Orchestra - Grade 1.5 SKU: AP.45866S Composed by Richard Meyer. MakeMusic...(+)
Orchestra - Grade 1.5
SKU: AP.45866S
Composed by Richard
Meyer. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Explorer. Form: Dance;
Etude. Light Concert.
Score. 12 pages. Duration
2:30. Highland/Etling
#00-45866S. Published by
Highland/Etling
(AP.45866S).
UPC:
038081524450.
English.
As the
title suggests, this nod
to the fleet-footed dance
of the 1800s, The Polka
Dot Polka, is all about
dots---dots over, under,
and after notes! Written
as an etude to enhance
your young orchestra's
understanding of dotted
quarter note rhythms and
staccato bow strokes,
this selection---in true
Richard Meyer style---is
sure to challenge all of
your students and get
your audience dancing in
the aisles! For extra
fun, push the tempo a bit
(or even a lot!)---the
faster the better!
(2:30). This title is
available in MakeMusic
Cloud.
Full orchestra SKU: LO.30-3681MD Composed by Jay Rouse. Choral collection...(+)
Full orchestra
SKU:
LO.30-3681MD
Composed
by Jay Rouse. Choral
collection. Sacred
Choral, Concert,
Eastertide, General.
Orchestral score and CD
with printable parts.
Medallion Music
#30/3681MD. Published by
Medallion Music
(LO.30-3681MD).
UPC:
000308153286.
Orche
stral Score and CD with
Printable Parts for
55/1199MD This deeply
moving collection from
Jay Rouse includes six
songs that glory in the
cross of Christ. Highly
appropriate for use
throughout the Easter
season, it is just as
impactful year-round. It
includes the classic
Annie Herring Easter Song
in an easily learned
contemporary style; a
gospel setting of the
much-loved hymn My
Savior’s Love; two
modern worship anthems,
Broken Bread, Broken Life
and Jesus Crucified; the
beloved Dottie Rambo song
I Will Glory in the
Cross; and an elegant
setting of the timeless
hymn Beneath the Cross of
Jesus. Optional
narrations from gifted
writer Rose Aspinall will
bring the truths of
scripture to life in a
refreshing way.
There’s an eternal
mystery in the cross,
that instrument of death
and grace. Hanging there
by His own choosing, the
Son of God purchases life
for you and me..
Full orchestra SKU: LO.30-3680MD Composed by Jay Rouse. Choral collection...(+)
Full orchestra
SKU:
LO.30-3680MD
Composed
by Jay Rouse. Choral
collection. Sacred
Choral, Concert,
Eastertide, General.
Orchestral score and
parts. Medallion Music
#30/3680MD. Published by
Medallion Music
(LO.30-3680MD).
UPC:
000308153279.
Orche
stral Score and Parts for
55/1199MD This deeply
moving collection from
Jay Rouse includes six
songs that glory in the
cross of Christ. Highly
appropriate for use
throughout the Easter
season, it is just as
impactful year-round. It
includes the classic
Annie Herring Easter Song
in an easily learned
contemporary style; a
gospel setting of the
much-loved hymn My
Savior’s Love; two
modern worship anthems,
Broken Bread, Broken Life
and Jesus Crucified; the
beloved Dottie Rambo song
I Will Glory in the
Cross; and an elegant
setting of the timeless
hymn Beneath the Cross of
Jesus. Optional
narrations from gifted
writer Rose Aspinall will
bring the truths of
scripture to life in a
refreshing way.
There’s an eternal
mystery in the cross,
that instrument of death
and grace. Hanging there
by His own choosing, the
Son of God purchases life
for you and me..
Full orchestra SKU: LO.30-3686MD Composed by Dottie Rambo. Arranged by Ja...(+)
Full orchestra
SKU:
LO.30-3686MD
Composed
by Dottie Rambo. Arranged
by Jay Rouse. Choral
collection. Sacred
Choral, Concert,
Eastertide, General.
