Composed by Richard Wagner (1813-1883). Edited by Ulrich Konrad. This edition:...(+)
Composed by Richard
Wagner
(1813-1883). Edited by
Ulrich
Konrad. This edition:
facsimile. Half-leather
binding. Documenta
musicologica II/56 /
Barenreiter Facsimile.
Facsimile. Baerenreiter
Verlag #BVK02418.
Published
by Baerenreiter Verlag
Composed by Ludwig van Beethoven (1770-1827). Edited by Lewis Lockwood, Marti...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Lewis Lockwood,
Martina Rebmann, and
Jonathan Del Mar. This
edition: facsimile. Half-
leather binding.
Documenta
musicologica II/42 /
Barenreiter Facsimile.
Facsimile. Opus 125, No.
9.
476 pages. Baerenreiter
Verlag #BVK02471.
Published
by Baerenreiter Verlag
Orchestra SKU: BR.SON-508 Filmmusik zu The Grapes of Wrath/Hangmen Als...(+)
Orchestra
SKU:
BR.SON-508
Filmmusik zu The
Grapes of Wrath/Hangmen
Also Die. Composed by
Hanns Eisler. Edited by
Johannes C. Gall.
Hardback. Complete Works.
Early modern; Music
post-1945. Complete
Works. 156 pages.
Breitkopf and Haertel
#SON 508. Published by
Breitkopf and Haertel
(BR.SON-508).
ISBN
9790004803301. 10 x 12.5
inches.
Editorial
BoardThomas Phleps
(Music), Georg Witte
(Writings)Editorial
MembersMusic: Oliver
Dahin / Johannes C. Gall,
Writings: Maren
KosterEditorial
CommitteeMusic: Hartmut
Fladt, Werner Grunzweig,
Elmar Juchem, Roland
Kluttig, Giselher
SchubertWritings:
Albrecht Betz, Albrecht
Riethmuller, Jurgen
Schebera, Friederike
WissmannThe editorial
works are supported by
the Deutsche
Forschungsgemeinschaft.Sp
ecial volumes are made
possible with the support
of the following
foundations:Klockner-Stif
tung, Lotto-Stiftung,
Hanns und Steffy Eisler
StiftungThe goal of the
Hanns Eisler Complete
Edition (HEGA) is to
present to the public all
available compositions,
writings and letters in
an appropriately
scholarly form. It takes
a historico-critical
approach and seeks to
document the history of
the works and writings by
shedding light on their
transformations, thus
identifying the various
versions as witnesses of
evolving aesthetic and
historical positions.
Eislers complete oeuvre
(only a limited number of
his works had penetrated
the publics awareness up
until the 1990s) first
became the object of an
editorial undertaking
when the Eisler -
Gesammelte Werke (EGW)
was founded by Nathan
Notowicz. It was later
placed under the
direction of Manfred
Grabs and Eberhardt
Klemm, and began issuing
its publications in 1968
through the intermediary
of the Deutscher Verlag
fur Musik in Leipzig.
However, only four
volumes of music and five
volumes of writings were
published. The Hanns
Eisler Complete Edition
pursues the work begun at
that time, although it
has had to fundamentally
revise its editorial
principles. In this
respect, the Hanns Eisler
Complete Edition can be
considered as a
completely new editorial
undertaking. It became
necessary to reconceive
the organization of the
volumes and series as
well as the editorial
guidelines in order to
adapt the standards of
historico-critical
editing generally
applicable today to the
specific and sometimes
singular circumstances of
Eislers works.The
Critical Commentaries
pertaining to the main
volumes follow the music
section or, whenever they
are too extensive, appear
in a special
volume.Series I: Choral
MusicSeries II: Music for
Voice and Instrumental
Ensemble or
OrchestraSeries III:
Music for Voice and
PianoSeries IV:
Instrumental MusicSeries
V: Incidental MusicSeries
VI: Film MusicSeries VII:
Sketches and
FragmentsSeries VIII:
Arrangements of works by
other composersSeries IX:
Writings, Letters and
InterviewsSON 501 has
been awarded the German
Music Edition Prize
2003.SON 502 has been
awarded the German Music
Edition Prize
2007.
