Par MANTOVANI BRUNO. Le chorégraphe Angelin Preljocaj s'inspire du thème fondateur de Siddharta pour la nouvelle création qu'il offre au Ballet de l'Opéra. Il revisite l'histoire de celui qui deviendra l'Eveillé, ou Bouddha, pour en donner une lecture personnelle explorant les thèmes du dépassement, de l'épreuve et du sacrifice dans la quête d'un absolu. Au-delà du simple récit, il dévoile les tourments et les mystères de ce long voyage intérieur, semé d'embûches, d'incertitudes et de doutes. Preljocaj a pour compagnons de route deux artistes aux fortes personnalités, Bruno Mantovani, jeune et brillant compositeur français, qui signe sa première oeuvre pour l'Opéra de Paris, ainsi que le plasticien et scénographe Claude Lévêque, puissant rêveur d'espaces de notre temps. / contemporain / Date parution : 2010-01-19/ Répertoire / Orchestre

Une partition complète d'une Suite de merveilleuse de la musique du film Harry Potter. Entièrement autorisé par le compositeur John Williams, la musique ici est la véritable score et fonctionnalités dans le cadre de la série Signature de la magnifiquement gravés John Williams. Définissez en quatre mouvements - Dobby la maison Elf, Fawkes le phénix, Gilderoy Lockhart et la Chambre des Secrets. / Conducteur

Arrangeur: John Wasson. Par RODGERS RICHARD / HART L.. Cette norme intemporelle est habilement arrangée pour cordes par John Wasson, ce qui permet aux élèves de découvrir la beauté simple de ce mélodie dans un décor qui en fera sonore tout comme un orchestre de studio professionnel./ Répertoire / Orchestre

Par ADES THOMAS. Thomas Adès and Philip Hensher's dazzlingly precocious chamber opera Powder Her Face propelled its composer to international attention after its premiere in 1995 and, with nearly 300 worldwide performances, remains one of the most frequently performed British operas of the last two decades. Charting the glamorous rise and seedy fall of the notorious socialite beauty Margaret, Duchess of Argyll, the score is as witty, poignant and memorable as the 'Dirty Duchess' herself, paying homage to the popular idioms of cabaret and tango, as well as to Weill, Berg and Stravinsky. It is hard to believe that this masterpiece was written by a 24 year-old, but then that young man was Adès, whose prodigious musical talent was awe-inspiring even as a teenager./ Répertoire / Orchestre

Par SCHUBERT FRANZ. Includes Symphony No 4 'The Tragic'', No. 5, No. 8 'The Unfinished' and No. 9 'The Great'. Breitkopf & Hartel edition. Edited by Johannes Brahms Franz Schubert 's Four Symphonies. Includes Symphony No 4 'The Tragic'', No. 5, No. 8 'The Unfinished' and No. 9 'The Great'. Breitkopf & Hartel edition./ Répertoire / Orchestre

Full Score. Par BERLIOZ HECTOR. Hector Berlioz (1803–1869), considered the father of modern orchestration, possessed an intuitive musical genius all the more remarkable for his limited formal musical education. A brilliant colorist, a master of the unexpected rhythmic break, he brought a new symphonic richness to Romantic music. Both damned and venerated by his contemporaries — Mendelssohn considered him devoid of talent, Paganini declared him the one true heir to the spirit of Beethoven — Berlioz seems to have sought in music a way to soothe and give voice to the turbulent psychological instabilities and contradictions of what has come to be called 'program music' — i. e. , instrumental music with an extramusical significance. He strove to communicate musically the experiences, psychological themes, scenic description, and literary allusions more commonly associated with the confessional writings of Romantic poets. This Dover edition presents two of the greatest of these 'program' pieces: the Symphonie Fantastique (1830) and Harold in Italy (1834). Here are the full scores of both major symphonic works — painstakingly reproduced from the authoritative Breitkopf & Härtel edition, available for the first time in one convenient volume — plus Berlioz's 'program' for the Symphonie Fantastique. Musicians and music lovers everywhere will value this high-quality, inexpensive edition — ideal for study and performance. Reprint of Nos. 1 and 3 of Serie I, Symphonien (1900), of Werke von Hector Berlioz, Breitkopf and Härtel, Leipzig, 1900–1910. Breitkopf & Hartel edition./ Répertoire / Orchestre

