By John Stafford Smith, Words By Francis Scott Key. Arranged by Peter Breiner. Music by John Stafford Smith, words by Francis Scott Key / arr. Peter Breiner. For Full Orchestra. Full Orchestra. Belwin Concert Full Orchestra. Patriotic. Level: 3 (grade 3). Conductor Score

For Orchestra. By Lukas Foss. For Piccolo, Flute, Oboe, English Horn, Clarinet, Bass Clarinet, Bassoon, Horn, Trumpet, Tenor, Tuba, Timpani, Percussion, Harp, Organ, Piano, Celesta, Violin, Viola, Cello, Contrabass. World Premiere Chicago Symphony Orchestra February 19, 1992. Classical. Full Score - Study. 104 pages. Published by Carl Fischer.

Orchestra 2.2.2.2: 4Sax(opt.; AATB; all dCl): 2.3.3.0: Perc(1): Hp(or Pno): Gtr: Str (9-8-7-6-5 in set)

SKU: AP.36-A601299

Composed by Morton Gould. Full Orchestra; Performance Music Ensemble. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A601299. Published by LudwigMasters Publications (AP.36-A601299).

ISBN 9798888522424. UPC: 676737533847. English.

Morton Gould, equally comfortable in the worlds of both serious and light music, presented his symphonettes (an Americanization of the term sinfonietta, much like kitchenette and dinette) as works of a truly American vernacular, drawing on popular culture as well as classical forms. His American Symphonette No. 2 was the work that first made Gould a name among the American public through radio, with the second movement (Pavanne) a pop orchestra standard to this day. Instrumentation: 2.2.2.2: 4Sax(opt.; AATB; all dCl): 2.3.3.0: Perc(1): Hp(or Pno): Gtr: Str (9-8-7-6-5 in set). The original condensed score is included with this set, but the full score has been extracted from the complete work and also included.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Orchestra 2.2.2.2: 4Sax(opt.; AATB; all dCl): 2.3.3.0: Perc(1): Hp(or Pno): Gtr: Str (9-8-7-6-5 in set)

SKU: AP.36-A601201

Composed by Morton Gould. Full Orchestra; Performance Music Ensemble. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A601201. Published by LudwigMasters Publications (AP.36-A601201).

ISBN 9798888522431. UPC: 676737534301. English.

Morton Gould (1913-1996), equally comfortable in the worlds of both serious and light music, presented his symphonettes (an Americanization of the term sinfonietta, much like kitchenette and dinette) as works of a truly American vernacular, drawing on popular culture as well as classical forms. His American Symphonette No. 2 was the work that first made Gould a name among the American public through radio, with the second movement (Pavanne) a pop orchestra standard to this day. Instrumentation: 2.2.2.2: 4Sax(opt.; AATB; all dCl): 2.3.3.0: Perc(1): Hp(or Pno): Gtr: Str (9-8-7-6-5 in set). The original condensed score is included with this set, but the full score has been extracted from the complete work and also included.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Orchestra 2.2.2.2: 4Sax(opt.; AATB; all dCl): 2.3.3.0: Perc(1): Hp(or Pno): Gtr: Str (9-8-7-6-5 in set)

SKU: AP.36-A601290

Composed by Morton Gould. Full Orchestra; Performance Music Ensemble. Kalmus Orchestra Library. Masterwork. Score and Part(s). LudwigMasters Publications #36-A601290. Published by LudwigMasters Publications (AP.36-A601290).

UPC: 676737533533. English.

Morton Gould, equally comfortable in the worlds of both serious and light music, presented his symphonettes (an Americanization of the term sinfonietta, much like kitchenette and dinette) as works of a truly American vernacular, drawing on popular culture as well as classical forms. His American Symphonette No. 2 was the work that first made Gould a name among the American public through radio, with the second movement (Pavanne) a pop orchestra standard to this day. Instrumentation: 2.2.2.2: 4Sax(opt.; AATB; all dCl): 2.3.3.0: Perc(1): Hp(or Pno): Gtr: Str (9-8-7-6-5 in set). The original condensed score is included with this set, but the full score has been extracted from the complete work and also included.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Fete with a Prologue and 3 Acts. Composed by Jean- Philippe Rameau (1683-1764). Edited by Julien Dubruque. This edition: urtext edition. Paperback. Symphonies / Versions of 1746 and 1745. Score, anthology. RCT 59. Baerenreiter Verlag #BA07563. Published by Baerenreiter Verlag

