Study score.
Composed by Manuel
Hidalgo. Softbound.
Partitur-Bibliothek
(Score Library).
World
premiere: Donaueschingen
(Donaueschinger
Musiktage), October 16,
1983
Music post-1945;
New music (post-2000).
Study Score. Composed
1982. 64 pages. Duration
22'. Breitkopf and
Haertel #PB 5119-07.
Published by Breitkopf
and Haertel
(BR.PB-5119-07).
ISBN
9790004208670. 9 x 12
inches.
Jeder
Kultur wohnt eine Moral
inne, welche die
menschlichen Handlungen
bewertet und in zwei
Kategorien einteilt:
gut/schlecht,
positiv/negativ usw. Der
Titel HARTO - zu deutsch:
satt, uberdrussig -
bezieht sich auf das
Unbehagen, das diese
dichotomische Auffassung
hervorruft: eine
Auffassung, die
gleichwohl in uns
verwurzelt ist und gerade
darum den Prozess
Wahrnehmung Ausserung
Kenntnis beeinflusst, ihm
zugehort. Tatsachlich
wird das musikalische
Phanomen dualistisch
konzipiert: Klang =
Ton/Gerausch;
Tonhohenanordnung =
Konsonanz/Dissonanz,
tonal/atonal; Struktur =
symmetrischer Bau
(Vordersatz/Nachsatz),
das scholastische Ideal
des Gleichgewichts, das
seinerseits eine
Symmetrieachse zur
Voraussetzung hat. Diese
Strukturierung des
Materials ergibt sich aus
dem fast
ausschliesslichen
Interesse des Komponisten
an den expressiven
Moglichkeiten des
musikalischen Apparats.
Die Motivation des
Komponierens aus dem
Drang, etwas Inneres
ausdrucken zu mussen,
erscheint mir jedoch
heute der Grundlage zu
entbehren und folglich
auch unnotig. Die
letztliche
Daseinsberechtigung
dieser Motivation liegt
in der dualistischen
Vorstellung, die beim
Menschen zwischen Leib
und Seele unterscheidet.
Ein Bluff, Produkt
kleinlicher
Disputiersucht. Eine
Analyse auf der Basis
empirischer Logik stellt
fest, dass es keine Seele
gibt, sondern ein
Nervensystem mit
bestimmten Fahigkeiten,
und dass nichts
auszudrucken ist, weil
Musik die Empfindungen
des Komponisten nicht
wiedergeben kann. sondern
lediglich unbestimmte
Eindrucke im Horer
erzeugt. Da aber jede
bewusste Wahrnehmung
Erkenntnis ist, ware es
nun die Aufgabe des
Komponisten, Musik mit
diesem Ziel, das heisst:
Musik als
Erkenntnismittel zu
schaffen. Dies alles ist
der Versuch, die
Erkenntnistheorie von
David Hume und anderen,
spateren Epistemologen
auf Musik anzuwenden. Der
Beitrag des Empirismus
zur Erkenntnistheorie
wurde zwar in der
wissenschaftlichen
Forschung genutzt, fand
jedoch in der Kunst kaum,
in der Musik keinerlei
Beachtung. Warum?
Vielleicht, weil in der
Musik noch immer der
naive, >>expressive<<
Komponist vorherrscht,
den das elitar-bourgeoise
Publikum verlangt und dem
es applaudiert. Der
Einwand, dass Kunst immer
bourgeois war und es
weiterhin ist, gibt zwar
keine Losung, sollte aber
auch nicht unterschatzt
werden. Ich habe HARTO in
zwei Teilen konzipiert,
wobei jeder Teil im
Verhaltnis zum anderen
sowohl irgendwie das
gleiche als auch das
Gegenteil darstellt. Der
Grund fur diese
Zweiteilung des Werkes
ist leicht aus dem vorhin
Gesagten abzuleiten. Als
Vorarbeit zur Komposition
habe ich versucht, die
historische dichotomische
Gestaltung des Materials
besonders hervorzuheben,
und zwar durch eine
Potenzierung jener
Aspekte, die diesen
-zweigeteilten<<
Charakter in sich tragen.
