SKU: AP.48087S

ISBN 9781470655556. UPC: 038081553931. English.

Some of the most exuberant music from the Baroque period comes to us from George Frideric Handel, composer of Messiah, among many other masterpieces. Handel's Allegro from Concerto Grosso, Op. 6, No. 1, arranged by Deborah Baker Monday, is a perfect example of his most joyous music and is an excellent choice for concert or festival. The four-measure melodic theme in G major occurs throughout the piece and is passed among all instruments. A half step figure is also a common motive with easily accessible fingerings provided. This piece features simple quarter and eighth-note rhythms. The accompanying parts are interrelated, and rhythmic independence is limited. (2:00) This title available in MakeMusic Cloud.

SKU: AP.48087

ISBN 9781470655549. UPC: 038081553924. English.

Some of the most exuberant music from the Baroque period comes to us from George Frideric Handel, composer of Messiah, among many other masterpieces. Handel's Allegro from Concerto Grosso, Op. 6, No. 1, arranged by Deborah Baker Monday, is a perfect example of his most joyous music and is an excellent choice for concert or festival. The four-measure melodic theme in G major occurs throughout the piece and is passed among all instruments. A half step figure is also a common motive with easily accessible fingerings provided. This piece features simple quarter and eighth-note rhythms. The accompanying parts are interrelated, and rhythmic independence is limited. (2:00) This title is available in MakeMusic Cloud.

SKU: HL.50017370

UPC: 073999364309. 8.0x10.75x0.15 inches.

SKU: HL.51487253

UPC: 840126933048. 6.75x9.5x0.245 inches.

With his first horn concerto, the merely eighteen-year-old Richard Strauss succeeded in producing a captivating masterstroke. To this day, the concerto is beloved throughout the world (not only) by horn players, and together with Mozart's masterworks, numbers among the essential pieces in the instrument's repertoire. Peter Damm, former principal horn for the Staatskapelle Dresden and world-class soloist, has not only performed the concerto publicly over 170 times himself, but has also presented pivotal research findings and publications on its genesis. Prepared after reviewing all surviving sources, the Urtext edition he has edited may thus been regarded as the edition of reference. The orchestral score, available in a practical study edition, eliminates innumerable errors from the first edition.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

SKU: BR.PB-14614

The study score (Studien-Edition) is available at G. Henle Verlag.

ISBN 9790004214893. 10 x 12.5 inches.

The genesis of Beethoven's 4th symphony came at an extraordinary time for the composer not only regarding productivity: Thus, in 1806 he composed, among other things, the 4th piano concerto, the three Rasumovsky string quartets op. 59, the 32 piano variations in c minor WoO 80, as well as the violin concerto op. 61. The first performance of the B-flat-major symphony occurred in March 1807 at one of the two noteworthy subscription concerts conducted by Beethoven in the Palais Lobkowitz in Vienna. In the course of time, this intellectually-stimulatin g work- so described by one of the reviewers of the Allgemeine musikalische Zeitung - found ever-increasing appeal. Throughout the entire 19th century this symphony ranked with the best-loved and most frequently performed works; its popularity spread to England where the London Philharmonic Society played it at least 25 times in the period between 1813 and 1850.Extant are only a few drafts of the 4th symphony. The autograph served as the main source for the present edition edited by Prof. Bathia Churgin, likewise editor of the 3rd symphony in the new Beethoven Complete Edition. Consulted as reference sources were copies of the score and orchestral parts as well as the original edition of the parts.