Study Score.
Composed by James
Macmillan. Boosey &
Hawkes Scores/Books.
Classical. Softcover. 80
pages. Duration 900
seconds. Boosey & Hawkes
#M060136009. Published by
Boosey & Hawkes
(HL.48024880).
ISBN
9781784545154. UPC:
840126918670.
7.25x10.25x0.319
inches.
This
publication presents
under one cover various
short works for sundry
orchestral scorings.
Larghetto for Orchestra
is MacMillan's
orchestration (2017) of
his celebrated Miserere
for a cappella mixed
choir (2009), a setting
in Latin of Psalm 51,
'Have mercy upon me, O
God, according to thy
great mercy', the
penitential text famously
set in the 17th century
by Gregorio Allegri. The
Larghetto orchestration
was commissioned by the
Pittsburgh Symphony
Orchestra in celebration
of Manfred Honeck's 10th
Anniversary as Music
Director. Memoire
imperiale is one of a
number of variations on
General John Reids march
tune Old Gaul
commissioned from
Scottish composers to
mark the centenary in
1994 of the Faculty of
Music at Edinburgh
University. The Faculty
was established following
a bequest by General Reid
(1721-1807), a former law
student at the University
and a renowned flute
player and composer of
marches for the
BritishArmy, and he asked
that an annual concert be
organised at which one or
more of his compositions
be played. Composed in
2012 for the Britten
Sinfonia, One is a monody
in which a single line is
passed around the
instruments, painting it
with different colours as
it emerges and develops.
Lasting only a few
minutes, its singularity
is maintained until
blossoming in the lastfew
bars. For Sonny (2011,
orch 2013) and Ein
Lamplein verlosch (2018,
orch 2019) are short,
private memorial tributes
originally for string
quartet and here rescored
for string orchestra.
Hirta was composed in
2016 as part of Deccas
The Lost Songs of St
Kilda project. Nearly a
century ago, the last 36
residents were evacuated
from the most remote part
of the British Isles, St
Kilda, an isolated
archipelago off the
beautiful and rugged
western coast of
Scotland. After 86 years,
the music of St Kilda was
rediscovered, recorded in
a Scottish care home by
Trevor Morrison, an
elderly man who had been
taught piano by an
inhabitant of St Kilda.
The songs were
'reimagined' for the
Decca album by
various.
Score String Orchestra (Full Score) SKU: HL.278261 For String Orchestr...(+)
Score String Orchestra
(Full Score)
SKU:
HL.278261
For
String Orchestra Full
Score. Composed by
Peter Ilyich Tchaikovsky.
Arranged by Jose
Serebrier. Peermusic
Classical. Classical.
Softcover. 8 pages.
Peermusic Classical
#70219-766. Published by
Peermusic Classical
(HL.278261).
ISBN
9781540029614. UPC:
888680752972. 9x12
inches.
Program
notes: “None But
the Lonely Heart”
is a song from
Tchaikovsky's Six
Romances, Op. 6 for
voice and piano. The song
is a setting in Russian
translation of Goethe's
poem “Nur wer die
Sehnsucht kennt,”
which has attracted many
composers, most famously
Franz Schubert. This is
my second orchestration
of music by Tchaikovsky,
the first being Andante
Cantabile from his String
Quartet No. 1. I tried to
make these transcriptions
sound as if they had been
orchestrated by the
composer himself –
as is also the case with
my transcriptions of
music by Rachmaninoff,
Janácek, Bizet,
and Revueltas. This is my
natural tendency,
following the spirit of
the music.
–José
Serebrier.
New music
(post-2000). Full score.
Composed 2016/17/20. 48
pages. Duration 8'.
Breitkopf and Haertel #PB
5432. Published by
Breitkopf and Haertel
(BR.PB-5432).
ISBN
9790004212790. 10 x 12.5
inches.
Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020.
Orchestra SKU: BT.MUSM570366699 Composed by Ed Hughes. Score Only. 62 pag...(+)
Orchestra
SKU:
BT.MUSM570366699
Composed by Ed Hughes.
