Composed by David Lovrien. Score and parts. Published by Lovebird Music (LB.167).

By Igor Stravinsky (1882-1971). For Orchestra (Study Score). Music Sales America. Ballet. 80 pages. Music Sales #CH00017. Published by Music Sales

Orchestra - Grade 1.5

SKU: AP.44785S

Composed by Igor Stravinsky. Arranged by Michael Story. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Beginning String Orchestra. Form: Transcription. 20th Century; Masterwork Arrangement. Score. 8 pages. Duration 1:50. Belwin Music #00-44785S. Published by Belwin Music (AP.44785S).

UPC: 038081516998. English.

One of the most important works of the 20th century was Stravinsky's ballet, The Firebird. The iconic Finale is now accessible to young players with this effective arrangement by Michael Story. All meter changes have been squared off, while still maintaining the spirit and integrity of the original work. (1:50).

By Igor Stravinsky. Arranged by Merle J. Isaac. By Igor Stravinsky / arr. Merle Isaac. For Full Orchestra. Full Orchestra. Belwin Concert Full Orchestra. Level: grade 5 Blue. Conductor Score & Parts. 180 pages. Published by Alfred Publishing.

Composed by David Lovrien. For Full Orchestra. Grade 5. Score and parts. Published by Lovebird Music

(Deluxe Score). Composed by Elmer Bernstein. Edited by Patrick Russ. For Full Orchestra. Symphony Pops. 24 pages. Published by Hal Leonard

Composed by David Lovrien. Score and parts. Published by Lovebird Music (LB.181).

By Richard L. Saucedo. MusicWorks Grade 2. Concert Band. Score and full set of parts. Size 9x12 inches. Published by Hal Leonard.

(Score and Parts). Composed by Elmer Bernstein. Edited by Patrick Russ. For Full Orchestra. Symphony Pops. Published by Hal Leonard

Composed by Igor Stravinsky (1882-1971). Arranged by Michael Story. Orchestra. Masterworks; Part(s); Score; String Orchestra. Belwin Beginning String Orchestra. Form: Transcription. 20th Century; Masterwork Arrangement. Grade 1.5. 76 pages. Published by Belwin Music

Orchestra (Orchestra)

SKU: HL.48185342

Composed by Olivier Messiaen. Leduc. Classical. Softcover. 184 pages. Alphonse Leduc #AL28842. Published by Alphonse Leduc (HL.48185342).

UPC: 888680837099. 10.5x13.5x0.51 inches.

Illuminatio ns on the Afterlife - Part 2, VII to XI is the second part of this religious orchestral piece by Olivier Messiaen composed between 1987 and 1991. This conductor edition features the movements VII to XI of the orchestra. VII. Et Dieu essuiera toute larme de leurs yeux? (And God will dry the tears from their eyes) VIII. Les etoiles et la Gloire (Stars and Glory) IX. Plusieurs oiseaux des arbres de vie (Birds from trees of life) X. Le chemin de l?Invisible (Path to the Invisible) XI. Le Christ, lumiere du Paradis (Christ, light of the Paradise) The full orchestra lasts approximately one hour and was commissioned by the New York Symphonic Orchestra. It incorporates some birdsong from Oceania and some modes of limited transposition. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the 'Bird Catalogue' in 7 volumes and the 'Treatise on rhythm, colour and ornithology' in 7 volumes..

Orchestra (Study Score)

SKU: HL.50600436

Study Score. Composed by Guoping Jia. Study Score. Classical, Contemporary. Softcover. 36 pages. Sikorski #SIK8794. Published by Sikorski (HL.50600436).

11.5x16.25x0.142 inches.

“'Kal aviuka' is an incarnated figure of the Buddha, the head of which looks human and the lower half like a bird with wings. In my work I would like to express the unity of man and nature, a conception deeply rooted in traditional Chinese art and culture, with a modern awareness. The musical material derives from traditional Chinese instrumental works which have birds as their subjects. In particular, these are passages (neither sung nor melodic) that imitate birdsong or depict the forms of birds by means of various instruments. These musical sections mostly consist of a combination of specially selected musical instruments with special techniques of sound production. My aim in composing this piece was to find out how these sounds could be transferred into an orchestra in order to develop a new musical vocabulary and new means of expression.” (Guoping Jia) The work was commissioned by Munich Biennale 2012 and Ernst von Siemens Musikstiftung.

Orchestra

SKU: HL.48182136

Composed by Olivier Messiaen. Leduc. Classical. Softcover. 226 pages. Alphonse Leduc #AL23077. Published by Alphonse Leduc (HL.48182136).

UPC: 888680835514. 7.25x10.75x0.704 inches.

Completed in 1960, Time-Colour by Olivier Messiaen is a famous orchestral piece composed by this author. This edition, published as a book, features the conductor?s score with all the following instruments: 16 First Violins, 16 Second Violins, 14 Violas, 12 Cellos, 10 Double Basses, 1 Piccolo, 3 Flutes, 3 Oboes, 4 Clarinets, 3 Bassoons, 1 Piccolo Trumpet, 3 C Trumpets, 4 F Horns, 3 Trombones, 1 Tuba, Suspended And Chinese Cymbal, 1 Glockenspiel, 1 Xylophone, 1 Marimba. It is written in seven movements: Introduction, Strophe I, Antistrophe I, Strophe II, Antistrophe II, Epode and Coda; and The Epode features birdsong and is played by 18 of the string instruments. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composer of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the 'Bird Catalogue' in 7 volumes..

