Orchestra (3(3.picc).2.cor ang.2.2.dble bsn - 4.3.3.1 - timp - perc - hp - str) ...(+)
Orchestra
(3(3.picc).2.cor
ang.2.2.dble bsn -
4.3.3.1 - timp - perc -
hp - str)
SKU:
BR.PB-5709
Tone
Poem for Large Orchestra
after N. Lenau -
Urtext. Composed by
Richard Strauss. Edited
by Nick Pfefferkorn.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Symphonic poem; Early
modern. Full score. 120
pages. Duration 19'.
Breitkopf and Haertel #PB
5709. Published by
Breitkopf and Haertel
(BR.PB-5709).
ISBN
9790004216460. 10 x 12.5
inches.
Strauss
third tone poem Don Juan
was composed in spring
1888. This work is
already an impressive
demonstration of the
composer's newly acquired
confidence in mastering
the orchestral apparatus.
Already completed in the
fall, it took over a year
until its premiere in
Weimar on November 11,
1889. Breitkopf &
Hartel's new Urtext
edition assesses not only
the autograph and the
first edition, but also
for the first time the
parts used under the
composer's direction,
resulting in some
surprisingly new
readings. An extensive
preface, facsimile pages,
and a detailed critical
report round off this
authoritative Urtext
edition.
First
Urtext edition since the
first edition. Evaluation
of all available sources,
including some orchestral
parts used by Strauss. A
detailed critical report.
Complete orchestral
material available for
purchase.
Full orchestra SKU: S2.30-3335SF Composed by Larry Shackley. Choral. Sacr...(+)
Full orchestra
SKU:
S2.30-3335SF
Composed
by Larry Shackley.
Choral. Sacred Anthem,
General, Lent. Orchestral
score and CD with
printable parts.
SoundForth #30/3335SF.
Published by SoundForth
(S2.30-3335SF).
UPC:
000308143140.
Who
can separate us from the
love of Christ? Larry
Shackley captures and
conveys the Christian's
conquering spirit and
confidence in Christ in
this dramatic setting of
the beloved scripture
passage that is equally
effective with piano or
orchestra.
Full orchestra SKU: LO.30-3075L Composed by Mary McDonald. Choral. Sacred...(+)
Full orchestra
SKU:
LO.30-3075L
Composed
by Mary McDonald. Choral.
Sacred Anthem,
Evangelism, General,
Missions. Orchestral
score and parts. Lorenz
Publishing Company
#30/3075L. Published by
Lorenz Publishing Company
(LO.30-3075L).
UPC:
000308136753.
Belie
ving God will lead us
forward, we will put our
faith in God Alone. This
stirring original anthem
from Mary McDonald urges
believers to put their
faith in God and step
forward confidently in
His service. (2 Fl, Ob, 2
Cl, Bsn (sub B Cl), 3
Tpt, 2 Hn (sub 2 A Sax),
2 Tbn (sub 2 T Sax/Btn
TC), Tuba (sub Tbn 3),
Perc, Harp, 2 Vln, Vla,
Cello, Bass, Digital
String Reduction).
Orchestra SKU: LO.30-2679L Composed by Mary McDonald. Arranged by Michael...(+)
Orchestra
SKU:
LO.30-2679L
Composed
by Mary McDonald.
Arranged by Michael
Lawrence. Choral. Sacred
Anthem, General, Lent,
Reformation. Orchestral
score and parts. Lorenz
Publishing Company
#30/2679L. Published by
Lorenz Publishing Company
(LO.30-2679L).
UPC:
000308127546.
A
song of confidence in the
face of trials, His Grace
Will Lead Us Through is
firmly rooted in the
scripture: My grace is
sufficient for you.
Beautiful and emotional
writing is found
throughout including a
chorus of Grace Greater
Than Our Sins with
optional congregational
singing. The optional
orchestra will add to the
stirring mood of this
piece. Instrumentation: 2
Fl, Ob, 2 Cl, Bsn (sub B
Cl), 3 Tpt, 2 Hn (sub 2 A
Sax), 2 Tbn (sub 2 T
Sax/Bari TC), Tba, Perc,
Timp, Harp, Pno, 2 Vln,
Vla, Cello, Bass, Digital
String Reduction.
By Philip P. Bliss. Arranged by Don Hart. For Orchestra. Atonement, Comfort, Con...(+)
By Philip P. Bliss.
