Orchestra (3(picc)2.2.2 -
4.2.3.1 - timp.(cym ad
lib.) - str)
SKU:
BR.PB-5559-07
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Christoph Flamm.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Tchaikovsky's Hamburg
Symphony in the Urtext
Symphony; Romantic.
Study Score. 208 pages.
Duration 44'. Breitkopf
and Haertel #PB 5559-07.
Published by Breitkopf
and Haertel
(BR.PB-5559-07).
ISBN
9790004213698. 6.5 x 9
inches.
Like Hamlet
Overture, originating at
about the same time,
Tchaikovsky's 5th
symphony, composed in
1888, focuses on the
human existential
question: To be or not to
be - triumph over fate or
triumph of fate? The per
aspera ad astra
dramaturgy underlying the
symphony culminates in
triumphant certainty. If
Tchaikovsky was initially
euphoric, then severe
self-doubts befell him
after he conducted the
premiere in St.
Petersburg. These doubts
demonstrably led him to
make interpretative
changes for the Hamburg
performance in 1889,
including a cut in the
finale. Only with the
extremely positive
response to this
performance did his
doubts dispel.
Nevertheless, Tchaikovsky
himself never again
conducted the 5th
symphony. It was only
posthumously established
in the repertoire through
Arthur Nikisch's
commitment. The new
edition's textual
criticism takes into
account besides the
autograph and first
edition also the first
edition's orchestral
parts, together with the
piano arrangement
produced from the
autograph by Sergei
Taneyev. In addition to
thoroughly clarifying
dynamics and
articulation, the source
comparison also corrected
many errors and solved
problematical passages,
such as, for instance,
the trombone entry in m.
372 of the finale.
Considered, moreover, for
the first time has been
the composer's doubts
about his work and its
ambiguities, frequently
successfully suppressed
in the history of its
performance and
reception. Tchaikovsky's
conductor's copy is
unfortunately lost, hence
his alterations made for
the Hamburg performance
are not precisely known.
They have survived only
indirectly through
remarks that Willem
Mengelberg left to
posterity, for which he
could draw on
Tchaikovsky's conductor's
score and oral references
by the composer's brother
Modest. So, anyone
wishing to deal seriously
with the work's
certainties will not be
able to do so in the
future without having
also to deal with its
uncertainties.
Orchestra (3(picc)2.2.2 -
4.2.3.1 - timp.(cym ad
lib.) - str)
SKU:
BR.PB-5558
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Christoph Flamm.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Tchaikovsky's Hamburg
Symphony in the Urtext
Symphony; Romantic.
Full score. 212 pages.
Duration 44'. Breitkopf
and Haertel #PB 5558.
Published by Breitkopf
and Haertel (BR.PB-5558).
ISBN 9790004213681. 10
x 12.5 inches.
Like
Hamlet Overture,
originating at about the
same time, Tchaikovsky's
5th symphony, composed in
1888, focuses on the
human existential
question: To be or not to
be - triumph over fate or
triumph of fate? The per
aspera ad astra
dramaturgy underlying the
symphony culminates in
triumphant certainty. If
Tchaikovsky was initially
euphoric, then severe
self-doubts befell him
after he conducted the
premiere in St.
Petersburg. These doubts
demonstrably led him to
make interpretative
changes for the Hamburg
performance in 1889,
including a cut in the
finale. Only with the
extremely positive
response to this
performance did his
doubts dispel.
Nevertheless, Tchaikovsky
himself never again
conducted the 5th
symphony. It was only
posthumously established
in the repertoire through
Arthur Nikisch's
commitment. The new
edition's textual
criticism takes into
account besides the
autograph and first
edition also the first
edition's orchestral
parts, together with the
piano arrangement
produced from the
autograph by Sergei
Taneyev. In addition to
thoroughly clarifying
dynamics and
articulation, the source
comparison also corrected
many errors and solved
problematical passages,
such as, for instance,
the trombone entry in m.
372 of the finale.
