Featuring "I'll Be Home for Christmas," "Have Yourself a Very Merry Christmas," ...(+)
Featuring "I'll Be Home
for Christmas," "Have
Yourself a Very Merry
Christmas," "Santa Claus
Is Coming to Town," and
"Frosty the Snowman". By
Kim Gannon, Walter Kent,
Haven Gillespie, J. Fred
Coots, Steve Nelson, Jack
Rollins, Hugh Martin, And
Ralph Blane. Arranged by
Carl Strommen. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Level: 3
(grade 3). Conductor
Score. 24 pages.
Published by Alfred
Publishing.
Featuring "I'll Be Home for Christmas," "Have Yourself a Merry Little Christmas,...(+)
Featuring "I'll Be Home
for Christmas," "Have
Yourself a Merry Little
Christmas," "Santa Claus
Is Coming to Town," and
"Frosty the Snowman". By
Kim Gannon, Walter Kent,
Haven Gillespie, J. Fred
Coots, Steve Nelson, Jack
Rollins, Hugh Martin, And
Ralph Blane. Arranged by
Carl Strommen. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Level: 3
(grade 3). Conductor
Score and Parts. 101
pages. Published by
Alfred Publishing.
(Tanzstunden I)
Tanzschauspiel. Libretto
frei nach Moliere.
Composed by Hans Werner
Henze. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Composed
1949/1995. 172 pages.
Duration 35'. Schott
Music #ED 9456. Published
by Schott Music
(HL.49013033).
ISBN
9790001131919.
8.25x11.75x0.462
inches.
Bei der
Neuschrift des Stucks im
Winter 1995-96, funfzig
Jahre nach seiner
Entstehung (als
Buhnenmusik zu Molieres
Comedie ballet Georges
Dandin, aus der
anschliessend ein Ballett
wurde mit dem englischen
Clown Jack Pudding in der
Titelrolle), ist es mir
darum gegangen, den alten
Notentext auszulosen und
sein thematisches und
harmonisches Material
nach Kriterien zu ordnen
und zu entwickeln, die
mir seinerzeit noch nicht
zur Verfugung standen,
und die recht
skizzenhafte Anlage des
Urtexts in eine Klangwelt
heruberzutragen, die
meinen heutigen
Vorstellungen und
Wertbegriffen von Theater
und Musik entspricht und
die gleichzeitig das
heutige kulturelle Klima
Neapels widerspiegelt und
damit eine besondere Art
von Wirklichkeit, die
mich einmal so sehr
gefangengenommen,
bezaubert und beeinflusst
hat.- Hans Werner
Henze
: 1 (auch
Picc.) * 1 * 1 * 1 - 1 *
1 * 1 * 0 - P. S. (3
Trgl. * Crot. * Rohrengl.
* Trinidad steel drum * 3
hg. Beck. * 3 Tamt. * 3
Tomt. * Schellentr. * kl.
Tr. * gr. Tr. [m. u. o.
Beck.] * Bongo * Guiro *
Kast. * Ratsche *
Peitsche * Lotosfl. *
Cuica * Mar. * Putipu
[neap. Brummtopf]*
Scetavajasse [neap.
Schrapstock mit Schellen]
* Flex. * Vibr. *
Marimba) (3 Spieler) -
Klav. (auch Cel. und Akk.
ad lib.) - Str.
Orchestra (2.2.2.2/4.2.3.1,timp,str ) SKU: TM.06943SET Composed by George...(+)
Orchestra
(2.2.2.2/4.2.3.1,timp,str
)
SKU: TM.06943SET
Composed by George
Chadwick. Set Type: D.
Set of parts. Lucks Music
Library #A8037. Published
by Lucks Music Library
(TM.06943SET).
Chorus in
English (no piano
reduction); Vocal Score
in French/English; Score
in German/English.
Narrator in score and
vocal score only.
Clothbound score.
Overture, No. 1 Scherzo,
No. 2 Melodram,
Elfenmarsch (A March of
Fairies), No. 3 Lied mit
Chor (Song with Chorus),
No. 4 Melodram, No. 5
Intermezzo, No. 6
Melodram, No. 7 Notturno,
No. 8 Melodram, No. 9
Hochzeitmarsch (Wedding
March), No. 10 Melodram,
No. 11 Ein Tanz Von
Ruplein (Dance of
Clowns), No. 12 Melodram,
No. 13 Finale.
