Orchestra - Grade 1.5

SKU: AP.44825S

Composed by Johann A. P. Schulz. Arranged by Michael Kamuf. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Sound Innovations for String Orchestra. Form: Transcription. Christmas; Classical; Masterwork Arrangement; Sacred; Winter. Score. 8 pages. Duration 1:45. Alfred Music #00-44825S. Published by Alfred Music (AP.44825S).

UPC: 038081518138. English.

Glorious Sight is a bright, sparkling setting of O, Come Little Children, arranged by Michael Kamuf, that will delight audiences and players; this arrangement will become a classic. Includes optional sleigh bells. Correlated to Sound Innovations for String Orchestra, Book 1, Level 5. (1:45).

Full orchestra

SKU: LO.30-3087L

Composed by Molly Ijames. Choral. Sacred Anthem. Orchestral score and parts. Lorenz Publishing Company #30/3087L. Published by Lorenz Publishing Company (LO.30-3087L).

UPC: 000308136951.

This powerful and emotional setting of a timeless hymn moves us from the crucifixion to the triumphant return of Christ. The equally dramatic orchestration by Michael Lawrence adds an inspiring dimension to any performance of this glorious work. (2 Fl, Ob, 2 Cl, Bsn (sub B Cl), 2 Hn (sub 2 A Sax), 3 Tpt, 2 Tbn (sub 2 T Sax/Btn TC), Tuba, Timp, 2 Perc, Harp, Pno, 2 Vln, Vla, Cello, Bass, Digital String Reduction).

Full orchestra

SKU: LO.30-3668MD

Composed by Jay Rouse. Choral. Sacred Anthem, Eastertide, General. Orchestral score and parts. Medallion Music #30/3668MD. Published by Medallion Music (LO.30-3668MD).

UPC: 000308152951.

Orche stral Score and Parts for 10/5296MD Bursting with energy from beginning to end, this arrangement of the familiar Easter hymn is the striking opening number from The Lamb (55/1192MD), a musical by Jay Rouse and Rose Aspinall. Jay added some modern flair and groove to this setting while keeping the melody intact. Ending with a grand and glorious conclusion, this anthem will make a long-lasting impact on worshipers.

Orchestra

SKU: S2.30-3320SF

Composed by Mary McDonald. Arranged by Larry Shackley. Choral. Sacred Anthem, All Saints' Day, General, Lent. Orchestral score and CD with printable parts. SoundForth #30/3320SF. Published by SoundForth (S2.30-3320SF).

UPC: 000308140996.

Mary McDonald pairs a glorious original melody with a beloved hymn text and offers singers accessible vocals that are both rich and inspiring. Use the elegant keyboard accompaniment or Larry Shackley's enchanting orchestration to powerfully underscore your choir. (From the cantata The Way of the Cross Leads Home, SATB--55/1151L; SAB--55/1152L) The instrumental ensemble includes a score and CD with printable parts for 2 Flutes, 2 Clarinets, Horn, 2 Trumpets, Trombone, Tuba, 2 Percussion, Piano, 2 Violins, Viola, Cello, Bass, and Digital String Reduction.

Composed by Molly Ijames. For full orchestra. Choral. Sacred Anthem. Orchestral score and CD with printable parts. Lorenz Publishing Company #30/3088L. Published by Lorenz Publishing Company

(En Sus Alas). By Michael Joncas. Arranged by Lloyd Larson. Orchestra. For 2 flutes, oboe, 2 clarinets, 2 bassoons, 3 trumpets, 2 Horns, 2 trombones, tuba, 2 percussion, harp, violin 1 and 2, viola, cello, bass. Sacred Anthem: General, Lent, Memorial, Wedding. Orchestral Score and Parts. Published by Lorenz Publishing Company

Full orchestra

SKU: LO.30-3707MD

Composed by Marty Parks. Choral. Sacred Anthem, Advent, Christmas. Orchestral score and CD with printable parts. Medallion Music #30/3707MD. Published by Medallion Music (LO.30-3707MD).

UPC: 000308154122.

Orche stral Score and CD with Printable Parts for 10/5315MD Only a Silent Night is a lovely, tranquil arrangement from beloved composer, Marty Parks. The music is outstanding, but the true beauty of this Christmas ballad lies in Marty's original text: And only the song of the herald angels could offer the earth something glorious with only three words that could change the world: God with us! Invite God’s presence into your worship with this moving anthem.

Composed by Mary McDonald. Arranged by Michael Lawrence. Choral. Sacred Anthem. Orchestral score and CD with printable parts. Lorenz Publishing Company #30/3215L. Published by Lorenz Publishing Company (LO.30-3215L).