Considered, moreover, for
the first time has been
the composer's doubts
about his work and its
ambiguities, frequently
successfully suppressed
in the history of its
performance and
reception. Tchaikovsky's
conductor's copy is
unfortunately lost, hence
his alterations made for
the Hamburg performance
are not precisely known.
They have survived only
indirectly through
remarks that Willem
Mengelberg left to
posterity, for which he
could draw on
Tchaikovsky's conductor's
score and oral references
by the composer's brother
Modest. So, anyone
wishing to deal seriously
with the work's
certainties will not be
able to do so in the
future without having
also to deal with its
uncertainties.
Textcritical
Edition. Composed by
Gustav Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
First edition based on
the copy of the score
revised by Mahler Hamburg
1893
Symphony;
Romantic; Late-romantic.
Set of parts. 192 pages.
Duration 8'. Breitkopf
and Haertel #OB 5642-60.
Published by Breitkopf
and Haertel
(BR.OB-5642-60).
ISBN
9790004343722. 10.5 x 14
inches.
The Blumine
movement included in the
original five-movement
version of Mahler's
Symphony No. 1 was long
considered lost. Composed
as early as 1884 for a
theater piece, Mahler
inserted it into the
symphony as its second
movement in 1888. After
three performances, he
turned his back on this
Love Episode, calling the
sentimental, gushing
movement a youthful
folly, and removed it.
Mahler's Hamburg
autograph score was only
rediscovered in 1966.
Benjamin Britten gave the
Blumine movement a new
hearing at the 1967
Aldeburgh Festival. The
critical new edition is
based for the first time
on the autograph score,
together with the
meanwhile rediscovered
score copy with Mahler's
last revisions.The
cloth-bound volume PB
5661 contains next to the
final version of the
four-movement Symphony,
the Blumine
movement.
First
edition based on the copy
of the score revised by
Mahler Hamburg 1893.
Textcritical
Edition. Composed by
Gustav Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
First
edition based on the copy
of the score revised by
Mahler Hamburg 1893
Symphony; Romantic;
Late-romantic. Full
score. 28 pages. Duration
8'. Breitkopf and Haertel
#PB 5642. Published by
Breitkopf and Haertel
(BR.PB-5642).
ISBN
9790004215395. 10.5 x 14
inches.
The Blumine
movement included in the
original five-movement
version of Mahler's
Symphony No. 1 was long
considered lost. Composed
as early as 1884 for a
theater piece, Mahler
inserted it into the
symphony as its second
movement in 1888. After
three performances, he
turned his back on this
Love Episode, calling the
sentimental, gushing
movement a youthful
folly, and removed it.
Mahler's Hamburg
autograph score was only
rediscovered in 1966.
Benjamin Britten gave the
Blumine movement a new
hearing at the 1967
Aldeburgh Festival. The
critical new edition is
based for the first time
on the autograph score,
together with the
meanwhile rediscovered
score copy with Mahler's
last revisions.The
cloth-bound volume PB
5661 contains next to the
final version of the
four-movement Symphony,
the Blumine
movement.
First
edition based on the copy
of the score revised by
Mahler Hamburg 1893.
Final Version 1910 -
Textcritical Edition.
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
final version 1910
Symphony; Romantic;
Late-romantic. Set of
parts. 1674 pages.
Duration 54'. Breitkopf
and Haertel #OB 5631-60.
Published by Breitkopf
and Haertel
(BR.OB-5631-60).
ISBN
9790004343661. 10.5 x 14
inches.
The
Symphony No. 1
(originally in five
movements) was first
performed in Budapest in
1889, but the premiere as
well as two further
performances in Hamburg
and Weimar turned out to
be a fiasco. After 1894
Mahler removed the
Blumine-movement. Until
the last performance
under his direction in
New York in 1909, Mahler
made revisions again and
again. This edition
strives to present a, for
the performance practice,
reliable music text of
the final extant version
that in 1910 Mahler
corrected and deemed
accurate for the new
print. The Editorial
Report gives detailed
information on the
provenance and evaluation
of the sources as well as
authentic annotations on
performance practice.