Ich habe also den
Zeitverlauf lediglich als
eine Folge von Spannungs-
und
Entspannungs-Einheiten
betrachtet; ich habe
Tonhohen-Anordnungen
verwendet, die
ausschliesslich auf
Symmetrie beruhen; ich
habe zweiteilige
Strukturen aufgebaut,
deren Halften durch eine
Pause mit konstantem Wert
geteilt sind; ich habe -
je nach den Moglichkeiten
des Orchesters - den
Gerausch- oder Tonanteil
des Klanges ubertrieben.
Dieser Gedankengang wurde
im Hinblick darauf
realisiert, neue
Anwendungsmoglichkeiten
zu finden, die fur das
Ziel einer Musik als
Erkenntnismittel von
Nutzen sein
konnen.(Manuel
Hidalgo).
Orchestra - Grade 4 SKU: WD.080689551789 Composed by Don Hart. Arranged b...(+)
Orchestra - Grade 4
SKU:
WD.080689551789
Composed by Don Hart.
Arranged by Don Hart.
Coronation Series. Modern
Christian, Sacred,
Orchestral.
Orchestration. Word Music
#080689551789. Published
by Word Music
(WD.080689551789).
UPC:
080689551789.
About
Coronation
Series
Cor
onation Series
Instrumentation: Woodwinds: 2
Flute, Oboe, 2 Clarinet,
Bass Clarinet (doubles
Tuba), Alto Sax (doubles
French Horn), Tenor
Sax/Baritone T.C.
(doubles Trombone,) - All
charts released since
3/1/02 include a Bari Sax
part that doubles
Tuba. Brass:
strong> 2 French Horn, 3
Trumpet, 3 Trombone,
Tuba Percussio
n:Percussion Strings:
2 Violin*, Viola*
Cello/Bassoon, String
Bass *simplified parts
included Addit
ional Parts:
Harp, Rhythm, String
Reduction
Orchestra SKU: LO.30-2684L Composed by Don Hart. Choral. Sacred Anthem, A...(+)
Orchestra
SKU:
LO.30-2684L
Composed
by Don Hart. Choral.
Sacred Anthem, Advent,
Christmas. Orchestral
score and parts. Lorenz
Publishing Company
#30/2684L. Published by
Lorenz Publishing Company
(LO.30-2684L).
UPC:
000308128024.
Rever
ent and worshipful, this
beloved gospel Christmas
classic has been set in a
beautiful arrangement by
Don Hart. Lovely
harmonies are highlighted
in the accessible choral
parts, which float atop
an elegant accompaniment.
A gorgeous, optional
orchestration is also
available to complement
this touching Christmas
anthem. Instrumentation:
2 Fl, Ob, 2 Cl, Bsn, 3
Tpt, 2 Hn, 2 Tbn, Tba, 2
Perc, Timp, Harp, Pno, 2
Vln, Vla, Cello,
Bass.
By Philip P. Bliss. Arranged by Don Hart. For Orchestra. Atonement, Comfort, Con...(+)
By Philip P. Bliss.
Arranged by Don Hart. For
Orchestra. Atonement,
Comfort, Confidence,
Eternal Life, Hymntune,
Peace and Sacred. Print
Music Single
(Orchestration).
Published by Hope
Publishing Company.
By Lorenz Hart, Music By Richard Rodgers. For Full Orchestra. Full Orchestra. Po...(+)
By Lorenz Hart, Music By
Richard Rodgers. For Full
Orchestra. Full
Orchestra. Pop
Intermediate Full
Orchestra. Broadway.
Level: 2.5 (grade 2.5).
Score. 12 pages.
Published by Alfred
Publishing.
Composed by Lorenz Hart.
Arranged by Calvin
Custer. Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Intermediate String
Orchestra. Broadway;
Great American Songbook.
Score and Part(s). 63
pages. Duration 4:31.
Belwin Music
#00-WBSO9403. Published
by Belwin Music
(AP.WBSO9403).
UPC:
029156111699.
English.