Orchestral score and
parts. Medallion Music
#30/3686MD. Published by
Medallion Music
(LO.30-3686MD).
By Franz Joseph Haydn (1732-1809). Edited by Carl-Gabriel Stellan Morner. For or...(+)
By Franz Joseph Haydn
(1732-1809). Edited by
Carl-Gabriel Stellan
Morner. For orchestra (2
Oboes/Bassoon/2 Horns/2
Violins/Viola/Bass). This
edition: Stapled, Urtext
edition. Urtext, Stapled.
Urtext from: Joseph Haydn
Werke, G. Henle Verlag
Munich. Score.
Composed by Franz Joseph Haydn (1732-1809). Edited by Andreas Friesenhagen, Chri...(+)
Composed by Franz Joseph
Haydn (1732-1809). Edited
by Andreas Friesenhagen,
Christin Heitmann. For
orchestra. This edition:
Urtext edition. Stapled.
Score. Text Language:
German/English. Hob.
I:48. Duration 27
minutes. Published by
Baerenreiter Verlag
Orchestra (Picc. * 2 (2.
auch Picc.) * 2 (2. auch
Engl. Hr.) * 2 * 2 - 3 *
2 * 3 * Basstb. - 2 Paar
P. S. (Trgl. * 2 Beck. *
kl. Tr. * gr. Tr.) (2
Spieler) - Str. (mogl.
stark besetzt))
SKU:
HL.49008321
Composed
by Harald Genzmer. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 1959. 52 pages.
Duration 10'. Schott
Music #ED 9168. Published
by Schott Music
(HL.49008321).
ISBN
9790001126717.
6.0x9.0x0.166
inches.
There is no
greater virtue befitting
to Mankind than faith,
which manifested, doth
friendship firmly bind.
This verse was written by
Simon Dach, the leader of
the Konisberg circle of
poets, during the Thirty
Years' War, and a little
later was set to music by
Heinrich Albert. The
anxieties and
tribulations of the
period are reflected in
the songs and make it
particularly applicable
to us as survivors of the
strife and disorder of
our own day. Thus, Harald
Genzmer has adopted it as
the cantus firmus of his
Prologue for Orchestra,
in which we are reminded
of it throughout, in its
original form, in
inversion, fanfare
introduction, funeral
march, intermezzo and
final allegro.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Lemminkainen ja saaren
neidot - Urtext based on
the Complete Edition Jean
Sibelius Works (JSW).
Composed by Jean
Sibelius. Edited by Tuija
Wicklund. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
Symphonic poem; Suite;
Late-romantic; Early
modern. Full score. 84
pages. Duration 17'.
Breitkopf and Haertel #PB
5582. Published by
Breitkopf and Haertel
(BR.PB-5582).
ISBN
9790004213926. 10 x 12.5
inches.
Little is
known about the actual
composition process of
Lemminkainen, and the
performance and
publication history is
rather complex, resulting
in a first complete
printing of all four
movements en suite
through the complete
edition of Jean Sibelius
Works only in 2013.In
summer 1894 Sibelius went
to Central Europe,
carrying among others a
plan for an opera freely
based on the Kalevala in
his mind. But during this
trip he reassessed his
composing: I think I have
found my old self again,
musically speaking. I
think I really am a tone
painter and a poet. As a
result he abandoned his
opera plans, but musical
parts may have found
their way into the
Lemminkainen pieces which
he started composing
during that time.
Lemminkainen became
popular from the
beginning and has
attained a fixed position
in the concert
repertoire.A critic
opined on Lemminkainen
and the Maidens on the
Island: We do not
hesitate to award this
tone painting of
Lemminkainen's erotic
emotional world the first
prize among all the young
composer's works..
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra (Study Score) SKU: HL.286453 For Orchestra. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.286453
For Orchestra.
Composed by Anna
Thorvaldsdottir. Music
Sales America. Classical.
Softcover. Duration 1020
seconds. Chester Music
#CH87967. Published by
Chester Music
(HL.286453).
