Telemann, Georg Philipp Gott der Hoffnung erfülle euch TVWV 1:634 Cantata for Whit Sunday In 1717 Telemann composed his cantata 'Gott der Hoffnung erfülle euch' for the first day of Whitsun based on a text by Erdmann Neumeister. It forms part of the 'Concerten-Jahrgang', also known as 'Das Harmonische Zion' or 'Italienischer Jahrgang' where all the cantatas are conceived as concertos for vocal and instrumental parts and have been colourfully scored. This particular work includes two oboes, two Corni da Caccia and strings. Vocal soloists, choir and instruments alternate and have equal musical standing in this festive Whitsun cantata which provides a valuable addition to the church service or concert repertoire. ' Urtext edition based on 'Georg Philipp Telemann, Musical Works' ' Cantata for the first day of Whitsun ' Ideal for church services and concerts ' An attractive addition to the repertoire with a view to the 250th anniversary of Telemann's death (2017) Edition no.: BA 5898-90 ISMN: 9790006562688 Editor: Richter, Maik Language(s) of work: German Language(s) of text: German, English Product format: Piano reduction, Urtext edition Binding: Stapled Pages / Format: VI, 21 S. - 27,0 x 19,0 cm

Par KHACHATURIAN ARAM. Partition d'orchestre de la suite No. 1 de Gayaneh au format A4, 140 pages sous couverture. Nouvelle gravure./ Répertoire / Orchestre

Par MAHLER GUSTAV. In this great work, first published in 1912, Mahler experimented with the four-movement symphonic form, producing a masterpiece of musical innovation, satiric writing and poetic drama expressed in purely instrumental terms. Now the full orchestral score of the Ninth Symphony is available in this inexpensive, high-quality edition, reprinted from an authoritative Viennese score. Music lovers and admirers of Mahler's work will find in these pages abundant evidence of the fresh and formidable thinking the composer brought to this monumental composition. One of the last composers of the great Romantic tradition, Mahler possessed a strong sense ofthe dramatic in life. He chose to record that drama in nine magnificent symphonies, all works of vivid orchestration, innovative symphonic structure, and rich emotional expression./ Répertoire / Orchestre

Suk, Josef Meditation on the Old Czech Hymn St Wenceslas for String Quartet op. 35a Josef Suk played second violin in the Bohemian String Quartet. Since 1914 the ensemble was obliged to perform the Austrian national anthem at the opening of every concert. Suk decided to supplement this obligatory piece with a work inspired by the ancient sacred Bohemian 'St. Wenceslas' hymn. The hymn's message ' a plea for the well-being of the Czech people, directed at their patron saint ' was immediately understood by the audience. The Bohemian String Quartet performed this single-movement Meditation for the first time on 27 September 1914; the premiere of the version for string orchestra followed on 22 November 1914, played by the Czech Philharmonic. That same year the piece was published by Fr. A. Urbánek together with arrangements for piano and organ. This first Urtext edition, prepared by the Suk scholar Zdenek Nouza, is published in two scorings, one for string quartet (BA 9583; study score TP 583) and another for string orchestra (BA 9584). The orchestral version differs in some details and has an added part for double bass. ' First Urtext edition Edition no. TP 583 ISMN 9790260107809 Editor Nouza, Zdenek Language(s) of text Czech, English, German Product format Study score, Urtext edition Binding Stapled Pages / Format XI, 6 S. - 22,5 x 16,5 cm

Edition no.: TP 332 ISMN: 9790006202706 Editor: Kindermann, Jürgen Product format: Study score, Urtext edition Binding: Paperback Pages / Format: 25,6 x 19,0 cm

19 Bände im Versand-Schuber. Par BACH JOHANN SEBASTIAN. Awarded with the German Music Edition Prize 'Best Edition' 2008. Johann Sebastian Bach: Sämtliche Kantaten, Motetten, Choräle und Geistliche Lieder. The complete cantatas, chorales and motets in study editions in 19 volumes. This special edition exclusively offers the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. It is well presented on high quality paper and has a durable sewn binding. A MUST for everyone who is passionate about Bach´s music! No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work, or at least re-work an existing one, for every Sunday and festival of the church year, as well as for numerous secular occasions such as council inaugurations, school and university celebrations and royal birthdays. Unfortunately, not all cantatas have survived. However, over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then. Bärenreiter?s unique edition, which encompasses more than 11, 000 pages, includes all cantatas together with the motets, chorales and sacred songs in the Urtext of the ?New Bach Edition? (NBA Series I and III). As a special extra, the recently rediscovered aria ? Alles mit Gott und nichts ohn ? ihn ? is also included. Only available here is an additional volume with an introduction (German/English) by Christoph Wolff and an index. The Barenreiter study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsal purposes and even conducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices! Barenreiter presents the Complete Cantatas, Chorales and Motets in a handy, readable and affordable paperbackformat. The special ediion of 19 volumes (including an index) exclusively offers the authoritative musical text of these masterworks. Each volume is printed on high quality paper and has a durable sewn binding A must for everyone who is passionate about Bach's music. These scores are the last word in Bach scholarship and an extraordinary publishing achievement / Mottet / Répertoire / Partition de Poche