You will
achieve brilliance from
the strings and with an
added rhythm section
(piano, bass, drums, and
guitar) you'll have a
modern, contemporary
piece that is most
appealing. Read the
lyrics to the players,
add the beautiful melody,
and listen to some
inspired playing.
(4:31).
My Funny Valentine Orchestre [Conducteur et Parties séparées] - Facile Alfred Publishing
Composed by Lorenz Hart, music by Richard Rodgers. Arranged by Jerry Brubaker. O...(+)
Composed by Lorenz Hart,
music by Richard Rodgers.
Arranged by Jerry
Brubaker. Orchestra. For
Full Orchestra. Full
Orchestra. Pop
Intermediate Full
Orchestra. Broadway. 2.5
(grade 2.5). Conductor
Score and Parts.
Published by Alfred Music
Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by John Michael Coop...(+)
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
John Michael Cooper. For
orchestra (2 flutes/2
oboes/2 clarinets/2
bassoons/4 horns/2
trumpets/3
trombones/timpani). This
edition: Urtext edition.
Stapled. Set of winds.
Opus 42.
7/7/7/6/7/7/7/7/5/5/5/5/3
/3/3/3/3/3 pages.
Published by Baerenreiter
Verlag
Pastoral Symphony -
Urtext based on the new
Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by Jens
Dufner. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
The
study score
(,,Studien-Edition) is
available at G. Henle
Verlag
Symphony;
Classical. Full score.
112 pages. Duration 40'.
Breitkopf and Haertel #PB
14616. Published by
Breitkopf and Haertel
(BR.PB-14616).
ISBN
9790004214916. 10 x 12.5
inches.
It was only
shortly after the 5th
Symphony that Beethoven
completed the Pastoral
Symphony. The two formed
a complementary work
pair, consigned together
to a patron in June 1808,
publicly premiered in
Vienna in December 1808,
and published by
Breitkopf & Hartel in the
spring of 1809. During
this period, Beethoven
revised the symphony
several times. Only in
the course of preparing
for publication did
Beethoven send Breitkopf
& Hartel a letter,
together with a list of
corrections, disclosing
the title that he
desired, Pastoral
Symphony or recollections
of country life. More an
expression of feeling
than painting. The
Pastoral with its
tone-painting elements
gives evidence of
Beethoven's closeness to
nature, characterizing in
five movements his
various experiences and
images of nature. Based
on the music text of the
Beethoven Complete
Edition, the new
performance material of
this recently published
edition presents the
current, authoritative
status of Beethoven
research for this
work.
Orchestra (3(3.picc).2.cor ang.2.2.dble bsn - 4.3.3.1 - timp - perc - hp - str) ...(+)
Orchestra
(3(3.picc).2.cor
ang.2.2.dble bsn -
4.3.3.1 - timp - perc -
hp - str)
SKU:
BR.PB-5709
Tone
Poem for Large Orchestra
after N. Lenau -
Urtext. Composed by
Richard Strauss. Edited
by Nick Pfefferkorn.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Symphonic poem; Early
modern. Full score. 120
pages. Duration 19'.
Breitkopf and Haertel #PB
5709. Published by
Breitkopf and Haertel
(BR.PB-5709).
ISBN
9790004216460. 10 x 12.5
inches.
Strauss
third tone poem Don Juan
was composed in spring
1888. This work is
already an impressive
demonstration of the
composer's newly acquired
confidence in mastering
the orchestral apparatus.
Already completed in the
fall, it took over a year
until its premiere in
Weimar on November 11,
1889. Breitkopf &
Hartel's new Urtext
edition assesses not only
the autograph and the
first edition, but also
for the first time the
parts used under the
composer's direction,
resulting in some
surprisingly new
readings. An extensive
preface, facsimile pages,
and a detailed critical
report round off this
authoritative Urtext
edition.
First
Urtext edition since the
first edition. Evaluation
of all available sources,
including some orchestral
parts used by Strauss. A
detailed critical report.
Complete orchestral
material available for
purchase.