Includes Midsummer Night's Dream, Hebrides Overture, Symphonies Nos. 3 and 4. . Par MENDELSSOHN-BARTHOLDY FELIX. Includes Midsummer Night's Dream, Hebrides Overture, Symphonies Nos. 3 and 4. Republication of the Breitkopf and Hartel edition./ Répertoire / Orchestre

Par BACH JOHANN SEBASTIAN. Bach selon saint Jean Passion est un majestueux du plus émouvant de tous les paramètres des événements menant à Christ crucifié, mort et résurrection. Ce chef-d'oeuvre glorieuse est reproduit ici de l'édition Bach-Gesellschaft à l'origine publié en 1863 par Breitkopf and Härtel. Le travail apparaît dans partition complète, avec des mouvements bar-numérotées pour faciliter la consultation. Listes des instruments et des voix. Réimpression de l'Breitkopf and Hartel, 1863 édition. / Date parution : 2012-03-15/ Répertoire / Orchestre

Par BEETHOVEN LUDWIG VAN. The 'Coriolanus', 'Fidelio', 'Egmont' and three 'Leonore' overtures. Republication of the Breitkopf and Hartel edition./ Répertoire / Orchestre

  Symphony No. 3 (1972-1975) by Per Nørgård. Per Nørgård's third symphony commissioned by The Danish Radio Symphony Orchestra (conductor Herbert Blomstedt) was premiered in Copenhagen in 1976 and received wide attention. The work gives comprehensive expression to a new realm of musical experience which the composer began to explore toward the end of the 1960s. While the first period in Nørgårds production in the 1050s represents his personal interpretation of the Nordic music tradition – evidenced for example in his “Piano Sonata No. 2” (1957) and“Constellations” for chamber orchestra (1958) – and the second period in the 1960s saw him working with serial techniques musical collage and a new sound-palette - especially in the orchestral works “Iris” (196-67) and “Luna” (1967) – with “Voyage into the Golden Screen” (1968) Nørgård arrived at a new compositional technique based on the use of a special form of a so-called “infinity series” a principle of musical motion to be applied to all kinds of scales (chromatic diatonic et cetera). It is characteristic that that Nørgård in the 1970s chose to cultivate diatonic infinity series already evident in the mythological opera “Gilgamesh” (1971-72). Thus the Symphony No. 3 begun directly after the opera combines the infinity series major and minor scales the partial series of natural harmonics and “sub-harmonics” (Nørgårds terminology) with rhythmic patterns based on the Golden Section (the Golden Mean) in a nexus of synchronous yet disparate elements which serve the composers vision of musical coherence.. The works which followed the symphony – the operas “Siddharta” (1975-79) and “The Divine Circus” (1981-82) and Symphony No. 4 (1981) – usher a new

Orchestral parts for Carl Nielsen's incidental music for Hans Hartvig Seedorff Pedersens Homage to Holberg / Hyldest til Holberg dating from 1922. For Soli Choir and Orchestra. Text in Danish.

Pathétique-A perennial concert favorite since its premiere in 1893. This miniature-score edition is complete in all respects containing the original instrumentation with bar numbered movements. Reproduced from the authoritative Breitkopf & Hartel edition.

Delight audiences with these Strings Charts arrangements that celebrate America's diverse musical heritage. “Sally Goodin'” has been recorded by artists steeped in a number of American styles and this arrangement drawsfrom old-time Texas-style and bluegrass influences. Be ready to brush up on your chopping and chord-comping techniques to bring this lively tune to life. “Wayfaring Stranger” is a traditional American spiritual withan easygoing vibe. Bill Monroe enthusiasts will feel his influence in this arrangement as well as a subtle jazz flavor inspired by guitarist Tony Rice.

Par BERG ALBAN. Composed by a young Berg, while studying with Schoenberg, these Seven Early Songs would be revisited and reworked ten years later, and then again ten years after that. Perhaps influenced by Mahler, Berg created orchestral settings of these songs, in addition to the voice and piano versions./ Répertoire / Voix Haute et Orchestre