Arranged by Sandra
Dackow. Performance Music
Ensemble; Single Titles;
String Orchestra.
Orchestra Expressions.
Christmas; Multicultural;
Sacred; Traditional;
Winter. Score. 12 pages.
Duration 1:45. Alfred
Music #00-44781S.
Published by Alfred Music
(AP.44781S).
UPC:
038081516936. English.
Traditional German
Carols.
A terrific
multicultural addition to
any beginning holiday
concert, this arrangement
by Sandra Dackow is a
spirited rendition of
three traditional German
carols. These contrasting
carols---Lasst uns froh
und munter sein, O Come
Little Children, and an
unnamed traditional
tune---are a fun way to
introduce cut time and
reinforce bow lifts to
young string players.
(1:45).
About
Orchestra
Expressions
<
p>Play great songs such
as Over the Rainbow,
Batman, This Land Is Your
Land, and Star Wars (Main
Title). Listen to and
play a variety of styles
of music: popular,
traditional, classical,
folk and patriotic. Read
and write music; compose
and improvise. Perform in
a concert and play for
your family and friends.
Be a conductor of the
orchestra. Learn about
composers, such as
Antonin Dvorak, Johann
Pachelbel, Jacques
Offenbach, Pytor Ilyich
Tchaikovsky, Giuseppe
Verdi, George M. Cohan,
George Frideric Handel,
Ludwig van Beethoven,
Johann Sebastian Bach,
Wolfgang Amadeus Mozart,
Giacomo Puccini, Georges
Bizet, Neal Hefti, and
John Williams. Discover
how music and art are
related. Learn about a
variety of musical
ensembles including
string orchestra, full
orchestra, mariachi band,
steel drum band,
dixieland jazz band, rock
band, and more. Play
music from around the
world, including North
America, Europe, Latin
America, Asia, and
Africa.
Arranged by Sandra
Dackow. Performance Music
Ensemble; Single Titles;
String Orchestra.
Orchestra Expressions.
Christmas; Multicultural;
Sacred; Traditional;
Winter. Score and
Part(s). 88 pages.
Duration 1:45. Alfred
Music #00-44781.
Published by Alfred Music
(AP.44781).
UPC:
038081516929. English.
Traditional German
Carols.
A terrific
multicultural addition to
any beginning holiday
concert, this arrangement
by Sandra Dackow is a
spirited rendition of
three traditional German
carols. These contrasting
carols---Lasst uns froh
und munter sein, O Come
Little Children, and an
unnamed traditional
tune---are a fun way to
introduce cut time and
reinforce bow lifts to
young string players.
(1:45).
About
Orchestra
Expressions
<
p>Play great songs such
as Over the Rainbow,
Batman, This Land Is Your
Land, and Star Wars (Main
Title). Listen to and
play a variety of styles
of music: popular,
traditional, classical,
folk and patriotic. Read
and write music; compose
and improvise. Perform in
a concert and play for
your family and friends.
Be a conductor of the
orchestra. Learn about
composers, such as
Antonin Dvorak, Johann
Pachelbel, Jacques
Offenbach, Pytor Ilyich
Tchaikovsky, Giuseppe
Verdi, George M. Cohan,
George Frideric Handel,
Ludwig van Beethoven,
Johann Sebastian Bach,
Wolfgang Amadeus Mozart,
Giacomo Puccini, Georges
Bizet, Neal Hefti, and
John Williams. Discover
how music and art are
related. Learn about a
variety of musical
ensembles including
string orchestra, full
orchestra, mariachi band,
steel drum band,
dixieland jazz band, rock
band, and more. Play
music from around the
world, including North
America, Europe, Latin
America, Asia, and
Africa.
Orchestra - Grade 0.5 SKU: AP.49049 Lightly Row and Song of the Wind o...(+)
Orchestra - Grade 0.5
SKU: AP.49049
Lightly Row and Song
of the Wind on the D and
A Strings. Arranged
by Bob Phillips.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Folk;
Multicultural;
Traditional. Score and
Part(s). 53 pages.
Duration 2:10. Alfred
Music #00-49049.
