Orchestra - Grade 2

SKU: AP.49453S

Composed by Jordan Schmidt, Kane Brown, Matt McGinn, and Taylor Phillips. Arranged by Douglas E. Wagner. Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Country; Pop; Pop/Rock; Radio. Score. Duration 1:50. Alfred Music #00-49453S. Published by Alfred Music (AP.49453S).

ISBN 9781470660802. UPC: 038081577593. English.

Country music singer and songwriter Kane Brown's music has soared to the top of the charts within a few short years, winning the American Music Awards category Favorite Country Male Artist twice (2018 and 2019), along with Video of the Year in 2021. Like I Love Country Music, arranged by Douglas E. Wagner, is from the artist's third studio album Different Man, released in 2022, and is full of all the American country music feels. So much fun to play! (1:50).

Orchestra - Grade 2

SKU: AP.49453

Composed by Jordan Schmidt, Kane Brown, Matt McGinn, and Taylor Phillips. Arranged by Douglas E. Wagner. MakeMusic Cloud; Performance Music Ensemble; String Orchestra. Pop Intermediate String Orchestra. Country; Pop; Pop/Rock; Radio. Score and Part(s). Duration 1:50. Alfred Music #00-49453. Published by Alfred Music (AP.49453).

ISBN 9781470660796. UPC: 038081577586. English.

Country music singer and songwriter Kane Brown's music has soared to the top of the charts within a few short years, winning the American Music Awards category Favorite Country Male Artist twice (2018 and 2019), along with Video of the Year in 2021. Like I Love Country Music, arranged by Douglas E. Wagner, is from the artist's third studio album Different Man, released in 2022, and is full of all the American country music feels. So much fun to play! (1:50).

(Featuring: Love Walked In / The Man I Love / Love Is Sweeping the Country). By George Gershwin (1898-1937) and Ira Gershwin. Arranged by Jack Bullock. Orchestra. For Full Orchestra. Full Orchestra. Pop Intermediate Full Orchestra. 20th Century; Light Concert. 3 (grade 3). Score. 20 pages

(Featuring: Love Walked In / The Man I Love / Love Is Sweeping the Country). By George Gershwin (1898-1937) and Ira Gershwin. Arranged by Jack Bullock. Orchestra. Full Orchestra. Pop Intermediate Full Orchestra. 20th Century; Light Concert. Grade 3. Conductor Score and Parts. 198 pages

Arranged by Michael Story. Arr. Michael Story. For Full Orchestra. Full Orchestra. Belwin Intermediate Full Orchestra. Patriotic. Level: 2.5 (grade 2.5). Conductor Score. 20 pages. Published by Alfred Publishing.

Arranged by Jack Bullock. Orchestra. For full (bells/chimes, timp, snare/bass/suscym, pno (opt), vln3). Full Orchestra; Part(s); Score. Belwin Intermediate Full Orchestra. Form: Medley. Folk; Multicultural. Grade 3. 238 pages. Published by Belwin Publishing

Orchestra - Grade 2

SKU: AP.49457

Composed by Ashley Gorley, Cole Swindell, Jesse Frasure, Mark Sanders, Thomas Rhett, and Words And music By Tim Nichols. Arranged by Michael Kamuf. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Country; Light Concert; Pop; Pop/Rock; Radio. Score and Part(s). Duration 2:00. Alfred Music #00-49457. Published by Alfred Music (AP.49457).

ISBN 9781470660710. UPC: 038081577500. English.

From the top of the country charts, Cole Swindell's hit single She Had Me at Heads Carolina pays tribute to singer and songwriter Jo Dee Messina and her debut single from 1996, Heads Carolina, Tails California. With melodies that get passed throughout the ensemble, arranger Michael Kamuf has crafted the perfect vehicle that will engage both your students and audience. This one is FUN! (2:00).

Orchestra - Grade 2

SKU: AP.49451

Composed by Bebe Rexha, David Garcia, Josh Miller, and Tyler Hubbard. Arranged by Michael Story. 5 or More; MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Country; Light Concert; Pop; Pop/Rock; Radio. Score and Part(s). Duration 2:05. Alfred Music #00-49451. Published by Alfred Music (AP.49451).

ISBN 9781470660833. UPC: 038081577623. English.

Pop singer Bebe Rexha teamed up with the country music group Florida Georgia Line to create this number-one hit that crossed numerous pop charts. This arrangement of Meant To Be by Michael Story perfectly captures the feel of the original recording. (2:05).

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score)

SKU: HL.49018099

Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099).

ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German.

On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009.

Orchestra - Grade 2

SKU: AP.49455S

Composed by Cameron Bartolini, Joshua Cole, Shane Pittman, and Walker Hayes. Arranged by Patrick Roszell. Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Country; Light Concert; Pop; Radio. Score. Duration 2:00. Alfred Music #00-49455S. Published by Alfred Music (AP.49455S).

ISBN 9781470660765. UPC: 038081577555. English.

Fancy Like was a surprise smash, becoming Walker Hayes's first number-one country hit. This chart-topper will be a success with your ensemble and audience! (2:00).

Orchestra - Grade 2

SKU: AP.49457S

Composed by Ashley Gorley, Cole Swindell, Jesse Frasure, Mark Sanders, Thomas Rhett, and Words And music By Tim Nichols. Arranged by Michael Kamuf. Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Country; Light Concert; Pop; Pop/Rock; Radio. Score. Duration 2:00. Alfred Music #00-49457S. Published by Alfred Music (AP.49457S).