Individual comments
document editorial
interventions and
deviations from current
editions.The cloth-bound
volume PB 5661 contains
next to the final version
of the four-movement
Symphony, the Blumine
movement.Le format permet
une lisibilite parfaite;
le materiel a ete realise
en tenant compte des
conseils des
bibliothecaires de grands
orchestres.
Particulierement precieux
pour les non-germanistes,
on trouve en fin de
volume un glossaire
traduisant les
indications de Mahler de
l'allemand vers l'anglais
(ou l'italien). (Alain
Paris, La Lettre du
Musicien).
Final
Version 1910 -
Textcritical Edition.
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
final
version 1910
Symphony; Romantic;
Late-romantic. Full
score. 200 pages.
Duration 54'. Breitkopf
and Haertel #PB 5631.
Published by Breitkopf
and Haertel (BR.PB-5631).
ISBN 9790004215289.
10.5 x 14
inches.
The
Symphony No. 1
(originally in five
movements) was first
performed in Budapest in
1889, but the premiere as
well as two further
performances in Hamburg
and Weimar turned out to
be a fiasco. After 1894
Mahler removed the
Blumine-movement. Until
the last performance
under his direction in
New York in 1909, Mahler
made revisions again and
again. This edition
strives to present a, for
the performance practice,
reliable music text of
the final extant version
that in 1910 Mahler
corrected and deemed
accurate for the new
print. The Editorial
Report gives detailed
information on the
provenance and evaluation
of the sources as well as
authentic annotations on
performance practice.
Individual comments
document editorial
interventions and
deviations from current
editions.The cloth-bound
volume PB 5661 contains
next to the final version
of the four-movement
Symphony, the Blumine
movement.Le format permet
une lisibilite parfaite;
le materiel a ete realise
en tenant compte des
conseils des
bibliothecaires de grands
orchestres.
Particulierement precieux
pour les non-germanistes,
on trouve en fin de
volume un glossaire
traduisant les
indications de Mahler de
l'allemand vers l'anglais
(ou l'italien). (Alain
Paris, La Lettre du
Musicien).
Orchestra
(pic.2.afl.2.ca.2Acl.0.bc
l.2.cbsn-4.3.2.btbn.1-tim
p.3perc(glsp, mar, crot,
tub bells, bell tree,
2sus cym, clash cym,
claves, b.d, wdbl)-str)
SKU: HL.49018422
Reflections on the
life and work of Paula
Modersohn-Becker
(1876-1907). Composed
by Sir Peter Maxwell
Davies. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Das 30minutige
Orchesterwerk in drei
Satzen, das von den
Bremer Philharmonikern in
Auftrag gegeben und von
diesen 2007 uraufgefuhrt
wurde, gehort zu den
Schlusselwerken von
Maxwell Davies der
letzten Jahre. Study
score. Composed 2006. Op.
276. 8 pages. Duration
30'. Schott Music
#ED13366. Published by
Schott Music
(HL.49018422).
ISBN
9790220132391. UPC:
884088614515.
8.25x11.75x0.232
inches.
Maxwell
Davies' 'Das Rauschende
der Farbe' (The Sound of
Colour) is a reflection
on the life and work of
the German artist Paula
Modersohn-Becker who died
aged 31 in 1907. Maxwell
Davies first got to know
the artist's work whilst
on a school exchange in
Hamburg in 1951 and the
composer has since
written that
Modersohn-Becker's work
has influenced the way
that he views the
relationship between art
and the landscape in
which it is produced.
This is a particularly
significant statement for
a composer whose music is
often a response to the
land and seascape of his
adopted home in the
Orkney Isles.
Commissioned by the
Bremer Philharmoniker and
first performed by them
in 2007, the 30 minute
orchestral work in three
movements is one of the
key works by Maxwell
Davies in recent
years.
Orchestra (Score) SKU: HL.50601000 For Orchestra. Composed by Xiao...(+)
Orchestra (Score)
SKU:
HL.50601000
For
Orchestra. Composed
by Xiaoyong Chen. Score.
Classical. Softcover. 80
pages. Sikorski #SIK8834.
Published by Sikorski
(HL.50601000).
8.0x11.75
inches.
