Composed by Paul Hart. For Full Orchestra (Piccolo Flute 1/2 Oboe 1/2 Bb Clarinet 1/2 Bb Bass Clarinet Alto Saxophone Bassoon 1/2 Horn 1/2/3/4 Bb Trumpet 1/2/3 Trombone 1/2 Bass Trombone Tuba Harp Timpani Percussion 1/2/3/4 Violin 1/2 Viola Cello Double Bass). Grade 5. Orchestra score and parts. Duration 9:30. Published by C. Alan Publications

Orchestra (3(3picc.A-fl).3(cor ang).4(B-clar).3(dble bsn) - 4.3.3.1(tuba) - perc(4) - hp - pno(cel) - str: 12.12.10.8.6.)

SKU: BR.PB-5119-07

Study score. Composed by Manuel Hidalgo. Softbound. Partitur-Bibliothek (Score Library).

World premiere: Donaueschingen (Donaueschinger Musiktage), October 16, 1983

Music post-1945; New music (post-2000). Study Score. Composed 1982. 64 pages. Duration 22'. Breitkopf and Haertel #PB 5119-07. Published by Breitkopf and Haertel (BR.PB-5119-07).

ISBN 9790004208670. 9 x 12 inches.

Jeder Kultur wohnt eine Moral inne, welche die menschlichen Handlungen bewertet und in zwei Kategorien einteilt: gut/schlecht, positiv/negativ usw. Der Titel HARTO - zu deutsch: satt, uberdrussig - bezieht sich auf das Unbehagen, das diese dichotomische Auffassung hervorruft: eine Auffassung, die gleichwohl in uns verwurzelt ist und gerade darum den Prozess Wahrnehmung Ausserung Kenntnis beeinflusst, ihm zugehort. Tatsachlich wird das musikalische Phanomen dualistisch konzipiert: Klang = Ton/Gerausch; Tonhohenanordnung = Konsonanz/Dissonanz, tonal/atonal; Struktur = symmetrischer Bau (Vordersatz/Nachsatz), das scholastische Ideal des Gleichgewichts, das seinerseits eine Symmetrieachse zur Voraussetzung hat. Diese Strukturierung des Materials ergibt sich aus dem fast ausschliesslichen Interesse des Komponisten an den expressiven Moglichkeiten des musikalischen Apparats. Die Motivation des Komponierens aus dem Drang, etwas Inneres ausdrucken zu mussen, erscheint mir jedoch heute der Grundlage zu entbehren und folglich auch unnotig. Die letztliche Daseinsberechtigung dieser Motivation liegt in der dualistischen Vorstellung, die beim Menschen zwischen Leib und Seele unterscheidet. Ein Bluff, Produkt kleinlicher Disputiersucht. Eine Analyse auf der Basis empirischer Logik stellt fest, dass es keine Seele gibt, sondern ein Nervensystem mit bestimmten Fahigkeiten, und dass nichts auszudrucken ist, weil Musik die Empfindungen des Komponisten nicht wiedergeben kann. sondern lediglich unbestimmte Eindrucke im Horer erzeugt. Da aber jede bewusste Wahrnehmung Erkenntnis ist, ware es nun die Aufgabe des Komponisten, Musik mit diesem Ziel, das heisst: Musik als Erkenntnismittel zu schaffen. Dies alles ist der Versuch, die Erkenntnistheorie von David Hume und anderen, spateren Epistemologen auf Musik anzuwenden. Der Beitrag des Empirismus zur Erkenntnistheorie wurde zwar in der wissenschaftlichen Forschung genutzt, fand jedoch in der Kunst kaum, in der Musik keinerlei Beachtung. Warum? Vielleicht, weil in der Musik noch immer der naive, >>expressive<< Komponist vorherrscht, den das elitar-bourgeoise Publikum verlangt und dem es applaudiert. Der Einwand, dass Kunst immer bourgeois war und es weiterhin ist, gibt zwar keine Losung, sollte aber auch nicht unterschatzt werden. Ich habe HARTO in zwei Teilen konzipiert, wobei jeder Teil im Verhaltnis zum anderen sowohl irgendwie das gleiche als auch das Gegenteil darstellt. Der Grund fur diese Zweiteilung des Werkes ist leicht aus dem vorhin Gesagten abzuleiten. Als Vorarbeit zur Komposition habe ich versucht, die historische dichotomische Gestaltung des Materials besonders hervorzuheben, und zwar durch eine Potenzierung jener Aspekte, die diesen -zweigeteilten<< Charakter in sich tragen. Ich habe also den Zeitverlauf lediglich als eine Folge von Spannungs- und Entspannungs-Einheiten betrachtet; ich habe Tonhohen-Anordnungen verwendet, die ausschliesslich auf Symmetrie beruhen; ich habe zweiteilige Strukturen aufgebaut, deren Halften durch eine Pause mit konstantem Wert geteilt sind; ich habe - je nach den Moglichkeiten des Orchesters - den Gerausch- oder Tonanteil des Klanges ubertrieben. Dieser Gedankengang wurde im Hinblick darauf realisiert, neue Anwendungsmoglichkeiten zu finden, die fur das Ziel einer Musik als Erkenntnismittel von Nutzen sein konnen.(Manuel Hidalgo).