Orchestra SKU: BR.SON-626 Luonnotar Faksimile. Composed by Jean Si...(+)
Orchestra
SKU:
BR.SON-626
Luonnotar
Faksimile. Composed
by Jean Sibelius. Linen.
Complete Works.
Late-romantic; Early
modern. Complete Works.
88 pages. Breitkopf and
Haertel #SON 626.
Published by Breitkopf
and Haertel (BR.SON-626).
ISBN 9790004803288. 10
x 12.5 inches.
A
main work by Sibelius as
facsimile edition The
large orchestral song
Luonnotar is considered
as one of the boldest
works of Jean Sibelius.
This alone would be
reason enough to print
the autograph sources
(full score and piano
reduction) as a color
facsimile for the
Sibelius Anniversary Year
2015. In addition, the
autograph score also has
a special significance
for the transmission: it
ensured the survival of
the entire work after
World War II; the source
material for the printer
compiled by Breitkopf &
Hartel had been destroyed
in an air-raid bombing in
1943. The meticulously
elucidated volume is the
first complete facsimile
edition of an orchestral
work by Jean Sibelius - a
milestone in Sibelius
editorial history that
meaningfully supplements
the complete edition Jean
Sibelius Werke as a truly
special volume.
Orchestra (Full Score) SKU: HL.347399 Full Score. Composed by Step...(+)
Orchestra (Full Score)
SKU: HL.347399
Full Score.
Composed by Stephen
Hartke. LKM Music.
Classical. Softcover. 148
pages. Lauren Keiser
Music Publishing
#X075092. Published by
Lauren Keiser Music
Publishing (HL.347399).
ISBN 9781540095381.
UPC: 840126927443.
9.0x14.0x0.686
inches.
Hartke's
cello concerto, Da Pacem,
takes its title from a
Latin hymn that begins
“Grant peace in our
day.” It is a
reflection on these
unsettled and unsettling
times. As the work's
protagonist, the solo
cellist journeys through
a considerable variety of
musical landscapes.
Movements: I. Da Pacem
(Fantasia) II. In diebus
nostris (Scherzo) III.
Quis pugnat pro nobis?
(Introduction, Elegy, and
Envoi) Commissioned by
Oberlin College and
Conservatory; the Saint
Paul Chamber Orchestra;
the Aspen Music Festival,
Robert Spano, Music
Director; and American
Composers Orchestra.
Orchestra (parts and score) - Grade 3 SKU: HL.35017179 Composed by Johann...(+)
Orchestra (parts and
score) - Grade 3
SKU:
HL.35017179
Composed
by Johann Sebastian Bach.
Arranged by Livingston
Gearhart. Orchestra
5/5/5/3/3/3. Shawnee
Press. Print on demand -
publisher prints this
title after order is
received. Classical. Book
Only, Full Score and
Parts. Composed 2008. 32
pages. Shawnee Press
#J0057. Published by
Shawnee Press
(HL.35017179).
UPC:
884088660055. 8.5x11
inches. Johann Sebastian
Bach, Livingston
Gearhart.
Orchestra (Picc.2.2.2.2 -
4.2.3.0 - timp.trg.side
dr - str)
SKU:
BR.PB-5698
Lenore
- Urtext. Composed by
Joachim Raff. Edited by
Iris Eggenschwiler.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library). Romantic
period. Full score. 232
pages. Duration 40'.
Breitkopf and Haertel #PB
5698. Published by
Breitkopf and Haertel
(BR.PB-5698).
ISBN
9790004216354. 10 x 12.5
inches.
Joachim
Raff's Fifth Symphony
Lenore op. 177, composed
in 1872, reveals the
composer as a
representative of the
middle ground between
Neo-German aesthetics and
the symphonic tradition.
It owes its name to G. A.
Burger's ballade, which
is the programmatic basis
of the final movement.
Using this literary
model, Raff oriented
himself to the Berlioz
program symphonies and
the Liszt symphonic-poem
concept, on the one hand,
but on the other, he let
the three preceding
movements follow
traditional symphonic
form. Raff conducted the
Lenore symphony's
premiere in December 1872
in a concert by the
Furstliche Hofkapelle in
Sondershausen. The
concert went to his
satisfaction, although
the audience evidently
did not know what to make
of the work: [...] and
the symphony [...] was
played before this
faintly musical party.