(1949/51). Composed by Egon Wellesz. Edited by Hannes Heher. For orchestra ([2(Piccolo).2.2.2-4.3.3. 1], Drums, Percussion, Strings). Orchestral music. Symphonic music. Study score. Composed 1949 / 1951. Op. 68. 144 pages. Published by Doblinger Music Publishers

By John Stafford Smith, Words By Francis Scott Key. Arranged by Peter Breiner. Music by John Stafford Smith, words by Francis Scott Key / arr. Peter Breiner. For Full Orchestra. Full Orchestra. Belwin Concert Full Orchestra. Patriotic. Level: 3 (grade 3). Conductor Score. Published by Alfred Publishing.

By James McLeod. Orchestra. Level: Grade 3. Music Book. Published by Neil A. Kjos Music Company.

After Arnold Bocklin. By Max Reger. Arranged by Susanne Popp. (Study Score). Schott. 108 pages. Published by Eulenburg.

Plectrum orchestra - medium-easy (grade 3)

SKU: RM.STRA03161-BA

Composed by Johann Strauss. Arranged by Sylvain Dagosto. Plectrum orchetra. Orchestra. Full set. Editions Robert Martin #STRA03161-BA. Published by Editions Robert Martin (RM.STRA03161-BA).

ISBN 9790231031614.

Mlli I - Mli II - Mla - G - Mlo + Mne + BT + TR - CR.

Orchestra

SKU: HL.14042693

Orchestra. Composed by Anne Boyd. Music Sales America. Softcover. University of York Music Press #M570200603. Published by University of York Music Press (HL.14042693).

12.0x16.5x0.467 inches.

The Beginning of the Day by Anne Boyd, orchestral version. 5'; for orchestra (triple winds). Published 1994. 3(3rd=picc).2.3(3rd=bcl). 3(3rd=cbn) / 4.3.3.1 / 3perc / strings The Beginning of the Day by Anne Boyd, orchestral version. 5'; for orchestra (triple winds). Published 1994.

3(3rd=picc).2.3(3 rd=bcl).3(3rd=cbn) / 4.3.3.1 / 3perc / strings.

Orchestra

SKU: HL.14042684

Composed by Anne Boyd. Music Sales America. Softcover. University of York Music Press #M570200580. Published by University of York Music Press (HL.14042684).

8.25x11.75x0.523 inches.

Black Sun by Anne Boyd. 15'; for orchestra (triple winds). Published 1989. 3(3rd=picc).2.2.2 / 4.2.3.2 / 3perc.hp / strings. Performance materials for hire. Black Sun by Anne Boyd. 15'; for orchestra (triple winds). Published 1989.

3(3rd=picc). 2.2.2 / 4.2.3.2 / 3perc.hp / strings. Performance materials for hire.

Orchestra

SKU: BT.MUSM570200672

Composed by Anne Boyd. Set (Score & Parts). 179 pages. University of York Music Press #MUSM570200672. Published by University of York Music Press (BT.MUSM570200672).

English.

Score for solo voices, boys' choir, girls' choir, chamber choir, chorus, piano, 3 Violins, Handbell choir, Rrgan, 12 Trumpets, and Orchestra.

By Anne Mcginty; John Edmondson. Orchestra. For violin 3. String orchestra method. Queenwood Beginning String Orchestra. Elementary. Music book. Published by Neil A. Kjos Music Company

Orchestra (solos: T,A(Bar) - 4(2picc).3(cor ang).5(Eb-clar.Bb-clar).3 (dble bsn) - 4.3.3.1 - 2hp.cel.mand.timp.perc(4) - str)

SKU: BR.OB-5641-60

Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Voice; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Late-romantic. Set of parts. 1116 pages. Duration 65'. Breitkopf and Haertel #OB 5641-60. Published by Breitkopf and Haertel (BR.OB-5641-60).

ISBN 9790004348833. 10.5 x 14 inches.

