(Featuring: Light My Fire / People Are Strange / Hello, I Love You). Composed by The Doors. Arranged by Patrick Roszell. Orchestra. Full Orchestra; Part(s); Score. Pop Concert Full Orchestra. Form: Medley. Rock. Grade 3. 226 pages. Published by Alfred Music

By William Finn. Arranged by Douglas E. Wagner. Music by William Finn / arr. Douglas Wagner. For Full Orchestra. Full Orchestra. Pop Concert Full Orchestra. Broadway. Conductor Score. Published by Alfred Publishing.
Level: 3 (grade 3).

Arranged by Douglas E. Wagner, composed by William Finn. Conductors score and set of performance parts for full orchestra (1 - 1st flute, 1 - 2nd flute, 2 - oboe, 1 - 1st clarinet, 1 - 2nd clarinet, 1 - bass clarinet, 1 - bassoon, 1 - 1st horn in F, 1 - 2nd horn in F, 1 - 3rd horn in F, 1 - 4th horn in F, 1 - 1st trumpet, 1 - 2nd trumpet, 1 - 3rd trumpet, 1 - 1st trombone, 1 - 2nd trombone, 1 - 3rd trombone, 1 - tuba, 3 - mallet percussion, 1 - timpani, 1 - percussion I, 3 - percussion II, 1 - piano, 8 - 1st violin, 8 - 2nd violin, 5 - viola, 5 - cello, 5 - string bass). Series: Belwin Full Orchestra Concert Level. Published by Alfred Publishing.

Orchestra

SKU: BA.BA06861

Sinfonie (1923-1928). Composed by Leos Janacek. Arranged by Leoš Faltus and Miloš Štedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek H/3. Complete edition, Score, Set of parts. Duration 40 minutes. Baerenreiter Verlag #BA06861_00. Published by Baerenreiter Verlag (BA.BA06861).

ISBN 9790260104211. 34.3 x 27 cm inches.

Leoš Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanova”. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.

“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.” Thus Leoš Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony” entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers Miloš Štedron and Leoš Faltus closely follows the original manuscript.

A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola” by the Czech writer Sonja Špálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube” to the inconclusive ending.

To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forces”. The third movement is said to characterise the city of Vienna in the form of a woman.

It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj” – and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpani”, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.

One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of love”.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra

SKU: PR.416415720

For Orchestra. Composed by Narong Prangcharoen. Full score. 24 pages. Duration 5:30. Theodore Presser Company #416-41572. Published by Theodore Presser Company (PR.416415720).

UPC: 680160636150.

Illum inating Journey is composed to celebrate Maestro Carl St. Clair's 25th Anniversary season with Pacific Symphony. Maestro St. Clair is one of the few conductors who has dedicated his time to new music and support for living composers. I first encountered Maestro St. Clair in 2004 when I was one of the finalists for the Young Composers Competition. After I won that competition, I had an opportunity to work with Maestro St. Clair on the piece that he commissioned for the Pacific Symphony in 2005. That's the beginning of the journey of our friendship. Illuminating Journey is inspired by Maestro St. Clair's personality and the music he loved. The piece is mainly based on the pitch material from Maestro St. Clair's name CARL which can be translated as C = C, A = A, R = Re, and L = La. That pitch material already has the character of Illuminating sound for the open 5th and octave. The piece also incorporates some musical references that have some meaning for Maestro St. Clair, such as the hopefulness of the melodic intervals from West Side Story, There's a Place for Us, composed by Leonard Bernstein, who was also Maestro St. Clair's mentor. Illuminating Journey starts with the rhythmic motion of the pitch C and moves on to create a set of pitches. The note C functions as a center for the endless energy of this piece and creates a triumphant ending. I would personally like to thank Maestro St. Clair for his dedication on my music and his friendship throughout the past 10 years. The work with Maestro St. Clair and the Pacific Symphony was an early step in my career as a composer. I often mentioned that I may not be able to come this far without that part of my life. Thank you very much, Maestro St. Clair and the Pacific Symphony. Let's celebrate our Illuminating Journey together.

Orchestra

SKU: PR.41641572L

For Orchestra. Composed by Narong Prangcharoen. Large Score. 24 pages. Duration 5:30. Theodore Presser Company #416-41572L. Published by Theodore Presser Company (PR.41641572L).