Essentially for the
greater glory of God and
my edification, less for
that of the said public,
which seems to have been
rather horrified by it.
His friend Hans von Bulow
had, however, a great
pleasure in hearing the
symphony the following
year in Berlin. In her
preface, the editor Iris
Eggenschwiler provides
detailed information
about the work's genesis,
documents Raff's ideas
and intentions, and
facilitates a
comprehensive orientation
within the historical
context. Breitkopf &
Hartel is now presenting
for the first time with
this symphony an
orchestral work by Raff
in a modern Urtext
edition, thus also
continuing its
collaboration with the
Joachim-Raff-Gesellschaft
.In collaboration with
the Joachim-Raff-Archiv
Lachen (CH).
Scherzo - Urtext based
on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Christian Martin Schmidt.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Stage/film Music; Music
theatre; Romantic. Full
score. 32 pages. Duration
5'. Breitkopf and Haertel
#PB 5365. Published by
Breitkopf and Haertel
(BR.PB-5365).
ISBN
9790004210512. 10 x 12.5
inches.
With the
publication of the
performance materials to
the Mendelssohn Complete
Edition, Breitkopf &
Hartel is fulfilling its
promise to release the
conducting scores, parts
and, in the case of
well-known orchestral
pieces, separate
materials as soon as
possible after the
appearance of the
respective volume in the
Complete Edition.
Breitkopf believes that
all these important new
scholarly findings should
be made available
directly to performers
and taken into
consideration in as many
Mendelssohn performances
as possible.
Orchestra SKU: BR.PB-5719 Fantastic Variations on a Theme of Knightly ...(+)
Orchestra
SKU:
BR.PB-5719
Fantastic Variations
on a Theme of Knightly
Character - Urtext.
Composed by Richard
Strauss. Edited by Nick
Pfefferkorn. Orchestra.
Partitur-Bibliothek
(Score Library).
Symphonic poem;
Late-romantic; Early
modern. Sheet Music.
Duration 43'. Breitkopf
and Haertel #PB 5719.
Published by Breitkopf
and Haertel (BR.PB-5719).
ISBN 9790004216569. 0
x 0 inches.
Strauss
had originally intended
that Don Quixotealways be
performed, if possible,
together with
Heldenleben, since Don Q.
in particular is only
fully comprehensible
alongside Heldenleben. To
date, Strauss's wish is
rarely respected. The Don
Quixote Urtext edition
now being published by
Breitkopf & Hartel can
assist here. Once again,
the new edition is based
on Strauss's own
engraver's model, helping
to clarify numerous
misunderstandings, and
facilitating the
correction of dozens of
traditional errors.
Furthermore, the woodwind
parts, previously
available only in
manuscript form, are now
appearing completely
engraved for the first
time.This new edition is
also being augmented by a
piano reduction of the
most important orchestral
passages for facilitating
the study of the solo
cello and viola parts;
these two solo parts are
also separately included
with the purchase of the
piano
reduction.
First
Urtext edition since the
original edition;
Evaluation of all
available manuscript and
printed sources; Detailed
preface giving the
genesis and reception
history; Detailed
critical report;
Facsimile pages.
Wedding
March - Urtext based on
the Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Dances/marches; Romantic.
Full score. 24 pages.
Duration 5'. Breitkopf
and Haertel #PB 5366.
Published by Breitkopf
and Haertel (BR.PB-5366).
ISBN 9790004210529. 10
x 12.5 inches.
With
the publication of the
performance materials to
the Mendelssohn Complete
Edition, Breitkopf &
Hartel is fulfilling its
promise to release the
conducting scores, parts
and, in the case of
well-known orchestral
pieces, separate
materials as soon as
possible after the
appearance of the
respective volume in the
Complete Edition.
Breitkopf believes that
all these important new
scholarly findings should
be made available
directly to performers
and taken into
consideration in as many
Mendelssohn performances
as possible.