Published by Alfred Music
(AP.49049).
Orchestra - Grade 0.5 SKU: AP.49049S Lightly Row and Song of the Wind ...(+)
Orchestra - Grade 0.5
SKU: AP.49049S
Lightly Row and Song
of the Wind on the D and
A Strings. Arranged
by Bob Phillips.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Folk;
Multicultural;
Traditional. Score. 12
pages. Duration 2:10.
Alfred Music #00-49049S.
Published by Alfred Music
(AP.49049S).
La Mer Orchestre [Conducteur d'étude / Miniature] Barenreiter
(Trois esquisses symphoniques). Composed by Claude Debussy (1862-1918). Edited b...(+)
(Trois esquisses
symphoniques). Composed
by Claude Debussy
(1862-1918). Edited by
Douglas Woodfull-Harris.
For orchestra (2
flutes/soprano flute/2
oboes/english
horn/clarinet/2
bassoons/5
contrabassoons/2
trumpets/horn/2
trombones/tuba/percussion
/celeste/2
harps/strings). This
edition: Urtext edition.
Paperback. Study score.
Text Language:
English/French/German.
Duration 10 minutes.
Published by Baerenreiter
Verlag
Arranged by Sandra
Dackow. Performance Music
Ensemble; Single Titles;
String Orchestra.
Orchestra Expressions.
Traditional. Score and
Part(s). 76 pages. Alfred
Music #00-40417.
Published by Alfred Music
(AP.40417).
UPC:
038081453392. English.
Traditional German
student song; sung by
American college
students.
An old
silly song, this tune
should be performed with
the feeling of a rowdy
party! Every section has
great parts that will
provide plenty of
learning opportunities.
Correlates to Orchestra
Expressions Book 2.
About
Orchestra
Expressions
<
p>Play great songs such
as Over the Rainbow,
Batman, This Land Is Your
Land, and Star Wars (Main
Title). Listen to and
play a variety of styles
of music: popular,
traditional, classical,
folk and patriotic. Read
and write music; compose
and improvise. Perform in
a concert and play for
your family and friends.
Be a conductor of the
orchestra. Learn about
composers, such as
Antonin Dvorak, Johann
Pachelbel, Jacques
Offenbach, Pytor Ilyich
Tchaikovsky, Giuseppe
Verdi, George M. Cohan,
George Frideric Handel,
Ludwig van Beethoven,
Johann Sebastian Bach,
Wolfgang Amadeus Mozart,
Giacomo Puccini, Georges
Bizet, Neal Hefti, and
John Williams. Discover
how music and art are
related. Learn about a
variety of musical
ensembles including
string orchestra, full
orchestra, mariachi band,
steel drum band,
dixieland jazz band, rock
band, and more. Play
music from around the
world, including North
America, Europe, Latin
America, Asia, and
Africa.
Orchestra - Grade 3 SKU: AP.1-ADV40026 For String Orchestra. Arran...(+)
Orchestra - Grade 3
SKU: AP.1-ADV40026
For String
Orchestra. Arranged
by Sigi Busch.
Performance Music
Ensemble; Single Titles;
String Orchestra. Advance
Music: Holiday
Celebration Series.
Christmas; Secular;
Traditional; Winter.
Score and Part(s).
Advance Music
#01-ADV40026. Published
by Advance Music
(AP.1-ADV40026).
UPC:
805095400267. English.
Traditional.
This
cheerful arrangement of a
German Christmas carol,
Morgen Kinder wird's was
geben, or Tomorrow,
Children, Just Wait! is
to be executed at a
moderate tempo. The
setting is easy yet
effective. The well-known
melody is framed by
amusing interludes and it
is well suited for
opening or closing a
concert. Arranged for
string orchestra.
Orchestra (Picc.2.2.2.2 -
4.2.3.0 - timp.trg.side
dr - str)
SKU:
BR.PB-5698
Lenore
- Urtext. Composed by
Joachim Raff. Edited by
Iris Eggenschwiler.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library). Romantic
period. Full score. 232
pages. Duration 40'.
Breitkopf and Haertel #PB
5698. Published by
Breitkopf and Haertel
(BR.PB-5698).
