Orchestra - Grade 3.5 SKU: AP.49005S Composed by Rossano Galante. Full Or...(+)
Orchestra - Grade 3.5
SKU: AP.49005S
Composed by Rossano
Galante. Full Orchestra;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Belwin Concert Full
Orchestra. Score. 20
pages. Duration 3:45.
Belwin Music #00-49005S.
Published by Belwin Music
(AP.49005S).
ISBN
9781470645236. UPC:
038081563893.
English.
Genesis by
Rossano Galante is a
stunning original
cinematic overture that
will transport your
students to the movie
soundstage. This stunning
cinematic overture is a
musical journey that
depicts the rebuilding of
humankind into a Utopian
society. The scene is set
with a dramatic, rhythmic
ostinato joined by the
melody, which is
indicative of hope for
world peace, and builds
to an intense peak before
slowly fading away.
(3:45) This title
available in MakeMusic
Cloud.
Orchestra - Grade 3.5 SKU: AP.49005 Composed by Rossano Galante. Full Orc...(+)
Orchestra - Grade 3.5
SKU: AP.49005
Composed by Rossano
Galante. Full Orchestra;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Belwin Concert Full
Orchestra. Score and
Part(s). 112 pages.
Duration 3:45. Belwin
Music #00-49005.
Published by Belwin Music
(AP.49005).
ISBN
9781470645229. UPC:
038081563886.
English.
Genesis by
Rossano Galante is a
stunning original
cinematic overture that
will transport your
students to the movie
soundstage. This stunning
cinematic overture is a
musical journey that
depicts the rebuilding of
humankind into a Utopian
society. The scene is set
with a dramatic, rhythmic
ostinato joined by the
melody, which is
indicative of hope for
world peace, and builds
to an intense peak before
slowly fading away.
(3:45) This title is
available in MakeMusic
Cloud.
French Horn; Orchestra (Study Score) SKU: HL.51487253 Hornkonzert Nr. ...(+)
French Horn; Orchestra
(Study Score)
SKU:
HL.51487253
Hornkonzert Nr. 1
Es-Dur Opus 11 Study
Score. Composed by
Richard Strauss. Edited
by Peter Damm. Henle
Study Scores. Classical.
Softcover. 83 pages. G.
Henle #HN7253. Published
by G. Henle
(HL.51487253).
UPC:
840126933048.
6.75x9.5x0.245
inches.
With his
first horn concerto, the
merely eighteen-year-old
Richard Strauss succeeded
in producing a
captivating masterstroke.
To this day, the concerto
is beloved throughout the
world (not only) by horn
players, and together
with Mozart's
masterworks, numbers
among the essential
pieces in the
instrument's repertoire.
Peter Damm, former
principal horn for the
Staatskapelle Dresden and
world-class soloist, has
not only performed the
concerto publicly over
170 times himself, but
has also presented
pivotal research findings
and publications on its
genesis. Prepared after
reviewing all surviving
sources, the Urtext
edition he has edited may
thus been regarded as the
edition of reference. The
orchestral score,
available in a practical
study edition, eliminates
innumerable errors from
the first edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Dirigierpartitur. Composed by James Horner (1953-2015). This edition: Paperbac...(+)
Dirigierpartitur.
Composed by
James Horner (1953-2015).
This
edition:
Paperback/Softcover.
Sheet music. Study score.
Composed 1982 (2021).
Omni
Music Publishing #OMNI
79553.
Published by Omni Music
Publishing
Baritone Solo, 8-Part
Chorus and Orchestra
Study Score. Composed
by Johannes Brahms.
Edited by Johannes Behr
and Ulrich Tadday. Henle
Study Scores. Classical.
Softcover. G. Henle
#HN9030. Published by G.
Henle (HL.51489030).
UPC: 196288093763.
6.75x9.5x0.505
inches.
Brahms
composed his Triumphlied
for eight-part chorus,
solo baritone and
orchestra as a direct
reaction to the victory
of the German army in the
Franco-Prussian War of
1870/71 and the
consequent founding of
the German Empire.
Similar to the German
Requiem completed shortly
before, Brahms himself
compiled the text from
the Bible, in this case
from Chapter 19 of the
Book of Revelations.