Orchestra (2.2.2.2/4.2.3.1,timp,str ) SKU: TM.06943SC Composed by George ...(+)
Orchestra
(2.2.2.2/4.2.3.1,timp,str
)
SKU: TM.06943SC
Composed by George
Chadwick. Score. Lucks
Music Library #A8037.
Published by Lucks Music
Library (TM.06943SC).
Chorus in
English (no piano
reduction); Vocal Score
in French/English; Score
in German/English.
Narrator in score and
vocal score only.
Clothbound score.
Overture, No. 1 Scherzo,
No. 2 Melodram,
Elfenmarsch (A March of
Fairies), No. 3 Lied mit
Chor (Song with Chorus),
No. 4 Melodram, No. 5
Intermezzo, No. 6
Melodram, No. 7 Notturno,
No. 8 Melodram, No. 9
Hochzeitmarsch (Wedding
March), No. 10 Melodram,
No. 11 Ein Tanz Von
Ruplein (Dance of
Clowns), No. 12 Melodram,
No. 13 Finale.
Beethoven Complete Edition, Series XI, Vol. 3 Paperbound Score. Composed by ...(+)
Beethoven Complete
Edition,
Series XI, Vol. 3
Paperbound
Score. Composed by Ludwig
van Beethoven
(1770-1827).
Edited by Susanne Cox.
Henle
Complete Edition.
Softcover.
136 pages. G. Henle
#HN4421.
Published by G. Henle
By Claude Debussy (1862-1918). Arranged by Roy Phillippe. Orchestra. Full Orches...(+)
By Claude Debussy
(1862-1918). Arranged by
Roy Phillippe. Orchestra.
Full Orchestra;
Masterworks. Belwin
Intermediate Full
Orchestra.
Impressionistic;
Masterwork. Grade 3.
Conductor Score and
Parts. 114 pages
By Johann Sebastian Bach (1685-1750). Edited by Heinrich Besseler; Hans Gruss. F...(+)
By Johann Sebastian Bach
(1685-1750). Edited by
Heinrich Besseler; Hans
Gruss. For orchestra (3
trumpets/timpani/2
oboes/2
violins/viola/basso
continuo (cello/double
bass/harpsichord)). This
edition: Stapled, Urtext
edition. Score. Text
Language: German/English.
BWV 1068. 50 pages.
Duration 24'. Published
by Baerenreiter Verlag
Final Version 1910 -
Textcritical Edition.
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
final version 1910
Symphony; Romantic;
Late-romantic. Set of
parts. 1674 pages.
Duration 54'. Breitkopf
and Haertel #OB 5631-60.
Published by Breitkopf
and Haertel
(BR.OB-5631-60).
ISBN
9790004343661. 10.5 x 14
inches.
The
Symphony No. 1
(originally in five
movements) was first
performed in Budapest in
1889, but the premiere as
well as two further
performances in Hamburg
and Weimar turned out to
be a fiasco. After 1894
Mahler removed the
Blumine-movement. Until
the last performance
under his direction in
New York in 1909, Mahler
made revisions again and
again. This edition
strives to present a, for
the performance practice,
reliable music text of
the final extant version
that in 1910 Mahler
corrected and deemed
accurate for the new
print. The Editorial
Report gives detailed
information on the
provenance and evaluation
of the sources as well as
authentic annotations on
performance practice.
Individual comments
document editorial
interventions and
deviations from current
editions.The cloth-bound
volume PB 5661 contains
next to the final version
of the four-movement
Symphony, the Blumine
movement.Le format permet
une lisibilite parfaite;
le materiel a ete realise
en tenant compte des
conseils des
bibliothecaires de grands
orchestres.
Particulierement precieux
pour les non-germanistes,
on trouve en fin de
volume un glossaire
traduisant les
indications de Mahler de
l'allemand vers l'anglais
(ou l'italien). (Alain
Paris, La Lettre du
Musicien).
