Come Fly With Me Orchestre [Conducteur] - Intermédiaire Alfred Publishing
Orchestra - Grade 3.5 SKU: AP.49426S Composed by Mark Wood. Performance M...(+)
Orchestra - Grade 3.5
SKU: AP.49426S
Composed by Mark Wood.
Performance Music
Ensemble; Single Titles;
String Orchestra. Mark
Wood Series. Pop/Rock;
Rock. Score. Duration
4:00. Alfred Music
#00-49426S. Published by
Alfred Music (AP.49426S).
ISBN 9781470650940.
UPC: 038081571850.
English.
The
composer, Mark Wood,
writes: Come Fly with Me
comes from my personal
visualization of flying
while improvising music.
In writing a work which
combines classical and
American rock styles, I
have created a vehicle
for musicians to spread
their wings and truly
learn the beautiful art
of composing their own
music on the spot in the
improvisation section.
(4:00).
Orchestra - Grade 3.5 SKU: AP.49426 Composed by Mark Wood. Performance Mu...(+)
Orchestra - Grade 3.5
SKU: AP.49426
Composed by Mark Wood.
Performance Music
Ensemble; Single Titles;
String Orchestra. Mark
Wood Series. Pop/Rock;
Rock. Score and Part(s).
Duration 4:00. Alfred
Music #00-49426.
Published by Alfred Music
(AP.49426).
ISBN
9781470650933. UPC:
038081571843.
English.
The
composer, Mark Wood,
writes: Come Fly with Me
comes from my personal
visualization of flying
while improvising music.
In writing a work which
combines classical and
American rock styles, I
have created a vehicle
for musicians to spread
their wings and truly
learn the beautiful art
of composing their own
music on the spot in the
improvisation section.
(4:00).
A Day at Disneyland Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
Featuring "Mickey Mouse March," "The Great Outdoors," "It's a Small World," "You...(+)
Featuring "Mickey Mouse
March," "The Great
Outdoors," "It's a Small
World," "You Can Fly! You
Can Fly! You Can Fly!,"
"The Best Time of Your
Life," and "Yo Ho (A
Pirate's Life for Me)".
Arranged by Michael
Story. For Full
Orchestra. Full
Orchestra. Pop
Intermediate Full
Orchestra. Novelty.
Level: 3 (grade 3).
Conductor Score and
Parts. 160 pages.
Published by Alfred
Publishing.
Rocky Broadway Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(From the Broadway Show (Featuring: Gonna Fly Now / Fight from the Heart / Eye o...(+)
(From the Broadway Show
(Featuring: Gonna Fly Now
/ Fight from the Heart /
Eye of the Tiger)).
Arranged by Patrick
Roszell. Orchestra. Full
Orchestra; Part(s);
Score. Pop Symphonic Full
Orchestra. Form: Medley.
Broadway; Movie. Grade 4.
230 pages. Published by
Alfred Music
Peter Pan Live Orchestre [Conducteur] - Facile Alfred Publishing
(Featuring: I'm Flying / I Won't Grow Up). Composed by Carolyn Leigh, music by M...(+)
(Featuring: I'm Flying /
I Won't Grow Up).
Composed by Carolyn
Leigh, music by Mark
Charlap. Arranged by Bob
Cerulli. Orchestra.
Score; String Orchestra.
Pop Intermediate String
Orchestra. Form: Medley.
Movie. Grade 2.5. 12
pages. Published by
Alfred Music
Orchestra orchestra - Grade 2 SKU: KJ.SO373F Composed by Jeremy Woolstenh...(+)
Orchestra orchestra -
Grade 2
SKU:
KJ.SO373F
Composed by
Jeremy Woolstenhulme.
Score only. Neil A. Kjos
Music Company #SO373F.
Published by Neil A. Kjos
Music Company
(KJ.SO373F).
UPC:
8402704687.
Want a
one-of-a-kind novelty?
This is the piece! Flying
Fiddlesticks
includes...fiddlesticks!
It's fun, it's safe, it
helps students to play
with steady pulse. It's
about building teamwork
throughout the orchestra.
A Learning Bank is
included in the score and
parts, and features
instructions and photos
regarding safe handling
and performing with
fiddlesticks (i.e.
disposable chopsticks).
Flying Fiddlesticks Orchestre [Conducteur et Parties séparées] - Facile Kjos Music Company
Orchestra orchestra - Grade 2 SKU: KJ.SO373C Composed by Jeremy Woolstenh...(+)
Orchestra orchestra -
Grade 2
SKU:
KJ.SO373C
Composed by
Jeremy Woolstenhulme.
Score and parts. Neil A.
Kjos Music Company
#SO373C. Published by
Neil A. Kjos Music
Company (KJ.SO373C).
UPC:
8402704688.
Want a
one-of-a-kind novelty?
This is the piece! Flying
Fiddlesticks
includes...fiddlesticks!
It's fun, it's safe, it
helps students to play
with steady pulse. It's
about building teamwork
throughout the orchestra.
A Learning Bank is
included in the score and
parts, and features
instructions and photos
regarding safe handling
and performing with
fiddlesticks (i.e.
disposable chopsticks).
Composed by Jean Sibelius (1865-1957). Edited by Ulrich Mahlert. This edition: u...(+)
Composed by Jean Sibelius
(1865-1957). Edited by
Ulrich Mahlert. This
edition: urtext.
Partitur-Bibliothek
(Score Library). Study
score. 116 pages.
Published by Breitkopf
and Haertel
(BR.PB-5564-07).
Zoom! Orchestre [Conducteur] - Facile Highland/Etling
Orchestra - Grade 3 SKU: AP.47475S Composed by Richard Meyer. Performance...(+)
Orchestra - Grade 3
SKU: AP.47475S
Composed by Richard
Meyer. Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Light Concert.
Score. 28 pages.
Highland/Etling
#00-47475S. Published by
Highland/Etling
(AP.47475S).
UPC:
038081547602.
English.
Vivid
imagery, colorful
orchestrations, and a
variety of styles all
combine to make this
one-of-a-kind selection a
journey that your
students and audience
will never forget! In the
form of a five-part rondo
with changing tempos,
this piece will let
creativity fly!
Gonna Fly Now Orchestre - Intermédiaire Martin, Robert
Marching band - medium-easy (grade 3) SKU: RM.DIVE03457-BA Composed by Bi...(+)
Marching band -
medium-easy (grade 3)
SKU:
RM.DIVE03457-BA
Composed by Bill Conti.
Arranged by Smith.
Marching band. Orchestra.
Full set. Editions Robert
Martin #DIVE03457-BA.
Published by Editions
Robert Martin
(RM.DIVE03457-BA).
Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099).
ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German.
On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009.
Marching band SKU: RM.DIVE03457-CO Composed by Bill Conti. Marching band....(+)
Marching band
SKU:
RM.DIVE03457-CO
Composed by Bill Conti.
Marching band. Orchestra.
Conductor's score.
Editions Robert Martin
#DIVE03457-CO. Published
by Editions Robert Martin
(RM.DIVE03457-CO).
Marching band SKU: RM.DIVE03460-CO Composed by Bill Conti. Marching band....(+)
Marching band
SKU:
RM.DIVE03460-CO
Composed by Bill Conti.
Marching band. Orchestra.
Conductor's score.
Editions Robert Martin
#DIVE03460-CO. Published
by Editions Robert Martin
(RM.DIVE03460-CO).
Gonna Fly Now Orchestre - Intermédiaire Martin, Robert
Marching band - medium-easy (grade 3) SKU: RM.DIVE03460-BA Composed by Bi...(+)
Marching band -
medium-easy (grade 3)
SKU:
RM.DIVE03460-BA
Composed by Bill Conti.
Arranged by Smith.
Marching band. Orchestra.
Full set. Editions Robert
Martin #DIVE03460-BA.
Published by Editions
Robert Martin
(RM.DIVE03460-BA).
Orchestra (Score) SKU: HL.50600289 From the Film â??The Gadflyâ?(+)
Orchestra (Score)
SKU:
HL.50600289
From
the Film â??The
Gadflyâ?. Composed
by Dmitri Shostakovich.
Orchestra. Classical.
Softcover. Sikorski
#SIK6888. Published by
Sikorski (HL.50600289).
9.0x11.5
inches.
Romance Op.
97 from the film â??The
Gadflyâ? by Dmitri
Shostakovich. Study
Score.
Special Import
titles are specialty
titles that are not
generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a special
import title, it will be
shipped from our overseas
warehouse. The shipment
time will be slower than
items shipped directly
from our US warehouse and
may be subject to
delays.
Dances Of Transylvania Orchestre [Conducteur d'étude / Miniature] EMB (Editio Musica Budapest)
Orchestra (Study Score) SKU: HL.50510086 Score. Composed by Bela B...(+)
Orchestra (Study Score)
SKU: HL.50510086
Score. Composed by
Bela Bartok. 20th
Century. EMB. Pocket
score. 26 pages. Duration
5'. Editio Musica
Budapest #Z40071.
Published by Editio
Musica Budapest
(HL.50510086).
ISBN
9790080400715. UPC:
073999621211.
5.5x8.0x0.091 inches.
Hungarian, English,
German. Bela
Bartok.
'Dances of
Transylvania is the
orchestral version of
'Sonatina' (1915). In
Sonatina, Bartok had
arranged Romanian
instrumental (chiefly
bagpipe) music. The three
movements of the work,
'Bagpipers', 'Bear Dance'
and 'Finale' comprise
five melodies. Bartok
explained that each of
the two melodies of the
first movement had been
played by two pipers, the
second by a peasant
violinist using the lower
strings of the instrument
to reproduce the sounds
of a bear, and the two
melodies of the 'Finale'
again by two violinists.
In the orchestral version
Bartok was out to
reproduce the original
sonority created by the
peasants.' (HCD 32505
Bartok New Series Vol. 5,
Virag Buky).