Orchestra - Grade 4

SKU: WD.080689551789

Composed by Don Hart. Arranged by Don Hart. Coronation Series. Modern Christian, Sacred, Orchestral. Orchestration. Word Music #080689551789. Published by Word Music (WD.080689551789).

UPC: 080689551789.

About Coronation Series

Cor onation Series Instrumentation:
Woodwinds: 2 Flute, Oboe, 2 Clarinet, Bass Clarinet (doubles Tuba), Alto Sax (doubles French Horn), Tenor Sax/Baritone T.C. (doubles Trombone,) - All charts released since 3/1/02 include a Bari Sax part that doubles Tuba.
Brass: 2 French Horn, 3 Trumpet, 3 Trombone, Tuba
Percussio n:Percussion
Strings: 2 Violin*, Viola* Cello/Bassoon, String Bass
*simplified parts included
Addit ional Parts: Harp, Rhythm, String Reduction

Orchestra

SKU: LO.30-2684L

Composed by Don Hart. Choral. Sacred Anthem, Advent, Christmas. Orchestral score and parts. Lorenz Publishing Company #30/2684L. Published by Lorenz Publishing Company (LO.30-2684L).

UPC: 000308128024.

Rever ent and worshipful, this beloved gospel Christmas classic has been set in a beautiful arrangement by Don Hart. Lovely harmonies are highlighted in the accessible choral parts, which float atop an elegant accompaniment. A gorgeous, optional orchestration is also available to complement this touching Christmas anthem. Instrumentation: 2 Fl, Ob, 2 Cl, Bsn, 3 Tpt, 2 Hn, 2 Tbn, Tba, 2 Perc, Timp, Harp, Pno, 2 Vln, Vla, Cello, Bass.

By Philip P. Bliss. Arranged by Don Hart. For Orchestra. Atonement, Comfort, Confidence, Eternal Life, Hymntune, Peace and Sacred. Print Music Single (Orchestration). Published by Hope Publishing Company.

By Lorenz Hart, Music By Richard Rodgers. For Full Orchestra. Full Orchestra. Pop Intermediate Full Orchestra. Broadway. Level: 2.5 (grade 2.5). Score. 12 pages. Published by Alfred Publishing.

Orchestra - Grade 3.5

SKU: AP.WBSO9403

Composed by Lorenz Hart. Arranged by Calvin Custer. Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Broadway; Great American Songbook. Score and Part(s). 63 pages. Duration 4:31. Belwin Music #00-WBSO9403. Published by Belwin Music (AP.WBSO9403).

UPC: 029156111699. English.

You will achieve brilliance from the strings and with an added rhythm section (piano, bass, drums, and guitar) you'll have a modern, contemporary piece that is most appealing. Read the lyrics to the players, add the beautiful melody, and listen to some inspired playing. (4:31).

Composed by Lorenz Hart, music by Richard Rodgers. Arranged by Jerry Brubaker. Orchestra. For Full Orchestra. Full Orchestra. Pop Intermediate Full Orchestra. Broadway. 2.5 (grade 2.5). Conductor Score and Parts. Published by Alfred Music

Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by John Michael Cooper. For orchestra (2 flutes/2 oboes/2 clarinets/2 bassoons/4 horns/2 trumpets/3 trombones/timpani). This edition: Urtext edition. Stapled. Set of winds. Opus 42. 7/7/7/6/7/7/7/7/5/5/5/5/3 /3/3/3/3/3 pages. Published by Baerenreiter Verlag

By Paul Hart. For Full Orchestra (Piccolo Flute 1/2 Oboe 1/2 Bb Clarinet 1/2 Bb Bass Clarinet Alto Saxophone Bassoon 1/2 Horn 1/2/3/4 Bb Trumpet 1/2/3 Trombone 1/2 Bass Trombone Tuba Harp Timpani Percussion 1/2/3/4 Violin 1/2 Viola Cello Double Bass). Gra

Performed by Harold Farberman. By Harold Farberman. Edited by Thom Proctor. Instrumental-text book. 308 pages. Published by Belwin.

(A New Perspective). By Harold Farberman. Reference Textbooks; Technique Musicianship; Textbook - Instrumental (DVD). DVD

Orchestra (3(3.picc).2.cor ang.2.2.dble bsn - 4.3.3.1 - timp - perc - hp - str)

SKU: BR.PB-5709

Tone Poem for Large Orchestra after N. Lenau - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Symphonic poem; Early modern. Full score. 120 pages. Duration 19'. Breitkopf and Haertel #PB 5709. Published by Breitkopf and Haertel (BR.PB-5709).

ISBN 9790004216460. 10 x 12.5 inches.