Because of the somewhat
melodramatic tone of the
composition and the
nationalistic background
to the works genesis, in
recent years the
Triumphlied has seldom
been heard in concert
halls. Unlike
overly-patriotic
occasional works such as
Richard Wagner's
Kaisermarsch, the
Triumphlied is true
Brahms and is a musically
rich composition. This
study edition takes the
musical text from the
Brahms Complete Edition
(HL 51486030), thereby
representing the highest
scholarly precision. The
Appendix contains an
exciting new discovery, a
previously-unknown early
version of the 1st
movement in C major,
which was only
rediscovered in 2012 in
Bremen.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra SKU: BA.BA08833 Composed by Ludwig van Beethoven. Edited by Hel...(+)
Orchestra
SKU:
BA.BA08833
Composed
by Ludwig van Beethoven.
Edited by Helga
Lühning. This edition:
urtext edition. Stapled.
Score. Composed 1806. No.
3. Baerenreiter Verlag
#BA08833_00. Published by
Baerenreiter Verlag
(BA.BA08833).
ISBN
9790006566594. 31 x 24.3
cm inches. Preface:
Luhning, Helga.
Of
the four overtures that
Beethoven composed for
his only opera, the
“Leonore
Overture†No. 3 is
the most popular. The
first reviewer found
fault with it for its
“incessant
dissonances and overblown
fluttering of the
violins†(Wiener
Theater-Zeitung, 1806),
but it soon became famous
as “one of the most
imposing, difficult, yet
richest and strangest of
compositionsâ€
(Allgemeine Musikalische
Zeitung, 1810). This
version of the
“Leonore
Overture†quickly
established itself
independently of the
stage in the concert hall
and has found a lasting
place in the symphonic
repertoire.
The
editor has devoted
herself to the complex
genesis of the various
“Leonore
Overture†versions,
in particular the
question whether the
trumpet call in measures
272–277 and
294–299 should be
played by one or two
instruments. The edition
is based on the Complete
Edition of the
“Works of Ludwig
van Beethovenâ€
issued by the G. Henle
publishing
company.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra SKU: HL.51489068 Study Score. Composed by Franz Joseph H...(+)
Orchestra
SKU:
HL.51489068
Study
Score. Composed by
Franz Joseph Haydn.
Edited by Horst Walter.
Henle Music Folios.
Classical. Softcover. 85
pages. G. Henle #HN9068.
Published by G. Henle
(HL.51489068).
UPC:
840126951967.
6.75x9.5x0.278
inches.
Haydn
arrived in London at the
beginning of February
1794 for his second stay
in England. Two movements
of the Symphony in G
major Hob. I:100 had
already been completed by
then, and the finished
work was premiered on 31
March. The trumpet
fanfare in the second
movement and the use of
“janissaryâ€
percussion gave the
symphony its nickname
“Military
Symphony,†which
Haydn himself even used.
Its success in London was
enormous; in 1794/95
alone, the work was
performed nine times and
thus quickly became one
of the most popular Haydn
symphonies of all time.
To everyone wishing to
become more acquainted
with this symphony, let
this inexpensive study
edition be commended -
with reliable
commentaries on its
genesis, sources, and
edition as well as an
unassailable musical text
taken from the Haydn
Complete Edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Divertimento teatrale
in one act. Operetta for
four voices. Composed
by Antonio Salieri.
Edited by Adrian La
Salvia and Thomas
Betzwieser. This edition:
Edition of selected
works, Urtext edition.
Linen. Spectrum of
European Music Theatre in
Separate Editions 1.
Edition of selected
works, Score, Critical
commentary, USB flash
drive. Duration 1 hour,
15 minutes. Baerenreiter
Verlag #BA08811_00.
Published by Baerenreiter
Verlag (BA.BA08811).
ISBN 9790006539840.
33.1 x 26.5 cm inches.
Text Language: Italian.
Preface: Betzwieser,
Thomas. Text:
Giambattista
Casti.