Arranged by Don Hart. For
Orchestra. Atonement,
Comfort, Confidence,
Eternal Life, Hymntune,
Peace and Sacred. Print
Music Single
(Orchestration).
Published by Hope
Publishing Company.
Composed by Edward Elgar.
Edited by Barbara Mohn.
Carus digital: Extra
digital products. Full
Score. Composed 1900. Op.
38. Duration 100 minutes.
Carus Verlag #2300400.
Published by Carus Verlag
(CA.2300400).
ISBN
9790007240783.
English/German. Text:
Newman, John
Henry.
This is the
best of me, wrote Edward
Elgar after the final
measure of his Dream of
Gerontius. Premiered in
1900, in Great Britain
the work has long been a
standard work in the
repertoire of large
oratorio choirs. Elgar's
moving, poetic setting of
the eponymous poem by
Cardinal John Henry
Newman is about a dying
man and his journey
beyond death to God.
Before the eyes of the
listeners, a musical
image of the soul is
created which flies past
mocking demons to God
with its protecting angel
at its side, is allowed
to look at God briefly,
then faces the purgatory
confident and comforted.
The work is a real rarity
in the history of
oratorio, and for large
choirs it is a thrilling
alternative to the
established repertoire of
Requiem settings. Its
popularity is thanks to
the suggestive, often
sensuous power of the
music, the great choral
scenes of the demons and
the angels, and the three
impressive solo
parts.All
previous editions were
reprints based on the
historic first printed
materials, which are
inconsistent. By
contrast, Carus has
produced a modern,
newly-engraved edition,
compatible in all
sections, which takes all
the sources into
consideration and
evaluates the autograph
manuscript in detail. For
this edition the complete
orchestral material is
available on sale, and
the vocal score and full
score contain both
English and German
singing texts. The full
score is also available
digitally.*,A milestone of late
Romantic choral music,
and a standard work in
Great Britain*,First
modern score with a full
Critical Report and
complete performance
material- English and
german singing
texts
Composed by Edward Elgar.
Edited by Barbara Mohn.
Vocal score. Composed
1900. Op. 38. Duration
100 minutes. Carus Verlag
#2300403. Published by
Carus Verlag
(CA.2300403).
ISBN
9790007240790.
English/German. Text:
Newman, John
Henry.
This is the
best of me, wrote Edward
Elgar after the final
measure of his Dream of
Gerontius. Premiered in
1900, in Great Britain
the work has long been a
standard work in the
repertoire of large
oratorio choirs. Elgar's
moving, poetic setting of
the eponymous poem by
Cardinal John Henry
Newman is about a dying
man and his journey
beyond death to God.
Before the eyes of the
listeners, a musical
image of the soul is
created which flies past
mocking demons to God
with its protecting angel
at its side, is allowed
to look at God briefly,
then faces the purgatory
confident and comforted.
The work is a real rarity
in the history of
oratorio, and for large
choirs it is a thrilling
alternative to the
established repertoire of
Requiem settings. Its
popularity is thanks to
the suggestive, often
sensuous power of the
music, the great choral
scenes of the demons and
the angels, and the three
impressive solo
parts.All
previous editions were
reprints based on the
historic first printed
materials, which are
inconsistent. By
contrast, Carus has
produced a modern,
newly-engraved edition,
compatible in all
sections, which takes all
the sources into
consideration and
evaluates the autograph
manuscript in detail. For
this edition the complete
orchestral material is
available on sale, and
the vocal score and full
score contain both
English and German
singing texts. The full
score is also available
digitally.*,A milestone of late
Romantic choral music,
and a standard work in
Great Britain*,First
modern score with a full
Critical Report and
complete performance
material- English and
german singing
texts
Pieces of Eight Orchestre [Conducteur] - Facile Highland/Etling
Orchestra - Grade 2 SKU: AP.45865S A Pirate's Jig. Composed by Ric...(+)
Orchestra - Grade 2
SKU: AP.45865S
A Pirate's Jig.
Composed by Richard
Meyer. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Explorer. Score. 8 pages.
Duration 1:35.
Highland/Etling
#00-45865S. Published by
Highland/Etling
(AP.45865S).
ISBN
9781470654023. UPC:
038081529585.
English.
Look no
further for the perfect
piece to introduce your
students to 6/8 meter!
