(Latin Dance Tunes for the String Orchestra (Cello & Bass)). Composed by Victor ...(+)
(Latin Dance Tunes for
the String Orchestra
(Cello & Bass)). Composed
by Victor López
and Bob Phillips.
Orchestra. For Cello &
Bass. Book; String
Orchestra Collection.
Latin; Multicultural;
World. 48 pages.
Published by Alfred Music
Exercises for Intonation, Rhythm, Bowing, and Creativity for Intermediate Str...(+)
Exercises for
Intonation, Rhythm,
Bowing, and Creativity
for Intermediate String
Orchestra
(Cello/Bass).
Composed by Bob Phillips;
Kirk Moss; Matt Turner;
Stephen Benham. This
edition: Cello/Bass.
Method/Instruction;
SmartMusic; String
Orchestra
Method/Supplement. Sound
Innovations for String
Orchestra. Book. 56
pages. Alfred Music
#00-44212. Published by
Alfred Music (AP.44212).
Arranged by Sandra Dackow. Conductor's score and set of performance parts for st...(+)
Arranged by Sandra
Dackow. Conductor's score
and set of performance
parts for string
orchestra (8 - 1st
violin, 8 - 2nd violin, 5
- 3rd violin/viola
(treble clef), 5 - viola,
5 - cello, 5 - string
bass, 1 - piano
accompaniment). Series:
Orchestra Expressions
Series. Published by
Alfred Publishing.
Aragonaise from Carmen Orchestre [Conducteur et Parties séparées] - Facile Alfred Publishing
By Georges Bizet (1838-1875). Arranged by Richard Meyer. Orchestra. Full Orchest...(+)
By Georges Bizet
(1838-1875). Arranged by
Richard Meyer. Orchestra.
Full Orchestra;
Masterworks; Part(s);
Score; SmartMusic.
Highland First
Philharmonic. Form:
Dance; Transcription.
Latin; Masterwork
Arrangement; Romantic.
Grade 2. 184 pages.
Published by Alfred Music
Publishing
By Georges Bizet (1838-1875). Arranged by Richard Meyer. Orchestra. Full Orchest...(+)
By Georges Bizet
(1838-1875). Arranged by
Richard Meyer. Orchestra.
Full Orchestra;
Masterworks; Score.
Highland First
Philharmonic. Form:
Dance; Transcription.
Latin; Masterwork
Arrangement; Romantic.
Grade 2. 24 pages.
Published by Alfred Music
Publishing
Orchestra SKU: LO.30-2872H Composed by Greg Gilpin. Arranged by Paul Lang...(+)
Orchestra
SKU:
LO.30-2872H
Composed
by Greg Gilpin. Arranged
by Paul Langford.
Conductor's score.
Concert. Orchestral score
and parts. Heritage Music
Press #30/2872H.
Published by Heritage
Music Press
(LO.30-2872H).
UPC:
000308132595.
Writt
en to premiere at the
2012 Generations Together
in Music concert at
Carnegie Hall, this
gorgeous original piece
features emotive and
dramatic choral writing
that spans the full gamut
of dynamics and
expression. The
traditional Latin text is
set with rich vocal
harmonies and accompanied
by a distinctly melodic
recurring piano theme. A
pronunciation guide for
the Latin text is
included.
Instrumentation: Fl, Ob,
Cl, Bsn, 2 Perc, Timp,
Pno, Harp, 2 Vln, Vla,
Cello, Bass.
(Orchestra) SKU: HP.8464 Arranged by Jack Schrader. Lent/Easter, Cantata....(+)
(Orchestra)
SKU:
HP.8464
Arranged by
Jack Schrader.
Lent/Easter, Cantata.
Lent & Easter Musicals.
Lent, Easter Sunday,
Sacred. Set of
Instrumental Parts. Hope
Publishing Company #8464.
Published by Hope
Publishing Company
(HP.8464).
UPC:
763628184643.
Lent
& Easter Musical This new
45-minute, Easter musical
from Jack Schrader
utilizes three powerful
devices to dramatically
portray Christ's passion
and glory: well-conceived
choral music,
scintillating orchestral
accompaniment, and
passionate narrations,
with much detail drawn
from the gospels. The
story begins before the
Triumphal Entry of
Christ, and ends, by
implication, beyond his
Ascension. Chorally you
will find many poignant
and powerful moments.
Talented orchestrator,
Mark Kellner, has
provided exquisite
instrumental mosaics to
underscore and support
both choir and narration.
Yet the simple use of
piano accompaniment would
also be very satisfying.