A memorable
musical competition
commissioned by the
emperor Joseph II took
place on 7 February 1786
as part of a festival in
the orangery of the
Schönbrunn palace. A
German Singspiel ensemble
performed Mozart’s
“Schauspieldirektor
†whilst Antonio
Salieri’s
“Prima la musica e
poi le parole†was
performed by the Italian
court singers and
musicians. This charming
opera satire belongs to
the genre of
“metamelodrammaâ
in which the opera
itself becomes the
subject of the action.
The people who are part
of an opera production,
for example the
librettist, composer and
prima donna, appear as
characters on the stage
and are presented in a
humorous self-reflection.
In this ‘theatre
about theatre’
Salieri parodies the
music from Giuseppe
Sarti’s
“Giulio
Sabino†in his
insert arias, thus
playing on the music
which was totally
familiar with the
audience of the time. By
reflecting on the
musical-dramatic style of
that period and
discussing whether
‘the word’
or ‘the
music’ should take
priority, this
masterpiece is considered
to be an early forerunner
to Richard
Strauss’s
“Capriccioâ€.<
br> The new edition of
the score is published as
part of “opera
– Spectrum of
European Music Theatre in
Separate Editionsâ€.
There are several
alterations regarding the
libretto text, stage
directions, articulation,
ornamentation, etc. which
have been incorporated
into this newly engraved
vocal score. Furthermore,
all appendix numbers from
the score which concern
the quotations from
Giuseppe Sarti’s
“Giulio
Sabino†have also
been
incorporated.
â
¢ Urtext vocal score
based on the
historical-critical
hybrid score published as
part of “opera
– Spectrum of
European Music Theatre in
Separate Editionsâ€
edited by Thomas
Betzwieser (music
edition) and Adrian La
Salvia (text
edition). •
Original Italian libretto
with singable German
translation •
Comprehensive bilingual
foreword (Ger/Eng) on the
genesis and reception of
the work, on
metamelodramma and
intertextuality
etc. • Includes
an extensive appendix to
the quotations taken from
Giuseppe Sarti’s
“Giulio
Sabino†•
Idiomatic piano
reduction
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra SKU: SU.25100160 For Orchestra. Composed by Eli Evans. O...(+)
Orchestra
SKU:
SU.25100160
For
Orchestra. Composed
by Eli Evans. Orchestra.
Study Score. Gusthold
Music Publisher
#25100160. Published by
Gusthold Music Publisher
(SU.25100160).
A lush
retelling of Genesis 1:1
through 2:1. Orchestra
[SATB Chorus; 2,1 2 2,1
1; 4331; timp, 4perc;
stgs] Duration:
47’ Composed: 2018
Published by: Gusthold
Music Publisher
Performance materials
available on rental
only:.
Orchestra SKU: FG.55011-444-9 Composed by Einojuhani Rautavaara. Score (l...(+)
Orchestra
SKU:
FG.55011-444-9
Composed by Einojuhani
Rautavaara. Score
(large). Fennica Gehrman
#55011-444-9. Published
by Fennica Gehrman
(FG.55011-444-9).
ISBN
9790550114449.
Eino
juhani Rautavaara
(1928-2016) was one of
Finland's internationally
most successful
composers. He made his
major breakthrough with
the Symphony No. 7, Angel
of Light, in the 1990s,
but his output includes
numerous classic operas,
concertos, chamber music
and choral works.
Over his extensive
career, he progressed
from Neo-Classicism to
strict dodecaphony to
free-tonal
Neo-Romanticism,
combining modernism with
mystical romanticism in
his later works.
According to the
composer, the role of the
composer is to be
mediator, a midwife, who
helps the music become
alive on its own terms;
Listen to what the music
wants to tell you, he
told his composition
students, sense where it
wants to go.
Rautavaara rose to great
international fame with
the success of his
Symphony No. 7, Angel of
Light (1995) powered by
the prize-winning
recording (Helsinki
Philharmonic, Segerstam,
Ondine label) later the
same year. Many
high-profile
international commissions
followed, creating yet
more prize-winning
recordings. To mark
the 25th anniversary of
the work's premiere - in
its original form as the
Bloomington Symphony - by
the Bloomington Symphony
Orchestra and conductor
David Pickett, Fennica
Gehrman is publishing an
entirely new edition of
the symphony based on all
available sources,
including the composer's
manuscript and his
markings in various
printed scores. This
is a large-sized
conductor score with
extensive analysis of the
work and its genesis.