Final
Version 1910 -
Textcritical Edition.
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
final
version 1910
Symphony; Romantic;
Late-romantic. Full
score. 200 pages.
Duration 54'. Breitkopf
and Haertel #PB 5631.
Published by Breitkopf
and Haertel (BR.PB-5631).
ISBN 9790004215289.
10.5 x 14
inches.
The
Symphony No. 1
(originally in five
movements) was first
performed in Budapest in
1889, but the premiere as
well as two further
performances in Hamburg
and Weimar turned out to
be a fiasco. After 1894
Mahler removed the
Blumine-movement. Until
the last performance
under his direction in
New York in 1909, Mahler
made revisions again and
again. This edition
strives to present a, for
the performance practice,
reliable music text of
the final extant version
that in 1910 Mahler
corrected and deemed
accurate for the new
print. The Editorial
Report gives detailed
information on the
provenance and evaluation
of the sources as well as
authentic annotations on
performance practice.
Individual comments
document editorial
interventions and
deviations from current
editions.The cloth-bound
volume PB 5661 contains
next to the final version
of the four-movement
Symphony, the Blumine
movement.Le format permet
une lisibilite parfaite;
le materiel a ete realise
en tenant compte des
conseils des
bibliothecaires de grands
orchestres.
Particulierement precieux
pour les non-germanistes,
on trouve en fin de
volume un glossaire
traduisant les
indications de Mahler de
l'allemand vers l'anglais
(ou l'italien). (Alain
Paris, La Lettre du
Musicien).
Final
Version 1910 -
Textcritical Edition.
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; Linen.
Partitur-Bibliothek
(Score Library).
final
version 1910
Symphony; Romantic;
Late-romantic. Full
score. 212 pages.
Duration 54'. Breitkopf
and Haertel #PB 5661.
Published by Breitkopf
and Haertel (BR.PB-5661).
ISBN 9790004215982.
10.5 x 14
inches.
The
Symphony No. 1
(originally in five
movements) was first
performed in Budapest in
1889, but the premiere as
well as two further
performances in Hamburg
and Weimar turned out to
be a fiasco. After 1894
Mahler removed the
Blumine-movement. Until
the last performance
under his direction in
New York in 1909, Mahler
made revisions again and
again. This edition
strives to present a, for
the performance practice,
reliable music text of
the final extant version
that in 1910 Mahler
corrected and deemed
accurate for the new
print. The Editorial
Report gives detailed
information on the
provenance and evaluation
of the sources as well as
authentic annotations on
performance practice.
Individual comments
document editorial
interventions and
deviations from current
editions.The cloth-bound
volume PB 5661 contains
next to the final version
of the four-movement
Symphony, the Blumine
movement.Le format permet
une lisibilite parfaite;
le materiel a ete realise
en tenant compte des
conseils des
bibliothecaires de grands
orchestres.
Particulierement precieux
pour les non-germanistes,
on trouve en fin de
volume un glossaire
traduisant les
indications de Mahler de
l'allemand vers l'anglais
(ou l'italien). (Alain
Paris, La Lettre du
Musicien).
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos J...(+)
Orchestra
SKU:
BA.BA06861
Sinfonie
(1923-1928). Composed
by Leos Janacek. Arranged
by Leoš Faltus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek H/3.
Complete edition, Score,
Set of parts. Duration 40
minutes. Baerenreiter
Verlag #BA06861_00.
Published by Baerenreiter
Verlag (BA.BA06861).
ISBN 9790260104211.
34.3 x 27 cm
inches.
Leoš
Janácek’s
symphonic fragment Dunaj
(The Danube) dates from
the period of the
composition of
“Katya
Kabanovaâ€. The
composer was not
concerned with a
musical-picturesque
description of a river
landscape, but with the
mythical link between
women’s destinies
and
water.
“Pale
green waves of the
Danube! There are so many
of you, and one followed
by another. You remain
interlocked in a
continuous flow. You
surprise yourselves where
you ended up – on
the Czech shores! Look
back downstream and you
will have an impression
of what you have left
behind in your haste. It
pleases you here. Here I
will rest with my
symphony.†Thus
Leoš Janácek
described the idea behind
the composition project
which occupied him in
1923/24. However, after
further work, it remained
incomplete in 1926. His
“symphonyâ€
entitled Dunaj has
survived as a
continuously-notated,
four-movement bundle of
sketches in score form.