Concert Overture No. 3
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Overture; Romantic. Full
score. 80 pages. Duration
13'. Breitkopf and
Haertel #PB 5503.
Published by Breitkopf
and Haertel (BR.PB-5503).
ISBN 9790004211465. 10
x 12.5
inches.
Mendelssohn
s overture drew its
inspiration from two
poems by Goethe which had
already inspired Ludwig
van Beethoven to write a
choral work on them with
orchestral accompaniment.
The larger part of the
work on this piece must
have been carried out in
the summer of 1828. The
first public performance
took place in Berlin on 1
December 1832. The
revised version of the
work was first performed
in Leipzig on 20 April
1834. Its ranking as No.
3 of the concert
overtures was laid down
when the score was first
printed in 1835
(Breitkopf &
Hartel).(Ralf Wehner in
the Study Edition of the
Mendelssohn Work
Catalogue).
Urtext. Composed
by Georges Bizet. Edited
by Lesley A. Wright.
Orchestra; stapled.
Eulenburg Orchestral
Series. Suite; Romantic.
Full score. 68 pages.
Duration 18'. Breitkopf
and Haertel #EOS 20829.
Published by Breitkopf
and Haertel
(BR.EOS-20829).
ISBN
9790004780275. 10 x 12.5
inches.
From Stage Flop to
Concert
Favorite
The story of Alphonse
Daudet's drama
L'Arlesienne to
which Georges Bizet
composed several pieces
in 1872 focuses on the
story of love and suicide
and was inspired by true
events. The musical drama
had flopped at its
premiere, but the suite
that Bizet arranged
shortly afterwards from
its stage music enjoys
great popularity to this
very day. After Bizet's
death, his friend Ernest
Guiraud put together four
more movements of themes
and motives by Bizet for
a second suite
establishing a musical
connection to Provence
und Arles especially in
the outer movements, the
Pastorale and the
effective Fandarole. With
this edition, Breitkopf &
Hartel continues its
successful collaboration
with Eulenburg.
Version of 1851 - Urtext. Composed by Robert Schumann. Edited by Joachim ...(+)
Version of 1851 -
Urtext. Composed by
Robert Schumann. Edited
by Joachim Draheim.
Symphony.
Orchester-Bibliothek
(Orchestral Library). The
5 study scores of the
symphonies (incl. early
version of the 4 th
symphony) in slipcase are
temporarily out of print.
The single editions are,
however, still available.
Romantic. Double bass
part. Breitkopf and
Haertel #OB 5264-27.
Published by Breitkopf
and Haertel
(BR.OB-5264-27).
0.48
Orchestra (3(picc).2.cor
angl.2.B-clar.2.dble bsn.
- 4.3.3.0. - timp - str)
SKU: BR.PB-5586
Tone Poem - Urtext
based on the Complete
Edition Jean Sibelius
Works (JSW). Composed
by Jean Sibelius. Edited
by Kari Kilpelainen.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Symphonic poem;
Late-romantic; Early
modern. Full score. 76
pages. Duration 20'.
Breitkopf and Haertel #PB
5586. Published by
Breitkopf and Haertel
(BR.PB-5586).
ISBN
9790004213964. 10 x 12.5
inches.
... a
forest god in New YorkThe
symphonic poem Tapiola is
the final major
composition for orchestra
that Sibelius was able to
complete and publish. In
January 1926 he had
accepted the commission
from the conductor Walter
Damrosch to compose an
orchestral work of at
most 20 minutes in length
for a performance in New
York at the end of that
year. Shortly thereafter
Sibelius was successful
in getting Breitkopf &
Hartel to do the first
publication of this tone
poem. The premiere of
Tapiola took place on 26
December 1926. The
edition takes over the
music text published in
volume I/16 of the
complete edition Jean
Sibelius Works.
Orchestra (3(picc).2.cor
angl.2.B-clar.2.dble bsn.
- 4.3.3.0. - timp - str)
SKU: BR.PB-5587-07
Tone Poem - Urtext
based on the Complete
Edition Jean Sibelius
Works (JSW). Composed
by Jean Sibelius. Edited
by Kari Kilpelainen.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Symphonic poem;
Late-romantic; Early
modern. Study Score. 80
pages. Duration 20'.