Double Bass; Orchestra (STUDY SCORE) SKU: HL.51487451 Study Score....(+)
Double Bass; Orchestra
(STUDY SCORE)
SKU:
HL.51487451
Study
Score. Composed by
Serge Koussevitzky.
Edited by Tobias Glö
and ckler. Henle Study
Scores. Classical.
Softcover. 92 pages. G.
Henle #HN7451. Published
by G. Henle
(HL.51487451).
UPC:
196288158110.
6.75x9.5x0.294
inches.
Thanks to
its skilful combination
of Romantic melody and
sparkling virtuosity,
KoussevitzkyÂ’s Double
Bass Concerto op. 3 has
been one of the most
popular works of its
genre since its Moscow
premiere in 1905. No
wonder, for the virtuoso
double bass player
Koussevitzky had composed
it for his very own
instrument. As early as
1906/07 a first piano
reduction was published
in Moscow, followed by a
second in 1910 in
Leipzig. However, both
contain so many mistakes
in the solo part that
there is still
uncertainty about the
correct musical text in
many passages to this
day. The double bass
player Tobias Glöckler
has therefore prepared
his Urtext edition using
several sources: as well
as the manuscript
performance material and
the piano reductions
published during the
composer's lifetime, he
has also studied
recordings with
Koussevitzky as soloist -
thereby finally producing
a
thoroughly-researchedUrte
xt edition of the
orchestral score and
piano reduction of this
classic of the double
bass literature. As with
all double bass concertos
published by Henle
Publishers, this edition
also contains the piano
reduction by Christoph
Sobanski in two keys (E
minor and F sharp minor)
for performance with solo
or orchestral tuning.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
ISBN
9790006558285. 33 x 24 cm
inches. Preface: Sylvie
Bouissou. Text: Louis
Fuzelier.
The new
scholarly-critical
edition of the score of
Rameau’s
“ballet
hroïque†Les
Indes galantes finally
clears up its convoluted
source history. At the
first performance, on 23
August 1735, it consisted
of a prologue and three
acts: Le Turc gnreux, Les
Incas du Prou and Les
Fleurs. But Les Fleurs
already proved
controversial in the
early performances, and
from 11 September of that
same year it was given a
wholly new form. For the
revival on 10 March 1736
Rameau and Fuzelier added
an entirely new act Les
Sauvages, and in the
years that followed, the
“ballet
hroïque†was
presented either complete
(1743, 1751 and 1761) or
abridged with a prologue,
Les Incas du Prou and Les
Sauvages
(1751–73).
With regard to the
instrumental movements
(dances and descriptive
pieces), the present
publication is based on
the complete edition
Opera Omnia Rameau (OOR)
volumes IV/2 and IV/7
edited by Sylvie Bouissou
which are currently in
preparation. It includes
not only the orchestral
pieces in the version
deemed valid by Rameau in
1736 (with version 2 of
Les Fleurs and Les
Sauvages), but also those
from the first version of
Les Fleurs (1735) as well
as its 1743 and 1773
revisions. Performers are
thus given a complete
selection of all the
orchestral numbers from
one of Rameau’s
central stage works for
use also in concert
performance.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Bedrich
Smetana. Edited by Hugh
MacDonald. This edition:
urtext edition.
Paperback. Barenreiter
Urtext. From: Má vlast
(My Country). Score.
Baerenreiter Verlag
#BA11534_00. Published by
Baerenreiter Verlag
(BA.BA11534).
ISBN
9790260108660. 31 x 24.3
cm inches. Preface:
Mojzisova, Olga /
Macdonald, Hugh.
In
late September 1874,
shortly after losing his
hearing, Smetana started
work on
“VyÅ¡ehradâ€
, the first symphonic
poem in what would become
a six-part cycle with the
title “Má
vlast†(My
Country). It tells the
eventful history of this
fort in
Prague.