Full orchestra

SKU: LO.30-3365L

Composed by David Lantz. Arranged by Mary McDonald. Choral. Sacred Anthem, Christmas. Orchestral score and CD with printable parts. Lorenz Publishing Company #30/3365L. Published by Lorenz Publishing Company (LO.30-3365L).

UPC: 000308144437.

The beauty of Susan Boersma’s lyrics inspired this glorious ballad. Mary McDonald’s powerful music and Ed Hogan’s brilliant orchestration complete this perfect selection for Christmas worship and concerts.

Orchestra

SKU: S2.30-3319SF

Composed by Mary McDonald. Arranged by Larry Shackley. Choral. Sacred Anthem, All Saints' Day, General, Lent. Orchestral score and parts. SoundForth #30/3319SF. Published by SoundForth (S2.30-3319SF).

UPC: 000308140989.

Mary McDonald pairs a glorious original melody with a beloved hymn text and offers singers accessible vocals that are both rich and inspiring. Use the elegant keyboard accompaniment or Larry Shackley's enchanting orchestration to powerfully underscore your choir. (From the cantata The Way of the Cross Leads Home, SATB--55/1151L; SAB--55/1152L) The instrumental ensemble includes a score and parts for 2 Flutes, 2 Clarinets, Horn, 2 Trumpets, Trombone, Tuba, 2 Percussion, Piano, 2 Violins, Viola, Cello, Bass, and Digital String Reduction.

Full orchestra

SKU: LO.30-3291L

Choral. Sacred Anthem, General, Lent, Patriotic. Orchestral score and CD with printable parts. Lorenz Publishing Company #30/3291L. Published by Lorenz Publishing Company (LO.30-3291L).

UPC: 000308143461.

Let freedom ring wherever minds know what it means to be in chains. Mark Hayes's masterful arrangement of the Gaither's fervent choral prayer is equally effective with Mark's superb piano accompaniment or orchestration. Glorious harmonic color, an optional opening duet, and rich yet accessible vocals enhance the timeless theme.

Full orchestra

SKU: LO.30-3290L

Choral. Sacred Anthem, General, Lent, Patriotic. Orchestral score and parts. Lorenz Publishing Company #30/3290L. Published by Lorenz Publishing Company (LO.30-3290L).

UPC: 000308143454.

Let freedom ring wherever minds know what it means to be in chains. Mark Hayes's masterful arrangement of the Gaither's fervent choral prayer is equally effective with Mark's superb piano accompaniment or orchestration. Glorious harmonic color, an optional opening duet, and rich yet accessible vocals enhance the timeless theme.

Full orchestra

SKU: LO.30-3710MD

Composed by Jay Rouse. Choral. Sacred Anthem, Christmas. Orchestral score and CD with printable parts. Medallion Music #30/3710MD. Published by Medallion Music (LO.30-3710MD).

UPC: 000308155044.

Orche stral Score and CD with Printable Parts for 10/5318MD Jay Rouse combines “We Three King of Orient Are,” “Pat-a-Pan” and “Sing We Now of Christmas” in this refreshing, stand-out medley. The first two songs lead brilliantly to the latter and to a grand and glorious conclusion. Perfect for Christmas services and programs, this one will fill singers and listeners alike with festive joy and spirit!

Composed by Mary McDonald. Arranged by Michael Lawrence. Choral. Sacred Anthem. Orchestral score and CD with printable parts. Lorenz Publishing Company #30/3107L. Published by Lorenz Publishing Company (LO.30-3107L).

3rd Movement. Composed by Ludwig van Beethoven (1770- 1827). Arranged by Richard Meyer. Full Orchestra; Masterworks; Part(s); Score. Highland/Etling First Philharmonic. Form: Scherzo. Classical; Masterwork Arrangement; Romantic. 190 pages. Published by Highland/Etling

By Jean Sibelius (1865-1957). Arranged by Richard Meyer. Orchestra. Full Orchestra. First Philharmonic. 20th Century; Romantic. Grade 1. Conductor Score and Parts. 102 pages

3rd Movement. Composed by Ludwig van Beethoven (1770- 1827). Arranged by Richard Meyer. Full Orchestra; Masterworks; Score. Highland/Etling First Philharmonic. Form: Scherzo. Classical; Masterwork Arrangement; Romantic. 24 pages. Published by Highland/Etling

By George E. Strombeck. For Mixed Large Ensemble. Large Ensemble for Mixed Large Ensemble. Meter: 3/4, 4/4. Traditional. Level: 1.5-2.5. Duration 1'30". Published by David E. Smith Publications.

