By Rosephanye Powell. ORCHESTRA SCORE AND PARTS. Gentry Publications. 62 pages. Gentry Publications #JG0726. Published by Gentry Publications

By Rosephanye Powell. PERCUSSION SCORE AND PARTS. Gentry Publications. 62 pages. Gentry Publications #JG0727. Published by Gentry Publications

By Douglas Akey. MusicWorks Grade 1. Concert Band. Score and full set of parts. Size 9x12 inches. Published by Hal Leonard.

Orchestra

SKU: M7.DOHR-10156

Composed by Norbert Burgmuller. Edited by Klaus Martin Kopitz. This edition: Hardback/Hard Cover. Sheet music. Full score. Op.5 & 17. 176 pages. MDS (Music Distribution Services) #DOHR 10156. Published by MDS (Music Distribution Services) (M7.DOHR-10156).

ISBN 9790202021569.

Orchestra

SKU: C4.9790-900969347

Composed by Charles Marie Widor. Edited by Daniel Mitterdorfer and Harold Fabrikant. Study score. Crescendo Music Publications #9790-900969347. Published by Crescendo Music Publications (C4.9790-900969347).

ISBN 9790900969347.

Orchestra

SKU: C4.9790-900969361

Composed by Charles Marie Widor. Edited by Daniel Mitterdorfer and Harold Fabrikant. Spiral-bound. Full score (A3). Crescendo Music Publications #9790-900969361. Published by Crescendo Music Publications (C4.9790-900969361).

ISBN 9790900969361.

Orchestra (1 perc,hp,str)

SKU: TM.07066SET

Composed by Victor Herbert. Set Type: D. Set of parts. Lucks Music Library #A7312. Published by Lucks Music Library (TM.07066SET).

Orchestrated by Rimsky-Korsakov. Dawn on the Moska River (Act I Scene 1). For famous introduction, see #05505 KHOVANTCHINA, LA: Entr'acte Act IV, Scene 2 No. 5 Galitian Journey.

Orchestra (1 perc,hp,str)

SKU: TM.07066SC

Composed by Victor Herbert. Score. Lucks Music Library #A7312. Published by Lucks Music Library (TM.07066SC).

Orchestrated by Rimsky-Korsakov. Dawn on the Moska River (Act I Scene 1). For famous introduction, see #05505 KHOVANTCHINA, LA: Entr'acte Act IV, Scene 2 No. 5 Galitian Journey.

Orchestra (Fl-Picc, Fl, Trp, V, Va, timpani, bassoon, Vc, double bass, Continuo)

SKU: BA.BA07569

Ballet héroïque in one prologue and three entrées. Composed by Jean-Philippe Rameau. Edited by Thomas Soury. This edition: urtext edition. Paperback. Symphonies. Score, anthology. Baerenreiter Verlag #BA07569_00. Published by Baerenreiter Verlag (BA.BA07569).

ISBN 9790006523375. 32.9 x 23.9 cm inches. Text Language: French/German. Preface: Soury, Thomas. Louis de Cahusac.

Rameau's “Les Fêtes de l'Hymen et de l'Amour” was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as “Zaïs”, “Zoroastre” and “Les Borades”. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from “Aruris”, a scoring found nowhere else in his uvre.

For the first time, this scholarly-critical edition of “Les Fêtes de l'Hymen et de l'Amour” presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Acadmie Royale de Musique in 1748.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra

SKU: HL.48185355

Composed by Olivier Messiaen. Leduc. Post-1900. Softcover. 156 pages. Alphonse Leduc #AL28864. Published by Alphonse Leduc (HL.48185355).

UPC: 888680837129. 10.5x13.5 inches.

“Entr ée; Vocalise; Cadenza; Rondeau (for flute, oboe, cello and piano soli and orchestra)&rdquo.