“Vy
¡ehrad†was
published by Urbánek
together with
“Vltava†(The
Moldau), the next part in
the cycle, in a version
for piano duet in
December 1879. The full
score and parts,
proofread by the
composer, followed in
February 1880. Hugh
Macdonald has corrected
many errors in this first
edition. He draws on the
autograph and first print
of the orchestral version
and also refers to the
autograph and printed
piano duet
version.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Fete with a Prologue and 3 Acts. Composed by Jean- Philippe Rameau (1683-1764)....(+)
Fete with a Prologue and
3
Acts. Composed by Jean-
Philippe Rameau
(1683-1764).
Edited by Julien
Dubruque.
This edition: urtext
edition.
Paperback. Symphonies /
Versions of 1746 and
1745.
Score, anthology. RCT 59.
Baerenreiter Verlag
#BA07563.
Published by Baerenreiter
Verlag
Composed by Antonin
Dvorak. Edited by Robert
Simon. This edition:
urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus 45/3.
Baerenreiter Verlag
#BA10403_00. Published by
Baerenreiter Verlag
(BA.BA10403).
ISBN
9790260104730. 31 x 24.3
cm inches. Key: A-flat
major. Preface: Simon,
Robert.
Dvorák
composed his
“Slavonic
Rhapsodies†op. 45
in 1878, initiating his
so-called “Slavonic
periodâ€. They were
issued by the publisher
Simrock the following
year as three independent
orchestral pieces (in D
major, G minor and A-flat
major) appearing under
the same opus
number.
Now the
“Slavonic
Rhapsodies†are
being issued separately
in scholarly-critical
editions. The editor
Robert Simon has taken
Dvorák’s
authorised first edition
as his principal source.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra (Picc.2.2.2.2 -
4.2.3.0 - timp.trg.side
dr - str)
SKU:
BR.PB-5698
Lenore
- Urtext. Composed by
Joachim Raff. Edited by
Iris Eggenschwiler.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library). Romantic
period. Full score. 232
pages. Duration 40'.
Breitkopf and Haertel #PB
5698. Published by
Breitkopf and Haertel
(BR.PB-5698).
ISBN
9790004216354. 10 x 12.5
inches.
Joachim
Raff's Fifth Symphony
Lenore op. 177, composed
in 1872, reveals the
composer as a
representative of the
middle ground between
Neo-German aesthetics and
the symphonic tradition.
It owes its name to G. A.
Burger's ballade, which
is the programmatic basis
of the final movement.
Using this literary
model, Raff oriented
himself to the Berlioz
program symphonies and
the Liszt symphonic-poem
concept, on the one hand,
but on the other, he let
the three preceding
movements follow
traditional symphonic
form. Raff conducted the
Lenore symphony's
premiere in December 1872
in a concert by the
Furstliche Hofkapelle in
Sondershausen. The
concert went to his
satisfaction, although
the audience evidently
did not know what to make
of the work: [...] and
the symphony [...] was
played before this
faintly musical party.
Essentially for the
greater glory of God and
my edification, less for
that of the said public,
which seems to have been
rather horrified by it.
His friend Hans von Bulow
had, however, a great
pleasure in hearing the
symphony the following
year in Berlin. In her
preface, the editor Iris
Eggenschwiler provides
detailed information
about the work's genesis,
documents Raff's ideas
and intentions, and
facilitates a
comprehensive orientation
within the historical
context. Breitkopf &
Hartel is now presenting
for the first time with
this symphony an
orchestral work by Raff
in a modern Urtext
edition, thus also
continuing its
collaboration with the
Joachim-Raff-Gesellschaft
.In collaboration with
the Joachim-Raff-Archiv
Lachen (CH).
Urtext. Composed
by Robert Schumann.
Edited by Peter Jost.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). Urtext
of Schumanns Sinfonietta.
Overture; Romantic. Study
Score. 72 pages. Duration
17'. Breitkopf and
Haertel #PB 5544-07.
Published by Breitkopf
and Haertel
(BR.PB-5544-07).
ISBN
9790004213544. 6.5 x 9
inches.
That
Schumann truly dug his
heels into symphonic
creation becomes clear at
the latest when we look
not only at his four
well-known symphonies,
but also at the works
between the genres, such
as the Overture, Scherzo
and Finale. Unlike the
traditional symphonic
form, this work has no
slow movement. Schumann
spoke of it as a suite
which hints at a loose
connection of movements
and as a sinfonietta.
