Orchestra (picc.2.2.cor ang.2.B-clar.2.dble bsn - 4.3.3.1. - timp.perc(3) - hp - cel - str)

SKU: BR.PB-5105-07

Study score. Composed by Jurg Baur. Softbound. Partitur-Bibliothek (Score Library).

World premiere: Bremen, February 1, 1982

Symphony; Music post-1945. Study Score. Composed 1981. 68 pages. Duration 17'. Breitkopf and Haertel #PB 5105-07. Published by Breitkopf and Haertel (BR.PB-5105-07).

ISBN 9790004208557. 9 x 12 inches.

Gesualdo, Don Carlo, Furst von Venosa (1560-1613) gehort zu den eigenwilligsten italienischen Madrigal-Komponisten der Spatrenaissance. Seine ungewohnlich kuhne, selbst fur heutige Ohren modern klingende Harmonik, seine chromatischen Stimmfortschreitungen, seine ubersteigerte expressive Tonsprache regten mich schon vor Jahren zu einer grosseren Orgelkomposition an und inspirierten mich 1981 zu den >>Sinfonischen Metamorphosen<<. Dieses Werk ist eine vielgestaltige weitausgesponnene Fantasie. Sieben choralartige typische Klangbeispiele aus Gesualdos spaten funfstimmigen Madrigalen (4., 5. u. 6. Band) werden teils streng, teils frei zitiert und von Holz- oder Blechblasern intoniert. Diese Zitate gliedern, als formale und inhaltliche Schwer- und Ruhepunkte, den Verlauf des gesamten Werks. Jedes Zitat steht zu Beginn eines neuen Satzabschnitts; die darauffolgenden >>Metamorphosen<< entwickeln sich als rhapsodische kontrastreiche Charakterstucke. Im >>Preludio<< werden aus den vertonbaren Buchstaben vom Namen >>Gesualdo<< (G - E - Es - A - D) schwebende Klangflachen, rezitativische Gedanken und ein pragnantes rhythmisches Paukenthema gebildet. Diese ,,Grundelemente (Grundstrukturen) tauchen im Verlauf des Stucks immer wieder leitmotivisch auf. Im zweiten Abschnitt stehen sich lineare Streicher-Episoden und dichte Blaser-Klangballungen kontrastierend gegenuber. Der dritte Teil lauft als Passacaglia (Thema ist der Bass eines Gesualdo-Zitats) in mehreren Variationen ab. Im vierten Abschnitt dominiert lebhafte Streicherbewegung, kontrapunktiert von tiefen Blaser-Signalen. Der funfte Teil steigert sich- nach kantablem Beginn- zum ekstatischen Trauermarsch. Abschnitt sechs stellt sich als >>Rondello<< dar, mit um sich selbst kreisenden Klangfiguren (in verschiedenen Tongruppen (zwei, drei, funf). Im siebten und letzten Teil wird die verhalten-resignierende Stimmung des Anfangs beschworen, ehe eine knappe Stretta in den hymnischen Schluss mundet. In den Textender ausgewahlten Zitatstellen geht es meist um Todessehnsucht, Liebesqual und Verzweiflung. z. B. 1. und 2. Zitat: Moro lasso, al mio duolo (Ich sterbe, matt, an meiner Qual) (6. Buch) 3. Zitat: Gia piansi nel dolore; o dolorosa Sorte (Schon weinte ich in Schmerzen, oh schmerzliches Geschick) (6. Buch) 4. Zitat: Ahi gia mi discolero (Ach schon entfarbte ich mich) (Wehe, der Tod kommt) (4. Buch) 5. Zitat: Dolcissima mia vita (Mein allerliebstes Leben) (Dich zu lieben oder zu sterben) (5. Buch) 6. Zitat: lo moro (Ich sterbe) (5. Buch) Dem Werk liegen zwar eine Reihe von dodekaphonischen Strukturen zugrunde (die teilweise von Gesualdos Klangzitaten abgeleitet wurden), doch sind die einzelnen Abschnitte auf,,tonale Pfeiler (G - E - A - D) gegrundet; das Stuck beginnt in G und endet aufD, ist also ubergeordnet tonal konzipiert, - der Versuch einer Synthese moderner Ausdrucksmittel von Vergangenheit und Gegenwart. Die >>Metamorphosen<< sind ein Stuck Bekenntnismusik - Bekenntnis zum Leben und Schaffen Gesualdos, eines Mannes, der vom Schicksal gezeichnet war, denn der Chronik Neapels bekannt war durch die Ermordung seiner ersten Frau und ihres Liebhabers. Dieser eminente Musiker war zugleich ein Mensch von ubertriebener Sensibilitat und wilder ekstatischer Heftigkeit: ,,Er wurde von einer Horde von Damonen heimgesucht, die ihm keine Ruhe gaben, heisst es in einem zeitgenossischen Bericht. Seine Kunst und sein Leben stand unter dem Gesetz der inneren Zerrissenheit, zwischen Auflehnung und Resignation (Verzweiflung und Hoffnung), zwischen Zartheit und Leidenschaft. Davon will meine Musik etwas aussagen. (Jurg Baur)CD:Sinfonieorchester des Westdeutschen Rundfunks, cond. Rudolf BarschaiCD Thorofon CTH 2270Bibliography:Abels, Robert: Studien zur Gesualdo-Rezeption durch Komponisten des 20. Jahrhunderts (= Studien zur Musik 20), Leiden u. a.: Wilhelm Fink 2017, pp. 277-345, 485-489.Wallerang, Lars: Die Orchesterwerke Jurg Baurs als Dialog zwischen Tradition und Moderne, Koln: Dohr 2003.