The major
upheavals that
transformed society and
musical aesthetics during
the first half of the
20th century also
profoundly affected the
life of Hanns Eisler, as
well as his compositions
and writings. The
importance and scope of
Eislers oeuvre are reason
enough to make his works
accessible to musical
scholarship and practice
in a comprehensive
fashion. Price reduction
for a subscription.
Orchestra SKU: BR.SON-511 Orchestermusik. Composed by Hanns Eisler...(+)
Orchestra
SKU:
BR.SON-511
Orchestermusik.
Composed by Hanns Eisler.
Edited by Knud Breyer.
Hardback. Complete Works.
Early modern; Music
post-1945. Complete
Works. 248 pages.
Breitkopf and Haertel
#SON 511. Published by
Breitkopf and Haertel
(BR.SON-511).
ISBN
9790004803448. 10 x 12.5
inches.
Editorial
BoardThomas Phleps
(Music), Georg Witte
(Writings)Editorial
MembersMusic: Oliver
Dahin / Johannes C. Gall,
Writings: Maren
KosterEditorial
CommitteeMusic: Hartmut
Fladt, Werner Grunzweig,
Elmar Juchem, Roland
Kluttig, Giselher
SchubertWritings:
Albrecht Betz, Albrecht
Riethmuller, Jurgen
Schebera, Friederike
WissmannThe editorial
works are supported by
the Deutsche
Forschungsgemeinschaft.Sp
ecial volumes are made
possible with the support
of the following
foundations:Klockner-Stif
tung, Lotto-Stiftung,
Hanns und Steffy Eisler
StiftungThe goal of the
Hanns Eisler Complete
Edition (HEGA) is to
present to the public all
available compositions,
writings and letters in
an appropriately
scholarly form. It takes
a historico-critical
approach and seeks to
document the history of
the works and writings by
shedding light on their
transformations, thus
identifying the various
versions as witnesses of
evolving aesthetic and
historical positions.
Eislers complete oeuvre
(only a limited number of
his works had penetrated
the publics awareness up
until the 1990s) first
became the object of an
editorial undertaking
when the Eisler -
Gesammelte Werke (EGW)
was founded by Nathan
Notowicz. It was later
placed under the
direction of Manfred
Grabs and Eberhardt
Klemm, and began issuing
its publications in 1968
through the intermediary
of the Deutscher Verlag
fur Musik in Leipzig.
However, only four
volumes of music and five
volumes of writings were
published. The Hanns
Eisler Complete Edition
pursues the work begun at
that time, although it
has had to fundamentally
revise its editorial
principles. In this
respect, the Hanns Eisler
Complete Edition can be
considered as a
completely new editorial
undertaking. It became
necessary to reconceive
the organization of the
volumes and series as
well as the editorial
guidelines in order to
adapt the standards of
historico-critical
editing generally
applicable today to the
specific and sometimes
singular circumstances of
Eislers works.The
Critical Commentaries
pertaining to the main
volumes follow the music
section or, whenever they
are too extensive, appear
in a special
volume.Series I: Choral
MusicSeries II: Music for
Voice and Instrumental
Ensemble or
OrchestraSeries III:
Music for Voice and
PianoSeries IV:
Instrumental MusicSeries
V: Incidental MusicSeries
VI: Film MusicSeries VII:
Sketches and
FragmentsSeries VIII:
Arrangements of works by
other composersSeries IX:
Writings, Letters and
InterviewsSON 501 has
been awarded the German
Music Edition Prize
2003.SON 502 has been
awarded the German Music
Edition Prize
2007.
The major
upheavals that
transformed society and
musical aesthetics during
the first half of the
20th century also
profoundly affected the
life of Hanns Eisler, as
well as his compositions
and writings. The
importance and scope of
Eislers oeuvre are reason
enough to make his works
accessible to musical
scholarship and practice
in a comprehensive
fashion. Price reduction
for a subscription.
Orchestra SKU: BR.SON-506 Kammersymphonie op.69. Composed by Hanns...(+)
Orchestra
SKU:
BR.SON-506
Kammersymphonie
op.69. Composed by
Hanns Eisler. Edited by
Tobias Fasshauer.