(Score). By Frank Bridge (1879-1941). Orchestra. Full Orchestra; Larger Works; Masterworks; Score. Faber Edition. 20th Century; Masterwork. Published by Faber Music

Orchestra

SKU: HL.48180785

For Orchestra. Composed by Jacques-Francois Ibert. Leduc. Classical. Softcover. 83 pages. Alphonse Leduc #AL19204. Published by Alphonse Leduc (HL.48180785).

UPC: 888680857349. 6.25x8.5 inches.

Introductio n; Entrée des Pages; Diane; Danse des Boyards; Le Marchand d'Orviétans; Danse de l'Arc; Finale.

Edited by Samuel Applebaum & Paul Paradise. For Score. String Orchestra Collection. The Best of.. Level: Medium-Advanced. Book. 92 pages. Published by Alfred Publishing.

Orchestra

SKU: HL.49009585

Composed by Charles Francois Gounod. Edited by Bill Hopkins. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. 102 pages. Eulenburg Edition #ETP 1380. Published by Eulenburg Edition (HL.49009585).

ISBN 9783795766740. UPC: 841886000735. 5.25x7.5x0.272 inches. German - English.

Gounod's Faust opera (libretto by Michel Carre and Jules Barbier) is based on the love story of Faust and Marguerite which is but a part of Goethe's Faust drama. Consequently the title of the opera is unacceptable in Germany where it is renamed Margarethe, after the heroine.

(Orchestra)

SKU: HP.8464

Arranged by Jack Schrader. Lent/Easter, Cantata. Lent & Easter Musicals. Lent, Easter Sunday, Sacred. Set of Instrumental Parts. Hope Publishing Company #8464. Published by Hope Publishing Company (HP.8464).

UPC: 763628184643.

Lent & Easter Musical This new 45-minute, Easter musical from Jack Schrader utilizes three powerful devices to dramatically portray Christ's passion and glory: well-conceived choral music, scintillating orchestral accompaniment, and passionate narrations, with much detail drawn from the gospels. The story begins before the Triumphal Entry of Christ, and ends, by implication, beyond his Ascension. Chorally you will find many poignant and powerful moments. Talented orchestrator, Mark Kellner, has provided exquisite instrumental mosaics to underscore and support both choir and narration. Yet the simple use of piano accompaniment would also be very satisfying. At the most high and holy time of the Christian year, this musical presentation powerfully proclaims the truth of the Gospel, and confronts listener and performer alike with the claims of Jesus Christ, the Son of God.

The Orchestration contains a Conductor's Score and parts for: Flute, Oboe, Clarinet, 3 Trumpets, 2 Horns, 2 Trombones, Tuba, Percussion, Timpani, Harp, Violin 1 & 2, Viola, Cello, Bass, Piano, and Electric Bass.

Orchestra

SKU: HH.HH268-FSC

Composed by Timothy Raymond. Orchestral. Full score. Duration 10 minutes. Edition HH Music Publishers #HH268-FSC. Published by Edition HH Music Publishers (HH.HH268-FSC).

ISBN 9790708092209.

The musical material derives from transformations of the carol melody, which only appears with any degree of literalness in a dream like passage close to the beginning and vanishes – though, in some sense, its dna is present in every bar. The piece is through composed and consists of slow – at times, elegiac – music flanking fast central episodes. Two chords, which seem to signify a kind of question at the very beginning, return twice, later in the work.

Guitar; Orchestra (Study Score)

SKU: HL.14003155

Study Score. Composed by Simon Bainbridge. Music Sales America. Classical. Softcover. 64 pages. Music Sales #NOV090657. Published by Music Sales (HL.14003155).

ISBN 9780711989207. 9.75x13.75x0.19 inches.

Study Score. Simon Bainbridge's Guitar Concerto received its premiere on 15th November 1998 at the CBSO Centre in Birmingham, the soloist David Starobin with the Birmingham Contemporary Music Group. Orchestral material (full score and parts) is available on hire. Duration 15 minutes.

Orchestra

SKU: HL.14029705

Composed by Ernest John Moeran. Music Sales America. Classical. Studyscore. Music Sales #NOV890045. Published by Music Sales (HL.14029705).