This cool-sounding,
minor-keyed jig uses only
three basic 6/8 rhythms
to give your students the
confidence they need to
navigate a too-often
neglected time signature.
Pieces of Eight by
Richard Meyer gives every
section a turn at the fun
and catchy melody while
the repeated patterns in
the accompaniments will
reinforce students'
reading of the new
rhythms. Destined to
become the go-to piece
for teaching 6/8 to the
young orchestra! (1:35)
This title is available
in MakeMusic Cloud.
Orchestra - Grade 2 SKU: AP.49059S Composed by Anthony Granata. MakeMusic...(+)
Orchestra - Grade 2
SKU: AP.49059S
Composed by Anthony
Granata. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score. 12
pages. Duration 3:05.
Highland/Etling
#00-49059S. Published by
Highland/Etling
(AP.49059S).
ISBN
9781470645779. UPC:
038081565255.
English.
Written
specially to help young
players gain confidence
and build upon their
beginning playing
abilities, Sinfonietta
for Strings by Anthony
Granata echoes the
composition style of the
classical period. A
Sinfonietta is a smaller
and lighter version of
the symphony. Set in the
key of G major, students
will love the broad and
vigorous unison opening,
the sudden change to E
minor, and the mixture of
dialogue and easy
counterpoint interwoven
throughout the piece.
This piece will help your
students develop skills
in proper right-hand bow
facility, simple slur and
bowing patterns, common
rhythms, identification
of accidentals, and use
of dynamics to achieve a
very strong and dramatic
sound. (3:05) This title
available in MakeMusic
Cloud.
South County Sketches Orchestre [Conducteur et Parties séparées] - Intermédiaire Highland/Etling
Composed by Brendan Mcbrien. Orchestra. Full Orchestra; Part(s); Score; SmartMus...(+)
Composed by Brendan
Mcbrien. Orchestra. Full
Orchestra; Part(s);
Score; SmartMusic.
Highland Full Orchestra.
Form: Overture. Grade 4.
216 pages. Published by
Highland/Etling
(from 'Messiah').
Composed by George
Frideric Handel. Arranged
by John Caponegro. Accent
String Orchestra. Score
and Set of Parts. Kendor
Music Inc #8731.
Published by Kendor Music
Inc (KN.8731).
UPC:
822795087314.
This
holiday classic by Handel
has been creatively
arranged for string
orchestras. Containing
almost all the themes
from Handel's Messiah,
the block scoring will
help younger players
build confidence as they
prepare to perform this
arrangement. An optional
piano part is
provided.
Orchestra - Grade 1.5 SKU: AP.38420S Composed by George Frideric Handel. ...(+)
Orchestra - Grade 1.5
SKU: AP.38420S
Composed by George
Frideric Handel. Arranged
by Douglas E. Wagner.
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Beginning String
Orchestra. Form:
Transcription. Baroque;
Masterwork Arrangement.
Score. 8 pages. Belwin
Music #00-38420S.
Published by Belwin Music
(AP.38420S).
UPC:
038081439631.
English.
The depth
and richness of lower
strings are brought
center stage in this
regal- sounding work. The
music is adapted from the
aria, Heroes, When with
Glory Burning, taken from
the oratorio, Joshua.
Players will quickly
embrace the spirit of the
music, as ample
repetition throughout
makes their mastery of it
even easier. A perfect
confidence-building
selection for younger
players, and a great
programming choice for
any concert!
Orchestra soloists, chorus, orchestra SKU: PE.EP67890 An Opera in Two ...(+)
Orchestra soloists,
chorus, orchestra
SKU:
PE.EP67890
An
Opera in Two Acts Based
on the Novel by Salman
Rushdie. Composed by
Charles Wuorinen. Full
Orchestra; Single Titles.
Edition Peters. 20th
Century. Full score. 782
pages. Duration 02:00:00.
Edition Peters
#98-EP67890. Published by
Edition Peters
(PE.EP67890).
ISBN
9790300747613. 297 x
420mm inches.
English.
Librett
o by James Fenton
In a
make-believe world, based
loosely on Bombay and
Kashmir, the story of
Haroun is a tale of a
fight between the free
imagination and the
powers that oppose it.
