Orchestral Score. Composed by Alan Menken. This edition: Paperback/Softcover. Sheet music. Study score. Composed 2010. Omni Music Publishing #OMNI 50796. Published by Omni Music Publishing

Orchestra (Score)

SKU: HL.14022266

Composed by George Dyson. Music Sales America. Classical. Score. Composed 2002. 116 pages. Chester Music #CH00445. Published by Chester Music (HL.14022266).

UPC: 884088804886. 8.5x11.75x0.287 inches.

This Concerto was commissioned by the Feeney Trust for the City of Birmingham Orchestra and was written between March and November 1967. It consists of five sections and they are played without a break.

Arranged by Elena Roussanova Lucas. Traditional. For Full Orchestra. Full Orchestra. Belwin Concert Full Orchestra. Level: 5 (grade 5). Conductor Score and Parts. 324 pages. Published by Alfred Publishing.

As Performed by Tones and I. Composed by Toni Watson. Arranged by Michael Kamuf. Performance Music Ensemble; Single Titles; SmartMusic; String Orchestra. Pop Concert String Orchestra. Light Concert; Pop/Rock. Score and Part(s). Belwin Music #00- 49441. Published by Belwin Music

Orchestra (Study Score)

SKU: HL.51489818

Orchestra Study Score. Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. Henle Study Scores. Classical. Softcover. 86 pages. G. Henle #HN9818. Published by G. Henle (HL.51489818).

UPC: 840126932744. 6.75x9.5x0.25 inches.

Sandwiched between the popular Symphonies Nos. 7 and 9, the relatively short Eighth Symphony finds itself in a difficult position even now. Right after the premiere in February 1814, one critic opined that it had made “no splash.” At first glance it makes recourse to already outmoded forms and genres, even reviving a minuet for the third movement (in lieu of a slow movement) after an Allegretto scherzoso. But Beethoven engages intensively with music history, breaking apart traditional procedures and patterns and finding new, surprising solutions that make his Eighth a milestone in symphonic history. Based on the musical text of the Beethoven Complete Edition and furnished with a new preface, this recently prepared edition reflects the latest in Beethoven scholarship. Now,in this study edition, it is available to everyone at a reasonable price and in a handy format.

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Orchestra

SKU: SU.32040140

For Orchestra. Composed by Amy Riebs Mills. Orchestra. Full Score. Subito Music Corporation #32040140. Published by Subito Music Corporation (SU.32040140).

2222; 4331; timp, 2 perc, pno; stgs Duration: 13'30 Composed: 2016 Published by: Amy Mills Music, LLC Like a modern Pictures at an Exhibition…. Ha Shamayim is an original piece for orchestra that was inspired by photographs taken by the Hubble space telescope. Each section is inspired by one photo; the title of each section is the title that NASA gave to the photograph. The words Ha Shamayim are Hebrew for The Heavens. They are written in Genesis 1:1, In the beginning God created the heavens and the earth. The words are also seen in Psalm 19. Section I: Warped Edge-On Galaxy ESO 510-G13 The piece begins in outer space with its glistening stars. Glissandi are used to depict the strange but beautiful warp seen in the photograph. Section II: Galaxy Fires at Neighboring Galaxy Suddenly the piece erupts as one galaxy fires blue gas at its neighbor. They engage in a cosmic battle. Section III: Youthful-looking Galaxy May Be an Adult The adolescent galaxy is personified by a humorous, gawky melody reminiscent of teenage boys who walk on feet that are still too big. Occasionally there is an argument with an authority figure, but the joy of exploring the universe quickly returns. Section IV: Star Birth in Galaxy M83 The dramatic photograph looks like a womb with veins. The music begins on one note, then it begins to explore the initial swelling and stretching. It morphs into an energetic fast theme, still growing. Ultimately it becomes glorious and expansive, like the new star. Section V: String of ‘Cosmic Pearls’ Surrounds an Exploding Star The first theme is a happy circle dance inspired by the circle of white dots in the photograph. The second theme is noble and joyful. It is reminiscent of the melody in the famous chorus in Haydn’s The Creation with the words from Psalm 19, The heavens are telling the glory of God. The music then has flashbacks to the earlier sections, and ends in triumph. The five sections in Ha Shamayim are continuous with no breaks. Difficulty Level: 5 (Advanced/Professional) See composer website for audio sample. Performance materials available on rental only:.

Orchestra (Full Score) - Grade 4

SKU: HL.14032192

Full Score. Composed by Per Norgard. Music Sales America. 20Th Century, Classical. Softcover. 188 pages. Edition Wilhelm Hansen #KP00865. Published by Edition Wilhelm Hansen (HL.14032192).

