Facade Entertainments by William Walton (1902-1983). Arranged by David Lloyd-Jones. Narrator, flute ( piccolo), clarinet ( bass clarinet), alto saxophone, trumpet in C, percussion, cello (1-2 players); Percussion: snare drum, cymbal, triangle, Chinese block, castanets, tambourine, jingles). Scores. William Walton Edition. Walton Edition. Full score. 272 pages. Duration 50'. Published by Oxford University Press

Combo (alto saxophone, tenor saxophone, bugle, trombone, piano, guitar, bass, drumset)

SKU: RM.SL10508

Composed by Jean Courtioux. Combo. Orchestra. Duration 12 minutes. Editions Robert Martin #SL10508. Published by Editions Robert Martin (RM.SL10508).

ISBN 9790231095081.

Combo (2 flutes, 2 clarinets, 2 alto saxophones, tenor saxophone, baritone saxophone)

SKU: RM.SL10510

Composed by Jean Pierre Solves. Combo. Orchestra. Editions Robert Martin #SL10510. Published by Editions Robert Martin (RM.SL10510).

ISBN 9790231095104.

Composed by David Shipps. For orchestra. Allegis. Medium. Orchestration, enhanced CD. Lillenas Publishing Company #765762213104. Published by Lillenas Publishing Company

Composed by David Shipps. Allegis. Orchestration, enhanced CD. Allegis #765762192607. Published by Allegis (LO.765762192607).

Composed by Robert Lowry. Arranged by Tom Payne and Ed Hogan. For orchestra. Allegis. Sacred, hymn. Medium. Score and CD with printable parts and accompaniment tracks. 15 pages. Lillenas Publishing Company #765762213005. Published by Lillenas Publishing Company

Composed by John Moss. MusicWorks Grade 2. Concert. Score and parts (with online audio). Published by Hal Leonard

Composed by Michael Sweeney. MusicWorks Grade 3. Concert. Score and parts. Published by Hal Leonard

Composed by John Higgins. MusicWorks Grade 3. Contemporary Band. Score and parts. Published by Hal Leonard

Composed by Michael Sweeney. MusicWorks Grade 2. Concert. Score and parts (with online audio). Published by Hal Leonard

Full Score and Parts. By Sean O'Loughlin. Concert Band. For Piccolo, Flute I, Flute II, Oboe, Clarinet I, Clarinet II, Clarinet III, Alto Clarinet, Bass Clarinet, Bassoon, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Trumpet III, Horn I, Horn II, Tenor I, Tenor II, Euphonium, Tuba, Marimba, Chimes, Bells, Vibes, Timpani, Snare Drum, Bass Drum, Suspended Cymbal, Tom-Tom, Triangle, Whip, Tam-Tam, Log Drums. Carl Fischer Concert Performance Series. Level: Grade 3-3.5. Score and Set of Parts. 32 pages. Published by Carl Fischer.

By Gioachino Rossini. Edited by Tommy J. Fry. Arranged by Erik W. G. Leidzen. Concert Band. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, English Horn, Clarinet I, Clarinet II, Clarinet III, Bass Clarinet, Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Trumpet III, Trumpet IV, Horn I, Horn II, Horn III, Horn IV, Tenor I, Tenor II, Tenor III, Euphonium, Tuba, Contrabass, Timpani, Snare Drum, Xylophone, Triangle, Suspended Cymbal, Bass Drum. Carl Fischer Classic Band Editions. Level: Grade 6. Score and Set of Parts. 79 pages. Duration 3:15. Published by Carl Fischer.

By Peter Ilyich Tchaikovsky. Edited by Van Ragsdale. Arranged by V. F. Safranek. Concert Band. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, Clarinet I, Clarinet II, Clarinet III, Bass Clarinet, Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Trumpet III, Trumpet IV, Horn I, Horn II, Horn III, Horn IV, Tenor I, Tenor II, Tenor III, Baritone (Bass Clef), Tuba, Contrabass, Timpani, Snare Drum, Triangle, Bass Drum. Carl Fischer Classic Band Editions. Classical. Score and Set of Parts. 60 pages. Published by Carl Fischer.

(For Orchestra). By Johann Pachelbel (1653-1706). Arranged by Philip Gordon. Orchestra. For Flute, Oboe, Clarinet I, Clarinet II, Alto Saxophone, Tenor Saxophone, Bassoon, Horn I, Horn II, Trumpet I, Trumpet II, Tenor, Tuba, Timpani, Piano and Conductor, Flute, Oboe, Clarinet I, Clarinet II, Alto Saxophone, Tenor Saxophone, Bassoon, Horn I, Horn I. Baroque. Score and parts. Standard notation. 12 pages. Duration 2:45

March. By Henry Fillmore. Edited by Robert E. Foster. Arranged by Robert E. Foster. Concert Band. For Flute, Piccolo, Oboe I, Oboe II, Clarinet I, Clarinet II, Clarinet III, Bass Clarinet, Bassoon, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Trumpet III, Trumpet IV, Horn I, Horn II, Horn III, Horn IV, Tenor I, Tenor II, Tenor III, Baritone (Treble Clef in Bb), Baritone (Bass Clef), Tuba, Snare Drum, Bass Drum. Henry Fillmore Band Series (An Authentic Fillmore Edition). Classical. Score and Set of Parts. Published by Carl Fischer.