Ultimately, he decided to
name it after the
headings of the three
movements which also
share common traits among
one another. Overture,
Scherzo and Finale is
being published here for
the first time with an
Urtext score and parts.
The genesis of the work
was marked by corrections
and revisions. Schumann
subjected the work to a
thorough revision after
the premiere performance
and, after the
publication of the
orchestral parts in 1846,
made more changes for the
first edition of the
score seven years
later.
ISBN
9790006567560. 33 x 24.3
cm inches. Text: Duplat
de Monticourt,
Pierre-Jacques.
Thi
s edition unites all the
purely instrumental parts
of Rameau’s
comdie-ballet “Les
Paladins†for
performance as a suite in
the concert
hall.
In view of
the wealth of the
work’s musical
treasures and the
stylistic innovations
– similar to the
“Boradesâ€
– the rather
frosty reception of the
premiere series in the
spring of 1760 seems
completely
incomprehensible to us
today. It led to this
stage work not being
performed again until
well into the 20th
century. The story that
the comdie-ballet tells
is based on a fable by La
Fontaine, “Le Petit
chien qui secoue de
l’argent et des
pierreries†(i.e.
“The little dog who
shakes silver and
stonesâ€). In
medieval Veneto, the
guardian Anselme
undermines the love
affairs of his ward
Argies. Scenes of tragic
expression are contrasted
with folk-comic ones; and
last but not least, the
sexually ambiguous fairy
Manto may have caused
difficulties for the bold
work at the Paris
Opra.
This
critical edition is based
on the corresponding
volume issued in the
series “Opera omnia
Rameau†(BA
8870-01). Since
“Les
Paladins†remained
unpublished during
Rameau’s lifetime
and was also not included
in the “Œuvres
complètesâ€, this
is the first edition of
the work. It satisfies
both scholarly demand and
the practical needs of
musicians.
The
orchestral parts are
available on
hire.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Antonin
Dvorak. Edited by Robert
Simon. This edition:
urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus 45/2.
Baerenreiter Verlag
#BA10402_00. Published by
Baerenreiter Verlag
(BA.BA10402).
ISBN
9790260104723. 24.3 x 31
cm inches. Key: G minor.
Preface: Simon,
Robert.
Dvorák
composed his
“Slavonic
Rhapsodies†op. 45
in 1878, initiating his
so-called “Slavonic
periodâ€. They were
issued by the publisher
Simrock the following
year as three independent
orchestral pieces (in D
major, G minor and A-flat
major) appearing under
the same opus
number.
Now the
“Slavonic
Rhapsodies†are
being issued separately
in scholarly-critical
editions. The editor
Robert Simon has taken
Dvorák’s
authorised first edition
as his principal
source.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Orchestra) SKU: BA.BA11902 Composed by Ludwig van Beethoven. Edited by J...(+)
(Orchestra)
SKU:
BA.BA11902
Composed
by Ludwig van Beethoven.
Edited by Jonathan Del
Mar. This edition: urtext
edition. Stapled. Score.
Opus 43. Baerenreiter
Verlag #BA11902_00.
Published by Baerenreiter
Verlag (BA.BA11902).
ISBN 9790006573417.
32.5 x 25.5 cm
inches.
Beethoven
composed the ballet music
“Die Geschöpfe
des Prometheusâ€
during 1800–01,
commissioned by the
ballet master Salvatore
Viganò for
performances with his
Viennese company.
Although the ballet was
initially quite
successful, with almost
thirty continuous
performances, it did not
enjoy a sustained
performance tradition.
Its overture, however,
was a different matter:
considered almost a
symphonic movement in
terms of orchestration,
style and structure, it
was often performed on
its own even during
Beethoven’s
lifetime.
In
general, previous
editions of this overture
relied on the first print
as the main source.
However, the authenticity
of this source cannot be
convincingly proven. For
this new edition,
Beethoven specialist
Jonathan Del Mar
incorporates various
manuscript sources,
including a set of parts
from 1803/4 that has
never been considered
before. In this way,
numerous discrepancies
could be
clarified.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Bathia Churgin.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
The
study score
(Studien-Edition) is
available at G. Henle
Verlag.
