Version of 1851 - Urtext. Composed by Robert Schumann. Edited by Joachim Draheim. Symphony. Orchester-Bibliothek (Orchestral Library). The 5 study scores of the symphonies (incl. early version of the 4 th symphony) in slipcase are temporarily out of print. The single editions are, however, still available. Romantic. Double bass part. Breitkopf and Haertel #OB 5264-27. Published by Breitkopf and Haertel (BR.OB-5264-27). 0.48

(study score). By Robert Schumann. Edited by Joachim Draheim. Breitkopf Full Scores. Parts, Urtext. 172 pages

By George E. Strombeck. For Mixed Large Ensemble. Large Ensemble for Mixed Large Ensemble. Meter: 3/4, 4/4. Traditional. Level: 1.5-2.5. Duration 1'30". Published by David E. Smith Publications.

Orchestra

SKU: HL.49044904

Composed by Robert Schumann. Edited by Ute Scholz. This edition: Full-cloth binding. Sheet music. Edition Schott. Hardcover. Op. 120. 344 pages. Schott Music #RSA1004. Published by Schott Music (HL.49044904).

ISBN 9783795793388. 10.0x13.25x1.3 inches.

The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editorial techniques and presented in their entirety. Drafts, sketches and fragments, in short, everything that has come down to us as being authentically by Schumann and which, in most cases, has been deliberately preserved by him, will be brought together, evaluated as to its importance and documented in some form or other in the edition of the complete works.It is the aim of the edition to reproduce authentic texts which - having corrected scribal, copying and printing errors and eradicated later additions and other textual corruptions - will approach as closely as is possible the intention of the originals.The critical edition will form the basis of accurate performance material for Robert Schumann's work.

Arranged by David Clydesdale. Modern Christian, Sacred, Orchestral, Easter. Orchestration. Duration 4'02. Published by Word Music (WD.080689339578).

By Robert Schumann. Edited by Joachim Draheim. For orchestra (violin 1). This edition: urtext. Orchester-Bibliothek (Orchestral Library). Individual part. 12 pages. Published by Breitkopf and Haertel . individual part.

By Robert Schumann. Edited by Joachim Draheim. For orchestra (violin 2). This edition: urtext. Orchester-Bibliothek (Orchestral Library). Individual part. 16 pages. Published by Breitkopf and Haertel . individual part.

(Op. 49). By Piotr Ilyich Tchaikovsky [Peter Ilyich Tchaikovsky]. Arranged by Jerry Brubaker. Orchestra. Full Orchestra; Masterworks; Score. Belwin Concert Full Orchestra. Form: Overture; Transcription. Masterwork Arrangement; Romantic. Grade 4. 28 pages.

(Op. 49). By Piotr Ilyich Tchaikovsky [Peter Ilyich Tchaikovsky]. Arranged by Jerry Brubaker. Orchestra. Full Orchestra; Masterworks; Part(s); Score. Belwin Concert Full Orchestra. Form: Overture; Transcription. Masterwork Arrangement; Romantic. Grade 4. 214 pages. Published by Belwin Publishing

Orchestra (2.2.2.2/4.2.3.0,timp,str )

SKU: TM.07195SC

Composed by Franz Schubert. Score. Lucks Music Library #A8069. Published by Lucks Music Library (TM.07195SC).

1st Noel. parts double-so this can be played strings only; cembalo in score.

Orchestra (0.2.0.0/2.0.0.0,str,viol in solo)

SKU: TM.00522SC

Composed by Wolfgang Amadeus Mozart. Edited by Joachim. Score. Lucks Music Library #A1774. Published by Lucks Music Library (TM.00522SC).

Sc and solo in set. Cem in sc.

Orchestra (2.2.2.2/4.2.3.0,timp,str )

SKU: TM.07195SET

Composed by Franz Schubert. Set Type: D. Set of parts. Lucks Music Library #A8069. Published by Lucks Music Library (TM.07195SET).

1st Noel. parts double-so this can be played strings only; cembalo in score.

Orchestra (0.2.0.0/2.0.0.0,str,viol in solo)

SKU: TM.00522SET

Composed by Wolfgang Amadeus Mozart. Edited by Joachim. Set Type: D. Set of parts. Lucks Music Library #A1774. Published by Lucks Music Library (TM.00522SET).

Trans: horns. Solo/pf.

Junior orcestra - Grade 1

SKU: RM.DEVO02310-CO

Composed by Jacques Devogel. Winds and strings or solo winds. Orchestra. Conductor's score. Duration 4 minutes. Editions Robert Martin #DEVO02310-CO. Published by Editions Robert Martin (RM.DEVO02310-CO).