11.75x16.5x0.481
inches.
The
performance was given on
14 January 2010 in
Reykjavik, Iceland, by
the Iceland Symphony
Orchestra, conducted by
Bernhardur Wilkinson.
Orchestra SKU: SU.32040140 For Orchestra. Composed by Amy Riebs Mi...(+)
Orchestra
SKU:
SU.32040140
For
Orchestra. Composed
by Amy Riebs Mills.
Orchestra. Full Score.
Subito Music Corporation
#32040140. Published by
Subito Music Corporation
(SU.32040140).
2222; 4331;
timp, 2 perc, pno; stgs
Duration: 13'30 Composed:
2016 Published by: Amy
Mills Music, LLC Like a
modern Pictures at an
Exhibition…. Ha
Shamayim is an original
piece for orchestra that
was inspired by
photographs taken by the
Hubble space telescope.
Each section is inspired
by one photo; the title
of each section is the
title that NASA gave to
the photograph. The words
Ha Shamayim are Hebrew
for The Heavens. They are
written in Genesis 1:1,
In the beginning God
created the heavens and
the earth. The words are
also seen in Psalm 19.
Section I: Warped Edge-On
Galaxy ESO 510-G13
The piece begins in outer
space with its glistening
stars. Glissandi are used
to depict the strange but
beautiful warp seen in
the photograph. Section
II: Galaxy Fires at
Neighboring Galaxy
Suddenly the piece erupts
as one galaxy fires blue
gas at its neighbor. They
engage in a cosmic
battle. Section III:
Youthful-looking Galaxy
May Be an Adult The
adolescent galaxy is
personified by a
humorous, gawky melody
reminiscent of teenage
boys who walk on feet
that are still too big.
Occasionally there is an
argument with an
authority figure, but the
joy of exploring the
universe quickly returns.
Section IV: Star Birth in
Galaxy M83 The
dramatic photograph looks
like a womb with veins.
The music begins on one
note, then it begins to
explore the initial
swelling and stretching.
It morphs into an
energetic fast theme,
still growing. Ultimately
it becomes glorious and
expansive, like the new
star. Section V: String
of ‘Cosmic
Pearls’ Surrounds
an Exploding Star The
first theme is a happy
circle dance inspired by
the circle of white dots
in the photograph. The
second theme is noble and
joyful. It is reminiscent
of the melody in the
famous chorus in
Haydn’s The
Creation with the words
from Psalm 19, The
heavens are telling the
glory of God. The music
then has flashbacks to
the earlier sections, and
ends in triumph. The five
sections in Ha Shamayim
are continuous with no
breaks. Difficulty Level:
5 (Advanced/Professional)
See composer website for
audio sample. Performance
materials available on
rental only:.
Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099).
ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German.
On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009.
Polka Dots Orchestre - Débutant Childrens Music Workshop
Composed by Larry Newman. Edited by Larry Newman. Arranged by Larry Newman. ...(+)
Composed by Larry Newman.
Edited by Larry Newman.
Arranged by Larry Newman.
Full
Orchestra Arrangement.
Book.
Children's Music
Workshop
#9781508716815. Published
by
Children's Music
Workshop
Orchestra - Grade 1.5 SKU: AP.45823S Composed by Michael Kamuf. Performan...(+)
Orchestra - Grade 1.5
SKU: AP.45823S
Composed by Michael
Kamuf. Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Beginning String
Orchestra. Score. 12
pages. Duration 2:00.
Belwin Music #00-45823S.
Published by Belwin Music
(AP.45823S).
UPC:
038081529196.
English.
Perfect
for concerts and
festivals, Dayspring by
Michael Kamuf is an ideal
piece for reinforcing
both
dotted-quarter/eighth
note and syncopation
rhythms with your
beginning string
orchestra. In this
driving new work by
Michael Kamuf, the
lyrical melodies and
driving motifs are passed
around the entire
ensemble, supported by
rich harmonies.
(2:00).