Symphony;
Classical. Full score. 96
pages. Duration 28'.
Breitkopf and Haertel #PB
14614. Published by
Breitkopf and Haertel
(BR.PB-14614).
ISBN
9790004214893. 10 x 12.5
inches.
The genesis
of Beethoven's 4th
symphony came at an
extraordinary time for
the composer not only
regarding productivity:
Thus, in 1806 he
composed, among other
things, the 4th piano
concerto, the three
Rasumovsky string
quartets op. 59, the 32
piano variations in c
minor WoO 80, as well as
the violin concerto op.
61. The first performance
of the B-flat-major
symphony occurred in
March 1807 at one of the
two noteworthy
subscription concerts
conducted by Beethoven in
the Palais Lobkowitz in
Vienna. In the course of
time, this
intellectually-stimulatin
g work- so described by
one of the reviewers of
the Allgemeine
musikalische Zeitung -
found ever-increasing
appeal. Throughout the
entire 19th century this
symphony ranked with the
best-loved and most
frequently performed
works; its popularity
spread to England where
the London Philharmonic
Society played it at
least 25 times in the
period between 1813 and
1850.Extant are only a
few drafts of the 4th
symphony. The autograph
served as the main source
for the present edition
edited by Prof. Bathia
Churgin, likewise editor
of the 3rd symphony in
the new Beethoven
Complete Edition.
Consulted as reference
sources were copies of
the score and orchestral
parts as well as the
original edition of the
parts.
Orchestra SKU: BR.PB-5719 Fantastic Variations on a Theme of Knightly ...(+)
Orchestra
SKU:
BR.PB-5719
Fantastic Variations
on a Theme of Knightly
Character - Urtext.
Composed by Richard
Strauss. Edited by Nick
Pfefferkorn. Orchestra.
Partitur-Bibliothek
(Score Library).
Symphonic poem;
Late-romantic; Early
modern. Sheet Music.
Duration 43'. Breitkopf
and Haertel #PB 5719.
Published by Breitkopf
and Haertel (BR.PB-5719).
ISBN 9790004216569. 0
x 0 inches.
Strauss
had originally intended
that Don Quixotealways be
performed, if possible,
together with
Heldenleben, since Don Q.
in particular is only
fully comprehensible
alongside Heldenleben. To
date, Strauss's wish is
rarely respected. The Don
Quixote Urtext edition
now being published by
Breitkopf & Hartel can
assist here. Once again,
the new edition is based
on Strauss's own
engraver's model, helping
to clarify numerous
misunderstandings, and
facilitating the
correction of dozens of
traditional errors.
Furthermore, the woodwind
parts, previously
available only in
manuscript form, are now
appearing completely
engraved for the first
time.This new edition is
also being augmented by a
piano reduction of the
most important orchestral
passages for facilitating
the study of the solo
cello and viola parts;
these two solo parts are
also separately included
with the purchase of the
piano
reduction.
First
Urtext edition since the
original edition;
Evaluation of all
available manuscript and
printed sources; Detailed
preface giving the
genesis and reception
history; Detailed
critical report;
Facsimile pages.
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus 88.
Duration 12 hours.
Baerenreiter Verlag
#BA10418_00. Published by
Baerenreiter Verlag
(BA.BA10418).
ISBN
9790006564644. 32.5 x
25.5 cm inches. Key: G
major. Preface: Jonathan
Del Mar.
The
performance material
available up till now for
Dvorákâ??s sun-filled
cheerful Symphony no. 8
has been notorious for
its myriad mistakes. The
challenge of correcting
it has now been taken
over by the editor
Jonathan Del Mar. He has
taken into account the
engraverâ??s copy, which
was actually discovered
in a trash bin at
Novelloâ??s in 1964. Its
title page bears the
words â??Copied from my
original manuscriptâ?
in Dvorákâ??s hand.
This source proves that
many of the readings
contained in the first
edition and faithfully
adopted in all subsequent
editions, were simply
slips of the copyistâ??s
pen.