The Song of the Earth, composed in the summer of 1908, is Mahler's best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver's model. It is therefore all the more regrettable that he was neither able to perform his Symphony in Songs himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Fussl, many questions remained unanswered, while other were answered in a dubious way.The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner - in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler's conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/Eb clarinet, bass clarinet/3rd clarinet in places where the latter plays Eb clarinet) to allow performances with only four clarinets.The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler's piano autograph and the piano reduction by Woss, which was commissioned by the composer himself, served as an inspiration for this.

Orchestra - Grade 3

SKU: AP.48100

Op. 23 No. 5. Composed by Sergei Rachmaninoff. Arranged by Tanner Otto. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Masterwork Arrangement. Score and Part(s). 124 pages. Duration 3:20. Highland/Etling #00-48100. Published by Highland/Etling (AP.48100).

ISBN 9781470657505. UPC: 038081550978. English.

This thrilling arrangement of Sergei Rachmaninov's Prelude in G Minor, arranged by Tanner Otto, is sure to get the adrenaline flowing. The bold and assertive melodies are as fun to play as they are to listen to. This piece is great for developing and refining the staccato bow stroke and for tone development. A perfect festival piece or concert finale! (3:20).

Orchestra - Grade 3

SKU: AP.48100S

Op. 23 No. 5. Composed by Sergei Rachmaninoff. Arranged by Tanner Otto. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Masterwork Arrangement. Score. 16 pages. Duration 3:20. Highland/Etling #00-48100S. Published by Highland/Etling (AP.48100S).

ISBN 9781470657512. UPC: 038081550985. English.

This thrilling arrangement of Sergei Rachmaninov's Prelude in G Minor, arranged by Tanner Otto, is sure to get the adrenaline flowing. The bold and assertive melodies are as fun to play as they are to listen to. This piece is great for developing and refining the staccato bow stroke and for tone development. A perfect festival piece or concert finale! (3:20).

Orchestra

SKU: BA.BA06861

Sinfonie (1923-1928). Composed by Leos Janacek. Arranged by Leoš Faltus and Miloš Štedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek H/3. Complete edition, Score, Set of parts. Duration 40 minutes. Baerenreiter Verlag #BA06861_00. Published by Baerenreiter Verlag (BA.BA06861).

ISBN 9790260104211. 34.3 x 27 cm inches.

Leoš Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanova”. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.

“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.” Thus Leoš Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony” entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers Miloš Štedron and Leoš Faltus closely follows the original manuscript.

A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola” by the Czech writer Sonja Špálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube” to the inconclusive ending.

To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forces”. The third movement is said to characterise the city of Vienna in the form of a woman.

It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj” – and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpani”, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.

One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of love”.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra

SKU: HF.FH-8033

Sinfonietta per grande orchestra. Composed by Hannes Pohlit. Sheet music. Friedrich Hofmeister Musikverlag #FH 8033. Published by Friedrich Hofmeister Musikverlag (HF.FH-8033).

ISBN 9790203480334. 8.3 x 11.7 inches.

1. Zefiro; 2. Intermezzo: Consolazione; 3. Notte di tempesta.

Orchestra

SKU: BA.BA10986

Composed by Franz Joseph Haydn. Edited by Sonja Gerlach and Sterling E. Murray. This edition: urtext edition. Stapled. Score. Hob. I:77. Baerenreiter Verlag #BA10986_00. Published by Baerenreiter Verlag (BA.BA10986).

ISBN 9790006569106. 31 x 24.3 cm inches. Key: B-flat major. Preface: Andreas Friesenhagen.

Haydn composed his Symphony No. 77 along with his Symphonies Nos. 76 and 78 for a planned journey to England that never took place. Nonetheless, H.C. Robbins Landon calls these works the “English symphonies” as they are stylistically closely linked to the “London Bach”, Johann Christian Bach. Haydn himself, in a letter of 1783 to his Parisian publisher Charles-Georges Boyer, described the symphonies as ‘Leicht und nicht vil Concertirend”, meaning that they were light in spirit and did not contain extensive solo passages but rather a clear sense of classical form.

Continuing the cooperation between Bärenreiter and the G. Henle publisher regarding Haydn’s large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the “Works of Joseph Haydn”. The Bärenreiter catalogue now includes the complete performance material for several “Sturm und Drang” symphonies as well as all the London and Paris symphonies.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra

SKU: BT.PWM8821

Composed by Mieczyslaw Karlowicz. Classical. Score Only. 248 pages. Polskie Wydawnictwo Muzyczne #PWM8821. Published by Polskie Wydawnictwo Muzyczne (BT.PWM8821).