Junior orcestra - Grade 1

SKU: RM.DEVO02310-BA

Composed by Jacques Devogel. Winds and strings or solo winds. Orchestra. Full set. Duration 4 minutes. Editions Robert Martin #DEVO02310-BA. Published by Editions Robert Martin (RM.DEVO02310-BA).

ISBN 9790231023107.

Cond ucteur BT Partie separee R.

Orchestra (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str)

SKU: BR.PB-5559-07

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

Tchaikovsky's Hamburg Symphony in the Urtext

Symphony; Romantic. Study Score. 208 pages. Duration 44'. Breitkopf and Haertel #PB 5559-07. Published by Breitkopf and Haertel (BR.PB-5559-07).

ISBN 9790004213698. 6.5 x 9 inches.

Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.

Tch aikovsky's Hamburg Symphony in the Urtext.

Orchestra (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str)

SKU: BR.PB-5558

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

Tchaikovsky's Hamburg Symphony in the Urtext

Symphony; Romantic. Full score. 212 pages. Duration 44'. Breitkopf and Haertel #PB 5558. Published by Breitkopf and Haertel (BR.PB-5558).

ISBN 9790004213681. 10 x 12.5 inches.

Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.

Tch aikovsky's Hamburg Symphony in the Urtext.

Orchestra 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum)*: Str (4-4-3-3-3 in set): Solo SATB: Mix Chor. *Organ ad limitum absent from Haas edition

SKU: AP.36-A258101

Arranged by Anton Bruckner and ed./arr. by Robert Maria Haas. Mass, Orchestra Accompaniment, Conductor Score. Critical Editions. Score. LudwigMasters Publications #36-A258101. Published by LudwigMasters Publications (AP.36-A258101).

ISBN 9798892701853. UPC: 659359980039. English.

Anton Bruckner (1824-1896) completed the 1st version of his Mass No. 3 in F minor in 1863, as Otto Kitzler was introducing him to the music of Richard Wagner, the composer he would emulate for the rest of his life. John Herbeck, who conducted the initial rehearsals for its premiere at the Augustinerkirch on June 16, 1872, warmly declared that it stood beside Beethoven's Missa Solemnis in greatness. Bruckner, often self-critical as a composer, went on to revise the work no less than four times until it was finally published it in 1894. More often heard today in the concert hall than in the church, the sprawling, hour-long work is admired today for its powerful directness. This critical edition was created in 1944 for the Bruckner Gesamtausgabe by Robert Maria Haas. Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum): Str (4-4-3-3-3 in set): Solo SATB: Mix Chor. The organ ad libitum is absent from the Haas edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Orchestra 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum)*: Str (4-4-3-3-3 in set): Solo SATB: Mix Chor. *Organ ad limitum absent from Haas edition

SKU: AP.36-A258102

Arranged by Anton Bruckner and ed./arr. by Robert Maria Haas. Mass, Orchestra Accompaniment, Conductor Score & Parts. Critical Editions. Score and Part(s). LudwigMasters Publications #36-A258102. Published by LudwigMasters Publications (AP.36-A258102).

UPC: 659359527715. English.

Anton Bruckner (1824-1896) completed the 1st version of his Mass No. 3 in F minor in 1863, as Otto Kitzler was introducing him to the music of Richard Wagner, the composer he would emulate for the rest of his life. John Herbeck, who conducted the initial rehearsals for its premiere at the Augustinerkirch on June 16, 1872, warmly declared that it stood beside Beethoven's Missa Solemnis in greatness. Bruckner, often self-critical as a composer, went on to revise the work no less than four times until it was finally published it in 1894. More often heard today in the concert hall than in the church, the sprawling, hour-long work is admired today for its powerful directness. This critical edition was created in 1944 for the Bruckner Gesamtausgabe by Robert Maria Haas. Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum): Str (4-4-3-3-3 in set): Solo SATB: Mix Chor. The organ ad libitum is absent from the Haas edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Orchestra 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum)*: Str (4-4-3-3-3 in set): Solo SATB: Mix Chor. *Organ ad limitum absent from Haas edition

SKU: AP.36-A258196

Arranged by Anton Bruckner and ed./arr. by Robert Maria Haas. Mass, Orchestra Accompaniment, Bass Part. Critical Editions. Part(s). LudwigMasters Publications #36-A258196. Published by LudwigMasters Publications (AP.36-A258196).

ISBN 9798892701891. UPC: 659359762505. English.

