Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score)

SKU: HL.49018099

Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099).

ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German.

On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009.

By Ruth Elaine Schram. For orchestra (conductor's score). Holy Week, Holy Communion. Cantata. Published by Lorenz Publishing Company

By Gioachino Rossini. Edited by Tommy J. Fry. Arranged by Erik W. G. Leidzen. Concert Band. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, English Horn, Clarinet I, Clarinet II, Clarinet III, Bass Clarinet, Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Trumpet III, Trumpet IV, Horn I, Horn II, Horn III, Horn IV, Tenor I, Tenor II, Tenor III, Euphonium, Tuba, Contrabass, Timpani, Snare Drum, Xylophone, Triangle, Suspended Cymbal, Bass Drum. Carl Fischer Classic Band Editions. Level: Grade 6. Score and Set of Parts. 79 pages. Duration 3:15. Published by Carl Fischer.

Orchestra - Grade 0.5

SKU: AP.45817

Arranged by Sandra Dackow. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Orchestra Expressions. Folk; Traditional. Score and Part(s). 148 pages. Duration 2:15. Alfred Music #00-45817. Published by Alfred Music (AP.45817).

UPC: 038081525501. English. Traditional Irish Tune.

All in first position with straightforward rhythms and thematic parts for everyone, this poignant song arranged by Sandra Dackow will be a wonderful addition to any concert. The Girl I Left Behind Me first appears in 18th century Ireland, often known as Brighton Camp. It emigrated to the United States along with many other Anglo/Scots/Irish folk tunes and became a popular marching song for soldiers. During the American Civil War, soldiers in both the Confederate and Union armies sang it. A number of cultures have embraced this song, adding their own local lyrics. (2:15) This title is available in MakeMusic Cloud.

About Orchestra Expressions

< p>Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.

Orchestra - Grade 0.5

SKU: AP.45817S

Arranged by Sandra Dackow. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Orchestra Expressions. Folk; Traditional. Score. 8 pages. Duration 2:15. Alfred Music #00-45817S. Published by Alfred Music (AP.45817S).

UPC: 038081525518. English. Traditional Irish Tune.

All in first position with straightforward rhythms and thematic parts for everyone, this poignant song arranged by Sandra Dackow will be a wonderful addition to any concert. The Girl I Left Behind Me first appears in 18th century Ireland, often known as Brighton Camp. It emigrated to the United States along with many other Anglo/Scots/Irish folk tunes and became a popular marching song for soldiers. During the American Civil War, soldiers in both the Confederate and Union armies sang it. A number of cultures have embraced this song, adding their own local lyrics. (2:15) This title is available in MakeMusic Cloud.

About Orchestra Expressions

< p>Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.

Full orchestra

SKU: LO.30-3794L

Composed by Jay Rouse. Choral. Sacred Anthem, Eastertide. Orchestral score and CD with printable parts. Lorenz Publishing Company #30/3794L. Published by Lorenz Publishing Company (LO.30-3794L).

UPC: 000308156379.

Orchestra - Grade 3.5

SKU: AP.FO9912C

Arranged by Jerry Brubaker. Full Orchestra; Performance Music Ensemble; Single Titles. Pop Concert Full Orchestra. Light Concert; Movie. Score. 44 pages. Duration 7:24. Belwin Music #00-FO9912C. Published by Belwin Music (AP.FO9912C).

UPC: 654979000365. English.

The world has waited years, and finally, last May, the motion picture event of the century exploded on the screen. Jerry Brubaker presents a highly creative mix of these great themes from the power-packed John Williams' score: Star Wars (Main Theme), Anakin's Theme, Augie's Great Municipal Band, Duel of the Fates, and the End Credits. Every orchestra in the world will be playing this one! (7:24).

For Viola, Women's Chorus and Orchestra. By William Schuman. Orchestra. First performance: Boston Symphony Orchestra under the direction of Michael Tilson Thomas, with Donal McInnes, Viola Soloist, and the Radcliffe Choral Society, November 29, 1973, Boston, Massachusetts. Full Score - Study. 151 pages. Duration 40:00:00. Published by Theodore Presser Company.

Orchestra - Grade 3-4

SKU: AP.49879

As Performed by Van Halen. Composed by Alex Van Halen, Eddie Van Halen, Michael Anthony, and Sammy Hagar. Arranged by Mark Wood. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Mark Wood Series. Light Concert; Pop/Rock; Radio; Rock. Score and Part(s). Duration 4:35. Alfred Music #00-49879. Published by Alfred Music (AP.49879).

ISBN 9781470663773. UPC: 038081580791. English.

Dreams is one of the great Van Halen songs now transcribed for string orchestra. As a string player, I was enamored with Eddie Van Halen. He was a big influence on me while I was studying at Juilliard. I purposely lowered the key to A major for better playability. The tempo is brisk, yet very attainable. The upbeat and positive posture of this composition was a big attraction to me as a musician, and it was an honor for me to show great respect to the song and our string world! The play-along tracks feature my personal band! (4:35).

