SKU: KN.9951

UPC: 822795099515.

This grade 4 arrangement contains selected themes from the 1st Movement of Symphony No. 41, K. 551. This was Wolfgang Amadeus Mozart's last symphony composed before his death, and clearly shows his brilliance as a composer. Mozart's adventurous approach to the material paves the way for Beethoven. Each set includes three copies of the 3rd Violin/Viola T.C. piano part. Duration 4:00.

SKU: AP.40494

UPC: 038081453712. English.

Gone are the winds---Bach's great music remains. But, it is not merely giving the horn parts to the violas. This is a reworking that maintains the integrity of the music adapted for new instrumentation. Scored with four violin parts and two viola parts, this piece can be performed effectively using single or multiple players on each part. The antiphonal writing highlights the contrapuntal genius of this masterpiece. Perfect for festival, to feature students, or as an opener or closer! This title is available in MakeMusic Cloud.

SKU: AP.48088

ISBN 9781470661083. UPC: 038081550916. English.

Allegro non troppo by Johannes Brahms, arranged by Robert Seiving, features a folk-like, yet mature theme that is shared across all the sections. This approachable, yet sophisticated arrangement with minimal rhythmic independence builds confidence. Limited 3rd positions are required of Violin I. (2:35) This title is available in MakeMusic Cloud.

SKU: HL.51489030

UPC: 196288093763. 6.75x9.5x0.505 inches.

Brahms composed his Triumphlied for eight-part chorus, solo baritone and orchestra as a direct reaction to the victory of the German army in the Franco-Prussian War of 1870/71 and the consequent founding of the German Empire. Similar to the German Requiem completed shortly before, Brahms himself compiled the text from the Bible, in this case from Chapter 19 of the Book of Revelations. Because of the somewhat melodramatic tone of the composition and the nationalistic background to the works genesis, in recent years the Triumphlied has seldom been heard in concert halls. Unlike overly-patriotic occasional works such as Richard Wagner's Kaisermarsch, the Triumphlied is true Brahms and is a musically rich composition. This study edition takes the musical text from the Brahms Complete Edition (HL 51486030), thereby representing the highest scholarly precision. The Appendix contains an exciting new discovery, a previously-unknown early version of the 1st movement in C major, which was only rediscovered in 2012 in Bremen.

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SKU: AP.40494S

UPC: 038081453729. English.

Gone are the winds---Bach's great music remains. But, it is not merely giving the horn parts to the violas. This is a reworking that maintains the integrity of the music adapted for new instrumentation. Scored with four violin parts and two viola parts, this piece can be performed effectively using single or multiple players on each part. The antiphonal writing highlights the contrapuntal genius of this masterpiece. Perfect for festival, to feature students, or as an opener or closer! This title is available in MakeMusic Cloud.

SKU: AP.48088S

ISBN 9781470661090. UPC: 038081550923. English.

Allegro non troppo by Johannes Brahms, arranged by Robert Seiving, features a folk-like, yet mature theme that is shared across all the sections. This approachable, yet sophisticated, arrangement with minimal rhythmic independence builds confidence. Limited 3rd positions are required of Violin I. (2:35) This title available in MakeMusic Cloud.

SKU: HL.48024806

ISBN 9781784543792. UPC: 888680978648. 8.25x11.75 inches.

Scored for baritone solo, small 'narrator' chorus, large chorus and orchestra, MacMillan's first Passion setting was composed in 2007. Lasting 87 minutes the work is divided into two parts, with 10 movements overall. As Paul Spicer has commented, “The originality of the St John Passion lies in MacMillan's ability to mix old with new, rather in the manner of Bach in his day. There are passages of sumptuous polyphony and there is a fresh look at the text where passages of Latin are interspersed with the Gospel story in English. In movement seven ('Jesus and his Mother'), MacMillan introduces not only part of the Stabat Mater but also his own words ('Lully, lulla, my dear darling'). The final movement, which is purely orchestral, is a kind of via doloroso march with a Scots lament over quite brass chords. The string writing here, with its elegiac cello lines, is deeply reminiscent of the early 20th-century English school. This should be the War Requiem of the 21st century.&rdquo.