Hardback. Complete Works.
Early modern; Music
post-1945. Complete
Works. 148 pages.
Breitkopf and Haertel
#SON 506. Published by
Breitkopf and Haertel
(BR.SON-506).
ISBN
9790004802779. 10 x 12.5
inches.
Editorial
BoardThomas Phleps
(Music), Georg Witte
(Writings)Editorial
MembersMusic: Oliver
Dahin / Johannes C. Gall,
Writings: Maren
KosterEditorial
CommitteeMusic: Hartmut
Fladt, Werner Grunzweig,
Elmar Juchem, Roland
Kluttig, Giselher
SchubertWritings:
Albrecht Betz, Albrecht
Riethmuller, Jurgen
Schebera, Friederike
WissmannThe editorial
works are supported by
the Deutsche
Forschungsgemeinschaft.Sp
ecial volumes are made
possible with the support
of the following
foundations:Klockner-Stif
tung, Lotto-Stiftung,
Hanns und Steffy Eisler
StiftungThe goal of the
Hanns Eisler Complete
Edition (HEGA) is to
present to the public all
available compositions,
writings and letters in
an appropriately
scholarly form. It takes
a historico-critical
approach and seeks to
document the history of
the works and writings by
shedding light on their
transformations, thus
identifying the various
versions as witnesses of
evolving aesthetic and
historical positions.
Eislers complete oeuvre
(only a limited number of
his works had penetrated
the publics awareness up
until the 1990s) first
became the object of an
editorial undertaking
when the Eisler -
Gesammelte Werke (EGW)
was founded by Nathan
Notowicz. It was later
placed under the
direction of Manfred
Grabs and Eberhardt
Klemm, and began issuing
its publications in 1968
through the intermediary
of the Deutscher Verlag
fur Musik in Leipzig.
However, only four
volumes of music and five
volumes of writings were
published. The Hanns
Eisler Complete Edition
pursues the work begun at
that time, although it
has had to fundamentally
revise its editorial
principles. In this
respect, the Hanns Eisler
Complete Edition can be
considered as a
completely new editorial
undertaking. It became
necessary to reconceive
the organization of the
volumes and series as
well as the editorial
guidelines in order to
adapt the standards of
historico-critical
editing generally
applicable today to the
specific and sometimes
singular circumstances of
Eislers works.The
Critical Commentaries
pertaining to the main
volumes follow the music
section or, whenever they
are too extensive, appear
in a special
volume.Series I: Choral
MusicSeries II: Music for
Voice and Instrumental
Ensemble or
OrchestraSeries III:
Music for Voice and
PianoSeries IV:
Instrumental MusicSeries
V: Incidental MusicSeries
VI: Film MusicSeries VII:
Sketches and
FragmentsSeries VIII:
Arrangements of works by
other composersSeries IX:
Writings, Letters and
InterviewsSON 501 has
been awarded the German
Music Edition Prize
2003.SON 502 has been
awarded the German Music
Edition Prize
2007.
The major
upheavals that
transformed society and
musical aesthetics during
the first half of the
20th century also
profoundly affected the
life of Hanns Eisler, as
well as his compositions
and writings. The
importance and scope of
Eislers oeuvre are reason
enough to make his works
accessible to musical
scholarship and practice
in a comprehensive
fashion. Price reduction
for a subscription.
Orchestra SKU: BR.SON-509 Filmmusik zu Nuit et brouillard. Compose...(+)
Orchestra
SKU:
BR.SON-509
Filmmusik zu Nuit et
brouillard. Composed
by Hanns Eisler. Edited
by Knud Breyer and Oliver
Dahin. Hardback. Complete
Works. Early modern;
Music post-1945. Complete
Works. 156 pages.
Breitkopf and Haertel
#SON 509. Published by
Breitkopf and Haertel
(BR.SON-509).
ISBN
9790004803318. 10 x 12.5
inches.