ISBN 9788759858394. 12.0x16.5x0.78 inches. International (more than one language).

Symphony No. 6 for orchestra, 1997-99. Preface / Program Note:... with the Lord a day is like a thousand years, and a thousand years is like a day(New Testament, 2 Peter 3:8)My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra, the Gteborg Symphony Orchestra and the Oslo Philharmonic Orchestra, to be premiered at the millenium 2000.The subtitle AT THE END OF THE DAY can be understood literally or it can mean when all is added up. However, in my opinion, nothing ever quite adds up, there is always something missing, any ending will be provisional ...This symphony appears to end only a few minutes into the first movement, the first passage, as the music fades away to almost-silence, after a start of flying colours. But then there is still something, a small motive (first heard in the initial sound-waves) which reappears, hesitant, but persistent, and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next, until all the voices become obsessed with the same phrase, a see-saw motive based on thirds. This section evolves into almost martial ferocity, when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony, emplyoing instruments that I have never used before: double-bass tuba, double-bass trombone, double-bass clarinet, and bass flute).The second movement, the second passage, apparently takes off where the first passage ended, but now the events are more ambiguous, and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia, the characteristic baroque bass-variation.Without a break follows the third and last passage, in a contrasting high register. The music is rhythmically knotty as well as freely flowing. As in the beginning of the symphony, a never-ending descent or fall breaks off the events, and at the very end a delta of new beginnings, of other worlds, is revealed ....The symphony is dedicated to Helle, my wife. - Per Norgard.

Orchestra - Grade 2.5

SKU: AP.46696S

As Performed by Walk the Moon. Composed by Ben Berger, Eli Maiman, Kevin Ray, Nicholas Petricca, Ryan McMahon, Ryan Rabin, and Sean Waugman. Arranged by Victor Lopez. Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Light Concert; Pop; Rock. Score. 12 pages. Alfred Music #00-46696S. Published by Alfred Music (AP.46696S).

UPC: 038081541525. English.

Shout along, stomp along, or just plain enjoy! This infectious, rhythmic song will keep the students engaged and be fun to play. The groove is easy to learn, even by ear. One Foot, arranged by veteran writer Victor López, is the lead single for Walk the Moon's fourth studio LP What if Nothing. This dynamic American rock and roll band has once again delivered a high-energy pop song, which hit No. 1 on Billboard's Alternative Songs. One Foot follows the band's breakout hit Shut Up and Dance, which also hit No. 1 at Alternative Radio. Enjoy the disco-like groove with a tribal chant chorus custom-made for shouting along, which has become the group's signature foot-stomping sound.

Orchestra

SKU: FG.55011-444-9

Composed by Einojuhani Rautavaara. Score (large). Fennica Gehrman #55011-444-9. Published by Fennica Gehrman (FG.55011-444-9).

ISBN 9790550114449.

Eino juhani Rautavaara (1928-2016) was one of Finland's internationally most successful composers. He made his major breakthrough with the Symphony No. 7, Angel of Light, in the 1990s, but his output includes numerous classic operas, concertos, chamber music and choral works.
Over his extensive career, he progressed from Neo-Classicism to strict dodecaphony to free-tonal Neo-Romanticism, combining modernism with mystical romanticism in his later works. According to the composer, the role of the composer is to be mediator, a midwife, who helps the music become alive on its own terms; Listen to what the music wants to tell you, he told his composition students, sense where it wants to go.
Rautavaara rose to great international fame with the success of his Symphony No. 7, Angel of Light (1995) powered by the prize-winning recording (Helsinki Philharmonic, Segerstam, Ondine label) later the same year. Many high-profile international commissions followed, creating yet
more prize-winning recordings.
To mark the 25th anniversary of the work's premiere - in its original form as the Bloomington Symphony - by the Bloomington Symphony Orchestra and conductor David Pickett, Fennica Gehrman is publishing an entirely new edition of the symphony based on all available sources, including the composer's manuscript and his markings in various printed scores.
This is a large-sized conductor score with extensive analysis of the work and its genesis.

Orchestra

SKU: FG.55009-402-4

Composed by Einojuhani Rautavaara. Score. Published by Fennica Gehrman (FG.55009-402-4).

ISBN 979-0-55009-402-4.

According to Rautavaara The name of the work is a quotation from the libretto of my opera The House of the Sun: . . .like a butterfly in a dark autumn garden. . .. The motif to which these words are sung is the theme for the variations in the first movement. Their texture gradually grows and becomes denser. Following on without a break is a slow, poetic movement of even rhythms and dynamics. The quick, lively finale begins giocoso e leggiero. But autumn is also a time of colour, and of death. At the end the music thus turns into a festive dance con grandezza. Maybe it bears the echo of a sarabande to the dying splendour of summer - or as T.S. Eliot put it: late roses filled with early snow. Autumn Gardens was commissioned by the Scottish Chamber Orchestra and premiered at the London Proms in July 1999.

