By Benjamin R. Hanby. Arranged by William Owens. For orchestra. FJH Beginning Strings. Full set (score and parts). Score only also available: ST6188S. Christmas. Grade 1.5. Score and set of parts. Composed 2009. Published by The FJH Music Company Inc

Orchestra

SKU: BA.BA06861

Sinfonie (1923-1928). Composed by Leos Janacek. Arranged by Leoš Faltus and Miloš Štedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek H/3. Complete edition, Score, Set of parts. Duration 40 minutes. Baerenreiter Verlag #BA06861_00. Published by Baerenreiter Verlag (BA.BA06861).

ISBN 9790260104211. 34.3 x 27 cm inches.

Leoš Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanova”. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.

“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.” Thus Leoš Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony” entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers Miloš Štedron and Leoš Faltus closely follows the original manuscript.

A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola” by the Czech writer Sonja Špálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube” to the inconclusive ending.

To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forces”. The third movement is said to characterise the city of Vienna in the form of a woman.

It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj” – and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpani”, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.

One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of love”.

About Barenreiter Urtext

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MUSICOLOGICA LLY SOUND
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Score and Parts Concert Band; Wind Ensemble - Grade 5 For Wind Orchestra Score and Parts. Composed by Johan De Meij. Amstel Music. Concert. Softcover. Duration 2580 seconds. Amstel Music #AM200- 010. Published by Amstel Music

(A Christmas Worship Experience of the Christ-Light). By Mary Mcdonald. Arranged by Laura Kathryn Rosser. For full orchestra. Cantatas. Christmas. Orchestral score and parts. Published by Monarch Music

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score)

SKU: HL.49018099

Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099).

ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German.

On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009.

(From the Broadway Show (Featuring: Gonna Fly Now / Fight from the Heart / Eye of the Tiger)). Arranged by Patrick Roszell. Orchestra. Full Orchestra; Part(s); Score. Pop Symphonic Full Orchestra. Form: Medley. Broadway; Movie. Grade 4. 230 pages. Published by Alfred Music

(from Titanic). By James Horner. Arranged by Robert Longfield. Essential Elements String Orchestra Series - Artist Level. Size 9x12 inches. Published by Hal Leonard.

Orchestra - Grade 3

SKU: AP.49473S

Composed by Yukiko Nishimura (ASCAP). Performance Music Ensemble; Single Titles; String Orchestra. Highland String Orchestra (HSO). Score. Duration 3:30. Highland/Etling #00-49473S. Published by Highland/Etling (AP.49473S).

ISBN 9781470650056. UPC: 038081570839. English.

Orchid by Yukiko Nishimura is a lyrical piece with a warm and lovely chord progression that brings delicate emotion to the incredibly beautiful melody line. Your string orchestra will perform expressively as they play from the heart. (3:30).

Orchestra - Grade 3

SKU: AP.49473

Composed by Yukiko Nishimura (ASCAP). MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Highland String Orchestra (HSO). Score and Part(s). Duration 3:30. Highland/Etling #00-49473. Published by Highland/Etling (AP.49473).

ISBN 9781470650049. UPC: 038081570822. English.

Orchid by Yukiko Nishimura is a lyrical piece with a warm and lovely chord progression that brings delicate emotion to the incredibly beautiful melody line. Your string orchestra will perform expressively as they play from the heart. (3:30) This title is available in MakeMusic Cloud.

Full Orchestra (Score) - Grade 4

SKU: HL.4491497

Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Bob Krogstad. HL Full Orchestra. Disney, Movies. 28 pages. Published by Hal Leonard (HL.4491497).

UPC: 888680022037. 9.0x12.0x0.069 inches.

Includes: Do You Want to Build a Snowman?, For the First Time in Forever, Frozen Heart, In Summer, Let It Go. Click to view score with recording.

Orchestra - Grade 3

SKU: AP.44813S

Opus 11. Composed by Gabriel Faure. Arranged by Douglas E. Wagner. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Concert String Orchestra. Impressionistic; Masterwork Arrangement; Romantic. Score. 16 pages. Belwin Music #00-44813S. Published by Belwin Music (AP.44813S).

UPC: 038081521220. English. Gabriel FaurA(c).

Fauré' s breathtakingly beautiful Cantique de Jean Racine is now available in a sumptuous arrangement for string orchestra, simply titled Cantique. The unifying triplet figure and profound harmonic development set the foundation for soaring melodic lines that are shared throughout in various parts. This is music from the heart that will rest calmly and peacefully on audience ears. A perfect choice for contest in showcasing the musical and expressive traits of your ensemble.

Orchestra - Grade 3

SKU: AP.44813

Opus 11. Composed by Gabriel Faure. Arranged by Douglas E. Wagner. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Concert String Orchestra. Impressionistic; Masterwork Arrangement; Romantic. Score and Part(s). 114 pages. Belwin Music #00-44813. Published by Belwin Music (AP.44813).

UPC: 038081521213. English. Gabriel FaurA(c).

Fauré' s breathtakingly beautiful Cantique de Jean Racine is now available in a sumptuous arrangement for string orchestra, simply titled Cantique. The unifying triplet figure and profound harmonic development set the foundation for soaring melodic lines that are shared throughout in various parts. This is music from the heart that will rest calmly and peacefully on audience ears. A perfect choice for contest in showcasing the musical and expressive traits of your ensemble.

Full Orchestra (Print) Choir (Orchestra Accompaniment)

SKU: HL.35032262

Composed by Heather Sorenson and Joseph M. Martin. Shawnee Sacred. Advent, Cantata, Christmas, Christmas/Advent Sacred, General Worship, Sacred. Softcover. Duration 3360 seconds. Published by Shawnee Press (HL.35032262).

ISBN 9781540027139. UPC: 888680746728. 9.0x13.5x2.261 inches. Joseph M. Martin/Heather Sorenson.

The Christmas story is told with fresh perspective in this collaborative cantata from Joseph Martin and Heather Sorenson. Throughout time, God has touched and motivated hearts through dreams and visions. Christmas Dreams visits these moments in scripture and connects the experiences of ancient times with our modern journey of faith, pointing to Christ, in whose birth the hopes, yearnings and dreams of all the world are fulfilled. Using traditional carols, newly composed seasonal selections and thoughtful narration, this rich work delivers a tapestry of sound and emotion. Share this cantata with your people and help them discover God's graceful touch in their lives! Songs include: Christmas Dreams Overture; Advent Dreams; The Promise and the Prayer; A New Morning of Promise; Zechariah's Song; Mary's Dream; All Through the Night; Hark! The Herald Angels Sing; The Magi's Epiphany; Christmas Dreams; A Gentle Christmas Blessing.

Symphonic Highlights from Pirates of the Caribbean: At World's End by Hans Zimmer (1957-). Arranged by Paul Lavender and Robert Longfield. Score and Parts. HL Full Orchestra. Grade 3-4. Published by Hal Leonard

Score and Parts. Arranged by John Williams. John Williams Signature Edition Orchestra. Softcover. Published by Hal Leonard

Orchestra - Grade 3

SKU: AP.47479S

Composed by Shirl Jae Atwell. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score. 8 pages. Duration 2:05. Highland/Etling #00-47479S. Published by Highland/Etling (AP.47479S).

UPC: 038081544878. English.

This lighthearted, carefree work is easy to remember upon hearing. It has a snappy rhythm that makes you want to dance to its lively tune.
Minstrels were musicians who traveled throughout the countryside providing entertainment to any and all. Their repertoire included songs, dances, jokes, and storytelling. One could find them all over Europe and America from the Middle Ages up until the 20th century. As traveling musicians, they relied on catch tunes that could easily be learned and communicated to their audiences. They were in the business of uplifting people's spirits through fun and laughter.

Orchestra - Grade 3

SKU: AP.47479

Composed by Shirl Jae Atwell. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score and Part(s). 62 pages. Duration 2:05. Highland/Etling #00-47479. Published by Highland/Etling (AP.47479).

UPC: 038081544861. English.

This lighthearted, carefree work is easy to remember upon hearing. It has a snappy rhythm that makes you want to dance to its lively tune.
Minstrels were musicians who traveled throughout the countryside providing entertainment to any and all. Their repertoire included songs, dances, jokes, and storytelling. One could find them all over Europe and America from the Middle Ages up until the 20th century. As traveling musicians, they relied on catch tunes that could easily be learned and communicated to their audiences. They were in the business of uplifting people's spirits through fun and laughter.

Orchestra

SKU: PR.41641513L

V. From 'Mythology Symphony'. Composed by Stacy Garrop. Contemporary. Large Score. With Standard notation. Composed 2013. Duration 7 minutes, 20 seconds. Theodore Presser Company #416-41513L. Published by Theodore Presser Company (PR.41641513L).

UPC: 680160621347.

This movement is, in turns, both lighthearted and serious. The music depicts a young, naive Pandora who, while dancing around her house, spies a mysterious box. She tries to resist opening it, but her curiosity ultimately gets the best of her. When she cracks the lid open and looks inside, all evils escape into the world. Dismayed by what she has done, she looks inside the box once more. She discovers hope still in the box and releases it to temper the escaped evils and assuage mankind's new burden.
This movement is, in turns, both lighthearted and serious. The music depicts a young, naïve Pandora who, while dancing around her house, spies a mysterious box. She tries to resist opening it, but her curiosity ultimately gets the best of her. When she cracks the lid open and looks inside, all evils escape into the world. Dismayed by what she has done, she looks inside the box once more. She discovers hope still in the box and releases it to temper the escaped evils and assuage mankind's new burden.

Orchestra

SKU: PR.416415130

V. From 'Mythology Symphony'. Composed by Stacy Garrop. Contemporary. Full score. With Standard notation. Composed 2013. 27 pages. Duration 7 minutes, 20 seconds. Theodore Presser Company #416-41513. Published by Theodore Presser Company (PR.416415130).

UPC: 680160621330.

This movement is, in turns, both lighthearted and serious. The music depicts a young, naive Pandora who, while dancing around her house, spies a mysterious box. She tries to resist opening it, but her curiosity ultimately gets the best of her. When she cracks the lid open and looks inside, all evils escape into the world. Dismayed by what she has done, she looks inside the box once more. She discovers hope still in the box and releases it to temper the escaped evils and assuage mankind's new burden.
This movement is, in turns, both lighthearted and serious. The music depicts a young, naïve Pandora who, while dancing around her house, spies a mysterious box. She tries to resist opening it, but her curiosity ultimately gets the best of her. When she cracks the lid open and looks inside, all evils escape into the world. Dismayed by what she has done, she looks inside the box once more. She discovers hope still in the box and releases it to temper the escaped evils and assuage mankind's new burden.

Orchestra

SKU: SU.91580100

For Orchestra. Composed by Steven Mercurio. Vocal/Choral, Opera. CD (Audio). Subito Music Corporation #91580100. Published by Subito Music Corporation (SU.91580100).

A Grateful Tail - Movement by Movement Siriusly, Dog Star Sirius, the brightest star in the night sky, has been used by travelers and navigators for thousands of years as a guiding star and so it is here as the opening movement for the symphony. Sirius, the cornerstone to the constellation Canis Maggiore or Big Dog sits at the foot of Orion, the hunter, leading the way. Highly cinematic, the movement evokes both a musical and visual sense of the mythological and mysterious elements of Sirius and its Dog Godstar secrets. From the clarion call of the opening, Sirius theme, the sound is buoyant and frisky emulating the nature of doggy playtime. Puppy pleasures abound as a doggy four-step, my turn on the traditional American two-step dance, is introduced. The movement transforms into an actual orchestrated frolic of small, large and medium dog barks beginning with the winds (smaller dogs) and ultimately, the big dog, brass. The movement climaxes with the coda or, Dog Park, where the winds and the brass bark and play together over the, doggy ostinato four-step rhythm, culminating with the final call of the Sirius theme. Let Sleeping Dogs Lie, Peacefully It's all in a dog's day and life. Tranquility presides over this supremely gentle, intermezzo-like movement. After a day of play, every dog needs rest. Let Sleeping Dogs Lie, is a lyrical andante inspired by the profound serenity and beauty of a dog at rest. The Last Will and Testament of Silverdene Emblem O'Neill Based on a powerful piece of prose written by the American playwright, Eugene O'Neill this text was intended as a consolation piece for Carlotta, his wife, who had become grief-stricken over the loss of their beloved dog, the Dalmatian known as Blemie.Written for a singing actor who personifies the role of Blemie, a dog at the end of his life, the movement plays like a one act, musical drama as we follow Blemie through a wonderfully three-dimensional, emotional and psychological journey writing his Last Will and Testament, for those who have loved him. Wagging the Tail: Ossia Fido's Lament A life-affirming rumba/samba using Blemie's final words from O'Neill's text, this final movement employs the most unique American musical invention, the gospel choir. In order to make the dances come alive, this movement also calls upon the colors of a rhythm section. Creating the spirit of an Irish Funeral, the movement is a joyful and revival-like celebration of a dog's life as its spirit lives on forever in the hearts and minds of dog lovers everywhere. Remember Me, remember me! My spirit is wagging a grateful tail. Published by: Subito Music Publishing Release Date: July 9, 2013.

Full orchestra

SKU: LO.30-3739MD

Composed by Mary McDonald. Arranged by Jay Rouse. Choral, cantatas. Advent, Christmas, Sacred. Instrumental parts. Medallion Music #30/3739MD. Published by Medallion Music (LO.30-3739MD).

UPC: 000308154788.

