Orchestra SKU: LO.30-2205L Composed by Mark Hayes. Choral, cantatas. East...(+)
Orchestra
SKU:
LO.30-2205L
Composed
by Mark Hayes. Choral,
cantatas. Eastertide,
Palm Sunday, Holy Week,
Sacred. Orchestral score
and parts. Exaltation
Publications #30/2205L.
Published by Exaltation
Publications
(LO.30-2205L).
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Vocal
score. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140203. Published by
Carus Verlag
(CA.3140203).
ISBN
9790007295080.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140212. Published by
Carus Verlag
(CA.3140212).
ISBN
9790007301590.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140211. Published by
Carus Verlag
(CA.3140211).
ISBN
9790007301583.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140249. Published by
Carus Verlag
(CA.3140249).
ISBN
9790007301620.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Single
Part, viola. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140213. Published by
Carus Verlag
(CA.3140213).
ISBN
9790007301606.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Choral
Score. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140205. Published by
Carus Verlag
(CA.3140205).
ISBN
9790007295097.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Carus
digital: Extra digital
products. Full Score.
Composed 1728/1729. BWV
197a / 197.1. Duration 25
minutes. Carus Verlag
#3140200. Published by
Carus Verlag
(CA.3140200).
ISBN
9790007295066.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Set of
Orchestra Parts. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140209. Published by
Carus Verlag
(CA.3140209).
ISBN
9790007301576.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Set of
Orchestra Parts. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140219. Published by
Carus Verlag
(CA.3140219).
ISBN
9790007300258.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Single
Part, basso continuo.
Composed 1728/1729. BWV
197a / 197.1. Duration 25
minutes. Carus Verlag
#3140214. Published by
Carus Verlag
(CA.3140214).
ISBN
9790007301613.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Full Orchestra (Print) Choir (Orchestra Accompaniment) SKU: HL.35032262 C...(+)
Full Orchestra (Print)
Choir (Orchestra
Accompaniment)
SKU:
HL.35032262
Composed
by Heather Sorenson and
Joseph M. Martin. Shawnee
Sacred. Advent, Cantata,
Christmas,
Christmas/Advent Sacred,
General Worship, Sacred.
Softcover. Duration 3360
seconds. Published by
Shawnee Press
(HL.35032262).
ISBN
9781540027139. UPC:
888680746728.
9.0x13.5x2.261 inches.
Joseph M. Martin/Heather
Sorenson.
The
Christmas story is told
with fresh perspective in
this collaborative
cantata from Joseph
Martin and Heather
Sorenson. Throughout
time, God has touched and
motivated hearts through
dreams and visions.
Christmas Dreams visits
these moments in
scripture and connects
the experiences of
ancient times with our
modern journey of faith,
pointing to Christ, in
whose birth the hopes,
yearnings and dreams of
all the world are
fulfilled. Using
traditional carols, newly
composed seasonal
selections and thoughtful
narration, this rich work
delivers a tapestry of
sound and emotion. Share
this cantata with your
people and help them
discover God's graceful
touch in their lives!
Songs include: Christmas
Dreams Overture; Advent
Dreams; The Promise and
the Prayer; A New Morning
of Promise; Zechariah's
Song; Mary's Dream; All
Through the Night; Hark!
The Herald Angels Sing;
The Magi's Epiphany;
Christmas Dreams; A
Gentle Christmas
Blessing.
Our God Orchestre - Intermédiaire Lillenas Publishing Co.
Orchestra - Intermediate SKU: LO.765762213203 Composed by Billy Payne. Al...(+)
Orchestra - Intermediate
SKU:
LO.765762213203
Composed by Billy Payne.
Allegis. Orchestration,
enhanced CD. Lillenas
Publishing Company
#765762213203. Published
by Lillenas Publishing
Company
(LO.765762213203).
UPC:
765762213203.