Haroun's father, Rashid,
the Shah of Blah, is a
professional and gifted
story-teller, a popular
figure much in demand at
public events. Feeling
neglected, his wife is
persuaded to leave him
and run away with a
neighbor. After this,
Rashid loses confidence
in his powers of
story-tellling, haunted
by his son's question:
'What's the use of
stories that aren't even
there?' Rashid is due to
speak at a political
rally to be held by the
sinister politician,
Snooty Buttoo. He is told
that if he does not come
up with his usual fund of
tales, his tongue will be
cut out. As Rashid
despairs, Haroun
determines to rescue his
father's talent - a
project in which he
learns that the Ocean of
the Sea of Stories, the
source of all stories, is
being polluted by the
enemy of all stories, the
evil Khattam Shud. In a
series of brilliant
imagined adventures,
Haroun succeeds in
defeating the powers of
darkness, and restoring
happiness to his family,
and to the city where he
lives.
Salman
Ruishdie's children's
book, written in the
aftermath of the fatwa,
has an effervescent style
which is full of rhymes
and wordplay. The
libretto stays very close
to the spirit of the
original, conjuring up a
fantasy world in which,
nonetheless, one never
loses sight of harsh
political reality and the
great issues of freedom
of speech and
imagination. -- James
Fenton, 1998
Composed by Doug Spata.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Spring. Score.
8 pages. Highland/Etling
#00-46715S. Published by
Highland/Etling
(AP.46715S).
UPC:
038081532424.
English.
Beginning
students will respond to
the confident, heroic
style of Spring at Last
as they work on important
technical skills like
string crossings,
approachable cut-time
rhythms, repeats,
endings, and easy slurs.
This grade 1.5 string
orchestra piece is a
great concert piece for
beginners to show off
their proficiencies.
Composed by Doug Spata.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Spring. Score
and Part(s). 62 pages.
Highland/Etling
#00-46715. Published by
Highland/Etling
(AP.46715).
UPC:
038081532417.
English.
Beginning
students will respond to
the confident, heroic
style of Spring at Last
as they work on important
technical skills like
string crossings,
approachable cut-time
rhythms, repeats,
endings, and easy slurs.
This grade 1.5 string
orchestra piece is a
great concert piece for
beginners to show off
their proficiencies.
From Symphony No. 2,
1st Movement.
Composed by Johannes
Brahms. Arranged by
Robert Sieving. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Masterwork
Arrangement. Score and
Part(s). 124 pages.
Duration 2:35.
Highland/Etling
#00-48088. Published by
Highland/Etling
(AP.48088).
ISBN
9781470661083. UPC:
038081550916.
English.
Allegro
non troppo by Johannes
Brahms, arranged by
Robert Seiving, features
a folk-like, yet mature
theme that is shared
across all the sections.
This approachable, yet
sophisticated arrangement
with minimal rhythmic
independence builds
confidence. Limited 3rd
positions are required of
Violin I. (2:35) This
title is available in
MakeMusic Cloud.
Primal Strings Orchestre [Conducteur] - Facile Highland/Etling
Orchestra - Grade 3 SKU: AP.47480S Composed by Gary Fagan. Performance Mu...(+)
Orchestra - Grade 3
SKU: AP.47480S
Composed by Gary Fagan.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score. 16
pages. Highland/Etling
#00-47480S. Published by
Highland/Etling
(AP.47480S).
UPC:
038081544892.
English.
The word
primal is defined as
relating to an early
stage in development or
basic, fundamental,
essential, elemental.
Imagine this tune
challenging your players
who fit that definition.
Many young and
developing musicians
experience difficulty
with mastering rhythmic
accuracy with confidence.
Yet, rhythm is essential
to music performance.
Student proficiency in
reading rhythmic figures
and being able to move
comfortably from one
meter to another should
be a goal of the
orchestra director. This
work provides rhythmic
challenges and uses
multiple meter changes to
create interesting,
appealing, and unique
rhythmic textures.
Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099).
ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German.
On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009.
Into the Stars Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
A Galactic Journey. Composed by Anthony Granata. Performance Music Ensemble; ...(+)
A Galactic Journey.
Composed
by Anthony Granata.
Performance Music
Ensemble;
Single Titles; String
Orchestra. Belwin
Intermediate String
Orchestra. Part(s);
Score.
Alfred Music #00-49031.