Symphony No. 1 Orchestre [Conducteur] - Facile Highland/Etling
Orchestra - Grade 2 SKU: AP.41270S Movement I. Composed by Ludwig ...(+)
Orchestra - Grade 2
SKU: AP.41270S
Movement I.
Composed by Ludwig van
Beethoven. Arranged by
Christina Hans. MakeMusic
Cloud; Masterworks;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Form:
Transcription. Classical;
Masterwork Arrangement;
Romantic. Score. 12
pages. Highland/Etling
#00-41270S. Published by
Highland/Etling
(AP.41270S).
UPC:
038081480909.
English.
Add the
thrill and energy of
Beethoven to your next
concert without having to
shift! This simplified
setting offers many
learning opportunities,
including dynamics, bow
style, dotted notes,
accents, and sixteenth
notes. This is a great
concert or contest
selection that packs a
powerful ending for your
audience. This title is
available in MakeMusic
Cloud.
Orchestra - Grade 1.5 SKU: AP.38481S Composed by Susan H. Day. MakeMusic ...(+)
Orchestra - Grade 1.5
SKU: AP.38481S
Composed by Susan H. Day.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score. 8
pages. Highland/Etling
#00-38481S. Published by
Highland/Etling
(AP.38481S).
UPC:
038081431703.
English.
This piece
was inspired by a visit
to London's Buckingham
Palace, with its colorful
tradition of the changing
of the guards. Set in the
key of D Major, the
chordal harmonies and
dotted quarter rhythms
bring a picture of
royalty to mind. Other
main teaching points are
lift signs, a round
section, and the use of
high 3rd fingers to
attain great in-tune
chords. Interesting parts
for all sections with
many learning
opportunities---a perfect
choice! This title is
available in MakeMusic
Cloud.
Composed by Katie O'Hara
LaBrie. 5 or More;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
Solo Small Ensembles;
String Orchestra. Belwin
Beginning String
Orchestra. Light Concert;
Programmatic. Score and
Part(s). 91 pages.
Duration 2:45. Belwin
Music #00-49019.
Published by Belwin Music
(AP.49019).
ISBN
9781470645403. UPC:
038081563985.
English.
This title
features Alfred Music's
String Orchestra FLEX
options. That means that
every part in this set is
now transposed into every
other part, so you can
play this title with any
combination of like- or
mixed-string ensemble.
After purchasing this
set, decide what
additional parts you need
to meet the unique needs
of your ensemble, then
download and print them
for free at
alfred.com/supplemental--
-free of charge.
Imagine riding
through Camelot on a
quest to save the
kingdom. Every player
will be the hero in this
medieval inspired tune,
Camelot Quest by Katie
Katie O'Hara LaBrie.
Written in E minor,
students will be
introduced to D-sharps
through low 1st finger as
well as dotted-quarter
rhythms in every part.
Students and audiences
alike will love the mixed
energy of marcato
ostinato patterns vs. the
legato melodies. The
journey concludes with a
joust-like battle, adding
excitement to any concert
or festival program.
Optional percussion adds
to the medieval flair.
(2:45) This title is
available in MakeMusic
Cloud.
2nd Movement.
Composed by Ludwig van
Beethoven. Arranged by
Bud Caputo. Masterworks;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Form: Sonata;
Transcription. Classical;
Masterwork Arrangement;
Romantic. Score. 12
pages. Highland/Etling
#00-40471S. Published by
Highland/Etling
(AP.40471S).
UPC:
038081454276.
English.
Directors,
students, and audiences
alike will enjoy this
cherished and
well-recognized piano
melody arranged in G
Major for string
orchestra. Perfect for
working on tone, string
crossings, and dotted
eighth/sixteenth
rhythm.
Orchestra - intermediate SKU: HL.49002149 Score. Composed by Franc...(+)
Orchestra - intermediate
SKU: HL.49002149
Score. Composed by
Francesco Manfredini.
Edited by Helmut W. May.
This edition: Saddle
stitching. Sheet music.
