New music
(post-2000). Full score.
Composed 2016/17/20. 48
pages. Duration 8'.
Breitkopf and Haertel #PB
5432. Published by
Breitkopf and Haertel
(BR.PB-5432).
ISBN
9790004212790. 10 x 12.5
inches.
Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020.
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
Orchestra; Softcover.
Partitur-Bibliothek
(Score Library).
A
l'exemple de Schubert -
Ravel re-invents the
waltz, inspired by Liszt,
Chopin, Schumann and
Chabrier, transforming
the rhapsodic gyrations
of the dance and sending
it whirling into the 20th
century.
Ravel
needed only two weeks of
intensive concentration
to orchestrate his piano
suite Valses nobles et
sentimentales, which was
given its premiere
performance in March
1911. Consisting of seven
waltzes and one epilogue,
the work stamped Ravel as
a creative personality
whose masterpiece
breathed an unbelievably
new kind of musicality
and incredibly intensive
poetry. Let us not forget
that this was twelve
years before La Valse,
with which it shares a
number of similarities.
The new edition of the
complete performance
material in Breitkopf's
Urtext series was
prepared by the Ravel
expert Jean-Francois
Monnard.
A
l'exemple de Schubert -
Ravel re-invents the
waltz, inspired by Liszt,
Chopin, Schumann and
Chabrier, transforming
the rhapsodic gyrations
of the dance and sending
it whirling into the 20th
century.
Train to Denali Orchestre SATB, Orchestre [Conducteur] Gusthold Music
Orchestra SKU: SU.25100530 For Orchestra. Composed by Eli Evans. O...(+)
Orchestra
SKU:
SU.25100530
For
Orchestra. Composed
by Eli Evans. Orchestra.
Full Score. Gusthold
Music Publisher
#25100530. Published by
Gusthold Music Publisher
(SU.25100530).
Full size score
(11x17)The composer's
answer to Ravel's
Bolero.2,1 222; 4331;
timp, 3perc, hp; stgs
Duration: 8’30
Composed: 2020 Published
by: Gusthold Music
Publisher Performance
materials available on
rental:.
Score and Parts Concert Band; Wind Ensemble - Grade 5 For Wind Orchestra Score ...(+)
Score and Parts Concert
Band;
Wind Ensemble - Grade 5
For Wind Orchestra Score
and
Parts. Composed by Johan
De
Meij. Amstel Music.
Concert.
Softcover. Duration 2580
seconds. Amstel Music
#AM200-
010. Published by Amstel
Music
Orchestra (4(2picc).3(cor
ang).heck.Eb-clar.2.Bb-cl
ar(clar).4(dble bsn) -
8(4T-tuba).2alphn.4.4.2 -
org.cel -
2hp.2timp.perc(6).wind
m.thunder m - str - off
stage: 12hn.2trp.2tbne)
SKU: BR.PB-5710
Tone Poem -
Urtext. Composed by
Richard Strauss. Edited
by Nick Pfefferkorn.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Symphonic poem;
Late-romantic; Early
modern. Sheet Music. 204
pages. Duration 50'.
Breitkopf and Haertel #PB
5710. Published by
Breitkopf and Haertel
(BR.PB-5710).
ISBN
9790004216477. 10.5 x 14
inches.
Richard
Strauss's last completed
tone poem is regarded as
the pinnacle of his art
of orchestration: Now
I've finally learned to
orchestrate, he himself
is once supposed to have
said about it after the
dress rehearsal. The
single-movement Alpine
symphony that we know
today ultimately evolved
- over almost 15 years -
from the original drafts
of an artist's tragedy,
titled Der Antichrist.
Eine Alpensinfonie [The
Antichrist. An Alpine
Symphony] up to the stage
of the last sketches.
With unprecedented
plasticity, the work
showcases a
(metaphysical?) mountain
hike with stops in the
forest, at the waterfall,
on the alpine pasture
and, of course, at the
summit. Apropos alpine
pastures: up to the
score's fair copy stage,
Strauss envisaged a high
and a low alphorn for the
section Auf der Alm [On
the Alpine Pasture] and
the well-known Dulioh
theme, though for various
reasons first detailed in
our new Urtext edition,
these exotic instruments
did not find their way
into the printed version.
In the new edition, the
editor, Nick Pfefferkorn,
reproduces the alphorn
passages in small print,
also adding two alphorn
parts to the performance
material, besides
evaluating the
corrections made by
Walter Seifert at
Strauss's
request.