Published by Alfred Music
Orchestra - Grade 4 SKU: AP.42061S Composed by Brendan Mcbrien. Full Orch...(+)
Orchestra - Grade 4
SKU: AP.42061S
Composed by Brendan
Mcbrien. Full Orchestra;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Highland/Etling Full
Orchestra. Form:
Overture. Score. 32
pages. Highland/Etling
#00-42061S. Published by
Highland/Etling
(AP.42061S).
UPC:
038081484006.
English.
Depicting
stunning points of
interest, the history,
and the geology from
southern Orange County,
California, this piece
takes the listener on a
musical tour of three of
the composer's favorite
places. Students and
audiences will enjoy the
strong, confident themes,
and lush colorful writing
in this original work.
(3:10) This title is
available in MakeMusic
Cloud.
Orchestra - Grade 1.5 SKU: AP.33646S Based on Symphony No. 9(+)
Orchestra - Grade 1.5
SKU: AP.33646S
Based on Symphony
No. 9. Composed
by Ludwig van Beethoven.
Arranged by Douglas E.
Wagner. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Beginning String
Orchestra. Form:
Variations. Classical;
Masterwork Arrangement;
Romantic. Score. 8 pages.
Belwin Music #00-33646S.
Published by Belwin Music
(AP.33646S).
UPC:
038081376769.
English.
Beethoven'
s resplendent Ode to Joy,
from the last movement of
his Symphony No. 9, is
brought to life in an
exciting arrangement
designed to foster
instant success for
ensembles of less
experienced players. The
solid scoring will boost
confidence and help to
insure a secure
performance. An added
feature of this work is
that all instruments have
some part of the main
theme to play throughout
its course. Audiences
will thrill to the
instantly recognizable
tune, and players will be
amazed at how quickly
they master their parts.
This title is available
in MakeMusic Cloud.
Orchestra SKU: PR.41641355L Composed by George Rochberg. With Standard no...(+)
Orchestra
SKU:
PR.41641355L
Composed
by George Rochberg. With
Standard notation.
Duration 2 minutes, 30
seconds. Theodore Presser
Company #416-41355L.
Published by Theodore
Presser Company
(PR.41641355L).
Orchestra - Grade 1 SKU: AP.38391S Composed by Andre Campra. Arranged by ...(+)
Orchestra - Grade 1
SKU: AP.38391S
Composed by Andre Campra.
Arranged by Douglas E.
Wagner. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Very Beginning String
Orchestra. Baroque;
Masterwork Arrangement.
Score. 8 pages. Belwin
Music #00-38391S.
Published by Belwin Music
(AP.38391S).
Featuring: Symphony
No. 4 / The Nutcracker
Suite / 1812
Overture. By Peter
Ilyich Tchaikovsky. By
Peter Ilyich Tchaikovsky.
Arranged by Douglas E.
Wagner. Masterworks;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Beginning String
Orchestra. Masterwork
Arrangement; Romantic.
Score. 12 pages. Belwin
Music #00-46679S.
Published by Belwin Music
(AP.46679S).
UPC:
038081533247.
English.
Russian
Romanticism reached its
peak with the music of
Tchaikovsky, as the three
instantly recognizable
excerpts included in this
uncomplicated arrangement
will attest---Symphony
No. 4, Mvt. IV, The
Nutcracker Suite
(Overture), and 1812
Overture. Younger players
should have no problem
mastering this music,
which has been richly
scored by Douglas E.
Wagner to make even the
smallest ensemble sound
great. Teachable moments
abound in Three
Tchaikovsky Themes
including the development
of full, confident
bowing; the awareness of
dynamic contrast and
contouring of phrases; an
opportunity for
discussion, with this
music standing as an
introduction to the
memorable melodies and
embracing harmonies of
this period. Fun to play,
and an almost guaranteed
hit with any
audience!
From Symphony No. 2,
1st Movement.
Composed by Johannes
Brahms. Arranged by
Robert Sieving. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Masterwork
Arrangement. Score. 12
pages. Duration 2:35.
Highland/Etling
#00-48088S. Published by
Highland/Etling
(AP.48088S).
ISBN
9781470661090. UPC:
038081550923.
English.
Allegro
non troppo by Johannes
Brahms, arranged by
Robert Seiving, features
a folk-like, yet mature
theme that is shared
across all the sections.
This approachable, yet
sophisticated,
arrangement with minimal
rhythmic independence
builds confidence.
Limited 3rd positions are
required of Violin I.
(2:35) This title
available in MakeMusic
Cloud.