Orchestra

SKU: BT.REBA00309

Composed by W. Verbeecke. Book Only. Reba Productions #REBA00309. Published by Reba Productions (BT.REBA00309).

German.

Orchestra (Study Score)

SKU: HL.51489059

Study Score. Composed by Franz Joseph Haydn. Edited by Andreas Friesenhagen. Henle Study Scores. Classical. Softcover. 58 pages. G. Henle #HN9059. Published by G. Henle (HL.51489059).

UPC: 840126932898. 6.75x9.5x0.22 inches.

Haydn's three Symphonies nos. 90-92 might rightly be dubbed his “Paris Symphonies Part II,” as they were commissioned in 1788/89, likewise by the Société Olympique, for which Haydn had already composed his six “Paris Symphonies” nos. 82-87 just a few years earlier. Ironically enough, Haydn would later sell these three a second time to Prince von Oettingen-Wallerstein who requested he “receive 3 new symphonies from him.” Regardless of such mercantile entanglements, Haydn shows himself to be at the full height of his mastery as a symphonist in these works. Completed in 1788 according to the autograph manuscript, the Symphony in E flat major no. 91 astonishes, even for Haydn’s standards, with its many idiosyncrasies, such as the Baroque, contrapuntal theme of the first movement or the strings of trills in the slow variation movement. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy scorean ideal companion for all current and soon-to-be Haydn fans.

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Orchestra (2.2.0.2/2.2.0.0,timp,str ,cl solo)

SKU: TM.00807SC

Composed by Carl M. von Weber. Score. Lucks Music Library #A2266. Published by Lucks Music Library (TM.00807SC).

Solo/pf.

Orchestra (2.2.0.2/2.2.0.0,timp,str ,cl solo)

SKU: TM.00807SET

Composed by Carl M. von Weber. Set Type: D. Set of parts. Lucks Music Library #A2266. Published by Lucks Music Library (TM.00807SET).

Solo/pf.