First
Urtext edition since the
first editionEvaluation
of all available sources,
including sketches and
the score corrected by
Walter Seifert Extensive
preface on the work's
compositional history and
receptionDetailed
Critical ReportFacsimile
pages.
Study Score.
Composed by James
Macmillan. Boosey &
Hawkes Scores/Books.
Classical. Softcover. 80
pages. Duration 900
seconds. Boosey & Hawkes
#M060136009. Published by
Boosey & Hawkes
(HL.48024880).
ISBN
9781784545154. UPC:
840126918670.
7.25x10.25x0.319
inches.
This
publication presents
under one cover various
short works for sundry
orchestral scorings.
Larghetto for Orchestra
is MacMillan's
orchestration (2017) of
his celebrated Miserere
for a cappella mixed
choir (2009), a setting
in Latin of Psalm 51,
'Have mercy upon me, O
God, according to thy
great mercy', the
penitential text famously
set in the 17th century
by Gregorio Allegri. The
Larghetto orchestration
was commissioned by the
Pittsburgh Symphony
Orchestra in celebration
of Manfred Honeck's 10th
Anniversary as Music
Director. Memoire
imperiale is one of a
number of variations on
General John Reids march
tune Old Gaul
commissioned from
Scottish composers to
mark the centenary in
1994 of the Faculty of
Music at Edinburgh
University. The Faculty
was established following
a bequest by General Reid
(1721-1807), a former law
student at the University
and a renowned flute
player and composer of
marches for the
BritishArmy, and he asked
that an annual concert be
organised at which one or
more of his compositions
be played. Composed in
2012 for the Britten
Sinfonia, One is a monody
in which a single line is
passed around the
instruments, painting it
with different colours as
it emerges and develops.
Lasting only a few
minutes, its singularity
is maintained until
blossoming in the lastfew
bars. For Sonny (2011,
orch 2013) and Ein
Lamplein verlosch (2018,
orch 2019) are short,
private memorial tributes
originally for string
quartet and here rescored
for string orchestra.
Hirta was composed in
2016 as part of Deccas
The Lost Songs of St
Kilda project. Nearly a
century ago, the last 36
residents were evacuated
from the most remote part
of the British Isles, St
Kilda, an isolated
archipelago off the
beautiful and rugged
western coast of
Scotland. After 86 years,
the music of St Kilda was
rediscovered, recorded in
a Scottish care home by
Trevor Morrison, an
elderly man who had been
taught piano by an
inhabitant of St Kilda.
The songs were
'reimagined' for the
Decca album by
various.
Tuonelan joutsen -
Urtext based on the
Complete Edition Jean
Sibelius Works (JSW).
Composed by Jean
Sibelius. Edited by Tuija
Wicklund. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
Symphonic poem; Suite;
Early modern;
Late-romantic. Full
score. 24 pages. Duration
10'. Breitkopf and
Haertel #PB 5583.
Published by Breitkopf
and Haertel (BR.PB-5583).
ISBN 9790004213933. 10
x 12.5
inches.
Little is
known about the actual
composition process of
Lemminkainen and the
performance and
publication history is
rather complex, resulting
in a first complete
printing of all the four
movements en suite
through the complete
edition of Jean Sibelius
Works only in 2013.In
summer 1894 Sibelius went
to Central Europe,
carrying among others a
plan for an opera freely
based on the Kalevala in
his mind. But during this
trip he reassessed his
composing: I think I have
found my old self again,
musically speaking. I
think I really am a tone
painter and a poet. As a
result he abandoned his
opera plans, but musical
parts may have found
their way into the
Lemminkainen pieces which
he started composing
during that time.
Definitely the overture
had, it is now known and
loved as The Swan of
Tuonela. Lemminkainen
became popular from the
beginning and has
attained a fixed position
in the concert
repertoire.
Lemminkainen palaa
kotitienoille - Urtext
based on the Complete
Edition Jean Sibelius
Works (JSW). Composed
by Jean Sibelius. Edited
by Tuija Wicklund.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Symphonic poem; Suite;
Late-romantic; Early
modern. Full score. 68
pages. Duration 7'.
Breitkopf and Haertel #PB
5585. Published by
Breitkopf and Haertel
(BR.PB-5585).