At the most high and holy
time of the Christian
year, this musical
presentation powerfully
proclaims the truth of
the Gospel, and confronts
listener and performer
alike with the claims of
Jesus Christ, the Son of
God.
The
Orchestration contains a
Conductor's Score and
parts for: Flute, Oboe,
Clarinet, 3 Trumpets, 2
Horns, 2 Trombones, Tuba,
Percussion, Timpani,
Harp, Violin 1 & 2,
Viola, Cello, Bass,
Piano, and Electric
Bass.
Orchestra - Grade 2.5 SKU: AP.41242 Composed by Bob Phillips. MakeMusic C...(+)
Orchestra - Grade 2.5
SKU: AP.41242
Composed by Bob Phillips.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Form: Dance.
Latin. Score and Part(s).
148 pages. Duration 3:40.
Alfred Music #00-41242.
Published by Alfred Music
(AP.41242).
UPC:
038081480435.
English.
All
sections are featured,
including the cellos and
basses, in this bouncy
tango. With romantic
tension building in the
middle section, you can
make this one romantic
and dramatic, or comedic
by envisioning dancing
bulldogs! (3:40)
Correlates to Sound
Innovations Book 2, Level
2. This title is
available in MakeMusic
Cloud.
Orchestra - Grade 2.5 SKU: AP.41242S Composed by Bob Phillips. MakeMusic ...(+)
Orchestra - Grade 2.5
SKU: AP.41242S
Composed by Bob Phillips.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Latin. Score.
16 pages. Duration 3:40.
Alfred Music #00-41242S.
Published by Alfred Music
(AP.41242S).
UPC:
038081480442.
English.
All
sections are featured,
including the cellos and
basses, in this bouncy
tango. With romantic
tension building in the
middle section, you can
make this one romantic
and dramatic, or comedic
by envisioning dancing
bulldogs! (3:40)
Correlates to Sound
Innovations Book 2, Level
2. This title is
available in MakeMusic
Cloud.
Critical Edition by Alessandro Borin. Composed by Antonio Vivaldi (1678-1...(+)
Critical Edition by
Alessandro Borin.
Composed by Antonio
Vivaldi (1678-1741).
Edited by Alessandro
Borin. Orchestra.
Classical. Softcover. 132
pages. Ricordi #PR1431.
Published by Ricordi
(HL.50600716).
Let's Get Loud Orchestre - Intermédiaire Alfred Publishing
By Gloria Estefan and Kike Santander [Jennifer Lopez]. Arranged by Victor López...(+)
By Gloria Estefan and
Kike Santander [Jennifer
Lopez]. Arranged by
Victor López. Orchestra.
For full (bells or
xylophone, timp(claves),
snare/hi-hat/timbales/bas
s, conga, guiro, cowbell,
pno, vln3). Full
Orchestra; Part(s);
Score. Pop Intermediate
Full Orchestra. Latin;
Pop; Pop/Rock. Grade 3.
126 pages. Published by
Alfred Music Publishing
Choral; Orchestra (Score) - difficult SKU: HL.49006185 Study Score...(+)
Choral; Orchestra (Score)
- difficult
SKU:
HL.49006185
Study
Score. Composed by
Krzysztof Penderecki.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 1970. 52 pages.
Duration 20'. Schott
Music #ED6324. Published
by Schott Music
(HL.49006185).
ISBN
9790001067256. UPC:
884088077921.
12.0x16.5x0.153 inches.
Latin - English -
Italian.
5 soloists (SSATB),
speaker, 3 mixed choirs
and orchestra
SKU:
HL.49045487
For 5
soloists (SSATB),
narrator, 3 mixed choirs
and orchestra.
Composed by Krzysztof
Penderecki. This edition:
Saddle stitching. Sheet
music. Study Score. Das
grosse Vokalwerk wurde
1995 zum 3000-jahrigen
Bestehen Jerusalems
komponiert. Der Zahl
sieben hat darin eine
besondere Bedeutung:
sieben Satzen, die fur
die sieben Tore stehen,
sieben gewaltige
Fortissimo-Akkorde, die
das Oratorium
beschliessen. Softcover.
Composed 1996. 158 pages.
Duration 68'. Schott
Music #ED20533. Published
by Schott Music
(HL.49045487).
ISBN
9790001157179. UPC:
888680747992.
8.25x11.75x0.41 inches.
Latin -
German.
Deeply
moved by his first visit
to the city of Jerusalem
with its seven gates,
Krzysztof Penderecki
composed this major vocal
work to celebrate the
city's 3,000th
anniversary in 1995. Two
years later, it was
premiered as Symphony No.