It is one of the works
which occupied him until
his death. The scholarly
reconstruction by the two
Brno composers Miloš
Štedron and Leoš
Faltus closely follows
the original
manuscript.
A
whole conglomeration of
motifs stands behind the
incomplete work. What at
first seems like a
counterpart to
Smetana’s Vltava,
in fact doesn’t
turn out to be a musical
depiction of the Danube.
On the contrary, the
fateful link between the
destiny of women, water
and death permeates the
range of motifs found in
the work. It seems to be
no coincidence that
Janácek, whilst
working on the opera
Katya Kabanova, in which
the Volga, as the river
bringing death plays an
almost mythical role,
planned a Danube
symphony, and that its
content was linked with
the destiny of women: in
the sketches, two poems
were found which may have
provided the stimulus for
several movements of the
symphony. He copied a
poem by Pavla
Kriciková into the
second movement, in which
a girl remarks that
whilst bathing in a pond,
she was observed by a
man. Filled with shame,
the young naked woman
jumps into the water and
drowns. The outer
movements likewise draw
on the poem
“Lola†by the
Czech writer Sonja
Špálová,
published under the
pseudonym Alexander
Insarov. This is about a
prostitute who asks for
her heart’s
desire: she is given a
palace, but then goes on
a long search for it and
is finally no longer
wanted by anyone. She
suffers, feels cold and
just wants a warm fire.
Janácek adds his
remark “she jumps
into the Danube†to
the inconclusive
ending.
To these
tangible literary models
is added Adolf
Veselý’s verbal
account which reports
that the composer wanted
to portray “in the
Danube, the female sex
with all its passions and
driving forcesâ€.
The third movement is
said to characterise the
city of Vienna in the
form of a
woman.
It is
evident that in his
composition, Janácek
was not striving for a
simple, natural lyricism.
The River Danube is
masculine in the Slavic
language –
“ten Dunajâ€
– and assumes an
almost mythical
significance in the
national character,
indeed often also a role
bringing death. The four
movements are motivically
conceived. Elements of
sound painting, small
wave-like figures in the
first movement, motoric,
driving movements in the
third are obvious
evocations of water. And
the content and the
literary level are easy
to discover. The
“tremolo of the
four timpaniâ€,
which was amongst
Janácek’s first
inspirations, appears in
the second movement. It
is not difficult to
retrace in it the fate of
the drowning bather. The
oboe enters lamentoso
towards the end of the
movement over timpani
playing tremolo, its
descending figure is
taken over by the flute,
then upper strings and
intensified considerably.
The motif of drowning
– Lola’s
despair – returns
again in the fourth
movement in the clarinet,
before the work ends
abruptly and
dramatically.
One
special effect is the use
of a soprano voice in the
motor-driven third
movement. The singer
vocalises mainly in
parallel with the solo
oboe, but also in
dialogue with other parts
such as the viola
d’amore, which
Janácek used in
several late works as a
sort of “voice of
loveâ€.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Fete with a Prologue and 3 Acts. Composed by Jean- Philippe Rameau (1683-1764)....(+)
Fete with a Prologue and
3
Acts. Composed by Jean-
Philippe Rameau
(1683-1764).
Edited by Julien
Dubruque.
This edition: urtext
edition.
Paperback. Symphonies /
Versions of 1746 and
1745.
Score, anthology. RCT 59.
Baerenreiter Verlag
#BA07563.
Published by Baerenreiter
Verlag
Orchestra SKU: HL.14027979 Composed by Poul Ruders. Music Sales America. ...(+)
Orchestra
SKU:
HL.14027979
Composed
by Poul Ruders. Music
Sales America. Score. 111
pages. Edition Wilhelm
Hansen #KP00695.
Published by Edition
Wilhelm Hansen
(HL.14027979).
ISBN
9788759888780.
English.