Xiaoyong
Chen's in 2008 completed
orchestral work
“Colour of
Dreams†received
its world premiere on 23
May 2008 during the
course of the event
“das neue
werk†(the new
work), presented by the
NDR, at the
Rolf-Liebermann-Studio in
Hamburg. Chen's
compatriot Muhai Tang was
the conductor of the
world premiere with the
NDR Sinfonieorchester
(NDR Symphony
Orchestra).
Final
Version 1910 -
Textcritical Edition.
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; Linen.
Partitur-Bibliothek
(Score Library).
final
version 1910
Symphony; Romantic;
Late-romantic. Full
score. 212 pages.
Duration 54'. Breitkopf
and Haertel #PB 5661.
Published by Breitkopf
and Haertel (BR.PB-5661).
ISBN 9790004215982.
10.5 x 14
inches.
The
Symphony No. 1
(originally in five
movements) was first
performed in Budapest in
1889, but the premiere as
well as two further
performances in Hamburg
and Weimar turned out to
be a fiasco. After 1894
Mahler removed the
Blumine-movement. Until
the last performance
under his direction in
New York in 1909, Mahler
made revisions again and
again. This edition
strives to present a, for
the performance practice,
reliable music text of
the final extant version
that in 1910 Mahler
corrected and deemed
accurate for the new
print. The Editorial
Report gives detailed
information on the
provenance and evaluation
of the sources as well as
authentic annotations on
performance practice.
Individual comments
document editorial
interventions and
deviations from current
editions.The cloth-bound
volume PB 5661 contains
next to the final version
of the four-movement
Symphony, the Blumine
movement.Le format permet
une lisibilite parfaite;
le materiel a ete realise
en tenant compte des
conseils des
bibliothecaires de grands
orchestres.
Particulierement precieux
pour les non-germanistes,
on trouve en fin de
volume un glossaire
traduisant les
indications de Mahler de
l'allemand vers l'anglais
(ou l'italien). (Alain
Paris, La Lettre du
Musicien).
Large orchestra (Orchestra) SKU: HL.49012995 Choreographic poem. C...(+)
Large orchestra
(Orchestra)
SKU:
HL.49012995
Choreographic
poem. Composed by
Hans Werner Henze. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 1949/1992. 72
pages. Duration 16'.
Schott Music #ED 8955.
Published by Schott Music
(HL.49012995).
ISBN
9790001125246.
One
of my earliest works for
orchestra, this piece was
strongly influenced by
the aural and visual
impressions left by the
London Sadler's Wells
Ballett's visit to
Hamburg in 1949.- Hans
Werner Henze.
Orchestra SKU: HL.14014802 Composed by Hans Werner Henze. Music Sales Ame...(+)
Orchestra
SKU:
HL.14014802
Composed
by Hans Werner Henze.
Music Sales America. 20th
Century. Book
[Softcover]. Composed
2002. 80 pages. Chester
Music #CH63228. Published
by Chester Music
(HL.14014802).
ISBN
9780711992764.
9.75x13.75x0.285
inches.
Composer's
Notes: This piece,
written during the winter
months of 2000-2001,
consists of one movement,
Allegro con fuoco, in
which an old score is
revisited, raided and
ravished by its composer.
The earlier music had
been written in the
mid-fifties for a stage
work Maratona di Danza
and for its maker, the
director Luchino
Visconti. Elements from
the older piece reappear
on and off like shadows
under the surface of new
ones, like more or less
vague memories, images of
young people suffering
pain and despair in their
struggle for survival in
a barbaric, pitiless
modern world. My new
composition is a kind of
concerto for very large
symphony orchestra, an
etude on constant and
often rapid musical
changes of mood and
colours, built on a
variety of rhythmic
figures, incessantly and
brutally pushing the
music ahead. Sometimes,
it is as though voices
are weeping, sometimes
crying out loud with
pain, with anxiety, under
the cold hearted pressure
of an overwhelming
violence. Hans Werner
Henze Commissioned on the
occasion of the 50th
anniversary of das neue
werk, Hamburg. Premiered
on 29th June 2001.
Duration 15 minutes.