Breitkopf and Haertel #PB
5587-07. Published by
Breitkopf and Haertel
(BR.PB-5587-07).
ISBN
9790004213971. 6.5 x 9
inches.
... a
forest god in New YorkThe
symphonic poem Tapiola is
the final major
composition for orchestra
that Sibelius was able to
complete and publish. In
January 1926 he had
accepted the commission
from the conductor Walter
Damrosch to compose an
orchestral work of at
most 20 minutes in length
for a performance in New
York at the end of that
year. Shortly thereafter
Sibelius was successful
in getting Breitkopf &
Hartel to do the first
publication of this tone
poem. The premiere of
Tapiola took place on 26
December 1926. The
edition takes over the
music text published in
volume I/16 of the
complete edition Jean
Sibelius Works.
New York, New York Orchestre [Conducteur et Parties séparées] Jazz Lines Publications
Recorded by Frank Sinatra. Edited by Rob DuBoff, Jeffrey Sultanof, and Dy...(+)
Recorded by Frank
Sinatra. Edited by
Rob DuBoff, Jeffrey
Sultanof, and Dylan
Canterbury. Arranged by
Don Costa. Jazz, Swing.
Score and parts.
Published by Jazz Lines
Publications
(JL.JLP-9510).
Siddharta Orchestre SATB, Orchestre [Conducteur] Lemoine, Henry
Orchestra SKU: LM.28739 Composed by Bruno Mantovani. Classical: 20th Cent...(+)
Orchestra
SKU:
LM.28739
Composed by
Bruno Mantovani.
Classical: 20th Century
(Contemporary). Score.
Editions Henry Lemoine
#28739. Published by
Editions Henry Lemoine
(LM.28739).
Orchestra - Grade 4 SKU: WD.080689111396 Composed by Richard Kingsmore. A...(+)
Orchestra - Grade 4
SKU:
WD.080689111396
Composed by Richard
Kingsmore. Arranged by
Richard Kingsmore.
Coronation Series. Modern
Christian, Sacred,
Orchestral.
Orchestration. Word Music
#080689111396. Published
by Word Music
(WD.080689111396).
UPC:
080689111396.
About
Coronation
Series
Cor
onation Series
Instrumentation: Woodwinds: 2
Flute, Oboe, 2 Clarinet,
Bass Clarinet (doubles
Tuba), Alto Sax (doubles
French Horn), Tenor
Sax/Baritone T.C.
(doubles Trombone,) - All
charts released since
3/1/02 include a Bari Sax
part that doubles
Tuba. Brass:
strong> 2 French Horn, 3
Trumpet, 3 Trombone,
Tuba Percussio
n:Percussion Strings:
2 Violin*, Viola*
Cello/Bassoon, String
Bass *simplified parts
included Addit
ional Parts:
Harp, Rhythm, String
Reduction
Orchestra - Grade 4 SKU: WD.080689277696 Composed by Michael Lawrence. Ar...(+)
Orchestra - Grade 4
SKU:
WD.080689277696
Composed by Michael
Lawrence. Arranged by
Michael Lawrence.
Coronation Series. Modern
Christian, Sacred,
Orchestral.
Orchestration. Word Music
#080689277696. Published
by Word Music
(WD.080689277696).
UPC:
080689277696.
About
Coronation
Series
Cor
onation Series
Instrumentation: Woodwinds: 2
Flute, Oboe, 2 Clarinet,
Bass Clarinet (doubles
Tuba), Alto Sax (doubles
French Horn), Tenor
Sax/Baritone T.C.
(doubles Trombone,) - All
charts released since
3/1/02 include a Bari Sax
part that doubles
Tuba. Brass:
strong> 2 French Horn, 3
Trumpet, 3 Trombone,
Tuba Percussio
n:Percussion Strings:
2 Violin*, Viola*
Cello/Bassoon, String
Bass *simplified parts
included Addit
ional Parts:
Harp, Rhythm, String
Reduction