Orchestra

SKU: HL.14033079

Composed by Per Norgard. Music Sales America. Classical. Score. 164 pages. Music Sales #KP01073. Published by Music Sales (HL.14033079).

ISBN 9788759858332. Danish.

There were wild oatsAnd the soil was blackBut sparkledWhen the sun was outThe air sharp in the nostrilsHard to defineSomewhere between knife and coal andAcid and that special light and sweetWhiteness thornbushes exhaleIt was nothing specialBecause everything was special...Thus the opening line of the poem TERRAINS VAGUES by Klaus Rifbjerg, the Danish Poet. I chose to adopt this title for my orchestral work, because of its closeness in associations: an indeterminable, often polarized, state of rhythmic and tonal ambiguity.The expression seems created by the Franch author, Victor Hugo:And here lies the fascination: in the kinds of terrains vagues, which are simultaniously bizarre and ugly, as if created by two alien species of nature. To watch the suburb is like observing and amphibium: trees vanish, roofs appear, grass vanish, cobble stones appear, ploughing fields vanish, shops appear, beaten tracks vanish - passions appear; the murmur of Nature Divine ends, the noise of Mankind takes over. (Victor Hugo)Still, the atmosphere as well as the material of TERRAINS VAGUES have its origin, in my SYMPHONY NO. 6 (1999), the last minute of which, cut up rough, appears as the start of my new work. The music of TERRAINS VAGUES subdivides itself, without breaks, into three sections, or shades:I: TERRAINS - II: VAGUES (Waves) III: TERRAINS VAGUES.Per Norgard, March 2001.

Orchestra (Score)

SKU: HL.14000908

Composed by Hans Abrahamsen. Music Sales America. Classical. Score. 126 pages. Music Sales #KP00206. Published by Music Sales (HL.14000908).

ISBN 9788759854648. 12.0x16.0x0.677 inches. English.

The title Marchenbilder, or Fairy-tale Pictures, borrowed from Schumann, awakens notions of music which in itself has a pictorial quality. In all, the score comprises six Fairytale Pictures, the first three of which form the first movement, the next two the second, whilst the sixth forms the last movement which is linked with the second without a break. The first two pictures have the same duration - one minute each - whilst the remainder hesitantly inerease in length until the final picture is almost five minutes long. For 14 instruments.

Orchestra - Grade 2

SKU: AP.44800

Arranged by Renata Bratt. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Folk; Traditional. Score and Part(s). 144 pages. Duration 1:40. Belwin Music #00-44800. Published by Belwin Music (AP.44800).

UPC: 038081517339. English. Traditional.

Ever ask your intermediate students to sing their parts? This one's for you! This American fiddling song is arranged by Renata Bratt so that every section gets a chance to sing the song as well as play the tune with idiomatic fiddle breaks based on the tune. Sounds great without the singing as well! The fast driving rhythmic power of offbeat accents in cut time is emphasized in this accessible D major arrangement. This tune calls for fast left hand fingers and some quick bow-crossings, though it stays in the first position. Great fun! (1:40).

Orchestra - Grade 2

SKU: AP.44800S

Arranged by Renata Bratt. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Folk; Traditional. Score. 12 pages. Duration 1:40. Belwin Music #00-44800S. Published by Belwin Music (AP.44800S).

UPC: 038081517346. English. Traditional.

Ever ask your intermediate students to sing their parts? This one's for you! This American fiddling song is arranged by Renata Bratt so that every section gets a chance to sing the song as well as play the tune with idiomatic fiddle breaks based on the tune. Sounds great without the singing as well! The fast driving rhythmic power of offbeat accents in cut time is emphasized in this accessible D Major arrangement. This tune calls for fast left hand fingers and some quick bow-crossings, though it stays in the first position. Great fun! (1:40).

Orchestra - Grade 3

SKU: AP.49441S

As Performed by Tones and I. Composed by Toni Watson. Arranged by Michael Kamuf. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Pop Concert String Orchestra. Light Concert; Pop/Rock. Score. Alfred Music #00-49441S. Published by Alfred Music (AP.49441S).

ISBN 9781470650537. UPC: 038081571317. English.

Australian singer Tones & I's breakout single reached number one on the charts in thirty countries. This arrangement of Dance Monkey by Michael Kamuf is the perfect vehicle to reinforce syncopation while having fun! The infectious groove will make this a favorite of students and audience alike! (2:30) This title is available in MakeMusic Cloud.