Editorial
BoardThomas Phleps
(Music), Georg Witte
(Writings)Editorial
MembersMusic: Oliver
Dahin / Johannes C. Gall,
Writings: Maren
KosterEditorial
CommitteeMusic: Hartmut
Fladt, Werner Grunzweig,
Elmar Juchem, Roland
Kluttig, Giselher
SchubertWritings:
Albrecht Betz, Albrecht
Riethmuller, Jurgen
Schebera, Friederike
WissmannThe editorial
works are supported by
the Deutsche
Forschungsgemeinschaft.Sp
ecial volumes are made
possible with the support
of the following
foundations:Klockner-Stif
tung, Lotto-Stiftung,
Hanns und Steffy Eisler
StiftungThe goal of the
Hanns Eisler Complete
Edition (HEGA) is to
present to the public all
available compositions,
writings and letters in
an appropriately
scholarly form. It takes
a historico-critical
approach and seeks to
document the history of
the works and writings by
shedding light on their
transformations, thus
identifying the various
versions as witnesses of
evolving aesthetic and
historical positions.
Eislers complete oeuvre
(only a limited number of
his works had penetrated
the publics awareness up
until the 1990s) first
became the object of an
editorial undertaking
when the Eisler -
Gesammelte Werke (EGW)
was founded by Nathan
Notowicz. It was later
placed under the
direction of Manfred
Grabs and Eberhardt
Klemm, and began issuing
its publications in 1968
through the intermediary
of the Deutscher Verlag
fur Musik in Leipzig.
However, only four
volumes of music and five
volumes of writings were
published. The Hanns
Eisler Complete Edition
pursues the work begun at
that time, although it
has had to fundamentally
revise its editorial
principles. In this
respect, the Hanns Eisler
Complete Edition can be
considered as a
completely new editorial
undertaking. It became
necessary to reconceive
the organization of the
volumes and series as
well as the editorial
guidelines in order to
adapt the standards of
historico-critical
editing generally
applicable today to the
specific and sometimes
singular circumstances of
Eislers works.The
Critical Commentaries
pertaining to the main
volumes follow the music
section or, whenever they
are too extensive, appear
in a special
volume.Series I: Choral
MusicSeries II: Music for
Voice and Instrumental
Ensemble or
OrchestraSeries III:
Music for Voice and
PianoSeries IV:
Instrumental MusicSeries
V: Incidental MusicSeries
VI: Film MusicSeries VII:
Sketches and
FragmentsSeries VIII:
Arrangements of works by
other composersSeries IX:
Writings, Letters and
InterviewsSON 501 has
been awarded the German
Music Edition Prize
2003.SON 502 has been
awarded the German Music
Edition Prize
2007.
The major
upheavals that
transformed society and
musical aesthetics during
the first half of the
20th century also
profoundly affected the
life of Hanns Eisler, as
well as his compositions
and writings. The
importance and scope of
Eislers oeuvre are reason
enough to make his works
accessible to musical
scholarship and practice
in a comprehensive
fashion. Price reduction
for a subscription.
Featuring: Just the Way You Are / When I Was Your Man / Uptown Funk. Full...(+)
Featuring: Just the
Way You Are / When I Was
Your Man / Uptown
Funk. Full Orchestra;
Score. Pop Concert Full
Orchestra. Pop. 32 pages.
Published by Alfred Music
(AP.45853S).
Featuring: Just the Way You Are / When I Was Your Man / Uptown Funk. Arranged by...(+)
Featuring: Just the Way
You Are / When I Was Your
Man / Uptown Funk.
Arranged by Victor Lopez.
Full Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Pop. 248
pages. Published by
Alfred Music
(Op. 49). By Piotr Ilyich Tchaikovsky [Peter Ilyich Tchaikovsky]. Arranged by Je...(+)
(Op. 49). By Piotr Ilyich
Tchaikovsky [Peter Ilyich
Tchaikovsky]. Arranged by
Jerry Brubaker.
Orchestra. Full
Orchestra; Masterworks;
Part(s); Score;
SmartMusic. Belwin
Concert Full Orchestra.
Form: Overture;
Transcription. Masterwork
Arrangement; Romanti
Full orchestra SKU: BA.BVK01601 Facsimile of the autograph score held ...(+)
Full orchestra
SKU:
BA.BVK01601
Facsimile of the
autograph score held in
the Bibliotheque
nationale de France.