ISBN
9790004216354. 10 x 12.5
inches.
Joachim
Raff's Fifth Symphony
Lenore op. 177, composed
in 1872, reveals the
composer as a
representative of the
middle ground between
Neo-German aesthetics and
the symphonic tradition.
It owes its name to G. A.
Burger's ballade, which
is the programmatic basis
of the final movement.
Using this literary
model, Raff oriented
himself to the Berlioz
program symphonies and
the Liszt symphonic-poem
concept, on the one hand,
but on the other, he let
the three preceding
movements follow
traditional symphonic
form. Raff conducted the
Lenore symphony's
premiere in December 1872
in a concert by the
Furstliche Hofkapelle in
Sondershausen. The
concert went to his
satisfaction, although
the audience evidently
did not know what to make
of the work: [...] and
the symphony [...] was
played before this
faintly musical party.
Essentially for the
greater glory of God and
my edification, less for
that of the said public,
which seems to have been
rather horrified by it.
His friend Hans von Bulow
had, however, a great
pleasure in hearing the
symphony the following
year in Berlin. In her
preface, the editor Iris
Eggenschwiler provides
detailed information
about the work's genesis,
documents Raff's ideas
and intentions, and
facilitates a
comprehensive orientation
within the historical
context. Breitkopf &
Hartel is now presenting
for the first time with
this symphony an
orchestral work by Raff
in a modern Urtext
edition, thus also
continuing its
collaboration with the
Joachim-Raff-Gesellschaft
.In collaboration with
the Joachim-Raff-Archiv
Lachen (CH).
Orchestra SKU: FG.55011-134-9 Composed by Erkki Melartin. Study score. Fe...(+)
Orchestra
SKU:
FG.55011-134-9
Composed by Erkki
Melartin. Study score.
Fennica Gehrman
#55011-134-9. Published
by Fennica Gehrman
(FG.55011-134-9).
ISBN
9790550111349.
The
five first of the six
symphonies by Erkki
Melartin (1875-1937),
dated from 1903 to 1916,
represent the National
Romantic Finnish musical
heritage based on
Austo-German orchestral
tradition. Melartin
himself thought of
Symphony No. 3 as his
testament and a
description of a battle
towards enjoying life,
since the time of its
birth was a period when
Melartin's own life
nearly ended. He had
fallen ill of
tuberculosis, and partly
had to give up his work
as a composer and teacher
of music theory in order
to recover from the - at
the time often fatal -
disease in a local
sanatorium. At the
premiere the symphony had
an impact on its
audience, as it indeed
seemed to describe the
joys and sufferings and
the final peace of mind
of the composer. The new
editions of Melartin's
symphonies have born as a
project of Erkki Melartin
Society with support of
the Finnish Cultural
Foundation. The
performance materials are
available for hire from
Fennica Gehrman.
Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099).
ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German.
On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009.
Orchestra (Study Score) SKU: HL.49010307 Incidental Music for Goethe's...(+)
Orchestra (Study Score)
SKU: HL.49010307
Incidental Music for
Goethe's Drama.
Composed by Ludwig van
Beethoven. Edited by
Wilhelm Altmann. Arranged
by Wilhelm Altmann. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical, Opera,
Romantic. Study Score.
Op. 84. 92 pages.
Eulenburg Edition
#ETP823. Published by
Eulenburg Edition
(HL.49010307).
ISBN
9783795769468. UPC:
841886014923.
5.25x7.5x0.219 inches.
German.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
French Horn; Orchestra (Study Score) SKU: HL.49010242 In E-Flat Major<...(+)
French Horn; Orchestra
(Study Score)
SKU:
HL.49010242
In
E-Flat Major.
Composed by Wolfgang
Amadeus Mozart. Edited by
Wilhelm Merian. Arranged
by Wilhelm Merian. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 1783. 32 pages.
Eulenburg Edition
#ETP792. Published by
Eulenburg Edition
(HL.49010242).
ISBN
9783795772406. UPC:
841886019560.
5.25x7.5x0.099 inches.
English -
German.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