Orchestra - Grade 3-4

SKU: AP.49879S

As Performed by Van Halen. Composed by Alex Van Halen, Eddie Van Halen, Michael Anthony, and Sammy Hagar. Arranged by Mark Wood. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Mark Wood Series. Light Concert; Pop/Rock; Radio; Rock. Score. Duration 4:35. Alfred Music #00-49879S. Published by Alfred Music (AP.49879S).

ISBN 9781470663780. UPC: 038081580807. English.

Dreams is one of the great Van Halen songs now transcribed for string orchestra. As a string player, I was enamored with Eddie Van Halen. He was a big influence on me while I was studying at Juilliard. I purposely lowered the key to A major for better playability. The tempo is brisk, yet very attainable. The upbeat and positive posture of this composition was a big attraction to me as a musician, and it was an honor for me to show great respect to the song and our string world! The play-along tracks feature my personal band! (4:35).

Arranged by Gary Fry. Orchestra. Full Orchestra; Score. Professional Orchestra Series. Form: Medley. Movie. 6 . 68 pages. Published by Alfred Music Publishing

Arranged by Gary Fry. Orchestra. Full Orchestra; Part(s); Score. Professional Orchestra Series. Form: Medley. Movie. 6 . 239 pages. Published by Alfred Music Publishing

Composed by Camille Saint-Saens (1835-1921). Edited by Michael Stegemann. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 78, No. 3. Baerenreiter Verlag #BA07896. Published by Baerenreiter Verlag (BA.BA07896).

Composed by Camille Saint-Saens (1835-1921). Edited by Michael Stegemann. This edition: urtext. Stapled. Organ part. 16 pages. Published by Baerenreiter Verlag (BA.BA7896-67).

Orchestra

SKU: BA.BA08896

Tragédie in five acts. Composed by Jean-Philippe Rameau. Edited by Sylvie Bouissou. This edition: urtext edition. Paperback. Symphonien / Fassungen von 1733, 1742 und 1757. Score, anthology. RCT 43. Baerenreiter Verlag #BA08896_00. Published by Baerenreiter Verlag (BA.BA08896).

ISBN 9790006574926. 33 x 24 cm inches. Preface: Sylvie Bouissou. Text: Simon-Joseph Pellegrin.

Rameauâ €™s “Hippolyte et Aricie” showcases great confusions amongst nymphs and gods. The opera represents a fascinating masterpiece of a Baroque “Tragdie en musique” by the French composer. This edition of the “Symphonies” includes all of the purely instrumental numbers of the opera in their various versions. The contents provides an overview of the movements according to keys so that an effective suite can be easily compiled for a concert performance. The expressive and diverse music encompasses some of Rameau’s most popular instrumental works.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Henry Purcell. Arranged by Ellen Harris. (Study Score). Schott. Size 5.25x7.5 inches. 98 pages. Published by Eulenburg.

Orchestra - all

SKU: PR.816600040

Composed by Wolfgang Amadeus Mozart. CD Sheet Music (Version 1). Full Scores to all of the major works for orchestra by Mozart - parts not included. Classical Period. CD Sheet Music. 2000 printable pages. Published by Theodore Presser Company (PR.816600040).

UPC: 680160600045. 5.5x5 inches.

This disk contains study scores of all 41 of Mozart's Symphonies, as well as Concertos for Winds and Strings (Piano Concertos are on a companion CD-ROM), Serenades, Opera Overtures, Divertimentos, and other works.

About CD Sheet Music (Version 1)

CD Sheet Music (Version 1) was the initial CD Sheet Music series distributed by Theodore Presser. The CDs include thousands of pages of music that are viewable and printable on Mac or PC. Version 1 titles are a great value at 40% off, as we make room in our warehouse for the newly enhanced CD Sheet Music (Version 2.0) series.

Orchestra (Full Score)

SKU: HL.244904

For Orchestra. Composed by Bryce Dessner. Music Sales America. Classical. Softcover. Composed 2017. 64 pages. Duration 1020 seconds. Chester Music #CH83985. Published by Chester Music (HL.244904).

8.25x12.0x0.508 inches.

Quilting, co-commissioned by the BBC Symphony Orchestra and the Los Angeles Philharmonic, is my first stand alone work for orchestraand is loosely inspired by the American tradition of quilt making. I composed Quilting while living most of last year in Paris.During my time there, I thought a lot about what it means to compose symphonic music as a young American in the 21st century, when so many of the many masterworks which are programmed year in and out by orchestras across the country are European. I considered which artistic traditions defined the American 19th-century. I began to think of the American crafts-tradition of quilting as a foilto the high-art tradition of European orchestral composition. As the score for my new work began to take shape, I started thinking about the manuscript itself as an object, its vertical and horizontal planes create a kind of patterned geometry of their own. Visually the way a musical score is woven together like patchwork brought to mind quilts and the great American tradition of quilting. I imagined about how conducting an orchestra can feellike stitching a piece together, or sewing together a large number of musical ideas and musicians into a coherent and transcendent whole. Quilting was an integral part of American vernacular in the 18th and 19th centuries, the African-American quilting tradition is especially fascinating, and the quilts tell the stories of the women and communities who made them. The names of the quilt patterns themselves can have their own sense of narrative: 'jacobs ladder', 'drunkards path', 'solomon's puzzle', and (my favorite for its relevance to this piece) 'the road to California. - Bryce Dessner.