UPC: 680160636167.

Illum inating Journey is composed to celebrate Maestro Carl St. Clair's 25th Anniversary season with Pacific Symphony. Maestro St. Clair is one of the few conductors who has dedicated his time to new music and support for living composers. I first encountered Maestro St. Clair in 2004 when I was one of the finalists for the Young Composers Competition. After I won that competition, I had an opportunity to work with Maestro St. Clair on the piece that he commissioned for the Pacific Symphony in 2005. That's the beginning of the journey of our friendship. Illuminating Journey is inspired by Maestro St. Clair's personality and the music he loved. The piece is mainly based on the pitch material from Maestro St. Clair's name CARL which can be translated as C = C, A = A, R = Re, and L = La. That pitch material already has the character of Illuminating sound for the open 5th and octave. The piece also incorporates some musical references that have some meaning for Maestro St. Clair, such as the hopefulness of the melodic intervals from West Side Story, There's a Place for Us, composed by Leonard Bernstein, who was also Maestro St. Clair's mentor. Illuminating Journey starts with the rhythmic motion of the pitch C and moves on to create a set of pitches. The note C functions as a center for the endless energy of this piece and creates a triumphant ending. I would personally like to thank Maestro St. Clair for his dedication on my music and his friendship throughout the past 10 years. The work with Maestro St. Clair and the Pacific Symphony was an early step in my career as a composer. I often mentioned that I may not be able to come this far without that part of my life. Thank you very much, Maestro St. Clair and the Pacific Symphony. Let's celebrate our Illuminating Journey together.

By George Harrison, Paul McCartney, John Lennon. Arranged by Bruce Healey. (Score and Parts). Symphony Pops. Published by Hal Leonard.

By Henry Purcell. Arranged by Ellen Harris. (Study Score). Schott. Size 5.25x7.5 inches. 98 pages. Published by Eulenburg.

Full orchestra

SKU: LO.30-3733L

Composed by Joel Raney. Arranged by Ed Hogan. Choral, cantatas. Advent, Christmas, Sacred. CD with printable parts. Lorenz Publishing Company #30/3733L. Published by Lorenz Publishing Company (LO.30-3733L).

UPC: 000308154610.

CD with Printable Parts for 65/2106L Joel Raney calls on Celtic musical traditions and instrumentation to deliver a refreshing sound for Christmas! The orchestration by Ed Hogan incorporates Irish flutes, drums, acoustic guitar, and fiddle to paint vivid imagery of a beautifully lush and green Irish countryside. Familiar Christmas carols appear, as do some familiar Christmas texts set to beloved Irish and Welsh folk songs. An ethereal opening sets the stage before breaking into an exuberant rendition of I Saw Three Ships. Come, Thou Long-Expected Jesus; Away in a Manger; Gentle Mary Laid Her Child; and the beloved Angels We Have Heard on High all make appearances as the work progresses, culminating with a rhythmic re-imagining of O Come, All Ye Faithful set to the traditional Scottish melody Loch Lomond. One of the highlights of this musical is O Holy Night, written for soloist and choir and set to the timeless tune, LONDONDERRY AIR. Present the Christmas story in a uniquely captivating way with this imaginative work!

Full orchestra

SKU: LO.30-3734L

Composed by Joel Raney. Arranged by Ed Hogan. Choral, cantatas. Advent, Christmas, Sacred. Score and parts, plus CD with printable parts. Lorenz Publishing Company #30/3734L. Published by Lorenz Publishing Company (LO.30-3734L).

UPC: 000308154627.

Score and Parts plus CD with Printable Parts for 65/2106L Joel Raney calls on Celtic musical traditions and instrumentation to deliver a refreshing sound for Christmas! The orchestration by Ed Hogan incorporates Irish flutes, drums, acoustic guitar, and fiddle to paint vivid imagery of a beautifully lush and green Irish countryside. Familiar Christmas carols appear, as do some familiar Christmas texts set to beloved Irish and Welsh folk songs. An ethereal opening sets the stage before breaking into an exuberant rendition of I Saw Three Ships. Come, Thou Long-Expected Jesus; Away in a Manger; Gentle Mary Laid Her Child; and the beloved Angels We Have Heard on High all make appearances as the work progresses, culminating with a rhythmic re-imagining of O Come, All Ye Faithful set to the traditional Scottish melody Loch Lomond. One of the highlights of this musical is O Holy Night, written for soloist and choir and set to the timeless tune, LONDONDERRY AIR. Present the Christmas story in a uniquely captivating way with this imaginative work!