The
fresh and creative
Allegis Orchestral Series
is designed to give small
to mid-sized churches an
instrumental resource
that can be played with a
mix of players, but
includes everything the
large church orchestra
needs, as well. These
moderately difficult hymn
arrangements have been
created in popular styles
that your
instrumentalists and
congregation alike with
love. With three
accompaniment options
(piano, live rhythm
section, or recorded
rhythm tracks) this
series fits the needs of
any size group, from
eight players to a full
orchestra. Everything you
need for practice and
performance is included
on the Enhanced CD:
printable instrumental
parts, optional
instrumental parts, capo
guitar parts, and
rhythm/piano
accompaniment, plus the
rhythm accompaniment
track and demonstration
track. Minimum
Instrumentation: Part 1
– Fl; Part 2
– Ob (Cl, S Sax);
Part 3 – Cl (A
Sax); Part 4 –
Tpt; Part 5 – Tpt
(A Sax); Part 6 –
Hn (A Sax, Cl); Part 7
– Tbn (Bari TC, T
Sax).
By Lloyd Larson. Arranged by Victor C Johnson. For orchestration (2 flutes, oboe...(+)
By Lloyd Larson. Arranged
by Victor C Johnson. For
orchestration (2 flutes,
oboe, 2 clarinets,
bassoon, 2 horns, 3
trumpets, 2 trombones,
tuba, 2 percussion, harp,
piano, 2 violins, viola,
cello, bass). Cantatas.
Christmas, Sacred. Full
score, set of part
(A Christmas Worship Experience of the Christ-Light). By Mary Mcdonald. Arranged...(+)
(A Christmas Worship
Experience of the
Christ-Light). By Mary
Mcdonald. Arranged by
Laura Kathryn Rosser. For
full orchestra. Cantatas.
Christmas. Orchestral
score and parts.
Published by Monarch
Music
To God I Give My Heart and Soul, BWV 92. By Johann Sebastian Bach. Arranged by A...(+)
To God I Give My Heart
and Soul, BWV 92. By
Johann Sebastian Bach.
Arranged by Arnold
Schering. (Study Score).
Schott. 48 pages.
Published by Eulenburg.
(Christ's Passion, Our Redemption). By Mark Hayes. For orchestra. Cantatas. Holy...(+)
(Christ's Passion, Our
Redemption). By Mark
Hayes. For orchestra.
Cantatas. Holy Week,
Eastertide, Sacred. CD
with Printable Parts.
Published by Lorenz
Publishing Company
Christ's Passion, Our Redemption. Composed by Mark Hayes. Choral, cantata...(+)
Christ's Passion, Our
Redemption. Composed
by Mark Hayes. Choral,
cantatas. Holy Week,
Eastertide, Sacred. Full
score and parts, plus CD
with printable parts.
Lorenz Publishing Company
#30/2902L. Published by
Lorenz Publishing Company
(LO.30-2902L).
Full orchestra SKU: LO.30-3538L Composed by Mary McDonald. Choral, cantat...(+)
Full orchestra
SKU:
LO.30-3538L
Composed
by Mary McDonald. Choral,
cantatas. Eastertide,
Holy Week. Full score and
parts, plus CD with
printable parts. Lorenz
Publishing Company
#30/3538L. Published by
Lorenz Publishing Company
(LO.30-3538L).
UPC:
000308148961.
The
resurrection of Jesus
changed the world and
continues to change the
world today. Jesus! The
Resurrection of the
Messiah tells the
intimate story of the
grief, the fear, the
hope, the love, the
tenderness, and the
longing of God for His
children expressed
through the life, death,
and resurrection of
Jesus. Mary McDonald and
Rose Aspinall combined
their talents to create a
compelling musical that
will take you through the
emotions of the Triumphal
Entry, the raising of
Lazarus, the Last Supper,
the moment in the garden
when Jesus is arrested,
the Crucifixion, and
finally to the joyous
Resurrection. This work
may be programmed in its
entirety or presented in
segments during Palm
Sunday, Holy Week, and
Resurrection Sunday
worship settings. It may
be done with choir and
piano alone or can
include the optional
orchestrations created by
Michael Lawrence and Ed
Hogan. This powerful
worship tool is an
inspiring reminder of the
life-changing impact of
this Deliverer, Redeemer,
and
Savior….Jesus!