Concertino (Chamber
Orchestra). Classical.
Score. Composed 1718. Op.
3/12. 23 pages. Duration
10'. Schott Music #CON94.
Published by Schott Music
(HL.49002149).
ISBN
9790001022859. UPC:
073999621150.
9.0x12.0x0.097
inches.
It was the
Weihnachtskonzert
(Christmas concerto) in C
major that won special
popularity continuing a
tradition which was
cultivated by Corelli
with his pastoral at the
end of Op. 6 No. 8 or by
Torelli in his Op. 8 No.
6 and reaching to the
pastoral in Handel's
Messiahs and to the
sinfonia in the second
cantata of Johann
Sebastian Bach's
Christmas oratorium.
This, finally, originates
from the music-making of
shepherds - coming from
the Abruzzi and from
Calabria to Rome at
Christmas to play the
shawm and the bagpipes in
front of the cribs. Hence
the popular consecutive
thirds and the sustained
bass tones characterizing
the first Largo, a
genuine siciliano in the
rocking, typically dotted
12/8 time.
Orchestra - Grade 2 SKU: AP.49443 Composed by Michael Kamuf (ASCAP). Make...(+)
Orchestra - Grade 2
SKU: AP.49443
Composed by Michael Kamuf
(ASCAP). MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Intermediate String
Orchestra. Score and
Part(s). Duration 2:00.
Belwin Music #00-49443.
Published by Belwin Music
(AP.49443).
ISBN
9781470650483. UPC:
038081571263.
English.
Written to
reinforce dotted
quarter/eighth note
patterns, Grand Pursuit
by Michael Kamuf features
contrasting melodies,
bold harmonies, and a
fun, groove-oriented
development section that
combine to create a piece
both your students and
audiences will enjoy.
(2:00).
Holiday Rock Orchestre - Débutant Alfred Publishing
Concert Band; Orchestra - Grade 0.5 SKU: AP.49115 Angels We Have Heard...(+)
Concert Band; Orchestra -
Grade 0.5
SKU:
AP.49115
Angels We
Have Heard on High / God
Rest Ye Merry, Gentlemen
/ Deck the Halls / Dreydl
Song / Jingle Bells.
Arranged by Chris M.
Bernotas. 5 or More;
MakeMusic Cloud; Mixed
Instruments - Flexible
Instrumentation;
Performance Music
Ensemble; Quartet; Single
Titles; Solo Small
Ensembles. Sound
Innovations for Concert
Band. Chanukah;
Christmas; Holiday Pops;
Traditional; Winter.
Score and Part(s). 89
pages. Duration 2:20.
Alfred Music #00-49115.
Published by Alfred Music
(AP.49115).
UPC:
038081563398.
English.
This
version of Holiday Rock
arranged by Chris
Bernotas is part of our
Alfred FLEX offerings and
is designed with maximum
flexibility for use by
any mix of
instruments---wind,
strings, and percussion,
including like- or
mixed-ensembles with as
few as 4 players. The
suggested instrumentation
and a customizable
Teacher Map will help you
plan out how to best
assign parts to suit your
ensemble's needs. The
4-part instrumentation
will support balanced
instrumentation of the
lower voices. It also
comes with supplemental
parts for maximum
flexibility. With the
purchase of this piece,
permission is granted to
photocopy the parts as
needed for your ensemble.
A percussion
accompaniment track is
also available as a free
download. String parts
have been carefully
edited with extra
fingerings and
appropriate bowings to
support students in mixed
ensembles playing in less
familiar keys.
This holiday
mash-up only uses the
first six notes of the
scale and is VERY
easy---perfect for the
first concert. With no
articulations, dynamics,
dotted notes, or key
signature, this wonderful
arrangement by Chris
Bernotas is playable by
the youngest of bands.
(2:20)
Orchestra - Grade 3 SKU: AP.43838S Composed by George Frideric Handel. Ar...(+)
Orchestra - Grade 3
SKU: AP.43838S
Composed by George
Frideric Handel. Arranged
by Todd Parrish.