ISBN 9781470660727. UPC: 038081577517. English.

From the top of the country charts, Cole Swindell's hit single She Had Me at Heads Carolina pays tribute to singer and songwriter Jo Dee Messina and her debut single from 1996, Heads Carolina, Tails California. With melodies that get passed throughout the ensemble, arranger Michael Kamuf has crafted the perfect vehicle that will engage both your students and audience. This one is FUN! (2:00).

Orchestra - Grade 2

SKU: AP.49451S

Composed by Bebe Rexha, David Garcia, Josh Miller, and Tyler Hubbard. Arranged by Michael Story. 5 or More; Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Country; Light Concert; Pop; Radio. Score. Duration 2:05. Alfred Music #00-49451S. Published by Alfred Music (AP.49451S).

ISBN 9781470660840. UPC: 038081577630. English.

Pop singer Bebe Rexha teamed up with the country music group Florida Georgia Line to create this number-one hit that crossed numerous pop charts. This arrangement of Meant To Be by Michael Story perfectly captures the feel of the original recording. (2:05).

Orchestra - Grade 2

SKU: AP.49455

Composed by Cameron Bartolini, Joshua Cole, Shane Pittman, and Walker Hayes. Arranged by Patrick Roszell. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Country; Light Concert; Pop; Radio. Score and Part(s). Duration 2:00. Alfred Music #00-49455. Published by Alfred Music (AP.49455).

ISBN 9781470660758. UPC: 038081577548. English.

Fancy Like was a surprise smash, becoming Walker Hayes's first number-one country hit. This chart-topper will be a success with your ensemble and audience! (2:00).

Orchestra - Grade 2.5

SKU: AP.49920S

Composed by Luis Federico Vindver, Meghan Trainor, and Sean Douglas. Arranged by Chris M. Bernotas. Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Country; Pop; Radio. Score. Duration 2:20. Alfred Music #00-49920S. Published by Alfred Music (AP.49920S).

ISBN 9781470662196. UPC: 038081579399. English.

Made You Look is a smash hit performed by the GRAMMY Award winning singer/songwriter Meghan Trainor. This terrific song, arranged by Chris M. Bernotas, is full of energy and spirit! The infectious melody will have your audience dancing in the aisles. (2:20).

Orchestra - Grade 2.5

SKU: AP.49920

Composed by Luis Federico Vindver, Meghan Trainor, and Sean Douglas. Arranged by Chris M. Bernotas. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Country; Pop; Radio. Score and Part(s). Duration 2:20. Alfred Music #00-49920. Published by Alfred Music (AP.49920).

ISBN 9781470662189. UPC: 038081579382. English.

Made You Look is a smash hit performed by the GRAMMY Award winning singer/songwriter Meghan Trainor. This terrific song, arranged by Chris M. Bernotas, is full of energy and spirit! The infectious melody will have your audience dancing in the aisles. (2:20).

String Quartet String Orchestra - Grade 2.5

SKU: AP.36-52703425

Composed by Sheila Sandys-Wunsch. Performance Music Ensemble; Quartet; String Quartet. Ludwig Masters. Score. LudwigMasters Publications #36-52703425. Published by LudwigMasters Publications (AP.36-52703425).

ISBN 9781628761757. UPC: 679360720424. English.

Experience adventures in 3rd position for Violin 1 with experimentation in easy flat keys, 6/8 time and mixed meters!  With thematic material in all parts, this set is a technique-builder for intermediate players.  The score is included with the parts.  Contents: Skye Boat Song, Marie's Wedding, She's Like the Swallow, Greensleeves, Dashing White Sergeant, Amazing Grace, Blow the Wind Southerly, Country Dance, Hornpipe, In a Manger He is Lying, Zither Carol.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Orchestra - Grade 3.5

SKU: AP.33667S

Finale. Composed by Felix Bartholdy Mendelssohn. Arranged by Christina Hans. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Masterwork Arrangement; Romantic. Score. 12 pages. Belwin Music #00-33667S. Published by Belwin Music (AP.33667S).

UPC: 038081375083. English.

The Scottish countryside became the inspiration for Mendelssohn's Symphony No. 3, also known as the Scottish Symphony. This arrangement of the triumphant coda (Allegro Maestoso Assai) from Movement IV features a majestic melody, rhythmic energy, and a fiery ending. The 6/8 rhythms have been simplified and the key has been changed to make it accessible for young strings. This title is available in MakeMusic Cloud.

Orchestra - Grade 2.5

SKU: AP.47470S

Composed by Richard Meyer. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Halloween. Score. 16 pages. Highland/Etling #00-47470S. Published by Highland/Etling (AP.47470S).

ISBN 9781470656645. UPC: 038081541990. English.

This ode to the Wild West begins with a mysterious introduction using the folk song All the Pretty Little Horses in an eerie setting that will send shivers up the spines of performers and audience members alike. Brief solos for violin, viola, and cello are heard. The pace then picks up as we hear the driving and energetic theme of the Ghost Stallion riding through the moonlit countryside. The repeated galloping rhythm (eighth/two sixteenths) appears in stretches and is designed to improve your students' abilities to perform this all-important bowing pattern. This picturesque and educationally sound selection by Richard Meyer is sure to capture the imagination and improve the technique of everyone in both intermediate and more advanced orchestras. This title is available in MakeMusic Cloud.