Orchestra

SKU: HL.48182456

Composed by Olivier Messiaen. Leduc. Post-1900. Softcover. 91 pages. Alphonse Leduc #AL23681. Published by Alphonse Leduc (HL.48182456).

UPC: 888680831288. 7.0x10.5x0.313 inches.

“Comp osed in 1964, Et Exspecto Resurrectionem Mortuorum is a religious piece by Olivier Messiaen which title means ?And I wait for the resurrection of the dead?. Commissioned by André Malraux, this orchestra lasts approximately 35 minutes and was written for the commemoration of the dead in the world wars. It features five movements: I. ”“Des profondeurs de l'abîme, je crie vers toi, Seigneur: Seigneur, écoute ma voix!”“ II. ”“Le Christ, ressuscité des morts, ne meurt plus; la mort n'a plus sur lui d'empire.”“ III. ”“L'heure vient où les morts entendront la voix du Fils de Dieu...”“ IV. ”“Ils ressusciteront, glorieux, avec un nom nouveau -- dans le concert joyeux des étoiles et les acclamations des fils du ciel.”“ V. ”“Et j'entendis la voix d'une foule immense...”“ This is the conductor's score which includes all parts. Olivier Messiaen (1908-1992) was a French Organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsongs, including the Bird Catalogue in 7 volumes and the Treatise on rhythm, colour and ornithology in 7 volumes.”.

Orchestra - Grade 2

SKU: AP.24936S

Composed by Edmund J. Siennicki. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling Strictly Strings. Score. 8 pages. Highland/Etling #00-24936S. Published by Highland/Etling (AP.24936S).

UPC: 038081275895. English.

Imagine the stately bird, the blue heron, in the marshes along Lake Erie. When standing on one leg in the water, the bird is visible to the careful observer, yet their large wingspan makes them majestic flyers. This piece calls for a moderate tempo. After the short introduction, the next 16 measures are played piano, mezzo forte and forte. This is followed by two versions with variations. All players get to play the melody and bowings and dynamics make the music more interesting for the audience and performers as the piece comes to a loud ending.

Arranged by Bob Cerulli. Bob Cerulli. For Full Orchestra. Full Orchestra. Pop Intermediate Full Orchestra. Level: grade II-III. Conductor Score. 12 pages. Published by Alfred Publishing.

Arranged by Bob Cerulli. Arr. Bob Cerulli. For Full Orchestra. Full Orchestra. Pop Intermediate Full Orchestra. Novelty. Level: 2.5 (grade 2.5). Conductor Score & Parts. 62 pages. Published by Alfred Publishing.

Score and Parts. By The Beatles. Arranged by Henry Mancini. Henry Mancini Concert Library. Published by Hal Leonard (HL.4491294).

Fragment of a Japonisme. Composed by Oliver Knussen (1952-). Full Orchestra; Performance Music Ensemble; Single Titles. Faber Edition. Form: Concerto. 20th Century; Folk. Score. Faber Music #12-0571541119. Published by Faber Music

(Deluxe Score). By The Beatles. Arranged by Henry Mancini. For Full Orchestra. Henry Mancini Concert Library. 32 pages. Published by Hal Leonard

Orchestra

SKU: FG.042-08763-3

Composed by Jean Sibelius. Score. Published by Fennica Gehrman (FG.042-08763-3).

ISBN 979-0-042-08763-3.

The Wedding March was composed for Adolf Paul's play 'The Language of the Birds' in 1911. It is anything but a traditional wedding march, being highly colourful and more in the nature of chamber music.

Hawkes Pocket Score 1592. Composed by Igor Stravinsky (1882-1971). Boosey & Hawkes Scores/Books. Softcover. 40 pages. Boosey & Hawkes #M060133572. Published by Boosey & Hawkes

By Igor Stravinsky. Band/Orchestra. Size 9 3/8 x 12 1/4. 176 pages. Published by Dover Publications.

Orchestra (2.2.2.2/4.2.3.1,timp,per c,str)

SKU: TM.07279SC

Composed by Ernst Pepping. Score. Lucks Music Library #A6991. Published by Lucks Music Library (TM.07279SC).

Intro, Dance of Birds, Cortege Dance of Bouffons. Chorus I = Soprano; Chorus II = Alto.

Orchestra

SKU: PR.416415760

For Really Big Orchestra. Composed by PDQ Bach. Edited by Prof. Peter Schickele. Study Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576. Published by Theodore Presser Company (PR.416415760).

UPC: 680160636532. 9 x 12 inches.

The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams.

Orchestra

SKU: AP.1-ADV40021

For Soloist and String Orchestra. Composed by Mike Curtis. Performance Music Ensemble; Single Titles; String Orchestra. Advance Music. Multicultural. Score. Advance Music #01-ADV40021. Published by Advance Music (AP.1-ADV40021).

UPC: 805095400212. English.

Sketches of China features mostly original writing and five highly descriptive movements. The solo part in C treble clef is playable by oboe or flute, and the string parts incorporate a variety of arco, pizzicato, and spiccato techniques.

Titles include: Good Earth * Dance * Birds * River Song * Pagoda.

Orchestra

SKU: SU.50007580

For Orchestra. Composed by Jacques De Vos Malan. Orchestra. Score. Seesaw Music Corp #50007580. Published by Seesaw Music Corp (SU.50007580).

Set of Parts: available on rental Published by: Seesaw Music.