Composed by Hector
Berlioz. Edited by Hugh
MacDonald. This edition:
facsimile. Half-leather
binding. Documenta
musicologica II/53 /
Barenreiter Facsimile.
Facsimile of the
autograph score held in
the Bibliothèque
nationale de France.
Facsimile. Opus 14.
292/12 pages.
Baerenreiter Verlag
#BVK01601_00. Published
by Baerenreiter Verlag
(BA.BVK01601).
ISBN
9783761816011. 48.8 x 32
cm inches. Text Language:
English, German,
French.
The two
string quartets by
Camille Saint-Saens
appear here in one volume
for the first time. The
String Quartet No. 1 in E
Minor op. 112 (1899)
numbers among the
composer's most
successful pieces and is
emblematic of the genre
in the French repertoire.
Here Saint-Saens displays
his fully developed
mastery and presents the
wealth of his inspiration
and musical prowess. Only
three years before his
death, he surprisingly
composed the String
Quartet No. 2 in G major
op. 153 (1918) which,
with its classicistic
stance, represents a
homage to the masters of
the late eighteenth
century Viennese
School.
In
addition to the first
critical edition of the
two string quartets, this
second volume of
theOeuvres instrumentales
completesde Camille
Saint-Saens includes the
first version of the
final movementInterlude
et Finalfrom the second
string quartet, the
fragmentary beginning of
an early work for string
quartet as well as the
previously unknown and
unpublished Adagio from
Symphony No. 2 in A Minor
op. 55 for string
quintet. An extensive
Introduction (Fr/Eng/Ger)
illuminates the genesis,
historical performance
and reception histories
of all these pieces; the
Critical Report (Fr)
provides information
about all the sources and
their variants.
Orchestra (Study Score) SKU: HL.50600436 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.50600436
Study Score.
Composed by Guoping Jia.
Study Score. Classical,
Contemporary. Softcover.
36 pages. Sikorski
#SIK8794. Published by
Sikorski (HL.50600436).
11.5x16.25x0.142
inches.
“'Kal
aviuka' is an incarnated
figure of the Buddha, the
head of which looks human
and the lower half like a
bird with wings. In my
work I would like to
express the unity of man
and nature, a conception
deeply rooted in
traditional Chinese art
and culture, with a
modern awareness. The
musical material derives
from traditional Chinese
instrumental works which
have birds as their
subjects. In particular,
these are passages
(neither sung nor
melodic) that imitate
birdsong or depict the
forms of birds by means
of various instruments.
These musical sections
mostly consist of a
combination of specially
selected musical
instruments with special
techniques of sound
production. My aim in
composing this piece was
to find out how these
sounds could be
transferred into an
orchestra in order to
develop a new musical
vocabulary and new means
of expression.â€
(Guoping Jia) The work
was commissioned by
Munich Biennale 2012 and
Ernst von Siemens
Musikstiftung.
Orchestra SKU: HL.14027979 Composed by Poul Ruders. Music Sales America. ...(+)
Orchestra
SKU:
HL.14027979
Composed
by Poul Ruders. Music
Sales America. Score. 111
pages. Edition Wilhelm
Hansen #KP00695.
Published by Edition
Wilhelm Hansen
(HL.14027979).
ISBN
9788759888780.
English.
Corona -
The Solar Trilogy No. 3
for Orchestra was
composed by Poul Ruders
in 1995. Programme note:
CORONA makes the final
part of the
SOLAR-TRILOGY, a huge
symphonic triptych about
the life and behavior of
the Sun. The first'panel'
GONG depicts the birth,
life and final collapse
of our nearest star, the
second ZENITH describes
in its ultra-slow tempo
the patient rise of the
Sun toward midday
ferocity and its
subsequent setting.