Score Only. 62 pages.
University of York Music
Press #MUSM570366699.
Published by University
of York Music Press
(BT.MUSM570366699).
English.
Le
Voyage Dans La Lune is a
continuous orchestral
score of approximately 14
minutes comprising two
outer fast sections and a
slower inner section of a
dream-like character. The
work is directly inspired
by the film Le Voyage
Dans La Lune (1902),
written and directed by
the pioneering French
film-maker, Georges
Méliès. Méliès was
influenced by 19th
century interests in
science and discoveries,
as well as the science
fiction of Jules Verne.
At the same time his work
seems fantastic, surreal
and satirical. Some
critics point out an
underlying critique of
colonial adventuring. The
plot centres on a group
of astronomers who decide
to launch a rocket to the
moon containing a handful
of their number. They
reach the moon (famously
landing on the moon’s
face) and then encounter
a strange race of aliens,
whom they battle and
destroy. The return to
earth involves a dramatic
descent, a plunge into
the ocean and then
celebratory dancing. The
film inhabits a surreal
and dream-like space, and
uses an idiosyncratic
visual language which
transforms reality. This
inspired an active
musical response in my
own score, which is by
turns abrupt, smooth,
lyrical and violent, and
expresses something of
the strange shifting
surfaces and multiple and
layered tempos evident in
the film. The canons in
the horns in the first
scene reflect the intense
arguments of the
astronomers as they
consider the project. The
slower inner section is
inspired by the scenes of
the industrial City
viewed from its rooftops
by the astronomers. It
also expresses the wonder
of the astronomers as
they see the earth rise
from the perspective of
the moon after their
arrival there. The music
of the final section is
in places conflicted,
reflecting the violent
encounters with the
moon’s inhabitants. It
moves into a more
harmonious phase at the
close to match the
celebrations upon the
astronomers’ return
from their adventuring.
The music could be
considered to be a
surreal mini-opera
without voices, voicing
instead the characters of
the silent screen. - Ed
Hughes.
Orchestra SKU: HL.14011052 Composed by Henry Purcell. Music Sales America...(+)
Orchestra
SKU:
HL.14011052
Composed
by Henry Purcell. Music
Sales America. Classical.
Score. 48 pages. Music
Sales #NOV120279.
Published by Music Sales
(HL.14011052).
ISBN
9780853602644.
8.25x11.75x0.215
inches.
Henr
y Purcell
(1659-1695) held numerous
appointments at the Royal
court and Westminster
Abbey, and is considered
by many to be the
greatest ever
English-born composer.
His prolific work covered
all fields: orchestral,
ecclesiastical, operatic,
theatrical, incidental,
and chamber music were
all enriched by his
output.
Fantazias
And In Nomines
is a collection of his 15
Fantasies and 2 In
Nomines, Z. 731-747.
Purcell is
credited with
popularising the hitherto
arcane form of the
Fantasy, perhaps most
famously in his
Fanstasia Upon One
Note, where a middle
C is sustained throughout
- in live performances
this issometimes played
by a volunteer from the
audience!
This full
score edition has been
edited by the renowned
musicologist Robert
Thurston Dart.
Orchestra SKU: BT.MUSM570366712 Composed by Ed Hughes. Classical. Study S...(+)
Orchestra
SKU:
BT.MUSM570366712
Composed by Ed Hughes.
Classical. Study Score.
62 pages. University of
York Music Press
#MUSM570366712. Published
by University of York
Music Press
(BT.MUSM570366712).
English.
Le
Voyage Dans La Lune is a
continuous orchestral
score of approximately 14
minutes comprising two
outer fast sections and a
slower inner section of a
dream-like character. The
work is directly inspired
by the film Le Voyage
Dans La Lune (1902),
written and directed by
the pioneering French
film-maker, Georges
Méliès. Méliès was
influenced by 19th
century interests in
science and discoveries,
as well as the science
fiction of Jules Verne.