Orchestra (Full Score)

SKU: HL.1283364

For Orchestra. Composed by William Bolcom. Arranged by Edmund Cionek. LKM Music. Classical. Softcover. Duration 480 seconds. Edward B. Marks Music #MP077085. Published by Edward B. Marks Music (HL.1283364).

UPC: 196288166641.

Dedic ation for chamber orchestra by William Bolcom was written in 2021-2022, especially for the ROCO Chamber Orchestra. The commission was the result of a meeting between Alecia Lawyer and the composer at a Great American Songbook concert, hosted by Arthurand Shelley Gottschalk. Dedication is a concise but dramatic work. Its threepart is determined by tempo and motif. The work begins with Intro: Moderato. After a very soft ostinato sounds from the depths of the orchestra, two melodies emerge: the first in the Piccolo and Eb Clarinet, the second in the English Horn and Bassoon. They are complemented by strings in close harmony and lyrical muted brass. This is followed by Feroce! which engages the tutti ensemble in a cascade of brilliant fortissimo block harmonies. The next section, Allegro molto, is characterized by agile, virtuosic passage work and brash chords. Tempo I returns with familiar motifs wrapped in six sharps. Marked espressivo e cantabile, tutti strings provide an incandescent conclusion. Then soft string glissandi allow the music to fade back from wherever it came. Dedication is orchestrated by his former student Edmund Cionek.

Orchestra - Grade 3

SKU: AP.35916S

I'll Love My Love. Composed by Gustav Holst. Arranged by Christina Hans. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Form: Transcription. 20th Century; Folk; Masterwork Arrangement; Romantic. Score. 8 pages. Belwin Music #00-35916S. Published by Belwin Music (AP.35916S).

UPC: 038081407562. English.

The hauntingly beautiful English folk song, I'll Love My Love, tells the story of a young lady grief-stricken after her true love is sent off to sea. This arrangement is based on the second movement of Holst's band masterwork, Second Suite for Military Band. A great piece to teach phrasing and expression as every section gets a musical moment to shine. A solid choice for any concert or contest program. This title is available in MakeMusic Cloud.

Orchestra (solo: pno - 3(picc).3(cor ang).2.2 - 4.2.3.1 - timp.perc - hp - cel - str)

SKU: BR.PB-15154-07

Impresiones sinfonicas - Urtext. Composed by Manuel de Falla. Edited by Ullrich Scheideler. Orchestra; Softcover. Partitur-Bibliothek (Score Library). Solo concerto; Symphonic poem; Late-romantic; Early modern. Study Score. Duration 23'. Breitkopf and Haertel #PB 15154-07. Published by Breitkopf and Haertel (BR.PB-15154-07).

ISBN 9790004215593. 6.5 x 9 inches.

Composed by Manuel de Falla during his lengthy residence in Paris, these three symphonic impressions for piano and orchestra are an expressive work bringing the southern Spanish gardens, which are laid out in the European and Arabic-Moorish tradition, to life. The influence of contemporary French music is noticeable in this composition. Despite many modifications, involving among other things, the scoring, number of movements, as well as layout and content, the basic idea of a nocturnal impression is retained from the outset. The work was finished - and likewise the orchestral material - only shortly before its premiere on 9 April 1916, which was a great success. World War I prevented its publication, though further performances followed, played then from manuscript material. The Urtext edition presented by Ullrich Scheideler takes as the main source the first edition of the score. The Critical Report gives detailed information about the source situation.

Orchestra - Grade 4

SKU: AP.31614S

Composed by Antonin Dvorak. Arranged by Brendan Mcbrien. Full Orchestra; Masterworks; Performance Music Ensemble; Single Titles. Highland/Etling Full Orchestra. Form: Transcription. Masterwork Arrangement; Romantic. Score. 36 pages. Highland/Etling #00-31614S. Published by Highland/Etling (AP.31614S).

UPC: 038081355184. English.

A musical postcard to the world! Your audiences will be thrilled with this early piece of Americana, and your musicians will love the colors and energy of this uniquely American music as imagined by the great Czech master following his visit to America in the 1890s. This work contains music inspired by African-American, Native-American and Scottish music and features three movements (I, IV and V) of Antonín Dvorák's original five-movement suite.

Selections from American Suite by Antonin Dvorák. Arranged by Brendan Mcbrien. Orchestra. Full Orchestra. Full Orchestra. Form: Transcription. Romantic. Grade 4. Conductor Score and Parts. 200 pages. Published by Alfred Music Publishing (