Full orchestra SKU: LO.30-3653L Composed by Pepper Choplin. Arranged by M...(+)
Full orchestra
SKU:
LO.30-3653L
Composed
by Pepper Choplin.
Arranged by Michael
Lawrence. Choral,
cantatas. Eastertide,
Holy Week. Score and
parts, plus CD with
printable parts. Lorenz
Publishing Company
#30/3653L. Published by
Lorenz Publishing Company
(LO.30-3653L).
UPC:
000308152227.
Score
and parts plus CD with
printable parts for The
Body of Christ (55/1197L)
Pepper Choplin
beautifully and
creatively crafted this
telling of the final days
of Jesus’ life,
focusing on the meaning
of His words and actions
leading to the cross.
With stunning melodies
and a powerful
orchestration by Michael
Lawrence, we reflect on
the feet that walked the
earth, the hands that
touched and healed, the
voice that spoke the Word
of God, and the head that
bore a crown of thorns as
Jesus was sacrificed.
From the worshipful
opener, We Behold His
Glory, to the meditative
and stunningly powerful
path to the cross, O
Sacred Journey, the
importance of
Christ’s body
remains the center point
of this work. The final
number, We Are the Body
of Christ, is a
benediction that can be
presented immediately
following the preceding
number or after closing
remarks from a speaker.
For Christ is our head
and though we are many,
His Spirit will make us
one…Go now as the
body of Christ..
Full orchestra SKU: LO.30-3650L Composed by Pepper Choplin. Arranged by M...(+)
Full orchestra
SKU:
LO.30-3650L
Composed
by Pepper Choplin.
Arranged by Michael
Lawrence. Choral,
cantatas. Eastertide,
Holy Week. Full score.
Lorenz Publishing Company
#30/3650L. Published by
Lorenz Publishing Company
(LO.30-3650L).
UPC:
000308152197.
Full
score for The Body of
Christ (55/1197L) Pepper
Choplin beautifully and
creatively crafted this
telling of the final days
of Jesus’ life,
focusing on the meaning
of His words and actions
leading to the cross.
With stunning melodies
and a powerful
orchestration by Michael
Lawrence, we reflect on
the feet that walked the
earth, the hands that
touched and healed, the
voice that spoke the Word
of God, and the head that
bore a crown of thorns as
Jesus was sacrificed.
From the worshipful
opener, We Behold His
Glory, to the meditative
and stunningly powerful
path to the cross, O
Sacred Journey, the
importance of
Christ’s body
remains the center point
of this work. The final
number, We Are the Body
of Christ, is a
benediction that can be
presented immediately
following the preceding
number or after closing
remarks from a speaker.
For Christ is our head
and though we are many,
His Spirit will make us
one…Go now as the
body of Christ..
Full orchestra SKU: LO.30-3651L Composed by Pepper Choplin. Arranged by M...(+)
Full orchestra
SKU:
LO.30-3651L
Composed
by Pepper Choplin.
Arranged by Michael
Lawrence. Choral,
cantatas. Eastertide,
Holy Week. Instrumental
parts. Lorenz Publishing
Company #30/3651L.
Published by Lorenz
Publishing Company
(LO.30-3651L).
UPC:
000308152203.
Set
of parts for The Body of
Christ (55/1197L) Pepper
Choplin beautifully and
creatively crafted this
telling of the final days
of Jesus’ life,
focusing on the meaning
of His words and actions
leading to the cross.
With stunning melodies
and a powerful
orchestration by Michael
Lawrence, we reflect on
the feet that walked the
earth, the hands that
touched and healed, the
voice that spoke the Word
of God, and the head that
bore a crown of thorns as
Jesus was sacrificed.