Rhenish Symphony - Urtext. Composed by Robert Schumann. Edited by Joachim Draheim. Symphony. Orchester-Bibliothek (Orchestral Library). The 5 study scores of the symphonies (incl. early version of the 4th symphony) in slipcase are temporarily out of print. The single editions are, however, still available. Romantic. Violoncello part. Breitkopf and Haertel #OB 5263-23. Published by Breitkopf and Haertel (BR.OB-5263-23). 0.48

Rhenish Symphony - Urtext. Composed by Robert Schumann. Edited by Joachim Draheim. Symphony. Orchester-Bibliothek (Orchestral Library). The 5 study scores of the symphonies (incl. early version of the 4th symphony) in slipcase are temporarily out of print. The single editions are, however, still available. Romantic. Violin 2 part. Breitkopf and Haertel #OB 5263-16. Published by Breitkopf and Haertel (BR.OB-5263-16). 0.48

Composed by Robert Applebaum. For orchestra. Sacred service, Choral. Full score. 20 pages. Published by Ione Press

Orchestra (2.0.0.0/2.0.0.0,str,clar inet solo)

SKU: TM.13302SC

Composed by Carl Stamitz. Edited by Bosse. Score. Lucks Music Library #A7769. Published by Lucks Music Library (TM.13302SC).

Solo in set. Ed. by Bosse/Gutte. Allegro molto, Adagio, Rondo. See #00865 for Clarinet Concerto in Eb, No. 11.

Orchestra (2.0.0.0/2.0.0.0,str,clar inet solo)

SKU: TM.13302SET

Composed by Carl Stamitz. Edited by Bosse. Set Type: D. Set of parts. Lucks Music Library #A7769. Published by Lucks Music Library (TM.13302SET).

Solo in set. Ed. by Bosse/Gutte. Allegro molto, Adagio, Rondo. See #00865 for Clarinet Concerto in Eb, No. 11.

Orchestra (3D1.2+1.2+1+Eb.3+1/4.2+2 .3.1,timp,perc,2hp,str)

SKU: TM.07670SET

Composed by Georges Enescu. Set Type: D. Set of parts. Lucks Music Library #A5762. Published by Lucks Music Library (TM.07670SET).

Transposed: Tpt 1&2. Cl, Hn, Tbn orig. in Mod. Keys/Clefs.

Composed by Gustav Holst (1874-1934), edited by Colin Matthews (1964-). Opus 28, No. 1; H. 105. Full score for military band. Eb Major. 48 pages. Published by Boosey and Hawkes.

Orchestra (3D1.2+1.3+Eb.2+1/4.3.3.1 ,timp,perc,2hp,str)

SKU: TM.09975SC

Composed by Edward Elgar. Score. Lucks Music Library #A6120. Published by Lucks Music Library (TM.09975SC).

Girls & Boys Come Out to Play, Upon Paul's Steeple Stands a Tree, Dame Get Up and Bake Your Pies, I Saw 3 Ships Go Sailing By, Sing a Song of Sixpence, There was a Lady Loved a Swine, Over the Hills & Far Away, The Frog and the Crow.

Orchestra (3D1.2+1.3+Eb.2+1/4.3.3.1 ,timp,perc,2hp,str)

SKU: TM.09975SET

Composed by Edward Elgar. Set Type: D. Set of parts. Lucks Music Library #A6120. Published by Lucks Music Library (TM.09975SET).

Girls & Boys Come Out to Play, Upon Paul's Steeple Stands a Tree, Dame Get Up and Bake Your Pies, I Saw 3 Ships Go Sailing By, Sing a Song of Sixpence, There was a Lady Loved a Swine, Over the Hills & Far Away, The Frog and the Crow.

Orchestra (5D1+1.4+1.3+1+Eb.4+1/8.4 .4.1,timp,perc,pf,harm,or g,cel,2hp,mand,banda,str, SSSAATBar soli,SSAATTBB chorus,children's chorus)

SKU: TM.09947SET

Composed by Gustav Mahler. Set Type: D. Set of parts. Lucks Music Library #A6070. Published by Lucks Music Library (TM.09947SET).

Chorus I = SSAATTBB Chorus; Chorus II = Children's Chorus. Banda = 4tpt,3tbn.

Orchestra (5D1+1.4+1.3+1+Eb.4+1/8.4 .4.1,timp,perc,pf,harm,or g,cel,2hp,mand,banda,str, SSSAATBar soli,SSAATTBB chorus,children's chorus)

SKU: TM.09947SC

Composed by Gustav Mahler. Score. Lucks Music Library #A6070. Published by Lucks Music Library (TM.09947SC).