Work on this piece began in the spring of 1899 durng Kar owiczs studies in Berlin and he finished it after graduating and returning home in June 1902. Its premiere took place on March 21, 1903 in Berlin, and the Polish premiere on April 7, 1903 in Lviv. The symphony has a classic, four-movement structure, but in terms of architecture it is much closer to symphonic poems. It consists of the movements: 1. Andante. Allegro 2. Andante non troppo 3. Vivace 4. Allegro maestoso. ''In terms of orchestration and instrumentation technique it represents Kar owiczs early, academic period. The composer still used double wind enriched with piccolo flute, unlike in his later orchestral works the symphonic poems. The orchestration of the work indicates that the composer was guided by Tchaikovskys symphonic model. Kar owicz here still willingly operates with various sound blocks of entire instrumental groups, treating them in a choral manner, with tight chordal pillars'' (Leszek Polony). Before the Polish premiere the composer gave a comprehensive literary programme of the work in the Lviv newspaper S owo Polskie, in which he referred to each consecutive movement of the Symphony. In his last words he wrote, ''We hear a hymn of revival, at first quiet and sweet, then wider and wider, and fuller. Already the time has come; to hear the fanfare. Only one more step! And although the spirits fall again in doubt, we hear a powerful and solemn hymn of rebirth.''.

Orchestra (picc.2.2.2.2. - 4.2.3.1. - timp.perc - hp - str(vc divided))

SKU: BR.EOS-20472-00

No. 2 from the Symphonic Poem My Fatherland. Composed by Bedrich Smetana. Edited by Milan Pospisil. Softbound. Eulenburg Orchestral Series.

Today, it is hard to believe that Bedrich Smetana kept receiving rejections when he tried to get his enormously popular Moldau printed.

Symphonic poem; Romantic. Full score. 84 pages. Duration 13'. Breitkopf and Haertel #EOS 20472-00. Published by Breitkopf and Haertel (BR.EOS-20472-00).

ISBN 9790004780008. 10 x 12.5 inches.

What is also amazing is that the first text-critical edition prepared by the Czech Smetana expert Milan Pospisil in 1999, which had entailed an exhaustive evaluation of the sources and been given a full text-critical editorial treatment as a Eulenburg study score, had no resonance of any kind among performers since no performance material had been published. After 15 years, Pospisils edition is finally being completed in a manner suitable for practice: with a conducting score and orchestral parts which will ensure that all future performances are based on a musical text that is as reliable as can be.

The work depicts the course of the river Vltava, beginning with its first two sources, the cold and warm Vltava, and the confluence of the two streams that join to form a single river; then the course of the Vltava through forests and meadows, and through open countryside where a peasant wedding is being celebrated; water-sprites dance by the light of the moon; on the nearby cliffs castles, mansions and ruins rise proudly into the air; the Vltava eddies in the St John's Rapids, then flows in a broad stream as it continues its course towards Prague, where the Vysehrad appears, before the river finally disappears into the distance as it flows majestically into the Elbe.

Vltava (The Moldau), Smetana's best-known and most frequently performed orchestral work, was written between 19 November and 8 December 1874, at a time when Smetana was already completely deaf. The world premiere took place in Prague on 4 April 1875, but the score was not published until 1880.

Orchestra (picc.2.2.cor ang.2.B-clar.2.dble bsn - 4.3.3.1. - timp.perc(3) - hp - cel - str)

SKU: BR.PB-5105-07

Study score. Composed by Jurg Baur. Softbound. Partitur-Bibliothek (Score Library).

World premiere: Bremen, February 1, 1982

Symphony; Music post-1945. Study Score. Composed 1981. 68 pages. Duration 17'. Breitkopf and Haertel #PB 5105-07. Published by Breitkopf and Haertel (BR.PB-5105-07).

ISBN 9790004208557. 9 x 12 inches.