7 in which the magic
number seven has a
special meaning: From the
seven movements
representing the seven
gates to the seven
powerful fortissimo
chords concluding the
oratorio, the biblical
number runs through the
entire work.
4 (3.
u. 4. auch Picc.) * 3 *
Engl. Hr. * 3 (3. auch
Es-Klar.) * Bassklar. * 3
* Kfg. - 4 * 3 * 4 (3.
auch Basstrp.) * 1 - S.
(I.: P. * Beckenpaar * 2
Tamt. (t.) * Rohrengl. *
gr. Tr. m. Beck. *
Crotalenbaum * 5 Tomt. *
Marimba * Bin-Sasara *
kl. Tr. * Ruhrtr.; II.:
Trgl.-baum * 4 hg. Beck.
* Tamt. (t.) * Rohrengl.
* Kirchengl. * Tubaphon *
Glsp. * Xyl. * Vibr. *
Ruhrtr. * Tempelbl. * 2
Gongs; III.: 3 hg. Beck.
* Mil. Tr. * Tubaphon *
Kuhgl. * Tempelbl. * 2
Gongs; IV.: P. * hg.
Beck. * 2 Tamt. *
Beckenpaar * 5 Tomt. *
gr. Tr. * Ruhrtr. *
Bin-Sasara) (12 Spieler)
- Cel. * Klav. * Org. ad
lib. - Str. Im Saal: 0
* 0 * 3 * Bassklar. (auch
Es-Klar.) * 3 * Kfg. - 4
* 3 * 4 * 1.
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra
SKU:
PR.11641867S
Composed
by William Kraft. Full
score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867S. Published by
Theodore Presser Company
(PR.11641867S).
UPC:
680160683208.
Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death.
Orchestra - Grade 3.5 SKU: AP.35971S Composed by Karl Bohm. Arranged by R...(+)
Orchestra - Grade 3.5
SKU: AP.35971S
Composed by Karl Bohm.
Arranged by Robert
Sieving. Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Form:
Transcription. Masterwork
Arrangement; Romantic.
Score. 12 pages.
Highland/Etling
#00-35971S. Published by
Highland/Etling
(AP.35971S).
UPC:
038081411781.
English.
This
lovely German song offers
the opportunity to teach
compound meter, isolating
excerpts collaterally
with rhythmic exercises,
and working on smooth
string crossings.
Extended positions are
featured in the cello
part with accidentals
sprinkled throughout the
other parts as well. A
beautiful soli section
will be popular with
cellists against a moving
bass line.
Orchestra (Orchestra) SKU: HL.14019146 Composed by Magnus Lindberg. Music...(+)
Orchestra (Orchestra)
SKU: HL.14019146
Composed by Magnus
Lindberg. Music Sales
America. Classical.
Score. 170 pages. Music
Sales #KP00137. Published
by Music Sales
(HL.14019146).
ISBN
9788759855775.
12.0x16.5x0.525 inches.
English.
The
harmonic model for this
piece is based on a
subdivision of pitches in
primary and secondary
notes, in principle any
chord can be viewed from
it's structural qualities
including interval
content and symmetry, but
it might also be
conceived from a more
acoustical point of view.
The parallel basis for
this work is a sequence
of 12-tone chords
repeated as a chaconne,
every chord has it's
Alter-Ego, an overtone
series the fundamentals
of which together form a
bass line. By
articulating the cycle
differently, with always
varied diagonal paths
between two layers
Lindberg has aimed to
give the music some
direction despite it's
vague repetitive
structure. Work for
Orchestra premiered at
the Queen Elizabeth Hall,
London, by the London
Sinfonietta under the
direction of Esa-Pekka
Salonen, April 1990.
Orchestra - Grade 2 SKU: AP.35972S Composed by Christoph Willibald Von Gl...(+)
Orchestra - Grade 2
SKU: AP.35972S
Composed by Christoph
Willibald Von Gluck.
Arranged by Mark D.
Hellem. Masterworks;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Form:
Transcription. Classical;
Masterwork Arrangement.
Score. 8 pages.
Highland/Etling
#00-35972S. Published by
Highland/Etling
(AP.35972S).
UPC:
038081414799.
English.
The melody
of this famous aria is
very simple, yet
expressive and provides
an easy introduction for
students to the style of
the Classical period,
accompanied by an easy
version of an Alberti
bass figure or the
undulating eighth note
accompaniment figure. The
tune is shared between
all sections of the
orchestra and is
presented in a
statement-and-response
format.