ISBN
9790004213957. 10 x 12.5
inches.
Little is
known about the actual
composition process of
Lemminkainen and the
performance and
publication history is
rather complex, resulting
in a first complete
printing of all the four
movements en suite
through the complete
edition of Jean Sibelius
Works only in 2013.In
summer 1894 Sibelius went
to Central Europe,
carrying among others a
plan for an opera freely
based on the Kalevala in
his mind. But during this
trip he reassessed his
composing: I think I have
found my old self again,
musically speaking. I
think I really am a tone
painter and a poet. As a
result he abandoned his
opera plans, but musical
material may have found
its way into the
Lemminkainen pieces which
he started composing
during that time.
Lemminkainen became
popular from the
beginning and has
attained a fixed position
in the concert
repertoire.On
Lemminkainen's Return
Sibelius commented: I
would like to see more
pride in us Finns. Why
should we be ashamed?
This is the underlying
thought in Lemminkainen's
Return. Lemminkainen is
just as good as the
noblest of earls. He is
an aristocrat, without
question an
aristocrat!.
Orchestra (2.1.cor
ang.1.B-clar.2 - 4.3.3.0
- perc - str)
SKU:
BR.PB-5584
Lemminkainen
Tuonelassa - Urtext based
on the Complete Edition
Jean Sibelius Works
(JSW). Composed by
Jean Sibelius. Edited by
Tuija Wicklund.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Symphonic poem; Suite;
Early modern;
Late-romantic. Full
score. 64 pages. Duration
15'. Breitkopf and
Haertel #PB 5584.
Published by Breitkopf
and Haertel (BR.PB-5584).
ISBN 9790004213940. 10
x 12.5
inches.
Little is
known about the actual
composition process of
Lemminkainen and the
performance and
publication history is
rather complex, resulting
in a first complete
printing of all the four
movements en suite
through the complete
edition of Jean Sibelius
Works only in 2013.In
summer 1894 Sibelius went
to Central Europe,
carrying among others a
plan for an opera freely
based on the Kalevala in
his mind. But during this
trip he reassessed his
composing: I think I have
found my old self again,
musically speaking. I
think I really am a tone
painter and a poet. As a
result he abandoned his
opera plans, but musical
material may have found
its way into the
Lemminkainen pieces which
he started composing
during that time.
Lemminkainen became
popular from the
beginning and has
attained a fixed position
in the concert
repertoire.Sibelius said
about Lemminkainen in
Tuonela: The cradle song
at the end of the work is
maternal love, which
rakes the pieces of
Lemminkainen together
from the River
Tuonela..
Lemminkainen ja saaren
neidot - Urtext based on
the Complete Edition Jean
Sibelius Works (JSW).
Composed by Jean
Sibelius. Edited by Tuija
Wicklund. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
Symphonic poem; Suite;
Late-romantic; Early
modern. Full score. 84
pages. Duration 17'.
Breitkopf and Haertel #PB
5582. Published by
Breitkopf and Haertel
(BR.PB-5582).
ISBN
9790004213926. 10 x 12.5
inches.
Little is
known about the actual
composition process of
Lemminkainen, and the
performance and
publication history is
rather complex, resulting
in a first complete
printing of all four
movements en suite
through the complete
edition of Jean Sibelius
Works only in 2013.In
summer 1894 Sibelius went
to Central Europe,
carrying among others a
plan for an opera freely
based on the Kalevala in
his mind. But during this
trip he reassessed his
composing: I think I have
found my old self again,
musically speaking. I
think I really am a tone
painter and a poet. As a
result he abandoned his
opera plans, but musical
parts may have found
their way into the
Lemminkainen pieces which
he started composing
during that time.
Lemminkainen became
popular from the
beginning and has
attained a fixed position
in the concert
repertoire.A critic
opined on Lemminkainen
and the Maidens on the
Island: We do not
hesitate to award this
tone painting of
Lemminkainen's erotic
emotional world the first
prize among all the young
composer's works..
Orchestra (Full Score) SKU: HL.244904 For Orchestra. Composed by B...(+)
Orchestra (Full Score)
SKU: HL.244904
For Orchestra.
Composed by Bryce
Dessner. Music Sales
America. Classical.
Softcover. Composed 2017.
64 pages. Duration 1020
seconds. Chester Music
#CH83985. Published by
Chester Music
(HL.244904).
8.25x12.0x0.508
inches.