This new
edition with score and
orchestral parts in an
enlarged format is
accompanied by a detailed
Critical Commentary on
the sources and
alternative readings. It
also contains important
facsimile pages to
clarify problematical
readings.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
1st
and 2nd Version -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
3
Work Stages, 2 Versions,
1
Edition
,,…
the musical text is fine.
This is a valuable
improvement. (Clifford
Bartlett, Early Music
Review)
Symphony;
Classical. Study Score.
80 pages. Duration 35'.
Breitkopf and Haertel #PB
5566-07. Published by
Breitkopf and Haertel
(BR.PB-5566-07).
ISBN
9790004213766. 6.5 x 9
inches.
With the
new edition of the
G-minor Symphony, a vital
work group in Mozart's
oeuvre is now complete:
the three late symphonies
K. 543, 550 and 551, now
available in Urtext
editions. As in his new
edition of the Hafner
Symphony, Henrik Wiese
uncovers in the present
Breitkopf Urtext score
three different stages in
the genesis of the
G-minor Symphony. Mozart
initially wrote the work
without clarinets (1st
stage), and then he added
the clarinets (2nd
stage). Not until a final
stage did he change the
wind instrumentation in
the Andante (3rd stage).
Mozart thus returned to
the 1st version again
after completing the 2nd
version (with clarinets).
This advances the
importance of the 1st
version without clarinets
as Fassung letzter Hand.
A compelling insight
which sheds new light on
the famous G-minor
Symphony. Both versions
are of equal value and
can now be compared with
one another, studied and,
above all, performed for
the first time ever
thanks to the new score
and parts.Another
extremly practical aspect
that should be noted: the
orchestral parts offer
solutions for all the
problematic page turns
for the first time ever
(please see the sample
pages of OB 5542 - Violin
II.),,... the musical
text is fine. This is a
valuable improvement.
(Clifford Bartlett, Early
Music Review)
String Orchestra (Full Score) SKU: HL.51483320 For String Orchestra St...(+)
String Orchestra (Full
Score)
SKU:
HL.51483320
For
String Orchestra Study
Score. Composed by
Edvard Grieg. Edited by
Ernst-Gü and nter
Heinemann. Henle Music
Folios. Classical.
Softcover. 28 pages. G.
Henle #HN3320. Published
by G. Henle
(HL.51483320).
UPC:
196288308140.
9.25x12.25x0.13
inches.
The
occasion for the
composition, described as
a âsuite in the old
styleâ, was the
200th birthday of the
Norwegian-Danish poet
Ludvik Holberg
(1684-1754), which was
celebrated in Bergen with
several festive events.
Initially, a piano
version of the work was
written in August 1884,
but the composer already
had the arrangement for
string orchestra in mind,
which he made just one
month later. As a
starting point, Grieg
chose baroque dance
movements from Holberg's
era, but skilfully
combined them with
elements of his own tonal
language, such as
chromatic progressions
and dynamic swells. The
orchestral version of the
âHolberg
Suiteâ, which was
very successful right
from the beginning, is
still one of Grieg's most
popular compositions
today and now enriches
the Henle programme for
string orchestra.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
(Study Score). Composed by Johannes Brahms (1833-1897). Edited by Michael Musgra...(+)
(Study Score). Composed
by Johannes Brahms
(1833-1897). Edited by
Michael Musgrave. For
Orchestra (Study Score).
Henle Study Scores.
Softcover. 256 pages. G.
Henle #HN9857. Published
by G. Henle
Orchestra (Orchestra) SKU: BA.BA04593-01 Composed by Wolfgang Amadeus Moz...(+)
Orchestra (Orchestra)
SKU: BA.BA04593-01
Composed by Wolfgang
Amadeus Mozart. Edited by
Gerhard Allroggen. This
edition: complete
edition, urtext edition.
Linen. New Mozart Edition
(Neue Mozart Ausgabe -
NMA) Series IV, Volume
11, No. 1.
Musikwissenschaft,
Klassik (Critical
Commentary, Classical).
Complete edition, Score,
anthology. Baerenreiter
Verlag #BA04593_01.
Published by Baerenreiter
Verlag (BA.BA04593-01).
ISBN 9790006451371. 33
x 26 cm
inches.
Urtext der
Neuen Mozart-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding