Orchestra

SKU: HL.14021435

Composed by Palle Mikkelborg. Music Sales America. Classical. Score. Music Sales #KP01379. Published by Music Sales (HL.14021435).

ISBN 9788759878606. English.

Palle Mikkelborg GOING TO PIECES WITHOUT FALLING APART 2002 for violin, harpe og strygereTilegnet Elise Batnes og Helen DaviesForord l Programnote En solful d morgentur i Melbourne bragte mig forbi en boghandel der specialiserede sig i spiritualbooks, og i vinduet faldt mine ojne pa et citat som ojeblikkeligt ramte mig folelsesmaessigtstaerkt- og jeg folte at jeg havde fundet titlen pa den komposition jeg pa tankeplan allerede vari gang med. Citatet lod:going to pieces ... without falling apartTre temaer og relaterede skalaer, baseret pa henholdsvis Elise Batnes', Helen Davies' og BergenKammerensembles navne, har vaeret afgorende for dele af tonesproget, og forekommer badeielose-up og mere douche i kompositionens syv hovedafsnit. Det barnlige, det enkle, det her-og-nu naive, det umiddelbare, kom til at spille en vigtig rolleunder arbejdet. Ikke fordi selve mit tonesprog er saerligt meget anderledes end ellers (hvordanskulle det ogsa kunne blive det?), men formuleringen: at go to pieces fik mig til at taenke pa atblive som barn pa ny, atter at vaere u-bange, at turde tro pa det enkle.Udover denne- i bedste betydning- enkle inspiration er onsket at kompositionens kurve kanopleves som en mulig meditiations-rejse: i starten en tro pa egen ro, langsomt breder uroensig, og i lystfulde glimt ser man sig selv danse en rituel dans, med andehuller her og der: ogfristelsen til at rive forhaenget vaek og go to pieces, og angsten for maske at miste sig selv undervejs,breder sig. Dog, til sidst erkender man at det var rejsen vaerd, og at man heller ikke denne gangfaldt apart, men kan se frem mod atter at vise livet sin respekt ved spirituelt fuldstaendigt at givesig hen, dog vel vidende at livet merciless & merciful, med kaerlig hand villade diggo to pieces ... without falling apartMen selvklart er mit egentlige onske: at man blot lader musikken leve sit eget ordlose liv - atlytteren har sin egen rejse. Palle Mikkelborg.

By Antonin Dvorak. Arranged by Jerry Brubaker. By Antonin Dvorak / arr. Jerry Brubaker. For Full Orchestra. Full Orchestra. Belwin Intermediate Full Orchestra. Level: 2.5 (grade 2.5). Conductor Score and Parts. 116 pages. Duration 5:35. Published by Alfred Publishing.

(Featuring: Look to the Stars / DNA / Goodbye My Son / Launch / Krypton's Last / If You Love These People / Flight / What Are You Going to Do When You Are Not Saving the World?). Composed by Hans Zimmer (1957-). Arranged by Ralph Ford. Concert Band. Concert Band; Score; SmartMusic. Pop Concert Band. Form: Medley; Suite. Movie. Grade 3.5. 56 pages. Published by Alfred Music

(Featuring: Look to the Stars / DNA / Goodbye My Son / Launch / Krypton's Last / If You Love These People / Flight / What Are You Going to Do When You Are Not Saving the World?). By Hans Zimmer (1957-). Arranged by Ralph Ford. Orchestra. Full Orchestra; P

(Featuring: Look to the Stars / DNA / Goodbye My Son / Launch / Krypton's Last / If You Love These People / Flight / What Are You Going to Do When You Are Not Saving the World?). Composed by Hans Zimmer (1957-). Arranged by Ralph Ford. Orchestra. Full Orchestra; Score; SmartMusic. Pop Concert Full Orchestra. Form: Medley. Movie. Grade 3.5. 48 pages. Published by Alfred Music

Orchestra - Grade 2

SKU: AP.35909S

Arranged by Sandra Dackow. Performance Music Ensemble; Single Titles; String Orchestra. Orchestra Expressions. Folk; Light Concert; World. Score. 8 pages. Alfred Music #00-35909S. Published by Alfred Music (AP.35909S).

UPC: 038081420080. English. English Folk Song.

This humorous folk song arrangement should be performed at a brisk tempo. The counterpoint makes it great fun to toss the theme around the sections! Correlated to Orchestra Expressions, Book 2.

About Orchestra Expressions

< p>Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.

Orchestra

SKU: HH.HH094-FSC

Composed by Nicolas Gilbert. Orchestral. Full score. Duration 9 minutes. Edition HH Music Publishers #HH094-FSC. Published by Edition HH Music Publishers (HH.HH094-FSC).

ISBN 9790708041252.

Tcha l Kouyrouk, the trusty steed of Toshtuk, Giant of the Steppes, is going to recover his master’s soul, which has been stolen, then bring Toshtuk back to his wife Kenjeke, who is pregnant with his child. In those far off days when Toshtuk, Kenjeke and Tchal Kouyrouk were living, the twelve tone row was evidently already a historical necessity. The rules surrounding its worship were to be respected: never interrupt the twelve tone row, never make irreverent remarks about it, never look at another system of pitch organization, apply the model of the twelve tone row to everything in the world to which it might be applicable.

Orchestra (String)

SKU: IS.OR7575EM

Composed by Peter Knockaert. Ensembles - Orchestra. Metropolis Music Publishers #OR7575EM. Published by Metropolis Music Publishers (IS.OR7575EM).

ISBN 9790365075751.

The future of our fragile world is in our hands. As Sir David Attenborough stated on the Climate Conference in Glasgow on November, 1st, 2021: ... We are already in trouble. The stability we all depend on is breaking. This story is one of inequality, as well as instability. Today, those who’ve done the least to cause this problem, are being the hardest hit. Ultimately, all of us will feel the impact, some of which are now unavoidable. ... We’re going to have to learn together, how to achieve this, ensuring none are left behind. We must use this opportunity to create a more equal world and our motivation should not be fear, but hope. ... . We must be more caring about the wonderful place we live in... our unique home: Planet Earth. This music is both a shoutout to take care of our planet and a hymn to the beauty of this place. The composition is suited for stage as well as for the enjoyment in music school orchestral practice.

Orchestra - Grade 2.5

SKU: AP.38492S

Composed by Brendan Mcbrien. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score. 16 pages. Highland/Etling #00-38492S. Published by Highland/Etling (AP.38492S).

UPC: 038081433653. English.

With the same sparkle and energy of its predecessor, Adra's Dance, this new companion piece adds a touch of maturity as Adra's creator, the composer's daughter, has grown into a young lady. Celebrate where we are, where we're going, and how thankful we are to have this one life to live, love, and grow as your students and audiences enjoy the optimism and joy in this music.

Orchestra - Grade 0.5

SKU: AP.46704S

Composed by Bob Phillips. Performance Music Ensemble; Single Titles; String Orchestra. Sound Innovations for String Orchestra. Form: Waltz. Score. 8 pages. Alfred Music #00-46704S. Published by Alfred Music (AP.46704S).

UPC: 038081537009. English.

Written in a flowing waltz style, this piece depicts the non-stop motion of an old-fashioned carousel going round and round with horses smoothly gliding up and down. In the keys of D Major and G Major, this is a perfect piece for first year players as all fingered notes occur on the D and A strings (D and G for bass). The violin 2 and viola parts are doubled, as are the cello and bass parts. Correlated with Sound Innovations Book 1, Level 5, Carousel by Bob Phillips is easily accessible by beginners and advancing students alike.

Composed by Rodgers and Hammerstein, arranged by Bennet. Set of performance parts for orchestra. Grade 3. With standard notation. Published by Hal Leonard.

By Antonin Dvorak. Arranged by Jerry Brubaker. By Antonin Dvorak / arr. Jerry Brubaker. For Full Orchestra. Full Orchestra. Belwin Intermediate Full Orchestra. Conductor Score. Published by Alfred Publishing.
Level: 2.5 (grade 2.5).

Orchestra (Study Score)

SKU: HL.48024642

Orchestra Study Score. Composed by Sergei Prokofiev. Boosey & Hawkes Scores/Books. Classical, Russian. Softcover. 68 pages. Duration 780 seconds. Boosey & Hawkes #M060133053. Published by Boosey & Hawkes (HL.48024642).

ISBN 9781784542658. UPC: 888680949068. 7.25x10.25x0.241 inches.

New edition of this enigmatic, single-movement work for full orchestra lasting 13 minutes and dating from the early-1930s. In his preface, Gerard McBurney comments that, Despite the music's modernist surface, the Chant symphonique's 'three closely integrated movements' correspond rather neatly to a traditional sonata-form exposition, development and recapitulation. There is even an overall tonality of sorts - D major. But 'parts', 'moods', keys and cadences are all subjected in this unusual work to tremendous pressure and distortion, so that we quickly begin to suspect that something other, different and more mysterious, is really going on here..

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score)

SKU: HL.49018099

Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099).

ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German.

On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009.

Orchestra - Grade 0.5

SKU: AP.46704

Composed by Bob Phillips. Performance Music Ensemble; Single Titles; String Orchestra. Sound Innovations for String Orchestra. Form: Waltz; Dance. Programmatic. Score and Part(s). 74 pages. Alfred Music #00-46704. Published by Alfred Music (AP.46704).

UPC: 038081536996. English.

Written in a flowing waltz style, this piece depicts the non-stop motion of an old-fashioned carousel going round and round with horses smoothly gliding up and down. In the keys of D Major and G Major, this is a perfect piece for first year players as all fingered notes occur on the D and A strings (D and G for bass). The violin 2 and viola parts are doubled, as are the cello and bass parts. Correlated with Sound Innovations Book 1, Level 5, Carousel by Bob Phillips is easily accessible by beginners and advancing students alike.

Orchestra (Orchestra)

SKU: HL.14008415

Composed by Sir Peter Maxwell Davies. Music Sales America. Post-1900. Sheet Music, Miniature Score. With Text language: English. 110 pages. Chester Music #CH55687. Published by Chester Music (HL.14008415).

UPC: 884088808242. 8.5x11.0x0.261 inches.

This work, written by Maxwell Davies in 1983 for chamber orchestra, was commissioned to celebrate the quartercentenary of Edinburgh University. The first performance was given by the Scottish Chamber Orchestra conducted by Edward Harper in October 1983. Duration c. 29mins. This work was thought through in outline following a visit to the ruined pre-Reformation church of Hoy in Orkney, on a fine Spring afternoon after Maxwell Davies had played the harmonium for the tiny congregation in its large bleak Victorian replacement. The old church was surrounded by the graves of centuries, the more recent ones with familiar names, largely of people who lived in houses now ruinous - crofters, fishermen, clerics, sea-captains. Next to it stood the chief farmhouse, the Bu, going back to Viking times. He thought of the lives and deaths encompassed there, expressed through hundreds of years of music in the church, and in the big barn of the farm. The plainsongs 'Dies Irae' and 'Victimae Paschali Laudes' are used throughout the work - the first concerning the Day of Judgement, from the Mass for the Dead, the second particular to Easter Sunday and the Resurrection. These are subject to constant transformation - the intervallic contour slowly changes from one into the other, and their notes are made to dance through Renaissance astrological 'magic square' patterns. The orchestra consists of double woodwind, two horns, two trumpets and strings.

For Orchestra and Prerecorded Soundscape. Composed by Alex Shapiro (1962-). Activist Music. Concert. Softcover. Duration 630 seconds. Published by Activist Music

By Barry Milner. Orchestra. For Full Orchestra. Full Orchestra. Belwin Concert Full Orchestra. 4 (grade 4). Score. 20 pages