Full orchestra SKU: LO.30-3707MD Composed by Marty Parks. Choral. Sacred ...(+)
Full orchestra
SKU:
LO.30-3707MD
Composed
by Marty Parks. Choral.
Sacred Anthem, Advent,
Christmas. Orchestral
score and CD with
printable parts.
Medallion Music
#30/3707MD. Published by
Medallion Music
(LO.30-3707MD).
UPC:
000308154122.
Orche
stral Score and CD with
Printable Parts for
10/5315MD Only a Silent
Night is a lovely,
tranquil arrangement from
beloved composer, Marty
Parks. The music is
outstanding, but the true
beauty of this Christmas
ballad lies in Marty's
original text: And only
the song of the herald
angels could offer the
earth something glorious
with only three words
that could change the
world: God with us!
Invite God’s
presence into your
worship with this moving
anthem.
Full orchestra SKU: LO.30-3741MD Composed by Mary McDonald. Arranged by J...(+)
Full orchestra
SKU:
LO.30-3741MD
Composed
by Mary McDonald.
Arranged by Jay Rouse.
Choral, cantatas. Advent,
Christmas, Sacred. Score
and parts, plus CD with
printable parts.
Medallion Music
#30/3741MD. Published by
Medallion Music
(LO.30-3741MD).
UPC:
000308154764.
Score
and Parts plus CD with
Printable Parts for
65/2104MD Mary McDonald
and Jay Rouse combine
their compositional gifts
to bring us this moving
musical for Advent and
Christmas. Beautiful
music from Mary and Jay,
deeply thoughtful
narrations from Rose
Aspinall, and a fabulous
orchestration by Ed Hogan
and Jay highlight the
message at the heart of
Christmas—Godâ€
™s love through Jesus
Christ. You’ll
find a bit of everything
here, including original
songs, familiar carols,
fresh settings of
timeless Christmas
favorites, and ministry
songs that will reach the
heart of every listener.
Songs like Mary’s
Sing Out Our
Savior’s Birth and
Look on Him with Love and
Jay’s A Midwinter
Noel and Love Made a Way
all serve to bring into
focus God’s
undeserved and
unfathomable love through
Jesus Christ. Celebrate
how love made a way for
each of us with this
impactful musical! His
coming means freedom for
the captive, sight for
the blind, good news for
the poor. Jesus is Love
incarnate, and He alone
makes a way home for
fallen man..
Full orchestra SKU: LO.30-3740MD Composed by Mary McDonald. Arranged by J...(+)
Full orchestra
SKU:
LO.30-3740MD
Composed
by Mary McDonald.
Arranged by Jay Rouse.
Choral, cantatas. Advent,
Christmas, Sacred. CD
with printable parts.
Medallion Music
#30/3740MD. Published by
Medallion Music
(LO.30-3740MD).
UPC:
000308154771.
CD
with Printable Parts for
65/2104MD Mary McDonald
and Jay Rouse combine
their compositional gifts
to bring us this moving
musical for Advent and
Christmas. Beautiful
music from Mary and Jay,
deeply thoughtful
narrations from Rose
Aspinall, and a fabulous
orchestration by Ed Hogan
and Jay highlight the
message at the heart of
Christmas—Godâ€
™s love through Jesus
Christ. You’ll
find a bit of everything
here, including original
songs, familiar carols,
fresh settings of
timeless Christmas
favorites, and ministry
songs that will reach the
heart of every listener.
Songs like Mary’s
Sing Out Our
Savior’s Birth and
Look on Him with Love and
Jay’s A Midwinter
Noel and Love Made a Way
all serve to bring into
focus God’s
undeserved and
unfathomable love through
Jesus Christ. Celebrate
how love made a way for
each of us with this
impactful musical! His
coming means freedom for
the captive, sight for
the blind, good news for
the poor. Jesus is Love
incarnate, and He alone
makes a way home for
fallen man..
Full orchestra SKU: LO.30-3719MD Choral. Sacred Anthem. Orchestral score ...(+)
Full orchestra
SKU:
LO.30-3719MD
Choral.