CORONA, then, is a
symphonic 'portrait' of
the phenomenally hot
whispy brim encircling
and radiating from the
Sun, a sizzling halo of
electrons and photons
visible only during a
total eclipse. Formally
CORONA follows the
process of such
totalityin progress:the
gradual eclipsing by the
Moon - total darkness
with thefierce, sparkling
outer corona - the
gradual 'rebirth' of the
light toward the full
gl.ory and warmth of the
Sun.Besides the obvious
astronomical narrative of
the SOLAR-TRILOGY there's
a metaphysical angle too,
underlying each of the
three compositions: GONG,
in spite of its apparent
energy, may be the most
pessimistic of them all,
epitomizing the death and
ultimate annihilation of
the prime source of Life
itself. ZENITH is a
hommage to human
aspiration and spiritual
endurance and CORONA ends
with Hope and Glory after
a journey from depression
throughtotal despair.
Super-structurally, the
zenith of ZENITH makes
the zenith of the entire
trilogy, i.e. when the E-
flat of the unisone horns
in ZENITH is heard, we
are exactly halfway
through the collected
work. Poul Ruders.
From Concerto Grosso,
Op. 6, No. 1.
Composed by George
Frideric Handel. Arranged
by Deborah Baker Monday.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Masterwork
Arrangement. Score. 12
pages. Duration 2:00.
Highland/Etling
#00-48087S. Published by
Highland/Etling
(AP.48087S).
ISBN
9781470655556. UPC:
038081553931.
English.
Some of
the most exuberant music
from the Baroque period
comes to us from George
Frideric Handel, composer
of Messiah, among many
other masterpieces.
Handel's Allegro from
Concerto Grosso, Op. 6,
No. 1, arranged by
Deborah Baker Monday, is
a perfect example of his
most joyous music and is
an excellent choice for
concert or festival. The
four-measure melodic
theme in G major occurs
throughout the piece and
is passed among all
instruments. A half step
figure is also a common
motive with easily
accessible fingerings
provided. This piece
features simple quarter
and eighth-note rhythms.
The accompanying parts
are interrelated, and
rhythmic independence is
limited. (2:00) This
title available in
MakeMusic Cloud.
From Concerto Grosso,
Op. 6, No. 1.
Composed by George
Frideric Handel. Arranged
by Deborah Baker Monday.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Masterwork
Arrangement. Score and
Part(s). 124 pages.
Duration 2:00.
Highland/Etling
#00-48087. Published by
Highland/Etling
(AP.48087).
ISBN
9781470655549. UPC:
038081553924.
English.
Some of
the most exuberant music
from the Baroque period
comes to us from George
Frideric Handel, composer
of Messiah, among many
other masterpieces.
Handel's Allegro from
Concerto Grosso, Op. 6,
No. 1, arranged by
Deborah Baker Monday, is
a perfect example of his
most joyous music and is
an excellent choice for
concert or festival. The
four-measure melodic
theme in G major occurs
throughout the piece and
is passed among all
instruments. A half step
figure is also a common
motive with easily
accessible fingerings
provided. This piece
features simple quarter
and eighth-note rhythms.
The accompanying parts
are interrelated, and
rhythmic independence is
limited. (2:00) This
title is available in
MakeMusic Cloud.
Orchestra - Grade 3.5 SKU: AP.48058 Featuring: My Shot / Who Lives, Wh...(+)
Orchestra - Grade 3.5
SKU: AP.48058
Featuring: My Shot /
Who Lives, Who Dies, Who
Tells Your Story / You'll
Be Back from the Broadway
musical. Composed by
Lin-Manuel Miranda.
Arranged by Douglas E.
Wagner. MakeMusic Cloud;
Performance Music
Ensemble; String
Orchestra. Pop Concert
String Orchestra.
Broadway; Pop. Score and
Part(s). 124 pages.
Duration 6:30. Alfred
Music #00-48058.
Published by Alfred Music
(AP.48058).
ISBN
9781470652098. UPC:
038081558639.
English.
Based on
Ron Chernow's biography
of Alexander Hamilton,
with music and lyrics by
the infinitely talented
Lin-Manuel Miranda,
Selections from Hamilton
arranged by Douglas E.
Wagner will dazzle your
students and audiences
alike. Hamilton: An
American Musical, has
enjoyed wild acclaim and
sold out performances
world-wide since its
Broadway premiere in
2015. Three of the most
popular musical moments
from the show are
artistically presented in
this
six-and-a-half-minute
medley for string
orchestra. Titles
include: My Shot, Who
Lives, Who Dies, Who
Tells Your Story, and
You'll Be Back. Let your
audiences enjoy being a
part of history in a most
musical way. This title
is available in MakeMusic
Cloud. (6:30).