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Form:
Overture. Baroque;
Masterwork Arrangement.
Score. 20 pages. Duration
3:30. Highland/Etling
#00-43838S. Published by
Highland/Etling
(AP.43838S).
UPC:
038081497150.
English.
This
highly energetic work
will add sparkle to any
concert. Featuring the
entire Allegro section
from the original
overture, students will
practice Baroque style,
dotted rhythms, and
successive 16th note
passages. (3:30).
Orchestra - Grade 1.5 SKU: AP.45823 Composed by Michael Kamuf. Performanc...(+)
Orchestra - Grade 1.5
SKU: AP.45823
Composed by Michael
Kamuf. Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Beginning String
Orchestra. Score and
Part(s). 72 pages.
Duration 2:00. Belwin
Music #00-45823.
Published by Belwin Music
(AP.45823).
UPC:
038081529189.
English.
Perfect
for concerts and
festivals, Dayspring is
an ideal piece for
reinforcing both
dotted-quarter/eighth
note and syncopation
rhythms with your
beginning string
orchestra. In this
driving new work by
Michael Kamuf, the
lyrical melodies and
driving motifs are passed
around the entire
ensemble, supported by
rich harmonies.
(2:00).
Composed by Katie O'Hara
LaBrie. 5 or More;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
Solo Small Ensembles;
String Orchestra. Belwin
Beginning String
Orchestra. Light Concert.
Score. 12 pages. Duration
2:45. Belwin Music
#00-49019S. Published by
Belwin Music (AP.49019S).
ISBN 9781470645410.
UPC: 038081563992.
English.
This title
features Alfred Music's
String Orchestra FLEX
options. That means that
every part in this set is
now transposed into every
other part, so you can
play this title with any
combination of like- or
mixed-string ensemble.
After purchasing this
set, decide what
additional parts you need
to meet the unique needs
of your ensemble, then
download and print them
for free at
alfred.com/supplemental--
-free of charge.
Imagine riding
through Camelot on a
quest to save the
kingdom. Every player
will be the hero in this
medieval inspired tune,
Camelot Quest by Katie
Katie O'Hara LaBrie.
Written in E minor,
students will be
introduced to D-sharps
through low 1st finger as
well as dotted-quarter
rhythms in every part.
Students and audiences
alike will love the mixed
energy of marcato
ostinato patterns vs. the
legato melodies. The
journey concludes with a
joust-like battle, adding
excitement to any concert
or festival program.
Optional percussion adds
to the medieval flair.
(2:45) This title
available in MakeMusic
Cloud.
Orchestra - Grade 1.5 SKU: AP.48085S Al Hanissim. Arranged by Susa...(+)
Orchestra - Grade 1.5
SKU: AP.48085S
Al Hanissim.
Arranged by Susan H. Day.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
Solo Small Ensembles;
String Orchestra.
Highland/Etling String
Orchestra. Chanukah;
Jewish Heritage;
Traditional; Winter.
Score. 8 pages. Duration
1:50. Highland/Etling
#00-48085S. Published by
Highland/Etling
(AP.48085S).
ISBN
9781470661472. UPC:
038081554365.
English.
This title
features Alfred Music's
String Orchestra FLEX
options. That means that
every part in this set is
now transposed into every
other part, so you can
play this title with any
combination of like- or
mixed-string ensemble.
After purchasing this
set, decide what
additional parts you need
to meet the unique needs
of your ensemble, then
download and print them
for free at
alfred.com/supplemental--
-free of charge.
A unique Hanukkah
selection, this piece
embodies traditional
Jewish music with its
haunting melodies. In 4/4
time throughout, using
easy rhythms, lifts,
tremolo, a few two-note
slurs, and ties, along
with some cello divisi.
The viola part doubles
the 2nd violin and the
cello doubles the bass.
This is an excellent
teaching piece for
dotted-quarter-note
rhythms.