At the same time his work
seems fantastic, surreal
and satirical. Some
critics point out an
underlying critique of
colonial adventuring. The
plot centres on a group
of astronomers who decide
to launch a rocket to the
moon containing a handful
of their number. They
reach the moon (famously
landing on the moon’s
face) and then encounter
a strange race of aliens,
whom they battle and
destroy. The return to
earth involves a dramatic
descent, a plunge into
the ocean and then
celebratory dancing. The
film inhabits a surreal
and dream-like space, and
uses an idiosyncratic
visual language which
transforms reality. This
inspired an active
musical response in my
own score, which is by
turns abrupt, smooth,
lyrical and violent, and
expresses something of
the strange shifting
surfaces and multiple and
layered tempos evident in
the film. The canons in
the horns in the first
scene reflect the intense
arguments of the
astronomers as they
consider the project. The
slower inner section is
inspired by the scenes of
the industrial City
viewed from its rooftops
by the astronomers. It
also expresses the wonder
of the astronomers as
they see the earth rise
from the perspective of
the moon after their
arrival there. The music
of the final section is
in places conflicted,
reflecting the violent
encounters with the
moon’s inhabitants. It
moves into a more
harmonious phase at the
close to match the
celebrations upon the
astronomers’ return
from their adventuring.
The music could be
considered to be a
surreal mini-opera
without voices, voicing
instead the characters of
the silent screen. - Ed
Hughes.
Orchestra (PART3) - intermediate to advanced SKU: HL.49004884 Leichte ...(+)
Orchestra (PART3) -
intermediate to advanced
SKU: HL.49004884
Leichte Spielstucke
zur Einfuhrung in das
Orchesterspiel mit
praktischen Anweisungen
fur Nachwuchsgruppen und
Unterricht. Composed
by Curt Mahr. Edition
Schott. Classical. Score
Only. 32 pages. Schott
Music #HL50490190.
Published by Schott Music
(HL.49004884).
ISBN
9781423495499. UPC:
884088510923.
English(UK).
John Corigliano (b.
1938) is an American
composer. One of his most
enjoyable compositions is
The Mannheim
Rocket,
commissioned by the
Mannheim orchestra in the
year 2000. It takes
inspiration from
theRocket of the
title – a famous
compositional device
invented by the orchestra
in the 1700s. From there
it swiftly traverses 200
years of German music,
cleverly hiding quotes
from some of the most
famous orchestralworks of
the era, rising to its
zenith before falling
back to earth –
exactly as a real rocket
would.
Described
by the composer as a
“marvellous
journey”, this
orchestral piece is one
of the mostentertaining
in the repertoire –
both to play and to
listen to.
Composed by Hanson Howard. Arranged by Todd Parrish. Folio. Score and part(s...(+)
Composed by Hanson
Howard.
Arranged by Todd Parrish.
Folio. Score and part(s).
138+Cover pages. Duration
4
minutes, 47 seconds. Carl
Fischer Music #AS66.
Published by Carl Fischer
Music
Harpsichord; String Orchestra (Study Score) SKU: HL.51487584 Study Sco...(+)
Harpsichord; String
Orchestra (Study Score)
SKU: HL.51487584
Study Score.
Composed by Claude
Debussy. Edited by Peter
Jost. Henle Music Folios.
Classical. Softcover. 48
pages. G. Henle #HN7584.
Published by G. Henle
(HL.51487584).
UPC:
196288122449.
6.75x9.5x0.187
inches.
Debussy
wrote these two short
dances to a commission
from the
instrument-making firm of
Pleyel, which was keen to
use famous names in the
marketing of its
newly-developed chromatic
harp. The dances are also
playable without problem
on the pedal harp, which
was to replace the
chromatic harp on the
concert platform. The
archaic style of the
pieces, including modal
harmonies, used to
express a
“sacred†rite
and a
“profaneâ€
dance of joy, points to
the enthusiasm for
antiquity of Debussy
himself and of the
artistic world around
1900. This is Henle's
first critical edition of
the pieces, and is based
on careful checking of
the autograph and first
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Viola) SKU: BA.BA08841-79 Composed by Claude Debussy. Edited b...(+)
Orchestra (Viola)
SKU:
BA.BA08841-79
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_79. Published by
Baerenreiter Verlag
(BA.BA08841-79).
ISBN
9790006541232. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
(Prelude to the Afternoon of a Faun). By Claude Debussy (1862-1918). Edited by D...(+)
(Prelude to the Afternoon
of a Faun). By Claude
Debussy (1862-1918).
Edited by Douglas
Woodfull-Harris. For
orchestra (3 flutes/2
oboes/english horn/2
clarinets/2 bassoons/4
horns/cymbal/2 harps/2
violins/viola/cello/doubl
e bass). This edition:
Stapled, Urtext edition.
Score. Text Language:
English/French/German. 44
pages. Duration 10'.
Published by Baerenreiter
Verlag
Hawkes
Pocket Scores 1538.
Composed by Gerald Finzi.
Boosey & Hawkes
Scores/Books. Classical.
Softcover. 120 pages.
Boosey & Hawkes
#M060130410. Published by
Boosey & Hawkes
(HL.48024085).
ISBN
9781784541224. UPC:
888680712150.
8.25x11.75x0.398 inches.
Hawkes Pocket Scores
1538.
First
publication of Finzi's
orchestral versions of:
Lo, the full, final
sacrifice op 26 -
festival anthem for
chorus & orchestra
(14 minutes); Magnificat
op 36 - for soloists (ad
lib), chorus &
orchestra (9 minutes);
God is gone up op 27 -
anthem for chorus, string
orchestra & organ (4
minutes); Let us now
praise famous men op 35 -
choral song for tenors
& basses (or sopranos
& altos), string
orchestra & piano (3
minutes). The first three
works as listed are, in
their original organ
versions, established in
the English cathedral
repertoire. Lo, the full,
final sacrifice was
orchestrated for the 1947
Gloucester Three Choirs
Festival, thus bringing
the work into the
mainstream British choral
society repertoire. The
preface by Andrew Burn
(Finzi Trust) gives
details of the
commission, composition
and orchestration of each
work.
Double Bass; Orchestra (STUDY SCORE) SKU: HL.51487451 Study Score....(+)
Double Bass; Orchestra
(STUDY SCORE)
SKU:
HL.51487451
Study
Score. Composed by
Serge Koussevitzky.
Edited by Tobias Glö
and ckler. Henle Study
Scores. Classical.
Softcover. 92 pages. G.
Henle #HN7451. Published
by G. Henle
(HL.51487451).
UPC:
196288158110.
6.75x9.5x0.294
inches.
Thanks to
its skilful combination
of Romantic melody and
sparkling virtuosity,
KoussevitzkyÂ’s Double
Bass Concerto op. 3 has
been one of the most
popular works of its
genre since its Moscow
premiere in 1905. No
wonder, for the virtuoso
double bass player
Koussevitzky had composed
it for his very own
instrument. As early as
1906/07 a first piano
reduction was published
in Moscow, followed by a
second in 1910 in
Leipzig. However, both
contain so many mistakes
in the solo part that
there is still
uncertainty about the
correct musical text in
many passages to this
day. The double bass
player Tobias Glöckler
has therefore prepared
his Urtext edition using
several sources: as well
as the manuscript
performance material and
the piano reductions
published during the
composer's lifetime, he
has also studied
recordings with
Koussevitzky as soloist -
thereby finally producing
a
thoroughly-researchedUrte
xt edition of the
orchestral score and
piano reduction of this
classic of the double
bass literature. As with
all double bass concertos
published by Henle
Publishers, this edition
also contains the piano
reduction by Christoph
Sobanski in two keys (E
minor and F sharp minor)
for performance with solo
or orchestral tuning.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra SKU: LO.30-2781L Composed by Mark Hayes. Choral. Sacred Anthem,...(+)
Orchestra
SKU:
LO.30-2781L
Composed
by Mark Hayes. Choral.
Sacred Anthem,
Eastertide. Orchestral
score and parts. Lorenz
Publishing Company
#30/2781L. Published by
Lorenz Publishing Company
(LO.30-2781L).
UPC:
000308130683.
This
regal Easter anthem from
Mark Hayes brings a
spectacular Baroque
flavor while
incorporating the famous
Handel chorus from Judas
Maccabeus. Opening with a
thrilling choral fanfare
that is followed by a
strong homophonic section
and an enjoyable fugue,
Christ Is Risen!
Alleluia! is sure to
become an Easter
standard!
Instrumentation: Fl, Ob,
2 Cl, Bsn, 2 Hn, 2 Tpt, 2
Tbn, Timp, Perc, Harp,
Pno, 2 Vln, Vla, Cello,
Bass.
String Orchestra (Full Score) SKU: HL.51483320 For String Orchestra St...(+)
String Orchestra (Full
Score)
SKU:
HL.51483320
For
String Orchestra Study
Score. Composed by
Edvard Grieg. Edited by
Ernst-Gü and nter
Heinemann. Henle Music
Folios. Classical.
Softcover. 28 pages. G.
Henle #HN3320. Published
by G. Henle
(HL.51483320).
UPC:
196288308140.
9.25x12.25x0.13
inches.
The
occasion for the
composition, described as
a âsuite in the old
styleâ, was the
200th birthday of the
Norwegian-Danish poet
Ludvik Holberg
(1684-1754), which was
celebrated in Bergen with
several festive events.
Initially, a piano
version of the work was
written in August 1884,
but the composer already
had the arrangement for
string orchestra in mind,
which he made just one
month later. As a
starting point, Grieg
chose baroque dance
movements from Holberg's
era, but skilfully
combined them with
elements of his own tonal
language, such as
chromatic progressions
and dynamic swells. The
orchestral version of the
âHolberg
Suiteâ, which was
very successful right
from the beginning, is
still one of Grieg's most
popular compositions
today and now enriches
the Henle programme for
string orchestra.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
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Orchestra (1 perc,hp,str) SKU: TM.07066SET Composed by Victor Herbert. Se...(+)
Orchestra (1 perc,hp,str)
SKU: TM.07066SET
Composed by Victor
Herbert. Set Type: D. Set
of parts. Lucks Music
Library #A7312. Published
by Lucks Music Library
(TM.07066SET).
Orchestrated by
Rimsky-Korsakov. Dawn on
the Moska River (Act I
Scene 1). For famous
introduction, see #05505
KHOVANTCHINA, LA:
Entr'acte Act IV, Scene 2
No. 5 Galitian
Journey.
Orchestra (1 perc,hp,str) SKU: TM.07066SC Composed by Victor Herbert. Sco...(+)
Orchestra (1 perc,hp,str)
SKU: TM.07066SC
Composed by Victor
Herbert. Score. Lucks
Music Library #A7312.
Published by Lucks Music
Library (TM.07066SC).
Orchestrated by
Rimsky-Korsakov. Dawn on
the Moska River (Act I
Scene 1). For famous
introduction, see #05505
KHOVANTCHINA, LA:
Entr'acte Act IV, Scene 2
No. 5 Galitian
Journey.
Orchestra SKU: CF.SC53L Composed by Anton Webern. Large Score. 32 pages. ...(+)
Orchestra
SKU:
CF.SC53L
Composed by
Anton Webern. Large
Score. 32 pages. Duration
12 minutes. Carl Fischer
Music #SC53L. Published
by Carl Fischer Music
(CF.SC53L).
ISBN
9781491160220. UPC:
680160918812. Key: D
major.
From
Webern’s early
period (pre-opus one),
this tone poem is
inspired by a poem by the
German
novelist-philosopher
Bruno Willle (1860-1928),
famous as a liberal and
progressive thinker.
Written in 1904 and first
performed in 1962 by the
Philadelphia Orchestra
under the baton of Eugene
Ormandy, the piece is an
impressionistic
description of a summer
day in the woods and
fields. This full score
is freshly engraved and
corrected using the MOLA
(Major Orchestra
Librarian’s
Association) circulated
list of discrepancies and
corrections. Orchestral
parts are available for
rental.
Fete with a Prologue and 3 Acts. Composed by Jean- Philippe Rameau (1683-1764)....(+)
Fete with a Prologue and
3
Acts. Composed by Jean-
Philippe Rameau
(1683-1764).
Edited by Julien
Dubruque.
This edition: urtext
edition.
Paperback. Symphonies /
Versions of 1746 and
1745.
Score, anthology. RCT 59.
Baerenreiter Verlag
#BA07563.
Published by Baerenreiter
Verlag
Composed by Camille Saint-Saens (1835-1921). Edited by Michael Stegemann. This e...(+)
Composed by Camille
Saint-Saens (1835-1921).
Edited by Michael
Stegemann. This edition:
urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus 78,
No. 3. Baerenreiter
Verlag #BA07896.
Published by Baerenreiter
Verlag (BA.BA07896).
(Study Score). Composed by Paul Dukas (1865-1935). Edited by Jean-Paul Montagnie...(+)
(Study Score). Composed
by Paul Dukas
(1865-1935). Edited by
Jean-Paul Montagnier. For
Orchestra (Study Score).
Study Score. Softcover.
82 pages. Eulenburg
Edition #ETP8081.
Published by Eulenburg
Edition
By Ludwig van Beethoven. Arranged by Richard Meyer. Music by Ludwig van Beethove...(+)
By Ludwig van Beethoven.
Arranged by Richard
Meyer. Music by Ludwig
van Beethoven / arr.
Richard Meyer. For Full
Orchestra. Full
Orchestra. First
Philharmonic. Level: 1
(grade 1). Conductor
Score and Parts. 2 pages.
Published by Alfred
Publishing.
Orchestra - Grade 3 SKU: AP.49470 Composed by Richard Meyer (ASCAP). Make...(+)
Orchestra - Grade 3
SKU: AP.49470
Composed by Richard Meyer
(ASCAP). MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland String Orchestra
(HSO). Form: Dance.
Meters. Score and
Part(s). Duration 4:10.
Highland/Etling
#00-49470. Published by
Highland/Etling
(AP.49470).
ISBN
9781470650100. UPC:
038081570884.
English.
This
lively rondo begins with
the famous theme from
Paganini's Caprice #24,
reworked into a 5/4 dance
with a cool vibe. Woven
into the rondo form are
three original dances (a
tango, a country dance
and a waltz)---each a
musical adventure of its
own. The colorful
orchestration by Richard
Meyer gives every member
of your ensemble an
unforgettable and joyful
experience while the wide
variety of playing styles
and musical challenges
make New Chances, New
Dances an imaginative
selection---the perfect
choice for contest or
festival. (4:10) This
title is available in
MakeMusic Cloud.
Composed by Camille Saint-Saens (1835-1921). Edited by Michael Stegemann. This e...(+)
Composed by Camille
Saint-Saens (1835-1921).
Edited by Michael
Stegemann. This edition:
urtext. Stapled. Organ
part. 16 pages. Published
by Baerenreiter Verlag
(BA.BA7896-67).
3rd Movement. Composed by Ludwig van Beethoven (1770- 1827). Arranged by Richar...(+)
3rd Movement. Composed by
Ludwig van Beethoven
(1770-
1827). Arranged by
Richard
Meyer. Full Orchestra;
Masterworks; Part(s);
Score.
Highland/Etling First
Philharmonic. Form:
Scherzo.
Classical; Masterwork
Arrangement; Romantic.
190
pages. Published by
Highland/Etling