Anton Bruckner (1824-1896) completed the 1st version of his Mass No. 3 in F minor in 1863, as Otto Kitzler was introducing him to the music of Richard Wagner, the composer he would emulate for the rest of his life. John Herbeck, who conducted the initial rehearsals for its premiere at the Augustinerkirch on June 16, 1872, warmly declared that it stood beside Beethoven's Missa Solemnis in greatness. Bruckner, often self-critical as a composer, went on to revise the work no less than four times until it was finally published it in 1894. More often heard today in the concert hall than in the church, the sprawling, hour-long work is admired today for its powerful directness. This critical edition was created in 1944 for the Bruckner Gesamtausgabe by Robert Maria Haas.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Orchestra 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum)*: Str (4-4-3-3-3 in set): Solo SATB: Mix Chor. *Organ ad limitum absent from Haas edition

SKU: AP.36-A258195

Arranged by Anton Bruckner and ed./arr. by Robert Maria Haas. Mass, Orchestra Accompaniment, Tenor Part. Critical Editions. Part(s). LudwigMasters Publications #36-A258195. Published by LudwigMasters Publications (AP.36-A258195).

ISBN 9798892701884. UPC: 659359625268. English.

Anton Bruckner (1824-1896) completed the 1st version of his Mass No. 3 in F minor in 1863, as Otto Kitzler was introducing him to the music of Richard Wagner, the composer he would emulate for the rest of his life. John Herbeck, who conducted the initial rehearsals for its premiere at the Augustinerkirch on June 16, 1872, warmly declared that it stood beside Beethoven's Missa Solemnis in greatness. Bruckner, often self-critical as a composer, went on to revise the work no less than four times until it was finally published it in 1894. More often heard today in the concert hall than in the church, the sprawling, hour-long work is admired today for its powerful directness. This critical edition was created in 1944 for the Bruckner Gesamtausgabe by Robert Maria Haas.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Orchestra 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum)*: Str (4-4-3-3-3 in set): Solo SATB: Mix Chor. *Organ ad limitum absent from Haas edition

SKU: AP.36-A258193

Arranged by Anton Bruckner and ed./arr. by Robert Maria Haas. Mass, Orchestra Accompaniment, Soprano Part. Critical Editions. Part(s). LudwigMasters Publications #36-A258193. Published by LudwigMasters Publications (AP.36-A258193).

ISBN 9798892701860. UPC: 659359564956. English.

Anton Bruckner (1824-1896) completed the 1st version of his Mass No. 3 in F minor in 1863, as Otto Kitzler was introducing him to the music of Richard Wagner, the composer he would emulate for the rest of his life. John Herbeck, who conducted the initial rehearsals for its premiere at the Augustinerkirch on June 16, 1872, warmly declared that it stood beside Beethoven's Missa Solemnis in greatness. Bruckner, often self-critical as a composer, went on to revise the work no less than four times until it was finally published it in 1894. More often heard today in the concert hall than in the church, the sprawling, hour-long work is admired today for its powerful directness. This critical edition was created in 1944 for the Bruckner Gesamtausgabe by Robert Maria Haas.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Orchestra 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum)*: Str (4-4-3-3-3 in set): Solo SATB: Mix Chor. *Organ ad limitum absent from Haas edition

SKU: AP.36-A258194

Arranged by Anton Bruckner and ed./arr. by Robert Maria Haas. Mass, Orchestra Accompaniment, Alto Part. Critical Editions. Part(s). LudwigMasters Publications #36-A258194. Published by LudwigMasters Publications (AP.36-A258194).

ISBN 9798892701877. UPC: 659359823619. English.

Anton Bruckner (1824-1896) completed the 1st version of his Mass No. 3 in F minor in 1863, as Otto Kitzler was introducing him to the music of Richard Wagner, the composer he would emulate for the rest of his life. John Herbeck, who conducted the initial rehearsals for its premiere at the Augustinerkirch on June 16, 1872, warmly declared that it stood beside Beethoven's Missa Solemnis in greatness. Bruckner, often self-critical as a composer, went on to revise the work no less than four times until it was finally published it in 1894. More often heard today in the concert hall than in the church, the sprawling, hour-long work is admired today for its powerful directness. This critical edition was created in 1944 for the Bruckner Gesamtausgabe by Robert Maria Haas.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Orchestra - Grade 3

SKU: AP.43829

Composed by Susan H. Day. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Latin. Score and Part(s). 124 pages. Duration 3:30. Highland/Etling #00-43829. Published by Highland/Etling (AP.43829).

UPC: 038081496962. English.

Picture the matador as he waves his red cape and the crowd cheers him on! Distinguished by its Spanish influenced melodies and harmonies, this piece in 4/4 is written in D minor and E minor. Great to develop expressive playing! (3:30).