Corona -
The Solar Trilogy No. 3
for Orchestra was
composed by Poul Ruders
in 1995. Programme note:
CORONA makes the final
part of the
SOLAR-TRILOGY, a huge
symphonic triptych about
the life and behavior of
the Sun. The first'panel'
GONG depicts the birth,
life and final collapse
of our nearest star, the
second ZENITH describes
in its ultra-slow tempo
the patient rise of the
Sun toward midday
ferocity and its
subsequent setting.
CORONA, then, is a
symphonic 'portrait' of
the phenomenally hot
whispy brim encircling
and radiating from the
Sun, a sizzling halo of
electrons and photons
visible only during a
total eclipse. Formally
CORONA follows the
process of such
totalityin progress:the
gradual eclipsing by the
Moon - total darkness
with thefierce, sparkling
outer corona - the
gradual 'rebirth' of the
light toward the full
gl.ory and warmth of the
Sun.Besides the obvious
astronomical narrative of
the SOLAR-TRILOGY there's
a metaphysical angle too,
underlying each of the
three compositions: GONG,
in spite of its apparent
energy, may be the most
pessimistic of them all,
epitomizing the death and
ultimate annihilation of
the prime source of Life
itself. ZENITH is a
hommage to human
aspiration and spiritual
endurance and CORONA ends
with Hope and Glory after
a journey from depression
throughtotal despair.
Super-structurally, the
zenith of ZENITH makes
the zenith of the entire
trilogy, i.e. when the E-
flat of the unisone horns
in ZENITH is heard, we
are exactly halfway
through the collected
work. Poul Ruders.
Orchestra SKU: HL.14023201 Composed by Erik Norby. Music Sales America. C...(+)
Orchestra
SKU:
HL.14023201
Composed
by Erik Norby. Music
Sales America. Classical.
Score. Composed 2002. 48
pages. Edition Wilhelm
Hansen #WH29353.
Published by Edition
Wilhelm Hansen
(HL.14023201).
ISBN
9788759860250.
International (more than
one
language).
Orchestr
ation: 3(pic)(2afl).+
pic.3+ca.3+bcl.3+cbn/6.4.
4.1/timp.perc/hp/pf/str
THE RAINBOW SNAKE is an
Indian legend about how
the rainbow came into
being. It is said that a
snake heard the Indians
grieving over a very long
drought and the
unfruitfulness of the
land, so it wound itself
into a ball and wasthrown
high into the air. It
unwound itself again and
grew longer and longer
until b And since then -
every time it rains while
the sun is shining - the
snake has stretched its
supple body across the
sky.
Orchestra - Grade 3 SKU: AP.48052 Arranged by Dan Forrest and string orch...(+)
Orchestra - Grade 3
SKU: AP.48052
Arranged by Dan Forrest
and string orchestra
setting by Kirk Moss.
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Concert String Orchestra.
Christmas; Traditional.
Score and Part(s). 128
pages. Duration 4:45.
Belwin Music #00-48052.
Published by Belwin Music
(AP.48052).
ISBN
9781470652319. UPC:
038081554297. English.
Traditional English
Carol.
Perform this
famous setting of the
beloved traditional
English carol, The First
Noel, newly scored for
string orchestra with
piano or harp
accompaniment by Kirk
Moss. The piece can stand
alone or be paired with
Dan Forrest's choral
setting, and its
captivating musical
message will touch the
hearts of performers and
listeners alike. The
setting sits so well for
strings that either a
younger ensemble or the
most advanced students
can perform it. Highly
recommended! (4:45).
Orchestra - Grade 3 SKU: AP.48052S Arranged by Dan Forrest and string orc...(+)
Orchestra - Grade 3
SKU: AP.48052S
Arranged by Dan Forrest
and string orchestra
setting by Kirk Moss.
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Concert String Orchestra.
Christmas; Traditional.
Score. 16 pages. Belwin
Music #00-48052S.
Published by Belwin Music
(AP.48052S).
ISBN
9781470652401. UPC:
038081554303. English.
Traditional English
Carol.
