for Violin, Viola and Orchestra. Par MOZART WOLFGANG AMADEUS. There is no reference to the origin, occasion or a performance of the Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn, 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ; Symphonie concertante his special attention. On April 5, 1778, he wrote to his father: ; Now I shall write a sinfonie concertante for flute wendling, oboe Ramm, Punto horn, and Ritter bassoon. Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels, Le Gros, contrary to his promise, did not include the mentioned ; sinfonie concertante in his program. Mozart had no reason to compose any more for this genre in Paris. After Mozart's return to Salzburg, he might have been eager to introduce the new genre there, especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time. - Urtext of the New Mozart Edition - Full score & parts (BA4900), study score format 22. 5 x 16. 5cm (TP176), violin, viola and piano reduction (BA4900-90) available for sale/ Répertoire / Orchestre

This new large-size paperback full score, based on the original printed score of 1929, provides a clearer and more authentic edition for conductors and students.
The original engraving has been graphically enhanced and edited with reference to the amended 1953 Edition Russe de Musique edition, the original engraved orchestral parts, and Ravel?s autograph manuscript.

This smart edition also features newly published editorial notes in English, French and German, plus facsimile pages from Ravel's original manuscript, containing markings made by the work?s commissioner Serge Koussevitsky.

Published as part of BandH?s prestigious Masterworks Library, full-size format (229 mm x 305 mm), this is the essential edition for conductors and students. / Arrangement : Maurice Ravel / Partition /

This is the study score featuring the complete original music by Mica Levi composed for Jonathan Glazer's stunning 2013 film Under the Skin, starring Scarlett Johansson. The score for this critically-acclaimed film is a vivid sound world constructed from Flute, Strings, Percussion and Synthesisers.Mica Levi is a classically-trained musician whose work is characterised by the experimental use of distortion, noise and found-object sounds. Her collaboration with the London Sinfonietta caught Jonathan Glazer's attention, who wanted to use her talents with creating uncomfortable and jarring yet beautiful soundscapes to complement his starkly unusual imagery. Levi won a European Film Award for best composer for this work, and she was also nominated for a BAFTA. / Conducteur De Poche

Mussorgskij komponierte Bilder einer Ausstellung zwischen dem 2. und 22. Juni 1874 in einem wahren Schaffensrausch. Der Titel bezieht sich auf eine Gedenkausstellung mit Zeichnungen, Aquarellen und architektonischen Entwürfen seines Kollegen Viktor Hartmann. / Orchestre