ISBN 9780853605263. 8.25x11.75 inches.

Considered as a whole, Moeran's music has a strong individuality and a very personal flavour. The recipe is the composer's own, and there is none other like it. Yet, though he has amply covered the field of orchestral music, chamber music, concertos, and smaller vocal works, one would not describe Moeran's as a varied talent. He keeps to his centre, which is a purely musical one.

Natural horn brass band - Grade 3

SKU: RM.LANT07760-BA

Composed by Alain Lantin. Large orchestra. Orchestra. Full set. Editions Robert Martin #LANT07760-BA. Published by Editions Robert Martin (RM.LANT07760-BA).

ISBN 9790231077605.

Concert band - Grade 2

SKU: RM.BACH03473-CO

Composed by Johann Sebastien Bach. Arranged by Jean Pierre Pommier. Classical music. Orchestra. Conductor's score. Editions Robert Martin #BACH03473-CO. Published by Editions Robert Martin (RM.BACH03473-CO).

Natural horn brass band - medium-easy (grade 3)

SKU: RM.DEVO06134-BA

Composed by Jacques Devogel. Batterie-fanfare. Orchestra. Full set. Editions Robert Martin #DEVO06134-BA. Published by Editions Robert Martin (RM.DEVO06134-BA).

ISBN 9790231061345.

Entr ee, Offertoire, Communion, Sortie.

Natural horn brass band - Grade 3

SKU: RM.LANT07760-CO

Composed by Alain Lantin. Large orchestra. Orchestra. Conductor's score. Editions Robert Martin #LANT07760-CO. Published by Editions Robert Martin (RM.LANT07760-CO).

Concert band - Grade 2

SKU: RM.BACH03473-BA

Composed by Johann Sebastien Bach. Arranged by Jean Pierre Pommier. Classical music. Orchestra. Full set. Editions Robert Martin #BACH03473-BA. Published by Editions Robert Martin (RM.BACH03473-BA).

ISBN 9790231034738.

Full orchestra

SKU: LO.30-3538L

Composed by Mary McDonald. Choral, cantatas. Eastertide, Holy Week. Full score and parts, plus CD with printable parts. Lorenz Publishing Company #30/3538L. Published by Lorenz Publishing Company (LO.30-3538L).

UPC: 000308148961.

The resurrection of Jesus changed the world and continues to change the world today. Jesus! The Resurrection of the Messiah tells the intimate story of the grief, the fear, the hope, the love, the tenderness, and the longing of God for His children expressed through the life, death, and resurrection of Jesus. Mary McDonald and Rose Aspinall combined their talents to create a compelling musical that will take you through the emotions of the Triumphal Entry, the raising of Lazarus, the Last Supper, the moment in the garden when Jesus is arrested, the Crucifixion, and finally to the joyous Resurrection. This work may be programmed in its entirety or presented in segments during Palm Sunday, Holy Week, and Resurrection Sunday worship settings. It may be done with choir and piano alone or can include the optional orchestrations created by Michael Lawrence and Ed Hogan. This powerful worship tool is an inspiring reminder of the life-changing impact of this Deliverer, Redeemer, and Savior….Jesus!

Orchestra (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str)

SKU: BR.PB-5559-07

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

Tchaikovsky's Hamburg Symphony in the Urtext

Symphony; Romantic. Study Score. 208 pages. Duration 44'. Breitkopf and Haertel #PB 5559-07. Published by Breitkopf and Haertel (BR.PB-5559-07).

ISBN 9790004213698. 6.5 x 9 inches.

Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.

Tch aikovsky's Hamburg Symphony in the Urtext.

Orchestra (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str)

SKU: BR.PB-5558

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

Tchaikovsky's Hamburg Symphony in the Urtext

Symphony; Romantic. Full score. 212 pages. Duration 44'. Breitkopf and Haertel #PB 5558. Published by Breitkopf and Haertel (BR.PB-5558).

ISBN 9790004213681. 10 x 12.5 inches.

Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.

Tch aikovsky's Hamburg Symphony in the Urtext.