(Based on God Rest Ye Merry, Gentlemen ). Arranged by Michael Story. Orchestra. Full Orchestra; Part(s); Score; SmartMusic. Belwin Intermediate Full Orchestra. Christmas; Sacred; Winter. Grade 2.5. 120 pages. Published by Belwin Music

SKU: CL.016-0459-00

March. Composed by Cline. Orchestra. Score and set of parts. Composed 1928. C.L. Barnhouse #016-0459-00. Published by C.L. Barnhouse (CL.016-0459-00).

Orchestra full orchestra - Grade 3

SKU: KJ.O1080C

Composed by William Himes. String Tracks. Score and parts. Neil A. Kjos Music Company #O1080C. Published by Neil A. Kjos Music Company (KJ.O1080C).

ISBN 9788402700490. UPC: 8402700497.

Known for his glorious melodies and rich harmonies, Mr. Himes provides us with a wonderful masterwork. Structured in a typical A-B-A form, this composition features two waltzes of contrasting styles and tempos.

Orchestra

SKU: PR.416415760

For Really Big Orchestra. Composed by PDQ Bach. Edited by Prof. Peter Schickele. Study Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576. Published by Theodore Presser Company (PR.416415760).

UPC: 680160636532. 9 x 12 inches.

The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams.

Orchestra

SKU: SU.32040140

For Orchestra. Composed by Amy Riebs Mills. Orchestra. Full Score. Subito Music Corporation #32040140. Published by Subito Music Corporation (SU.32040140).

2222; 4331; timp, 2 perc, pno; stgs Duration: 13'30 Composed: 2016 Published by: Amy Mills Music, LLC Like a modern Pictures at an Exhibition…. Ha Shamayim is an original piece for orchestra that was inspired by photographs taken by the Hubble space telescope. Each section is inspired by one photo; the title of each section is the title that NASA gave to the photograph. The words Ha Shamayim are Hebrew for The Heavens. They are written in Genesis 1:1, In the beginning God created the heavens and the earth. The words are also seen in Psalm 19. Section I: Warped Edge-On Galaxy ESO 510-G13 The piece begins in outer space with its glistening stars. Glissandi are used to depict the strange but beautiful warp seen in the photograph. Section II: Galaxy Fires at Neighboring Galaxy Suddenly the piece erupts as one galaxy fires blue gas at its neighbor. They engage in a cosmic battle. Section III: Youthful-looking Galaxy May Be an Adult The adolescent galaxy is personified by a humorous, gawky melody reminiscent of teenage boys who walk on feet that are still too big. Occasionally there is an argument with an authority figure, but the joy of exploring the universe quickly returns. Section IV: Star Birth in Galaxy M83 The dramatic photograph looks like a womb with veins. The music begins on one note, then it begins to explore the initial swelling and stretching. It morphs into an energetic fast theme, still growing. Ultimately it becomes glorious and expansive, like the new star. Section V: String of ‘Cosmic Pearls’ Surrounds an Exploding Star The first theme is a happy circle dance inspired by the circle of white dots in the photograph. The second theme is noble and joyful. It is reminiscent of the melody in the famous chorus in Haydn’s The Creation with the words from Psalm 19, The heavens are telling the glory of God. The music then has flashbacks to the earlier sections, and ends in triumph. The five sections in Ha Shamayim are continuous with no breaks. Difficulty Level: 5 (Advanced/Professional) See composer website for audio sample. Performance materials available on rental only:.

Arranged by Dwight Gustafson. Arr. Dwight Gustafson. For full orchestra. Full Orchestra. Full Orchestra. Level: Level 4 (grade 4). Conductor Score and Parts. 2 pages. Published by Alfred Publishing.

Orchestra - Grade 1.5

SKU: AP.44831S

From Piano Quintet in A Major. Composed by Franz Schubert. Arranged by Andrew H. Dabczynski. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Explorer. Form: Transcription. Classical; Masterwork Arrangement; Romantic. Score. 12 pages. Duration 3:05. Highland/Etling #00-44831S. Published by Highland/Etling (AP.44831S).

UPC: 038081518237. English.

Based on one of the most famous themes in classical literature, this arrangement by Andrew Dabczynski captures the essence of the Trout Quintet. This music will fall under the fingers of the entire orchestra, with solos for all and special features for the basses! It provides an excellent opportunity to learn many important techniques and concepts, and is a perfect selection for introducing Shubert's glorious melodies to students and audiences alike. (3:05).