Orchestra SKU: BT.EMBZ40071 Composed by Bela Bartok. EMB Study Scores. Bo...(+)
Orchestra
SKU:
BT.EMBZ40071
Composed
by Bela Bartok. EMB Study
Scores. Book Only.
Composed 1985. 28 pages.
Editio Musica Budapest
#EMBZ40071. Published by
Editio Musica Budapest
(BT.EMBZ40071).
English-German-Hungari
an.
'Dances of
Transylvania is the
orchestral version of
'Sonatina' (1915). In
Sonatina, Bartók had
arranged Romanian
instrumental (chiefly
bagpipe) music. The three
movements of the work,
'Bagpipers', 'Bear Dance'
and 'Finale' comprise
five melodies. Bartók
explained that each of
the two melodies of the
first movement had been
played by two pipers, the
second by a peasant
violinist using the lower
strings of the instrument
to reproduce the sounds
of a bear, and the two
melodies of the 'Finale'
again by two violinists.
In the orchestral version
Bartók was out to
reproduce the original
sonority created by the
peasants.' (HCD 32505
Bartók New Series Vol.
5, Virág Büky).
For
orchestra. Composed
by Ryan Wigglesworth.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Softcover. Composed 2010.
60 pages. Duration 9'.
Schott Music #ED13471.
Published by Schott Music
(HL.49019158).
ISBN
9790220133206.
8.25x11.75x0.222
inches.
Written in
2010 for the Royal
Liverpool Philharmonic,
Wigglesworth's
nine-minute work explores
the idea of perpetuum
mobile (continuous
movement) in seven
connected, miniature
inventions. A regular
pulse forms the work's
core, with elaborations
of the central musical
idea shifting constantly
around it in jagged
rhythms and sumptuous
orchestration. The
composer writes, The
seven sections can very
briefly be described
thus: 1) an active,
miniature 'theme and
variations'; 2) the
juxtaposition of various
fragmentary two-part
inventions; 3) a tremolo
string ostinato with
woodwind interjections,
building towards the
first climax; 4) an
ostinato passing between
horns and muted trumpets
together with a dialogue
for high woodwind and low
strings; 5) a very slow
canon for string
harmonics and pizzicato
double basses; 6) a fast,
one-part invention
beginning with solo
piccolo, and gradually
leading to the second
climax; 7) chorale.This
is a lively orchestral
miniature which gives the
impression of a
kaleidoscope, with short
musical ideas cutting
across each other in
quick succession.
Composed by Edward Elgar.
Edited by Barbara Mohn.
Carus digital: Extra
digital products. Full
Score. Composed 1900. Op.
38. Duration 100 minutes.
Carus Verlag #2300400.
Published by Carus Verlag
(CA.2300400).
ISBN
9790007240783.
English/German. Text:
Newman, John
Henry.
This is the
best of me, wrote Edward
Elgar after the final
measure of his Dream of
Gerontius. Premiered in
1900, in Great Britain
the work has long been a
standard work in the
repertoire of large
oratorio choirs. Elgar's
moving, poetic setting of
the eponymous poem by
Cardinal John Henry
Newman is about a dying
man and his journey
beyond death to God.
Before the eyes of the
listeners, a musical
image of the soul is
created which flies past
mocking demons to God
with its protecting angel
at its side, is allowed
to look at God briefly,
then faces the purgatory
confident and comforted.
The work is a real rarity
in the history of
oratorio, and for large
choirs it is a thrilling
alternative to the
established repertoire of
Requiem settings. Its
popularity is thanks to
the suggestive, often
sensuous power of the
music, the great choral
scenes of the demons and
the angels, and the three
impressive solo
parts.All
previous editions were
reprints based on the
historic first printed
materials, which are
inconsistent. By
contrast, Carus has
produced a modern,
newly-engraved edition,
compatible in all
sections, which takes all
the sources into
consideration and
evaluates the autograph
manuscript in detail. For
this edition the complete
orchestral material is
available on sale, and
the vocal score and full
score contain both
English and German
singing texts. The full
score is also available
digitally.*,A milestone of late
Romantic choral music,
and a standard work in
Great Britain*,First
modern score with a full
Critical Report and
complete performance
material- English and
german singing
texts
Orchestral Score. Composed by Alan Menken. This edition: Paperback/Softcover...(+)
Orchestral Score.
Composed by
Alan Menken. This
edition:
Paperback/Softcover.
Sheet
music. Study score.
Composed
2010. Omni Music
Publishing
#OMNI 50796. Published by
Omni
Music Publishing
Orchestral Score. Composed by Jerry Goldsmith. This edition: Paperback/Softcov...(+)
Orchestral Score.
Composed by
Jerry Goldsmith. This
edition:
Paperback/Softcover.
Sheet
music. Study score.
Composed
1979 (2021). 476 pages.
Omni
Music Publishing #OMNI
50794.
Published by Omni Music
Publishing