Orchestra - Grade 3.5 SKU: AP.48058S Featuring My Shot / Who Lives, Wh...(+)
Orchestra - Grade 3.5
SKU: AP.48058S
Featuring My Shot /
Who Lives, Who Dies, Who
Tells Your Story / You'll
Be Back from the Broadway
musical. Composed by
Lin-Manuel Miranda.
Arranged by Douglas E.
Wagner. MakeMusic Cloud;
Performance Music
Ensemble; String
Orchestra. Pop Concert
String Orchestra.
Broadway; Pop. Score. 24
pages. Duration 6:30.
Alfred Music #00-48058S.
Published by Alfred Music
(AP.48058S).
ISBN
9781470652180. UPC:
038081558646.
English.
Based on
Ron Chernow's biography
of Alexander Hamilton,
with music and lyrics by
the infinitely talented
Lin-Manuel Miranda,
Selections from Hamilton
arranged by Douglas E.
Wagner will dazzle your
students and audiences
alike. Hamilton: An
American Musical, has
enjoyed wild acclaim and
sold out performances
world-wide since its
Broadway premiere in
2015. Three of the most
popular musical moments
from the show are
artistically presented in
this
six-and-a-half-minute
medley for string
orchestra. Titles
include: My Shot, Who
Lives, Who Dies, Who
Tells Your Story, and
You'll Be Back. Let your
audiences enjoy being a
part of history in a most
musical way. This title
is available in MakeMusic
Cloud. (6:30).
1812 Overture Orchestre [Conducteur et Parties séparées] - Intermédiaire Belwin
(Op. 49). By Piotr Ilyich Tchaikovsky [Peter Ilyich Tchaikovsky]. Arranged by Je...(+)
(Op. 49). By Piotr Ilyich
Tchaikovsky [Peter Ilyich
Tchaikovsky]. Arranged by
Jerry Brubaker.
Orchestra. Full
Orchestra; Masterworks;
Part(s); Score. Belwin
Concert Full Orchestra.
Form: Overture;
Transcription. Masterwork
Arrangement; Romantic.
Grade 4. 214 pages.
Published by Belwin
Publishing
Study score.
Composed by Manuel
Hidalgo. Softbound.
Partitur-Bibliothek
(Score Library).
World
premiere: Donaueschingen
(Donaueschinger
Musiktage), October 16,
1983
Music post-1945;
New music (post-2000).
Study Score. Composed
1982. 64 pages. Duration
22'. Breitkopf and
Haertel #PB 5119-07.
Published by Breitkopf
and Haertel
(BR.PB-5119-07).
ISBN
9790004208670. 9 x 12
inches.
Jeder
Kultur wohnt eine Moral
inne, welche die
menschlichen Handlungen
bewertet und in zwei
Kategorien einteilt:
gut/schlecht,
positiv/negativ usw. Der
Titel HARTO - zu deutsch:
satt, uberdrussig -
bezieht sich auf das
Unbehagen, das diese
dichotomische Auffassung
hervorruft: eine
Auffassung, die
gleichwohl in uns
verwurzelt ist und gerade
darum den Prozess
Wahrnehmung Ausserung
Kenntnis beeinflusst, ihm
zugehort. Tatsachlich
wird das musikalische
Phanomen dualistisch
konzipiert: Klang =
Ton/Gerausch;
Tonhohenanordnung =
Konsonanz/Dissonanz,
tonal/atonal; Struktur =
symmetrischer Bau
(Vordersatz/Nachsatz),
das scholastische Ideal
des Gleichgewichts, das
seinerseits eine
Symmetrieachse zur
Voraussetzung hat. Diese
Strukturierung des
Materials ergibt sich aus
dem fast
ausschliesslichen
Interesse des Komponisten
an den expressiven
Moglichkeiten des
musikalischen Apparats.
