, and was
instead presented with an
incredible array of
styles, textures,
harmonic languages and
levels of difficulty.
Chris White, Piano
Professional Summer 2009:
2This is not only a
scholarly edition of one
of the composer's major
works, it is also a model
for the philological
editing of music in
general. … JSW has
chosen to have the
emendations reflected in
two places, in certain
cases even in three: as
graphic indications in
the music text, in prose
form in the critical
commentary, and sometimes
also in the form of a
warning footnote on the
music page. There can be
no doubt that such a
procedure is very
user-friendly, but it
disturbs the appearance
of the music and may
mislead the user into
thinking that there are
two or more equally valid
readings. Niels Krabbe,
Fontes Artis Musicae
54/2, 2007: 248 Editorial
standards are high
throughout, and maintain
a careful balance between
the competing demands of
practical exigency and
the need to provide as
much scholarly evidence
of variants as possible.
The critical commentaries
provide concise and
effective descriptions of
the sources and, where
appropriate, information
on compositional genesis
and historical context.
The introduction to each
volume provide useful
background information on
historical reception,
including much new
material not previously
brought to light in
Tawaststjerna's
biography. Daniel M.
Grimley,
Nineteenth-Century Music
Review 2/2, 2005:
244.
Scenes
historiques op.25,
op.66. Composed by
Jean Sibelius. Edited by
Kari Kilpelainen. Linen.
Complete Works.
Late-romantic; Early
modern. Complete Works.
228 pages. Breitkopf and
Haertel #SON 625.
Published by Breitkopf
and Haertel (BR.SON-625).
ISBN 9790004803271. 10
x 12.5 inches.
In
1998, at the end of the
20th century, Breitkopf &
Hartel started the
publication of the
Complete Edition, which
is made possible thanks
to the cooperation of the
various Sibelius
publishers. The Editors
(Helsinki University
Library and The Sibelius
Society of Finland) and
the Editorial Committee
(Chairman: Timo Virtanen,
Helsinki) believe that
the volumes of JSW will
provide the basis for a
now conception of the
creative work of Jean
Sibelius.Reviews: One
immediately recognizes
the towering production
quality of these volumes
- a point that can be
extended to all volumes
thus far published in the
set. The music is a joy
to read; and the lucidity
and thoroughness of the
texts ... are models of
scholarly editions, and
should be required
reading for all
bibliography and
music-editing courses.
... In sum, the JSW is a
remarkable project: the
scholarship is
impeccable, the music
scores and texts are
simply a joy to study.
Edward Jurkowski, Notes
December 2011: 442-443At
the back of this
magnificent book are
pages of critical
commentary on a
bar-by-bar analysis of an
endless supply of musical
notation requiring
interpretation by the
editor. ... For the
general, non-musically
trained, purchaser of the
edition there is the
magisterial introduction
to read, and fascinating
reading it is. Edward W.
Clark, Sibelius Society
Newsletter 2009 The
Sibelius pieces, however,
are a revelation. I
opened this magnificently
produced volume -
complete with
multilingual critical
report and generous
facsimiles of original
manuscripts - expecting
Grieg-style
quasi-nationalistic
character pieces, and was
instead presented with an
incredible array of
styles, textures,
harmonic languages and
levels of difficulty.
Chris White, Piano
Professional Summer 2009:
2This is not only a
scholarly edition of one
of the composer's major
works, it is also a model
for the philological
editing of music in
general. ... JSW has
chosen to have the
emendations reflected in
two places, in certain
cases even in three: as
graphic indications in
the music text, in prose
form in the critical
commentary, and sometimes
also in the form of a
warning footnote on the
music page. There can be
no doubt that such a
procedure is very
user-friendly, but it
disturbs the appearance
of the music and may
mislead the user into
thinking that there are
two or more equally valid
readings. Niels Krabbe,
Fontes Artis Musicae
54/2, 2007: 248 Editorial
standards are high
throughout, and maintain
a careful balance between
the competing demands of
practical exigency and
the need to provide as
much scholarly evidence
of variants as possible.
The critical commentaries
provide concise and
effective descriptions of
the sources and, where
appropriate, information
on compositional genesis
and historical context.
The introduction to each
volume provide useful
background information on
historical reception,
including much new
material not previously
brought to light in
Tawaststjerna's
biography. Daniel M.
Grimley,
Nineteenth-Century Music
Review 2/2, 2005:
244.
Score
and Parts. Composed
by Kenneth Baird. Shawnee
Press. Score and Parts.
Shawnee Press #J0172.
Published by Shawnee
Press (HL.35024759).
UPC: 747510071556.
8.5x11 inches.
Ken
Baird has created music
that is exciting and
enjoyable, music that has
movement, dynamic
contrast, and stylistic
interest, and music that
is interesting for both
young performers and
young audiences alike.
Each of the 3 sets
contains four individual
pieces. Pricing will make
these sets a bargain for
directors of young
orchestras. Optional
Violin 3 parts are
available to reinforce or
substitute for viola. A
piano part, which is not
required for performance,
is included to be helpful
to beginning
orchestras.