Sacred Anthem. Orchestral
score and CD with
printable parts.
Medallion Music
#30/3719MD. Published by
Medallion Music
(LO.30-3719MD).
UPC:
000308154214.
Orche
stral Score and CD with
Printable Parts for
10/5335MD The popular
Jonas Myrin and Phil
Wickham worship anthem is
expertly arranged by Jay
Rouse. Even though this
worship song is
choir-led, it is also
ideal for congregational
worship and accessible
without sounding so.
Inspire your choir and
congregation to focus on
the goodness of God with
this praise-filled
selection.
Composed by Edward Elgar.
Edited by Barbara Mohn.
Carus digital: Extra
digital products. Full
Score. Composed 1900. Op.
38. Duration 100 minutes.
Carus Verlag #2300400.
Published by Carus Verlag
(CA.2300400).
ISBN
9790007240783.
English/German. Text:
Newman, John
Henry.
This is the
best of me, wrote Edward
Elgar after the final
measure of his Dream of
Gerontius. Premiered in
1900, in Great Britain
the work has long been a
standard work in the
repertoire of large
oratorio choirs. Elgar's
moving, poetic setting of
the eponymous poem by
Cardinal John Henry
Newman is about a dying
man and his journey
beyond death to God.
Before the eyes of the
listeners, a musical
image of the soul is
created which flies past
mocking demons to God
with its protecting angel
at its side, is allowed
to look at God briefly,
then faces the purgatory
confident and comforted.
The work is a real rarity
in the history of
oratorio, and for large
choirs it is a thrilling
alternative to the
established repertoire of
Requiem settings. Its
popularity is thanks to
the suggestive, often
sensuous power of the
music, the great choral
scenes of the demons and
the angels, and the three
impressive solo
parts.All
previous editions were
reprints based on the
historic first printed
materials, which are
inconsistent. By
contrast, Carus has
produced a modern,
newly-engraved edition,
compatible in all
sections, which takes all
the sources into
consideration and
evaluates the autograph
manuscript in detail. For
this edition the complete
orchestral material is
available on sale, and
the vocal score and full
score contain both
English and German
singing texts. The full
score is also available
digitally.*,A milestone of late
Romantic choral music,
and a standard work in
Great Britain*,First
modern score with a full
Critical Report and
complete performance
material- English and
german singing
texts
Composed by Edward Elgar.
Edited by Barbara Mohn.
Vocal score. Composed
1900. Op. 38. Duration
100 minutes. Carus Verlag
#2300403. Published by
Carus Verlag
(CA.2300403).
ISBN
9790007240790.
English/German. Text:
Newman, John
Henry.
This is the
best of me, wrote Edward
Elgar after the final
measure of his Dream of
Gerontius. Premiered in
1900, in Great Britain
the work has long been a
standard work in the
repertoire of large
oratorio choirs. Elgar's
moving, poetic setting of
the eponymous poem by
Cardinal John Henry
Newman is about a dying
man and his journey
beyond death to God.
Before the eyes of the
listeners, a musical
image of the soul is
created which flies past
mocking demons to God
with its protecting angel
at its side, is allowed
to look at God briefly,
then faces the purgatory
confident and comforted.
The work is a real rarity
in the history of
oratorio, and for large
choirs it is a thrilling
alternative to the
established repertoire of
Requiem settings. Its
popularity is thanks to
the suggestive, often
sensuous power of the
music, the great choral
scenes of the demons and
the angels, and the three
impressive solo
parts.All
previous editions were
reprints based on the
historic first printed
materials, which are
inconsistent. By
contrast, Carus has
produced a modern,
newly-engraved edition,
compatible in all
sections, which takes all
the sources into
consideration and
evaluates the autograph
manuscript in detail. For
this edition the complete
orchestral material is
available on sale, and
the vocal score and full
score contain both
English and German
singing texts. The full
score is also available
digitally.*,A milestone of late
Romantic choral music,
and a standard work in
Great Britain*,First
modern score with a full
Critical Report and
complete performance
material- English and
german singing
texts
Choral (Orchestra) SKU: HP.C6340 Composed by Mary McDonald. Piano with op...(+)
Choral (Orchestra)
SKU: HP.C6340
Composed by Mary
McDonald. Piano with
optional Orchestra.