Die Motivation des
Komponierens aus dem
Drang, etwas Inneres
ausdrucken zu mussen,
erscheint mir jedoch
heute der Grundlage zu
entbehren und folglich
auch unnotig. Die
letztliche
Daseinsberechtigung
dieser Motivation liegt
in der dualistischen
Vorstellung, die beim
Menschen zwischen Leib
und Seele unterscheidet.
Ein Bluff, Produkt
kleinlicher
Disputiersucht. Eine
Analyse auf der Basis
empirischer Logik stellt
fest, dass es keine Seele
gibt, sondern ein
Nervensystem mit
bestimmten Fahigkeiten,
und dass nichts
auszudrucken ist, weil
Musik die Empfindungen
des Komponisten nicht
wiedergeben kann. sondern
lediglich unbestimmte
Eindrucke im Horer
erzeugt. Da aber jede
bewusste Wahrnehmung
Erkenntnis ist, ware es
nun die Aufgabe des
Komponisten, Musik mit
diesem Ziel, das heisst:
Musik als
Erkenntnismittel zu
schaffen. Dies alles ist
der Versuch, die
Erkenntnistheorie von
David Hume und anderen,
spateren Epistemologen
auf Musik anzuwenden. Der
Beitrag des Empirismus
zur Erkenntnistheorie
wurde zwar in der
wissenschaftlichen
Forschung genutzt, fand
jedoch in der Kunst kaum,
in der Musik keinerlei
Beachtung. Warum?
Vielleicht, weil in der
Musik noch immer der
naive, >>expressive<<
Komponist vorherrscht,
den das elitar-bourgeoise
Publikum verlangt und dem
es applaudiert. Der
Einwand, dass Kunst immer
bourgeois war und es
weiterhin ist, gibt zwar
keine Losung, sollte aber
auch nicht unterschatzt
werden. Ich habe HARTO in
zwei Teilen konzipiert,
wobei jeder Teil im
Verhaltnis zum anderen
sowohl irgendwie das
gleiche als auch das
Gegenteil darstellt. Der
Grund fur diese
Zweiteilung des Werkes
ist leicht aus dem vorhin
Gesagten abzuleiten. Als
Vorarbeit zur Komposition
habe ich versucht, die
historische dichotomische
Gestaltung des Materials
besonders hervorzuheben,
und zwar durch eine
Potenzierung jener
Aspekte, die diesen
-zweigeteilten<<
Charakter in sich tragen.
Ich habe also den
Zeitverlauf lediglich als
eine Folge von Spannungs-
und
Entspannungs-Einheiten
betrachtet; ich habe
Tonhohen-Anordnungen
verwendet, die
ausschliesslich auf
Symmetrie beruhen; ich
habe zweiteilige
Strukturen aufgebaut,
deren Halften durch eine
Pause mit konstantem Wert
geteilt sind; ich habe -
je nach den Moglichkeiten
des Orchesters - den
Gerausch- oder Tonanteil
des Klanges ubertrieben.
Dieser Gedankengang wurde
im Hinblick darauf
realisiert, neue
Anwendungsmoglichkeiten
zu finden, die fur das
Ziel einer Musik als
Erkenntnismittel von
Nutzen sein
konnen.(Manuel
Hidalgo).
Flute; Orchestra (Score) - intermediate to advanced SKU: HL.49001967 F...(+)
Flute; Orchestra (Score)
- intermediate to
advanced
SKU:
HL.49001967
Full
Score. Composed by
Franz Benda. Edited by
Walter Lebermann. This
edition: Paperback/Soft
Cover. Sheet music.
Concertino (Chamber
Orchestra). Classical.
Score. 46 pages. Duration
23'. Schott Music #CON
25. Published by Schott
Music (HL.49001967).
ISBN 9790001021388.
UPC: 073999972672.
9.0x12.0x0.254
inches.
Franz Benda
belongs to the so-called
Berlin or North German
School which became
extremely significant in
the second half of the
18th century particularly
in the field of
instrumental music and
which made the transition
from the baroque to the
classical period together
with the Mannheim School.
In the works of the
Berlin School, the strict
counterpoint of the
predecessors is loosened
by a freer and
melodically pleasant,
almost
„galant“
style and often even
completely displaced.