(A Fanfare): for Band. By David Maslanka. Concert Band. For Piccolo, Flute, Oboe, Clarinet I, Clarinet II, Clarinet III, Bass Clarinet, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Trumpet III, Horn, Tenor I, Tenor II, Tenor III, Baritone (Bass Clef), Baritone (Treble Clef in Bb), Tuba, Timpani, Orchestra Bells, Xylophone, Vibraphone, Chimes, Tom-Toms, Large Suspended Cymbal, Large Suspended Cymbal, Tenor Drum, Bass Drum, Tam-Tam. Carl Fischer Classic Band Editions. Score and Set of Parts. 32 pages. Published by Carl Fischer.

(IV. Princess Leia's Theme from Episode IV: A New Hope, V. Imperial March (Darth Vader's Theme)/ The Forest Battle from Episode V: The Empire Strikes Back and Episode VI: Return of the Jedi and VI. Star Wars (Main Title) from Episode I through VI) Composed by John Williams, arranged by Robert W. Smith. Conductor's score and set of performance parts for concert band (1 - piccolo, 3 - 1st flute, 3 - 2nd flute, 2 - oboe, 2 - bassoon, 3 - 1st clarinet, 3 - 2nd clarinet, 3 - 3rd clarinet, 2 - bass clarinet, 1 - contrabass clarinet, 2 - 1st alto saxophone, 2 - 2nd alto saxophone, 1 - tenor saxophone, 1 - baritone saxophone, 3 - 1st trumpet, 3 - 2nd trumpet, 3 - 3rd trumpet, 2 - 1st horn in F, 2 - 2nd horn in F, 2 - 1st trombone, 2 - 2nd trombone, 2 - 3rd trombone, 2 - euphonium, 1 - baritone (treble clef), 4 - tuba, 2 - piano/synthesizer, 4 - mallet percussion, 1 - timpani, 4 - percussion I, 3 - percussion II). Series: Belwin Concert Band Series. Published by Alfred Publishing.

Arranged by Johnnie Vinson. MusicWorks Grade 1. Concert. Score and parts (with online audio). Published by Hal Leonard

By Charlie Parker. Edited by Jeffrey Sultanof. Arranged by Joe Lippman. For studio ensemble with alto saxophone soloist (Solo Alto Saxophone, Oboe, French Horn, 4 Violins, 2 Violas, Cello, Harp, Guitar (Optional), Piano, Bass, Drums). Ballad. Difficult. Published by Jazz Lines Publications

March. By Theodore Mesang. Arranged by Sean O'Loughlin. Concert Band. For Flute, Oboe, Clarinet I, Clarinet II, Bass Clarinet, Bassoon, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Horn, Tenor, Baritone (Bass Clef), Tuba, Mallet Percussion, Timpani, Percussion I, Percussion II. Carl Fischer Young Performance Series. Level: Grade 2-2.5. Score and Set of Parts. 24 pages. Published by Carl Fischer.

By Mykola Leontovich. Arranged by Larry Clark. Text: Peter J. Wilhousky. Concert Band. For Flute, Oboe, Flute II, Clarinet I, Clarinet II, Bass Clarinet, Bassoon, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Horn, Tenor, Treble Clef Baritone, Euphonium, Tuba, Bells, Chimes, Timpani, Snare Drum, Bass Drum, Suspended Cymbal, Tambourine, Triangle. Carl Fischer Young Performance Series. Classical. Level: Grade 2-2.5. Score and Set of Parts. 20 pages. Published by Carl Fischer.

Orchestra (2252-4231-11-0-alto saxophone-tenor saxophone-baritone saxophone-3 cornets-baritone horn-double bass)

SKU: GH.CG-6018P

Ur En Vintersaga. Composed by Lars-Erik Larsson. Arranged by Stig Gustafson. Intermezzo and Epilogue from The Winter's Tale. Score. From Op. 18. Duration 3 minutes. Gehrmans Musikforlag #CG 6018P. Published by Gehrmans Musikforlag (GH.CG-6018P).

In arrangement for symphonic wind band by Stig Gustafsson.

By Ronald Lo Presti. Concert Band. For Piccolo, 8 Flute, 2 Oboe, 17 Clarinet, 4 Alto Saxophone, 2 Tenor Saxophone, 2 Baritone Saxophone, 2 Bassoon, 4 French Horn, 9 Trumpet, 6 Trombone, 4 Baritone, 6 Tuba, 3 Percussion, Timpani. Classical. Full Score. 14 pages. Duration 5:30. Published by Theodore Presser Company.

Prestige collection - Grade 5

SKU: RM.BOUT04877-CO

Composed by Roger Boutry. Prestige avec soliste. Prestige collection. Orchestra. Conductor's score. Duration 15 minutes. Editions Robert Martin #BOUT04877-CO. Published by Editions Robert Martin (RM.BOUT04877-CO).

Orchestra (3272-4231-14-0-alto saxophone-tenor saxophone-baritone saxophone-2 cornets-baritone horn-double bass)

SKU: GH.CG-7268P

Four Melodies from Leksand. Composed by Hugo Alfven. Arranged by Stig Gustafson. Score. Duration 12 minutes. Gehrmans Musikforlag #CG 7268P. Published by Gehrmans Musikforlag (GH.CG-7268P).

In arrangement for symphonic wind band by Stig Gustafson.

Prestige collection - Grade 5

SKU: RM.BOUT04877-BA

Composed by Roger Boutry. Prestige avec soliste. Prestige collection. Orchestra. Full set. Duration 15 minutes. Editions Robert Martin #BOUT04877-BA. Published by Editions Robert Martin (RM.BOUT04877-BA).

ISBN 9790231048773.

Orchestra

SKU: PR.11641867L

Composed by William Kraft. Spiral. Large Score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867L. Published by Theodore Presser Company (PR.11641867L).

UPC: 680160683215.

Conte xtures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.