Scripture-Based,
Christmas, Birth of Jesus
Christ. Octavo. 12 pages.
Hope Publishing Company
#C6340. Published by Hope
Publishing Company
(HP.C6340).
Full orchestra SKU: LO.30-3681MD Composed by Jay Rouse. Choral collection...(+)
Full orchestra
SKU:
LO.30-3681MD
Composed
by Jay Rouse. Choral
collection. Sacred
Choral, Concert,
Eastertide, General.
Orchestral score and CD
with printable parts.
Medallion Music
#30/3681MD. Published by
Medallion Music
(LO.30-3681MD).
UPC:
000308153286.
Orche
stral Score and CD with
Printable Parts for
55/1199MD This deeply
moving collection from
Jay Rouse includes six
songs that glory in the
cross of Christ. Highly
appropriate for use
throughout the Easter
season, it is just as
impactful year-round. It
includes the classic
Annie Herring Easter Song
in an easily learned
contemporary style; a
gospel setting of the
much-loved hymn My
Savior’s Love; two
modern worship anthems,
Broken Bread, Broken Life
and Jesus Crucified; the
beloved Dottie Rambo song
I Will Glory in the
Cross; and an elegant
setting of the timeless
hymn Beneath the Cross of
Jesus. Optional
narrations from gifted
writer Rose Aspinall will
bring the truths of
scripture to life in a
refreshing way.
There’s an eternal
mystery in the cross,
that instrument of death
and grace. Hanging there
by His own choosing, the
Son of God purchases life
for you and me..
(A Christmas Worship Experience of the Christ-Light). By Mary Mcdonald. Arranged...(+)
(A Christmas Worship
Experience of the
Christ-Light). By Mary
Mcdonald. Arranged by
Laura Kathryn Rosser. For
full orchestra. Cantatas.
Christmas. Orchestral
score and parts.
Published by Monarch
Music
Full orchestra SKU: LO.30-3739MD Composed by Mary McDonald. Arranged by J...(+)
Full orchestra
SKU:
LO.30-3739MD
Composed
by Mary McDonald.
Arranged by Jay Rouse.
Choral, cantatas. Advent,
Christmas, Sacred.
Instrumental parts.
Medallion Music
#30/3739MD. Published by
Medallion Music
(LO.30-3739MD).
UPC:
000308154788.
Set
of Parts for 65/2104MD
Mary McDonald and Jay
Rouse combine their
compositional gifts to
bring us this moving
musical for Advent and
Christmas. Beautiful
music from Mary and Jay,
deeply thoughtful
narrations from Rose
Aspinall, and a fabulous
orchestration by Ed Hogan
and Jay highlight the
message at the heart of
Christmas—Godâ€
™s love through Jesus
Christ. You’ll
find a bit of everything
here, including original
songs, familiar carols,
fresh settings of
timeless Christmas
favorites, and ministry
songs that will reach the
heart of every listener.
Songs like Mary’s
Sing Out Our
Savior’s Birth and
Look on Him with Love and
Jay’s A Midwinter
Noel and Love Made a Way
all serve to bring into
focus God’s
undeserved and
unfathomable love through
Jesus Christ. Celebrate
how love made a way for
each of us with this
impactful musical! His
coming means freedom for
the captive, sight for
the blind, good news for
the poor. Jesus is Love
incarnate, and He alone
makes a way home for
fallen man..
Full orchestra SKU: LO.30-3738MD Composed by Mary McDonald. Arranged by J...(+)
Full orchestra
SKU:
LO.30-3738MD
Composed
by Mary McDonald.
Arranged by Jay Rouse.
Choral, cantatas. Advent,
Christmas, Sacred. Full
score. Medallion Music
#30/3738MD. Published by
Medallion Music
(LO.30-3738MD).
UPC:
000308154795.