Quilting,
co-commissioned by the
BBC Symphony Orchestra
and the Los Angeles
Philharmonic, is my first
stand alone work for
orchestraand is loosely
inspired by the American
tradition of quilt
making. I composed
Quilting while living
most of last year in
Paris.During my time
there, I thought a lot
about what it means to
compose symphonic music
as a young American in
the 21st century, when so
many of the many
masterworks which are
programmed year in and
out by orchestras across
the country are European.
I considered which
artistic traditions
defined the American
19th-century. I began to
think of the American
crafts-tradition of
quilting as a foilto the
high-art tradition of
European orchestral
composition. As the score
for my new work began to
take shape, I started
thinking about the
manuscript itself as an
object, its vertical and
horizontal planes create
a kind of patterned
geometry of their own.
Visually the way a
musical score is woven
together like patchwork
brought to mind quilts
and the great American
tradition of quilting. I
imagined about how
conducting an orchestra
can feellike stitching a
piece together, or sewing
together a large number
of musical ideas and
musicians into a coherent
and transcendent whole.
Quilting was an integral
part of American
vernacular in the 18th
and 19th centuries, the
African-American quilting
tradition is especially
fascinating, and the
quilts tell the stories
of the women and
communities who made
them. The names of the
quilt patterns themselves
can have their own sense
of narrative: 'jacobs
ladder', 'drunkards
path', 'solomon's
puzzle', and (my favorite
for its relevance to this
piece) 'the road to
California. - Bryce
Dessner.
Composed by
Todd Stalter. 5 or More;
MakeMusic Cloud; Mixed
Instruments - Flexible
Instrumentation;
Performance Music
Ensemble; Single Titles;
Solo Small Ensembles.
Young Symphonic. Score
and Part(s). 153 pages.
Duration 2:07. Alfred
Music #00-49121.
Published by Alfred Music
(AP.49121).
UPC:
038081563534.
English.
This
version of Escape Route
by Todd Stalter is part
of our Alfred FLEX
offerings and is designed
with maximum flexibility
for use by any mix of
instruments---wind,
strings, and percussion,
including like- or
mixed-ensembles with as
few as 5 players. The
suggested instrumentation
and a customizable
Teacher Map will help you
plan out how to best
assign parts to suit your
ensemble's needs. It also
comes with supplemental
parts for maximum
flexibility. With the
purchase of this piece,
permission is granted to
photocopy the parts as
needed for your ensemble.
A percussion
accompaniment track is
also available as a free
download. String parts
have been carefully
edited with extra
fingerings and
appropriate bowings to
support students in mixed
ensembles playing in less
familiar keys.
Escape Route by
Todd Stalter contains
musical explorations of
the many different
actions implied in its
title, such as quickness,
stealth, boldness,
evasion, elusiveness, and
the adrenaline rush that
accompanies them. (2:07)
Composed by
Todd Stalter. 5 or More;
MakeMusic Cloud; Mixed
Instruments - Flexible
Instrumentation;
Performance Music
Ensemble; Single Titles;
Solo Small Ensembles.
Young Symphonic. Score.
16 pages. Duration 2:07.
Alfred Music #00-49121S.
Published by Alfred Music
(AP.49121S).
UPC:
038081563541.
English.
This
version of Escape Route
by Todd Stalter is part
of our Alfred FLEX
offerings and is designed
with maximum flexibility
for use by any mix of
instruments---wind,
strings, and percussion,
including like- or
mixed-ensembles with as
few as 5 players. The
suggested instrumentation
and a customizable
Teacher Map will help you
plan out how to best
assign parts to suit your
ensemble's needs. It also
comes with supplemental
parts for maximum
flexibility. With the
purchase of this piece,
permission is granted to
photocopy the parts as
needed for your ensemble.
A percussion
accompaniment track is
also available as a free
download. String parts
have been carefully
edited with extra
fingerings and
appropriate bowings to
support students in mixed
ensembles playing in less
familiar keys.
Escape Route by
Todd Stalter contains
musical explorations of
the many different
actions implied in its
title, such as quickness,
stealth, boldness,
evasion, elusiveness, and
the adrenaline rush that
accompanies them. (2:07)
Orchestra - Grade 2 SKU: AP.40458S By Peter Ilyich Tchaikovsky. By Peter ...(+)
Orchestra - Grade 2
SKU: AP.40458S
By
Peter Ilyich Tchaikovsky.