Full orchestra

SKU: LO.30-3732L

Composed by Joel Raney. Arranged by Ed Hogan. Choral, cantatas. Advent, Christmas, Sacred. Instrumental parts. Lorenz Publishing Company #30/3732L. Published by Lorenz Publishing Company (LO.30-3732L).

UPC: 000308154603.

Set of Parts for 65/2106L Joel Raney calls on Celtic musical traditions and instrumentation to deliver a refreshing sound for Christmas! The orchestration by Ed Hogan incorporates Irish flutes, drums, acoustic guitar, and fiddle to paint vivid imagery of a beautifully lush and green Irish countryside. Familiar Christmas carols appear, as do some familiar Christmas texts set to beloved Irish and Welsh folk songs. An ethereal opening sets the stage before breaking into an exuberant rendition of I Saw Three Ships. Come, Thou Long-Expected Jesus; Away in a Manger; Gentle Mary Laid Her Child; and the beloved Angels We Have Heard on High all make appearances as the work progresses, culminating with a rhythmic re-imagining of O Come, All Ye Faithful set to the traditional Scottish melody Loch Lomond. One of the highlights of this musical is O Holy Night, written for soloist and choir and set to the timeless tune, LONDONDERRY AIR. Present the Christmas story in a uniquely captivating way with this imaginative work!

Full orchestra

SKU: LO.30-3731L

Composed by Joel Raney. Arranged by Ed Hogan. Choral, cantatas. Advent, Christmas, Sacred. Full score. Lorenz Publishing Company #30/3731L. Published by Lorenz Publishing Company (LO.30-3731L).

UPC: 000308154597.

Full Score for 65/2106L Joel Raney calls on Celtic musical traditions and instrumentation to deliver a refreshing sound for Christmas! The orchestration by Ed Hogan incorporates Irish flutes, drums, acoustic guitar, and fiddle to paint vivid imagery of a beautifully lush and green Irish countryside. Familiar Christmas carols appear, as do some familiar Christmas texts set to beloved Irish and Welsh folk songs. An ethereal opening sets the stage before breaking into an exuberant rendition of I Saw Three Ships. Come, Thou Long-Expected Jesus; Away in a Manger; Gentle Mary Laid Her Child; and the beloved Angels We Have Heard on High all make appearances as the work progresses, culminating with a rhythmic re-imagining of O Come, All Ye Faithful set to the traditional Scottish melody Loch Lomond. One of the highlights of this musical is O Holy Night, written for soloist and choir and set to the timeless tune, LONDONDERRY AIR. Present the Christmas story in a uniquely captivating way with this imaginative work!

A Beginner's Guide for Group or Private Instruction. Modern Band. Method, Teacher Resource. Softcover. 256 pages. Published by Little Kids Rock

Orchestra (Flutes (2) (Picc), Oboes (2), 2Musettes, Bassoons (2), Horns (2), Strings, Basso continuo)

SKU: BA.BA08893

Comédie-ballet in three Acts. Composed by Jean-Philippe Rameau. Edited by Thomas Soury. This edition: urtext edition. Paperback. Symphonies. Score, anthology. RCT 51. Baerenreiter Verlag #BA08893_00. Published by Baerenreiter Verlag (BA.BA08893).

ISBN 9790006567560. 33 x 24.3 cm inches. Text: Duplat de Monticourt, Pierre-Jacques.

Thi s edition unites all the purely instrumental parts of Rameau’s comdie-ballet “Les Paladins” for performance as a suite in the concert hall.

In view of the wealth of the work’s musical treasures and the stylistic innovations – similar to the “Borades” – the rather frosty reception of the premiere series in the spring of 1760 seems completely incomprehensible to us today. It led to this stage work not being performed again until well into the 20th century. The story that the comdie-ballet tells is based on a fable by La Fontaine, “Le Petit chien qui secoue de l’argent et des pierreries” (i.e. “The little dog who shakes silver and stones”). In medieval Veneto, the guardian Anselme undermines the love affairs of his ward Argies. Scenes of tragic expression are contrasted with folk-comic ones; and last but not least, the sexually ambiguous fairy Manto may have caused difficulties for the bold work at the Paris Opra.