Full
Score for 65/2104MD Mary
McDonald and Jay Rouse
combine their
compositional gifts to
bring us this moving
musical for Advent and
Christmas. Beautiful
music from Mary and Jay,
deeply thoughtful
narrations from Rose
Aspinall, and a fabulous
orchestration by Ed Hogan
and Jay highlight the
message at the heart of
Christmas—Godâ€
™s love through Jesus
Christ. You’ll
find a bit of everything
here, including original
songs, familiar carols,
fresh settings of
timeless Christmas
favorites, and ministry
songs that will reach the
heart of every listener.
Songs like Mary’s
Sing Out Our
Savior’s Birth and
Look on Him with Love and
Jay’s A Midwinter
Noel and Love Made a Way
all serve to bring into
focus God’s
undeserved and
unfathomable love through
Jesus Christ. Celebrate
how love made a way for
each of us with this
impactful musical! His
coming means freedom for
the captive, sight for
the blind, good news for
the poor. Jesus is Love
incarnate, and He alone
makes a way home for
fallen man..
Full orchestra SKU: LO.30-3763MD Composed by Jay Rouse. Choral. Sacred An...(+)
Full orchestra
SKU:
LO.30-3763MD
Composed
by Jay Rouse. Choral.
Sacred Anthem, General,
Good Friday, Holy Week.
Orchestral score and CD
with printable parts.
Medallion Music
#30/3763MD. Published by
Medallion Music
(LO.30-3763MD).
UPC:
000308156263.
Orche
stral Score and CD with
Printable Parts for
10/5418MD This emotive
ballad by Jay Rouse
reflects on the pivotal
moment that Jesus was
abandoned by God the
Father and was left alone
to die--sacrificing His
life and taking on the
sin of the world. The
dynamic lyrics then
rejoice in the
Resurrection with a
euphoric and victorious
ending.
Full orchestra SKU: LO.30-3765MD Composed by Aaron Shust. Arranged by Jay...(+)
Full orchestra
SKU:
LO.30-3765MD
Composed
by Aaron Shust. Arranged
by Jay Rouse. Choral.
Sacred Anthem. Orchestral
score and CD with
printable parts.
Medallion Music
#30/3765MD. Published by
Medallion Music
(LO.30-3765MD).
UPC:
000308156331.
Orche
stral Score and Parts for
My Savior, My God
(10/5420MD) - This
popular worship song by
Aaron Shust rejoices in
the knowledge that God is
the same yesterday,
today, and forever.
Though full of mystery
beyond human
comprehension, His love
is sure and constant.
Arranged by Jay Rouse for
choir, this setting is a
wonderful opportunity for
choir and congregation to
worship together.
Orchestra SKU: SU.32040140 For Orchestra. Composed by Amy Riebs Mi...(+)
Orchestra
SKU:
SU.32040140
For
Orchestra. Composed
by Amy Riebs Mills.
Orchestra. Full Score.
Subito Music Corporation
#32040140. Published by
Subito Music Corporation
(SU.32040140).
2222; 4331;
timp, 2 perc, pno; stgs
Duration: 13'30 Composed:
2016 Published by: Amy
Mills Music, LLC Like a
modern Pictures at an
Exhibition…. Ha
Shamayim is an original
piece for orchestra that
was inspired by
photographs taken by the
Hubble space telescope.
Each section is inspired
by one photo; the title
of each section is the
title that NASA gave to
the photograph. The words
Ha Shamayim are Hebrew
for The Heavens. They are
written in Genesis 1:1,
In the beginning God
created the heavens and
the earth. The words are
also seen in Psalm 19.
Section I: Warped Edge-On
Galaxy ESO 510-G13
The piece begins in outer
space with its glistening
stars. Glissandi are used
to depict the strange but
beautiful warp seen in
the photograph. Section
II: Galaxy Fires at
Neighboring Galaxy
Suddenly the piece erupts
as one galaxy fires blue
gas at its neighbor. They
engage in a cosmic
battle. Section III:
Youthful-looking Galaxy
May Be an Adult The
adolescent galaxy is
personified by a
humorous, gawky melody
reminiscent of teenage
boys who walk on feet
that are still too big.