Set of Parts for 65/2104MD Mary McDonald and Jay Rouse combine their compositional gifts to bring us this moving musical for Advent and Christmas. Beautiful music from Mary and Jay, deeply thoughtful narrations from Rose Aspinall, and a fabulous orchestration by Ed Hogan and Jay highlight the message at the heart of Christmas—God†™s love through Jesus Christ. You’ll find a bit of everything here, including original songs, familiar carols, fresh settings of timeless Christmas favorites, and ministry songs that will reach the heart of every listener. Songs like Mary’s Sing Out Our Savior’s Birth and Look on Him with Love and Jay’s A Midwinter Noel and Love Made a Way all serve to bring into focus God’s undeserved and unfathomable love through Jesus Christ. Celebrate how love made a way for each of us with this impactful musical! His coming means freedom for the captive, sight for the blind, good news for the poor. Jesus is Love incarnate, and He alone makes a way home for fallen man..

Full orchestra

SKU: LO.30-3741MD

Composed by Mary McDonald. Arranged by Jay Rouse. Choral, cantatas. Advent, Christmas, Sacred. Score and parts, plus CD with printable parts. Medallion Music #30/3741MD. Published by Medallion Music (LO.30-3741MD).

UPC: 000308154764.

Score and Parts plus CD with Printable Parts for 65/2104MD Mary McDonald and Jay Rouse combine their compositional gifts to bring us this moving musical for Advent and Christmas. Beautiful music from Mary and Jay, deeply thoughtful narrations from Rose Aspinall, and a fabulous orchestration by Ed Hogan and Jay highlight the message at the heart of Christmas—God†™s love through Jesus Christ. You’ll find a bit of everything here, including original songs, familiar carols, fresh settings of timeless Christmas favorites, and ministry songs that will reach the heart of every listener. Songs like Mary’s Sing Out Our Savior’s Birth and Look on Him with Love and Jay’s A Midwinter Noel and Love Made a Way all serve to bring into focus God’s undeserved and unfathomable love through Jesus Christ. Celebrate how love made a way for each of us with this impactful musical! His coming means freedom for the captive, sight for the blind, good news for the poor. Jesus is Love incarnate, and He alone makes a way home for fallen man..

Full orchestra

SKU: LO.30-3738MD

Composed by Mary McDonald. Arranged by Jay Rouse. Choral, cantatas. Advent, Christmas, Sacred. Full score. Medallion Music #30/3738MD. Published by Medallion Music (LO.30-3738MD).

UPC: 000308154795.

Full Score for 65/2104MD Mary McDonald and Jay Rouse combine their compositional gifts to bring us this moving musical for Advent and Christmas. Beautiful music from Mary and Jay, deeply thoughtful narrations from Rose Aspinall, and a fabulous orchestration by Ed Hogan and Jay highlight the message at the heart of Christmas—God†™s love through Jesus Christ. You’ll find a bit of everything here, including original songs, familiar carols, fresh settings of timeless Christmas favorites, and ministry songs that will reach the heart of every listener. Songs like Mary’s Sing Out Our Savior’s Birth and Look on Him with Love and Jay’s A Midwinter Noel and Love Made a Way all serve to bring into focus God’s undeserved and unfathomable love through Jesus Christ. Celebrate how love made a way for each of us with this impactful musical! His coming means freedom for the captive, sight for the blind, good news for the poor. Jesus is Love incarnate, and He alone makes a way home for fallen man..

Full orchestra

SKU: LO.30-3740MD

Composed by Mary McDonald. Arranged by Jay Rouse. Choral, cantatas. Advent, Christmas, Sacred. CD with printable parts. Medallion Music #30/3740MD. Published by Medallion Music (LO.30-3740MD).

UPC: 000308154771.

CD with Printable Parts for 65/2104MD Mary McDonald and Jay Rouse combine their compositional gifts to bring us this moving musical for Advent and Christmas. Beautiful music from Mary and Jay, deeply thoughtful narrations from Rose Aspinall, and a fabulous orchestration by Ed Hogan and Jay highlight the message at the heart of Christmas—God†™s love through Jesus Christ. You’ll find a bit of everything here, including original songs, familiar carols, fresh settings of timeless Christmas favorites, and ministry songs that will reach the heart of every listener. Songs like Mary’s Sing Out Our Savior’s Birth and Look on Him with Love and Jay’s A Midwinter Noel and Love Made a Way all serve to bring into focus God’s undeserved and unfathomable love through Jesus Christ. Celebrate how love made a way for each of us with this impactful musical! His coming means freedom for the captive, sight for the blind, good news for the poor. Jesus is Love incarnate, and He alone makes a way home for fallen man..