Gesualdo, Don Carlo, Furst von Venosa (1560-1613) gehort zu den eigenwilligsten italienischen Madrigal-Komponisten der Spatrenaissance. Seine ungewohnlich kuhne, selbst fur heutige Ohren modern klingende Harmonik, seine chromatischen Stimmfortschreitungen, seine ubersteigerte expressive Tonsprache regten mich schon vor Jahren zu einer grosseren Orgelkomposition an und inspirierten mich 1981 zu den >>Sinfonischen Metamorphosen<<. Dieses Werk ist eine vielgestaltige weitausgesponnene Fantasie. Sieben choralartige typische Klangbeispiele aus Gesualdos spaten funfstimmigen Madrigalen (4., 5. u. 6. Band) werden teils streng, teils frei zitiert und von Holz- oder Blechblasern intoniert. Diese Zitate gliedern, als formale und inhaltliche Schwer- und Ruhepunkte, den Verlauf des gesamten Werks. Jedes Zitat steht zu Beginn eines neuen Satzabschnitts; die darauffolgenden >>Metamorphosen<< entwickeln sich als rhapsodische kontrastreiche Charakterstucke. Im >>Preludio<< werden aus den vertonbaren Buchstaben vom Namen >>Gesualdo<< (G - E - Es - A - D) schwebende Klangflachen, rezitativische Gedanken und ein pragnantes rhythmisches Paukenthema gebildet. Diese ,,Grundelemente (Grundstrukturen) tauchen im Verlauf des Stucks immer wieder leitmotivisch auf. Im zweiten Abschnitt stehen sich lineare Streicher-Episoden und dichte Blaser-Klangballungen kontrastierend gegenuber. Der dritte Teil lauft als Passacaglia (Thema ist der Bass eines Gesualdo-Zitats) in mehreren Variationen ab. Im vierten Abschnitt dominiert lebhafte Streicherbewegung, kontrapunktiert von tiefen Blaser-Signalen. Der funfte Teil steigert sich- nach kantablem Beginn- zum ekstatischen Trauermarsch. Abschnitt sechs stellt sich als >>Rondello<< dar, mit um sich selbst kreisenden Klangfiguren (in verschiedenen Tongruppen (zwei, drei, funf). Im siebten und letzten Teil wird die verhalten-resignierende Stimmung des Anfangs beschworen, ehe eine knappe Stretta in den hymnischen Schluss mundet. In den Textender ausgewahlten Zitatstellen geht es meist um Todessehnsucht, Liebesqual und Verzweiflung. z. B. 1. und 2. Zitat: Moro lasso, al mio duolo (Ich sterbe, matt, an meiner Qual) (6. Buch) 3. Zitat: Gia piansi nel dolore; o dolorosa Sorte (Schon weinte ich in Schmerzen, oh schmerzliches Geschick) (6. Buch) 4. Zitat: Ahi gia mi discolero (Ach schon entfarbte ich mich) (Wehe, der Tod kommt) (4. Buch) 5. Zitat: Dolcissima mia vita (Mein allerliebstes Leben) (Dich zu lieben oder zu sterben) (5. Buch) 6. Zitat: lo moro (Ich sterbe) (5. Buch) Dem Werk liegen zwar eine Reihe von dodekaphonischen Strukturen zugrunde (die teilweise von Gesualdos Klangzitaten abgeleitet wurden), doch sind die einzelnen Abschnitte auf,,tonale Pfeiler (G - E - A - D) gegrundet; das Stuck beginnt in G und endet aufD, ist also ubergeordnet tonal konzipiert, - der Versuch einer Synthese moderner Ausdrucksmittel von Vergangenheit und Gegenwart. Die >>Metamorphosen<< sind ein Stuck Bekenntnismusik - Bekenntnis zum Leben und Schaffen Gesualdos, eines Mannes, der vom Schicksal gezeichnet war, denn der Chronik Neapels bekannt war durch die Ermordung seiner ersten Frau und ihres Liebhabers. Dieser eminente Musiker war zugleich ein Mensch von ubertriebener Sensibilitat und wilder ekstatischer Heftigkeit: ,,Er wurde von einer Horde von Damonen heimgesucht, die ihm keine Ruhe gaben, heisst es in einem zeitgenossischen Bericht. Seine Kunst und sein Leben stand unter dem Gesetz der inneren Zerrissenheit, zwischen Auflehnung und Resignation (Verzweiflung und Hoffnung), zwischen Zartheit und Leidenschaft. Davon will meine Musik etwas aussagen. (Jurg Baur)CD:Sinfonieorchester des Westdeutschen Rundfunks, cond. Rudolf BarschaiCD Thorofon CTH 2270Bibliography:Abels, Robert: Studien zur Gesualdo-Rezeption durch Komponisten des 20. Jahrhunderts (= Studien zur Musik 20), Leiden u. a.: Wilhelm Fink 2017, pp. 277-345, 485-489.Wallerang, Lars: Die Orchesterwerke Jurg Baurs als Dialog zwischen Tradition und Moderne, Koln: Dohr 2003.