Chorus I = SSAATTBB Chorus; Chorus II = Children's Chorus. Banda = 4tpt,3tbn.

(Instrumental Accompaniments for Ecumenical Hymns). Composed by James Engebretson. Sacred. Score and CD-Rom. 116 pages. Published by Augsburg Fortress

Composed by Steve Hodges. Concert Band. Concert Band; Part(s); Score. Alfred Debut Series. Rock. Grade 1. 118 pages. Published by Alfred Music

(Prelude to the Afternoon of a Faun). By Claude Debussy (1862-1918). Edited by Douglas Woodfull-Harris. For orchestra (3 flutes/2 oboes/english horn/2 clarinets/2 bassoons/4 horns/cymbal/2 harps/2 violins/viola/cello/doubl e bass). This edition: Stapled, Urtext edition. Score. Text Language: English/French/German. 44 pages. Duration 10'. Published by Baerenreiter Verlag

Orchestrated by Claude Debussy. By Erik Satie. (Study Score). Schott. Book only. 19 pages. Published by Eulenburg London (Schott).

Orchestra - Grade 3

SKU: AP.1-ADV40026

For String Orchestra. Arranged by Sigi Busch. Performance Music Ensemble; Single Titles; String Orchestra. Advance Music: Holiday Celebration Series. Christmas; Secular; Traditional; Winter. Score and Part(s). Advance Music #01-ADV40026. Published by Advance Music (AP.1-ADV40026).

UPC: 805095400267. English. Traditional.

This cheerful arrangement of a German Christmas carol, Morgen Kinder wird's was geben, or Tomorrow, Children, Just Wait! is to be executed at a moderate tempo. The setting is easy yet effective. The well-known melody is framed by amusing interludes and it is well suited for opening or closing a concert. Arranged for string orchestra.

Incidental Music 2 (Carl Maria von Weber Complete Edition - Series 3 Volume 10a). By Carl Maria von Weber (1786-1826). Edited by Oliver Huck. For Orchestra (Complete Ed). Carl Maria von Weber - Samtliche Werke. Score. 367 pages. Schott Music #WGA1039-20. Published by Schott Music

String orchestra

SKU: VD.ED14059

Composed by Liebhold. Edited by Peter Albrecht. Das Schottener Kantatenarchiv Vol. 40. Classical. Set of parts. Schott Music #ED14059. Published by Schott Music (VD.ED14059).

12 x 9 inches.

Orchestra (STP)

SKU: HL.49034172

Overture. Composed by Carl Maria von Weber. This edition: Saddle stitching. Sheet music. Edition Schott. Study Score. Op. 81. 48 pages. Duration 9'. Eulenburg Edition #ETP 635. Published by Eulenburg Edition (HL.49034172).

ISBN 9783795767617. UPC: 841886012110. 5.25x7.5x0.192 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Cloth Orchestra

SKU: HL.50565700

Composed by Claude Debussy. CRITICAL EDITIONS. Classical. Hardcover. Composed 2001. Editions Durand #DB15565. Published by Editions Durand (HL.50565700).

UPC: 884088888329. 10.5x14.0x0.709 inches. Edited by Eiko Kasaba.

Composed by Claude Debussy (1862-1918). Edited by Eiko Kasaba and Pierre Boulez. For Score. CRITICAL EDITIONS. Hardcover. Editions Durand #DB15758. Published by Editions Durand

(Trois esquisses symphoniques). Composed by Claude Debussy (1862-1918). Edited by Douglas Woodfull-Harris. For orchestra (2 flutes/soprano flute/2 oboes/english horn/clarinet/2 bassoons/5 contrabassoons/2 trumpets/horn/2 trombones/tuba/percussion /celeste/2 harps/strings). This edition: Urtext edition. Paperback. Study score. Text Language: English/French/German. Duration 10 minutes. Published by Baerenreiter Verlag