SKU: CL.016-0174-00

Composed by Ludwig van Beethoven. Arranged by Allen. Orchestra. Score and set of parts. Composed 1911. C.L. Barnhouse #016-0174-00. Published by C.L. Barnhouse (CL.016-0174-00).

This product contains two titles on one sheet of music: The Glory of God in Nature O Hills, O Vales.

SKU: CL.016-0176-00

March. Composed by Barnhouse. Arranged by Allen. Orchestra. Score and set of parts. Composed 1911. C.L. Barnhouse #016-0176-00. Published by C.L. Barnhouse (CL.016-0176-00).

SKU: CL.016-0170-00

Composed by Felix Bartholdy Mendelssohn. Arranged by Allen. Orchestra. Score and set of parts. Composed 1910. C.L. Barnhouse #016-0170-00. Published by C.L. Barnhouse (CL.016-0170-00).

This product contains two titles on one sheet of music: Cast Thy Burden Upon The Lord For The Mountains Shall Depart.

SKU: CL.016-0167-00

March. Composed by J. W. Allen. Orchestra. Score and set of parts. Composed 1910. C.L. Barnhouse #016-0167-00. Published by C.L. Barnhouse (CL.016-0167-00).

SKU: CL.016-0180-00

Arranged by Allen. Orchestra. Score and set of parts. Composed 1911. C.L. Barnhouse #016-0180-00. Published by C.L. Barnhouse (CL.016-0180-00).

This product contains three titles on one sheet of music: America Red, White and Blue The Star Spangled Banner NOTE: This is a vintage orchestra publication, designed for the small theater orchestras of the very late 1800s and early 1900s – whose instrumentation varies considerably from a modern full orchestra work. Parts for standard string instruments are included, along with wind and percussion parts as scored by the musical judgment of the composer or arranger. Be cautioned that published parts might include less familiar transpositions, such as Clarinet or Cornet in A, Horn in Eb, etc. Please contact us with any specific instrumentation questions.

SKU: CL.016-0171-00

Composed by Felix Bartholdy Mendelssohn. Arranged by Allen. Orchestra. Score and set of parts. Composed 1910. C.L. Barnhouse #016-0171-00. Published by C.L. Barnhouse (CL.016-0171-00).

SKU: CL.016-0175-00

Composed by Robert Schumann. Arranged by Allen. Orchestra. Score and set of parts. Composed 1911. C.L. Barnhouse #016-0175-00. Published by C.L. Barnhouse (CL.016-0175-00).

This product contains two titles on one sheet of music: The Lotus Flower Theme from Serenade Op. 8.

SKU: CL.016-0179-00E

Arranged by Allen. Orchestra. Score and set of parts. C.L. Barnhouse #016-0179-00e. Published by C.L. Barnhouse (CL.016-0179-00E).

Part of product 016-0179-00 which contains five short arrangements: Holy, Holy, Holy Abide With Me Joy To The World Stand Up, Stand Up For Jesus Old Hundred.

SKU: CL.016-0168-00

Overture. Composed by J. W. Allen. Orchestra. Score and set of parts. Composed 1910. C.L. Barnhouse #016-0168-00. Published by C.L. Barnhouse (CL.016-0168-00).

SKU: CL.016-0169-00

Composed by Ambrose. Arranged by Allen. Orchestra. Score and set of parts. Composed 1910. C.L. Barnhouse #016-0169-00. Published by C.L. Barnhouse (CL.016-0169-00).

SKU: CL.016-0179-00

Arranged by Allen. Orchestra. Score and set of parts. Composed 1912. C.L. Barnhouse #016-0179-00. Published by C.L. Barnhouse (CL.016-0179-00).

This product contains five short arrangements: Holy, Holy, Holy Abide With Me Joy To The World Stand Up, Stand Up For Jesus Old Hundred NOTE: This is a vintage orchestra publication, designed for the small theater orchestras of the very late 1800s and early 1900s – whose instrumentation varies considerably from a modern full orchestra work. Parts for standard string instruments are included, along with wind and percussion parts as scored by the musical judgment of the composer or arranger. Be cautioned that published parts might include less familiar transpositions, such as Clarinet or Cornet in A, Horn in Eb, etc. Please contact us with any specific instrumentation questions.

SKU: CL.016-0179-00D

Arranged by Allen. Orchestra. Score and set of parts. C.L. Barnhouse #016-0179-00d. Published by C.L. Barnhouse (CL.016-0179-00D).

Part of product 016-0179-00 which contains five short arrangements: Holy, Holy, Holy Abide With Me Joy To The World Stand Up, Stand Up For Jesus Old Hundred.

SKU: CL.016-0172-00

Arranged by Allen. Orchestra. Score and set of parts. Composed 1910. C.L. Barnhouse #016-0172-00. Published by C.L. Barnhouse (CL.016-0172-00).

SKU: CL.016-0166-00

March. Arranged by Allen. Orchestra. Score and set of parts. Composed 1910. C.L. Barnhouse #016-0166-00. Published by C.L. Barnhouse (CL.016-0166-00).

SKU: CL.016-0173-00

Romance. Composed by E. Bach. Arranged by Allen. Orchestra. Score and set of parts. Composed 1911. C.L. Barnhouse #016-0173-00. Published by C.L. Barnhouse (CL.016-0173-00).

Orchestra

SKU: HL.49016259

Einfuhrung und Analyse. Composed by Johannes Brahms. Edited by Giselher Schubert. This edition: Paperback/Soft Cover. Sheet music. Serie Musik. Siehe Rubrik Bucher/Multimedia. Classical. Study Score. Op. 68. 256 pages. Schott Music #SP 8107. Published by Schott Music (HL.49016259).

ISBN 9783795781071. 5.0x7.5x0.538 inches. German.

Als Johannes Brahms im Jahre 1876 seine 1. Sinfonie der Offentlichkeit vorstellte, war dies ein lang erwartetes Ereignis. Zwar war der Komponist schon eine geraume Zeit beruhmt und hatte sich in fast allen musikalischen Gattungen hervorgetan: er hatte Klaviersonaten, Lieder, Konzerte sowie Orchester- und Chorwerke (u.a. das Deutsche Requiem) vorgelegt und mit drei Streichquartetten Beitrage zu einer Gattung geliefert, die seit Beethovens spaten Quartetten als kunstvollste und intimste musikalische Gattung uberhaupt galt. Nur eine Sinfonie hatte er noch nicht komponiert, denn er gehorte zu den Komponisten, denen die Schwierigkeit bewusst war, mit einem sinfonischen Werk gegenuber dem Beethovenschen Erbe bestehen zu konnen.Giselher Schubert schildert diese Umstande in diesem Buch und verdeutlicht, dass ein selbstkritischer Komponist, wie es Brahms ausgepragt war, sich so lange Zeit schwer tun musste, bis er glaubte, den Erwartungen von Freunden und Fachleuten entsprechen zu konnen. Er beschreibt neben der Entstehungsgeschichte dieser Sinfonie, der schon bald der Beiname die Zehnte (Beethovens) gegeben wurde, die Quellenlage, gibt kommentierend die Reaktionen auf die ersten Auffuhrungen wieder und stellt Betrachtungen an zu einer Analyse des Werkes. Anregungen zur weiteren Beschaftigung mit dieser Sinfonie geben in einer Auswahl Literaturverzeichnis und eine Diskographie. Anhand der vollstandig wiedergegebenen Partitur kann der Leser den Notentext beim Horen verfolgen und die analytischen Kommentare nachvollziehen.