Orchestra - Grade 2.5

SKU: AP.48076S

Composed by Richard Meyer. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Sound Innovations for String Orchestra. Multicultural; Novelty. Score. 16 pages. Duration 3:00. Alfred Music #00-48076S. Published by Alfred Music (AP.48076S).

ISBN 9781470658793. UPC: 038081554341. English.

Take your orchestra on a trip around the world with this fun medley of some of the most famous melodies ever written in A Musical Passport by Richard Meyer. Using 22 tunes from 17 different countries, this is the ultimate multi-cultural experience for your students and your audience! The melodies are tossed from section to section so all the instruments get a chance in the spotlight, and the quickly changing styles will keep everyone on their toes.

Songs that are included in A Musical Passport by Richard Meyer are: America, the Beautiful (U.S.A.) * Rule, Britannia (England) * The Irish Washerwoman (Ireland) * Scotland the Brave (Scotland) * Roll Out the Barrel (Czechoslovakia/Germany) * Funiculi, Funicula (Italy) * Frere Jacques (France) * Dark Eyes (Russia) * Jasmine Flower Song (China) * Arirang (Korea) * Sakura (Japan) * Obwisana (Ghana) * Siyahamba (We Are Marching) (South Africa [Zulu]) * Waltzing Matilda (Australia) * La Cumparsita (South America [Uruguay]) * Las Chiapanecas (Mexico) * Cielito Lindo (Mexico) * O Canada (Canada) * Oh! Susanna (U.S.A.) * Camptown Races (U.S.A.) * America, the Beautiful (U.S.A.) * Home, Sweet Home (U.S.A.) * The Star-Spangled Banner (U.S.A.) * America, the Beautiful (U.S.A.). Correlates with Sound Innovations for String Orchestra, Book 2, Level 6. (3:00) This title available in MakeMusic Cloud.

Orchestra - Grade 2.5

SKU: AP.48076

Composed by Richard Meyer. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Sound Innovations for String Orchestra. Multicultural; Novelty. Score and Part(s). 140 pages. Duration 3:00. Alfred Music #00-48076. Published by Alfred Music (AP.48076).

ISBN 9781470658786. UPC: 038081554334. English.

Take your orchestra on a trip around the world with this fun medley of some of the most famous melodies ever written in A Musical Passport by Richard Meyer. Using 22 tunes from 17 different countries, this is the ultimate multi-cultural experience for your students and your audience! The melodies are tossed from section to section so all the instruments get a chance in the spotlight, and the quickly changing styles will keep everyone on their toes.

Songs that are included in A Musical Passport by Richard Meyer are: America, the Beautiful (U.S.A.) * Rule, Britannia (England) * The Irish Washerwoman (Ireland) * Scotland the Brave (Scotland) * Roll Out the Barrel (Czechoslovakia/Germany) * Funiculi, Funicula (Italy) * Frere Jacques (France) * Dark Eyes (Russia) * Jasmine Flower Song (China) * Arirang (Korea) * Sakura (Japan) * Obwisana (Ghana) * Siyahamba (We Are Marching) (South Africa [Zulu]) * Waltzing Matilda (Australia) * La Cumparsita (South America [Uruguay]) * Las Chiapanecas (Mexico) * Cielito Lindo (Mexico) * O Canada (Canada) * Oh! Susanna (U.S.A.) * Camptown Races (U.S.A.) * America, the Beautiful (U.S.A.) * Home, Sweet Home (U.S.A.) * The Star-Spangled Banner (U.S.A.) * America, the Beautiful (U.S.A.). Correlates with Sound Innovations for String Orchestra, Book 2, Level 6. (3:00) This title is available in MakeMusic Cloud.