From the worshipful
opener, We Behold His
Glory, to the meditative
and stunningly powerful
path to the cross, O
Sacred Journey, the
importance of
Christ’s body
remains the center point
of this work. The final
number, We Are the Body
of Christ, is a
benediction that can be
presented immediately
following the preceding
number or after closing
remarks from a speaker.
For Christ is our head
and though we are many,
His Spirit will make us
one…Go now as the
body of Christ..
Full orchestra SKU: LO.30-3537L Composed by Mary McDonald. Choral, cantat...(+)
Full orchestra
SKU:
LO.30-3537L
Composed
by Mary McDonald. Choral,
cantatas. Eastertide,
Holy Week. CD with
printable parts. Lorenz
Publishing Company
#30/3537L. Published by
Lorenz Publishing Company
(LO.30-3537L).
UPC:
000308148930.
The
resurrection of Jesus
changed the world and
continues to change the
world today. Jesus! The
Resurrection of the
Messiah tells the
intimate story of the
grief, the fear, the
hope, the love, the
tenderness, and the
longing of God for His
children expressed
through the life, death,
and resurrection of
Jesus. Mary McDonald and
Rose Aspinall combined
their talents to create a
compelling musical that
will take you through the
emotions of the Triumphal
Entry, the raising of
Lazarus, the Last Supper,
the moment in the garden
when Jesus is arrested,
the Crucifixion, and
finally to the joyous
Resurrection. This work
may be programmed in its
entirety or presented in
segments during Palm
Sunday, Holy Week, and
Resurrection Sunday
worship settings. It may
be done with choir and
piano alone or can
include the optional
orchestrations created by
Michael Lawrence and Ed
Hogan. This powerful
worship tool is an
inspiring reminder of the
life-changing impact of
this Deliverer, Redeemer,
and
Savior….Jesus!
Full orchestra SKU: LO.30-3652L Composed by Pepper Choplin. Arranged by M...(+)
Full orchestra
SKU:
LO.30-3652L
Composed
by Pepper Choplin.
Arranged by Michael
Lawrence. Choral,
cantatas. Eastertide,
Holy Week. CD with
printable parts. Lorenz
Publishing Company
#30/3652L. Published by
Lorenz Publishing Company
(LO.30-3652L).
UPC:
000308152210.
CD
with printable parts for
The Body of Christ
(55/1197L) Pepper Choplin
beautifully and
creatively crafted this
telling of the final days
of Jesus’ life,
focusing on the meaning
of His words and actions
leading to the cross.
With stunning melodies
and a powerful
orchestration by Michael
Lawrence, we reflect on
the feet that walked the
earth, the hands that
touched and healed, the
voice that spoke the Word
of God, and the head that
bore a crown of thorns as
Jesus was sacrificed.
From the worshipful
opener, We Behold His
Glory, to the meditative
and stunningly powerful
path to the cross, O
Sacred Journey, the
importance of
Christ’s body
remains the center point
of this work. The final
number, We Are the Body
of Christ, is a
benediction that can be
presented immediately
following the preceding
number or after closing
remarks from a speaker.
For Christ is our head
and though we are many,
His Spirit will make us
one…Go now as the
body of Christ..
ISBN
9790006574926. 33 x 24 cm
inches. Preface: Sylvie
Bouissou. Text:
Simon-Joseph
Pellegrin.
Rameauâ
€™s “Hippolyte
et Aricieâ€
showcases great
confusions amongst nymphs
and gods. The opera
represents a fascinating
masterpiece of a Baroque
“Tragdie en
musique†by the
French composer. This
edition of the
“Symphoniesâ€
includes all of the
purely instrumental
numbers of the opera in
their various versions.
The contents provides an
overview of the movements
according to keys so that
an effective suite can be
easily compiled for a
concert performance. The
expressive and diverse
music encompasses some of
Rameau’s most
popular instrumental
works.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