Occasionally there is an
argument with an
authority figure, but the
joy of exploring the
universe quickly returns.
Section IV: Star Birth in
Galaxy M83 The
dramatic photograph looks
like a womb with veins.
The music begins on one
note, then it begins to
explore the initial
swelling and stretching.
It morphs into an
energetic fast theme,
still growing. Ultimately
it becomes glorious and
expansive, like the new
star. Section V: String
of ‘Cosmic
Pearls’ Surrounds
an Exploding Star The
first theme is a happy
circle dance inspired by
the circle of white dots
in the photograph. The
second theme is noble and
joyful. It is reminiscent
of the melody in the
famous chorus in
Haydn’s The
Creation with the words
from Psalm 19, The
heavens are telling the
glory of God. The music
then has flashbacks to
the earlier sections, and
ends in triumph. The five
sections in Ha Shamayim
are continuous with no
breaks. Difficulty Level:
5 (Advanced/Professional)
See composer website for
audio sample. Performance
materials available on
rental only:.
Full orchestra SKU: LO.30-3747MD Choral. Sacred Anthem. Orchestral score ...(+)
Full orchestra
SKU:
LO.30-3747MD
Choral.
Sacred Anthem. Orchestral
score and CD with
printable parts.
Medallion Music
#30/3747MD. Published by
Medallion Music
(LO.30-3747MD).
UPC:
000308154863.
Orche
stral Score and CD with
Printable Parts for
10/5344MD With original
lyrics from Randy Cox and
Lowell Alexander, this
Richard Kingsmore
arrangement of the
traditional Gaelic melody
Morning Has Broken
beautifully expresses the
love of God shown through
Jesus Christ. Love from
the Father, Infant of
Mary, born in a manger,
not on a throne. Life
everlasting, living among
us, Jesus, the promise
wrapped up in love..
I-Pak (Full Orchestra). By Twila Paris, Michael W. Smith. Arranged by Russell Ma...(+)
I-Pak (Full Orchestra).
By Twila Paris, Michael
W. Smith. Arranged by
Russell Mauldin.
(IPAKO). Praisesong
Choral. Sacred. Size
8.5x11 inches. 53 pages.
Published by Praisesong.
(Based on God Rest Ye Merry, Gentlemen ). Arranged by Michael Story. Orchestra....(+)
(Based on God Rest Ye
Merry, Gentlemen ).
Arranged by Michael
Story. Orchestra. Full
Orchestra; Part(s);
Score; SmartMusic. Belwin
Intermediate Full
Orchestra. Christmas;
Sacred; Winter. Grade
2.5. 120 pages. Published
by Belwin Music
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Carus
digital: Extra digital
products. Full Score.
Composed 1728/1729. BWV
197a / 197.1. Duration 25
minutes. Carus Verlag
#3140200. Published by
Carus Verlag
(CA.3140200).
ISBN
9790007295066.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Vocal
score. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140203. Published by
Carus Verlag
(CA.3140203).
ISBN
9790007295080.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140212. Published by
Carus Verlag
(CA.3140212).
ISBN
9790007301590.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140211. Published by
Carus Verlag
(CA.3140211).
ISBN
9790007301583.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140249. Published by
Carus Verlag
(CA.3140249).
ISBN
9790007301620.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Single
Part, viola. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140213. Published by
Carus Verlag
(CA.3140213).
ISBN
9790007301606.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Choral
Score. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140205. Published by
Carus Verlag
(CA.3140205).
ISBN
9790007295097.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Set of
Orchestra Parts. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140209. Published by
Carus Verlag
(CA.3140209).
ISBN
9790007301576.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Set of
Orchestra Parts. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140219. Published by
Carus Verlag
(CA.3140219).
ISBN
9790007300258.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Single
Part, basso continuo.
Composed 1728/1729. BWV
197a / 197.1. Duration 25
minutes. Carus Verlag
#3140214. Published by
Carus Verlag
(CA.3140214).
ISBN
9790007301613.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.