This critical edition is based on the corresponding volume issued in the series “Opera omnia Rameau” (BA 8870-01). Since “Les Paladins” remained unpublished during Rameau’s lifetime and was also not included in the “Œuvres complètes”, this is the first edition of the work. It satisfies both scholarly demand and the practical needs of musicians.

The orchestral parts are available on hire.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Full orchestra

SKU: LO.30-3681MD

Composed by Jay Rouse. Choral collection. Sacred Choral, Concert, Eastertide, General. Orchestral score and CD with printable parts. Medallion Music #30/3681MD. Published by Medallion Music (LO.30-3681MD).

UPC: 000308153286.

Orche stral Score and CD with Printable Parts for 55/1199MD This deeply moving collection from Jay Rouse includes six songs that glory in the cross of Christ. Highly appropriate for use throughout the Easter season, it is just as impactful year-round. It includes the classic Annie Herring Easter Song in an easily learned contemporary style; a gospel setting of the much-loved hymn My Savior’s Love; two modern worship anthems, Broken Bread, Broken Life and Jesus Crucified; the beloved Dottie Rambo song I Will Glory in the Cross; and an elegant setting of the timeless hymn Beneath the Cross of Jesus. Optional narrations from gifted writer Rose Aspinall will bring the truths of scripture to life in a refreshing way. There’s an eternal mystery in the cross, that instrument of death and grace. Hanging there by His own choosing, the Son of God purchases life for you and me..

Full orchestra

SKU: LO.30-3680MD

Composed by Jay Rouse. Choral collection. Sacred Choral, Concert, Eastertide, General. Orchestral score and parts. Medallion Music #30/3680MD. Published by Medallion Music (LO.30-3680MD).

UPC: 000308153279.

Orche stral Score and Parts for 55/1199MD This deeply moving collection from Jay Rouse includes six songs that glory in the cross of Christ. Highly appropriate for use throughout the Easter season, it is just as impactful year-round. It includes the classic Annie Herring Easter Song in an easily learned contemporary style; a gospel setting of the much-loved hymn My Savior’s Love; two modern worship anthems, Broken Bread, Broken Life and Jesus Crucified; the beloved Dottie Rambo song I Will Glory in the Cross; and an elegant setting of the timeless hymn Beneath the Cross of Jesus. Optional narrations from gifted writer Rose Aspinall will bring the truths of scripture to life in a refreshing way. There’s an eternal mystery in the cross, that instrument of death and grace. Hanging there by His own choosing, the Son of God purchases life for you and me..

(The Passion, the Question, the Call). By Pepper Choplin. Arranged by Larry Shackley. For orchestra. Cantatas. Holy Week, Eastertide, Sacred. CD with Printable Parts. Published by Lorenz Publishing Company

Orchestra

SKU: LO.30-2896L

The Passion, the Question, the Call. Composed by Pepper Choplin. Arranged by Larry Shackley. Choral, cantatas. Holy Week, Eastertide, Sacred. Instrumental parts. Lorenz Publishing Company #30/2896L. Published by Lorenz Publishing Company (LO.30-2896L).

UPC: 000308133059.

This product is the set of printed parts only for Upon This Rock, and it includes parts for 2 Flutes, Oboe, 2 Clarinets, Bassoon, 2 Horns, 3 Trumpets, 2 Trombones, Tuba, 2 Percussion, Piano, Electric Bass, 2 Violins, Viola, Cello, and Bass.

The Passion, the Question, the Call. Composed by Pepper Choplin. Arranged by Larry Shackley. Choral, cantatas. Holy Week, Eastertide, Sacred. Full score and parts, plus CD with printable parts. Lorenz Publishing Company #30/2898L. Published by Lorenz Publishing Company (LO.30-2898L).

Orchestra (SCORE) - Grade 2-3

SKU: HL.348847

Full Score. Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Bruce Chase. Orchestra. Broadway. 80 pages. Published by Hal Leonard (HL.348847).

UPC: 073999488470. 9.0x12.0x0.219 inches.

Chase - Grades 2-3.

By Andre Previn. For Orchestra. Classical. Sheet Music. Published by Chester Music.

By Tim Rice, Andrew Lloyd Webber. Arranged by Calvin Custer. Full Orchestra. Published by Hal Leonard.