Par LARUETTE JEAN-LOUIS. D'un petit volume déniché un peu par hasard à la bibliothèque de l'Arsenal a germé, après un jeu de piste passionnant, un opéra-comique : Cendrillon. C'est une ?uvre à tiroir, reflet d'une époque très particulière de la musique française, se glissant entre la fin du baroque flamboyant et le classicisme naissant. Le compositeur mêle des airs célèbres d'opéras (qu'il emprunte à des compositeurs comme Jean-Philippe Rameau, Egidio Duny, les parodiant parfois), à des chants populaires (les vaudevilles qui, par référence au texte original, permettaient le jeu de mot, le double sens) et compose ses propres pièces, qu'il adapte parfaitement au texte du librettiste Louis Anseaume. Rejouée pour la première fois en 2005 en version concert par l'ensemble Les Monts du Reuil à Vincennes, cette Cendrillon de 1759 n'a pas été sans poser beaucoup de questions. Nous tenions à respecter l'esprit d'une interprétation « baroque » attentive, tout en acceptant l'espace de liberté et de création suggéré par le genre. Nos choix s'appuient sur les conseils de musicologues et nous assumons la part évidente d'incertitude inhérente à l'interprétation d'un opéra-comique en vaudevilles de cette période. Soulignons que c'est devant la grande qualité du livret de Louis Anseaume et des airs de Jean-Louis Laruette que nous avons entrepris ce travail : Cendrillon nous dévoile un compositeur sensible qui s'exprime en demi-teintes et nous touche par ses mélodies tendres et délicates./ Répertoire / Conducteur

Edition no.: TP 17 ISMN: 9790006200153 Editor: Landon, H. C. Robbins Language(s) of text: English, German Product format: Study score, Urtext edition Binding: Stapled Pages / Format: VI, 80 S. - 22,5 x 16,5 cm

Eine kleine Nachtmusik' '... written with ease, but skillfully refined' 'Eine kleine NachtMusick' is how Mozart entered the Serenade in G major in his personal catalogue of works on 10 August 1787. It was written without any known incentive or commission during the time that Mozart was composing 'Don Giovanni', a time when he was celebrating his greatest success as an opera composer. The work is one of the jewels of Mozart's output, combining bright radiance and a natural simplicity with brilliant refinement. Similarly, the autograph manuscript of this perfect masterpiece is captivating because of its balanced clarity and beautiful handwriting. The manuscript was inaccessible to the public for almost half a century, but now Bärenreiter has received exclusive permission to produce a new facsimile of Mozart's original. The edition reproduces the facsimile pages as individual sheets and leaves, reflecting the way the original copy has survived. These pages ' in high-quality colour printing, each trimmed individually ' are presented in a handsome box. This is accompanied by a booklet with an introductory text by Wolfgang Rehm including information on the genesis of the composition and the various aspects of the autograph manuscript. 'The fact that it's all over town does not alter anything in the quality of this occasional piece written with ease but skillfully refined.' (Wolfgang Hildesheimer) BÄRENREITER FACSIMILE The seal is used exclusively for facsimile editions published by Bärenreiter which meet the highest demands in both scholarly and technical terms. The distinguishing features include: - a facsimile in high-quality colour printing - scholarly commentary 'Facsimile of the autograph score KV 525 'Introduction: 'I. 1787: The work. Its background, genesis, significance and impact 'II. The Autograph. Its clear, its twisted paths 'Notes and References 'Einführung: 'I. 1787: Das Werk. Sein Umfeld, seine Entstehung, Bedeutung und Wirkung 'II. Das Autograph. Seine eindeutigen, seine verschlungenen Pfade 'Anmerkungen 'Watermark No. 55 'Facsimile of the autograph fragment KV 525a Edition no.: BVK 2282 ISBN: 9783761822821 Volume / Series: Documenta musicologica II/46 / Bärenreiter Facsimile Editor: Rehm, Wolfgang Language(s) of work: German, English Product format: Facsimile Binding: in a case Pages / Format: 38 S. - 25,4 x 34,0 cm