Perform this
famous setting of the
beloved traditional
English carol, The First
Noel, newly scored for
string orchestra with
piano or harp
accompaniment by Kirk
Moss. The piece can stand
alone or be paired with
Dan Forrest's choral
setting, and its
captivating musical
message will touch the
hearts of performers and
listeners alike. The
setting sits so well for
strings that either a
younger ensemble or the
most advanced students
can perform it. Highly
recommended!
String Orchestra standard
string orchestra (88555)
- Grade 4
SKU:
KN.KEN10119
(Inner
Mongolian folk song).
Composed by Traditional.
Arranged by Albert Wang.
Solo or Ensemble. Apex
String Orchestra. Score
and set of parts.
Duration 3 minutes, 40
seconds. Kendor Music Inc
#KEN10119. Published by
Kendor Music Inc
(KN.KEN10119).
UPC:
822795101195.
The
Inner Mongolia Autonomous
Region, which shares its
northern border with the
Republic of Mongolia and
Russia, is China's third
largest province. This
popular folk song
describes dawn and dusk
in this land of vast
grasslands-- blue skies,
white clouds, gentle
breezes, and a flock of
sheep that look like
silver spilled on the
prairie. Solos for violin
and cello offer the
perfect opportunity to
feature and challenge
your star players.
Duration 3:40.
Orchestra (solo: T - choir: SATB - picc.2.2.2.2 - 6(davon 2 hinter der Buhne ad ...(+)
Orchestra (solo: T -
choir: SATB -
picc.2.2.2.2 - 6(davon 2
hinter der Buhne ad
lib).2.3.0 - timp - str)
SKU: BR.PB-5092-07
Fragment of an
Opera. Composed by
Robert Schumann. Edited
by Joachim Draheim.
Softcover.
Partitur-Bibliothek
(Score Library). Opera;
Music theatre; Romantic.
Study Score. 40 pages.
Duration 7'. Breitkopf
and Haertel #PB 5092-07.
Published by Breitkopf
and Haertel
(BR.PB-5092-07).
ISBN
9790004208434. 5.5 x 7.5
inches.
Die
Aufzahlung von Schumanns
Opernplanen gleicht einem
abenteuerlichen Streifzug
quer durch die
Literaturgeschichte.
Seinem ,,Haushaltbuch II,
einer Art Tagebuch,
konnen wir entnehmen,
dass er sich am 28.Juni
1844 plotzlichmit dem
,,Corsar von Byron
befasste. Schumann war
zunachst von dem Stoff so
begeistert, dass er
sofort mit der
Komposition begann, noch
ehe der Plan wirklich
ausgereift war, aber
schon einen Monat spater
wandte er sich einer
anderen Arbeit zu,
namlich den Faust-Szenen,
die ihn bis 1853
beschaftigen sollten.Von
einer Ouverture ist
nichts bekannt, ein
einleitender ,,Chor der
Corsaren, in dem diese -
mit ihren Frauen, denn es
ist ein gemischter Chor!
- in enger textlicher
Anlehnung an den Anfang
des Byronschen Versepos
ihr wildes, ungebundenes
Leben auf dem Meer
besingen, wurde in
vollstandiger Partitur
niedergeschrieben. Ihm
schliesst sich, ebenfalls
vollstandig
instrumentiert, ein
Nachspiel an, das durch
seine zauberhafte
romantische Stimmung
gefangennimmt. Ein
c-uroll Akkord schlagt
die harmonische Brucke
zur Nr. 2 (Arie des
Conrad), die in B-dur
steht und mit den fur
Schumann so typischen
punktierten Figuren den
Titelhelden als
Kampfernatur zu
charakterisieren sucht.
Doch schon nach 5 Takten
bricht die Partitur ab,
von der Singstimme sind
noch weitere 6 Takte, am
Schluss ohne Text,
niedergeschrieben.Die
Urauffuhrung fand am 25.
April 1981 im Rahmen
eines konzertanten
Opernabends mit dem Titel
,,Opernfragmente der
Romantik im Badischen
Staatstheater Karlsruhe
statt.
Full Score.
Composed by Oscar
Hammerstein and Richard
Rodgers. Arranged by
Bruce Chase. Orchestra.
Broadway. 80 pages.
Published by Hal Leonard
(HL.348847).