By Peter Ilyich
Tchaikovsky. Arranged by
Andrew H. Dabczynski.
Masterworks; Music
Prodigy; Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Explorer. Form:
Transcription; Waltz.
Masterwork Arrangement;
Romantic. Score. 8 pages.
Highland/Etling
#00-40458S. Published by
Highland/Etling
(AP.40458S).
UPC:
038081454177.
English.
The
melodies of Tchaikovsky's
celebrated ballets are
beloved worldwide, and no
more so than this famous
waltz. In this
Romantic-era masterpiece,
young string students
will discover beautiful
musical figures with
rhythms, bowings, and
fingerings achievable
even by students in their
first year of study. All
sections have interesting
parts; however, the
firsts are featured. More
advanced students will
also find the arrangement
fulfilling and
motivational. This is a
selection that will
enhance any string
orchestra concert program
at any time of the year.
This title is available
in Music Prodigy.
Overture to the
Dramatic Poem Manfred by
Lord Byron - Urtext.
Composed by Robert
Schumann. Edited by
Christian Rudolf Riedel.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Overture; Romantic. Study
Score. 60 pages. Duration
11'. Breitkopf and
Haertel #PB 5546-07.
Published by Breitkopf
and Haertel
(BR.PB-5546-07).
ISBN
9790004213568. 6.5 x 9
inches.
Spiritual
AffinitiesSchumann had
already worked on Byron's
Manfred as a law student,
and the topic fascinated
him from that time on.
Perhaps he discovered a
spiritual affinity to
himself in the romantic
hero's inner conflict? In
any event, he decided on
a stage rendition of the
drama with incidental
music, an entirely new
genre that he had been
dreaming of for some time
already. He conducted the
overture - it dates from
1848 - for the first time
as a separate piece in
March 1852. In addition,
he followed the
preparations for the
first edition of the
complete performance
material very closely,
which was published by
Breitkopf in Leipzig that
same year. The Breitkopf
Urtext edition of the
Manfred Overture is based
on this first print of
the score and parts
revised by Schumann. At
the same time, this
edition also marks a new
chapter in the expansion
of the collection of
Schumann overtures that
have already been
published by Breitkopf
(to Hermann und Dorothea
op. 136, Szenen aus
Goethes Faust WoO 3 and
Genoveva op.
81).
Audiences
should be ready for
something new and unheard
of, wrote Robert Schumann
to Franz Liszt in late
1851, referring to the
world premiere of his
Dramatic Poem
Manfred.
Orchestra - Grade 2 SKU: AP.38470S Composed by Peter Ilyich Tchaikovsky. ...(+)
Orchestra - Grade 2
SKU: AP.38470S
Composed by Peter Ilyich
Tchaikovsky. Arranged by
Andrew H. Dabczynski.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Explorer. Form: March;
Transcription. Masterwork
Arrangement; Romantic.
Score. 12 pages.
Highland/Etling
#00-38470S. Published by
Highland/Etling
(AP.38470S).
UPC:
038081436746.
English.
For over
100 years, audiences have
left concert halls
happily humming this
lovely tune. The stirring
rhythms and melodies of
one of the world's
greatest Romantic
compositions are
achievable even after the
first year of study. More
advanced students will
find the arrangement
fulfilling and
motivational as they
delight in its rich
harmonies and signature
hooked bowing pattern. A
great opener or closer!
This title is available
in MakeMusic Cloud.
Orchestra SKU: HL.14015535 Composed by Herbert Howells. Music Sales Ameri...(+)
Orchestra
SKU:
HL.14015535
Composed
by Herbert Howells. Music
Sales America. 20th
Century. Score. 36 pages.
Music Sales #NOV890201.
Published by Music Sales
(HL.14015535).
ISBN
9780711986220.
8.25x11.75x0.135
inches.
Howells
wrote Penguinski for a
visit made to the Royal
College of Music in
London on 10 May 1933.
This score pays light and
affectionate tribute to
the considerable
popularity of Stravinksy
in London from the teens
of the twentieth century.
In Penguinski Howells
creates a knockabout
piece which shadowboxes
Petrushka. Whilst
underlining Howells's
versatility, the score
gives a colourful insight
into the prevailing
influences of the time,
and is an intriguing
example of how Stravinsky
must have sounded to his
English
contemporaries.