The
prayer Al Hanissim is
sung or read at Hanukkah,
expressing thanks for the
miracles that have been
bestowed upon the
people's ancestors. A
Hanukkah Prayer of Thanks
by Susan H. Day will
convey a sense of the
season. (1:50) This title
is available in MakeMusic
Cloud.
Orchestra - Grade 1.5 SKU: AP.38481 Composed by Susan H. Day. MakeMusic C...(+)
Orchestra - Grade 1.5
SKU: AP.38481
Composed by Susan H. Day.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Programmatic.
Score and Part(s). 62
pages. Highland/Etling
#00-38481. Published by
Highland/Etling
(AP.38481).
UPC:
038081431697.
English.
This piece
was inspired by a visit
to London's Buckingham
Palace, with its colorful
tradition of the changing
of the guards. Set in the
key of D Major, the
chordal harmonies and
dotted quarter rhythms
bring a picture of
royalty to mind. Other
main teaching points are
lift signs, a round
section, and the use of
high 3rd fingers to
attain great in-tune
chords. Interesting parts
for all sections with
many learning
opportunities---a perfect
choice! This title is
available in MakeMusic
Cloud.
Holiday Rock Orchestre [Conducteur] - Débutant Alfred Publishing
Concert Band; Orchestra - Grade 0.5 SKU: AP.49115S Angels We Have Hear...(+)
Concert Band; Orchestra -
Grade 0.5
SKU:
AP.49115S
Angels
We Have Heard on High /
God Rest Ye Merry,
Gentlemen / Deck the
Halls / Dreydl Song /
Jingle Bells.
Arranged by Chris M.
Bernotas. 5 or More;
MakeMusic Cloud; Mixed
Instruments - Flexible
Instrumentation;
Performance Music
Ensemble; Quartet; Single
Titles; Solo Small
Ensembles. Sound
Innovations for Concert
Band. Chanukah;
Christmas; Holiday Pops;
Traditional; Winter.
Score. 16 pages. Duration
2:20. Alfred Music
#00-49115S. Published by
Alfred Music (AP.49115S).
UPC: 038081563404.
English.
This
version of Holiday Rock
arranged by Chris
Bernotas is part of our
Alfred FLEX offerings and
is designed with maximum
flexibility for use by
any mix of
instruments---wind,
strings, and percussion,
including like- or
mixed-ensembles with as
few as 4 players. The
suggested instrumentation
and a customizable
Teacher Map will help you
plan out how to best
assign parts to suit your
ensemble's needs. The
4-part instrumentation
will support balanced
instrumentation of the
lower voices. It also
comes with supplemental
parts for maximum
flexibility. With the
purchase of this piece,
permission is granted to
photocopy the parts as
needed for your ensemble.
A percussion
accompaniment track is
also available as a free
download. String parts
have been carefully
edited with extra
fingerings and
appropriate bowings to
support students in mixed
ensembles playing in less
familiar keys.
This holiday
mash-up only uses the
first six notes of the
scale and is VERY
easy---perfect for the
first concert. With no
articulations, dynamics,
dotted notes, or key
signature, this wonderful
arrangement by Chris
Bernotas is playable by
the youngest of bands.
(2:20)
Grand Pursuit Orchestre [Conducteur] - Facile Belwin
Orchestra - Grade 2 SKU: AP.49443S Composed by Michael Kamuf (ASCAP). Per...(+)
Orchestra - Grade 2
SKU: AP.49443S
Composed by Michael Kamuf
(ASCAP). Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Intermediate
String Orchestra. Score.
Duration 2:00. Belwin
Music #00-49443S.
Published by Belwin Music
(AP.49443S).
ISBN
9781470650490. UPC:
038081571270.
English.
Written to
reinforce dotted
quarter/eighth note
patterns, Grand Pursuit
by Michael Kamuf features
contrasting melodies,
bold harmonies, and a
fun, groove-oriented
development section that
combine to create a piece
both your students and
audiences will enjoy.
(2:00).