Strauss third tone poem Don Juan was composed in spring 1888. This work is already an impressive demonstration of the composer's newly acquired confidence in mastering the orchestral apparatus. Already completed in the fall, it took over a year until its premiere in Weimar on November 11, 1889. Breitkopf & Hartel's new Urtext edition assesses not only the autograph and the first edition, but also for the first time the parts used under the composer's direction, resulting in some surprisingly new readings. An extensive preface, facsimile pages, and a detailed critical report round off this authoritative Urtext edition.

First Urtext edition since the first edition. Evaluation of all available sources, including some orchestral parts used by Strauss. A detailed critical report. Complete orchestral material available for purchase.

Orchestra

SKU: BR.SON-626

Luonnotar Faksimile. Composed by Jean Sibelius. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 88 pages. Breitkopf and Haertel #SON 626. Published by Breitkopf and Haertel (BR.SON-626).

ISBN 9790004803288. 10 x 12.5 inches.

A main work by Sibelius as facsimile edition The large orchestral song Luonnotar is considered as one of the boldest works of Jean Sibelius. This alone would be reason enough to print the autograph sources (full score and piano reduction) as a color facsimile for the Sibelius Anniversary Year 2015. In addition, the autograph score also has a special significance for the transmission: it ensured the survival of the entire work after World War II; the source material for the printer compiled by Breitkopf & Hartel had been destroyed in an air-raid bombing in 1943. The meticulously elucidated volume is the first complete facsimile edition of an orchestral work by Jean Sibelius - a milestone in Sibelius editorial history that meaningfully supplements the complete edition Jean Sibelius Werke as a truly special volume.

Orchestra (parts and score) - Grade 3

SKU: HL.35017179

Composed by Johann Sebastian Bach. Arranged by Livingston Gearhart. Orchestra 5/5/5/3/3/3. Shawnee Press. Print on demand - publisher prints this title after order is received. Classical. Book Only, Full Score and Parts. Composed 2008. 32 pages. Shawnee Press #J0057. Published by Shawnee Press (HL.35017179).

UPC: 884088660055. 8.5x11 inches. Johann Sebastian Bach, Livingston Gearhart.

Orchestra (2(picc).2(cor ang).2.A-sax.2. - 4.2.2CaP.3.0. - timp.perc - hp/pno - str)

SKU: BR.EOS-20829

Urtext. Composed by Georges Bizet. Edited by Lesley A. Wright. Orchestra; stapled. Eulenburg Orchestral Series. Suite; Romantic. Full score. 68 pages. Duration 18'. Breitkopf and Haertel #EOS 20829. Published by Breitkopf and Haertel (BR.EOS-20829).

ISBN 9790004780275. 10 x 12.5 inches.

From Stage Flop to Concert Favorite

The story of Alphonse Daudet's drama L'Arlesienne to which Georges Bizet composed several pieces in 1872 focuses on the story of love and suicide and was inspired by true events. The musical drama had flopped at its premiere, but the suite that Bizet arranged shortly afterwards from its stage music enjoys great popularity to this very day. After Bizet's death, his friend Ernest Guiraud put together four more movements of themes and motives by Bizet for a second suite establishing a musical connection to Provence und Arles especially in the outer movements, the Pastorale and the effective Fandarole. With this edition, Breitkopf & Hartel continues its successful collaboration with Eulenburg.

Version of 1851 - Urtext. Composed by Robert Schumann. Edited by Joachim Draheim. Symphony. Orchester-Bibliothek (Orchestral Library). The 5 study scores of the symphonies (incl. early version of the 4 th symphony) in slipcase are temporarily out of print. The single editions are, however, still available. Romantic. Double bass part. Breitkopf and Haertel #OB 5264-27. Published by Breitkopf and Haertel (BR.OB-5264-27). 0.48

Orchestra (3(picc).2.cor angl.2.B-clar.2.dble bsn. - 4.3.3.0. - timp - str)

SKU: BR.PB-5586

Tone Poem - Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Jean Sibelius. Edited by Kari Kilpelainen. Orchestra; stapled. Partitur-Bibliothek (Score Library). Symphonic poem; Late-romantic; Early modern. Full score. 76 pages. Duration 20'. Breitkopf and Haertel #PB 5586. Published by Breitkopf and Haertel (BR.PB-5586).

ISBN 9790004213964. 10 x 12.5 inches.

... a forest god in New YorkThe symphonic poem Tapiola is the final major composition for orchestra that Sibelius was able to complete and publish. In January 1926 he had accepted the commission from the conductor Walter Damrosch to compose an orchestral work of at most 20 minutes in length for a performance in New York at the end of that year. Shortly thereafter Sibelius was successful in getting Breitkopf & Hartel to do the first publication of this tone poem. The premiere of Tapiola took place on 26 December 1926. The edition takes over the music text published in volume I/16 of the complete edition Jean Sibelius Works.

Orchestra (3(picc).2.cor angl.2.B-clar.2.dble bsn. - 4.3.3.0. - timp - str)

SKU: BR.PB-5587-07

Tone Poem - Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Jean Sibelius. Edited by Kari Kilpelainen. Orchestra; stapled. Partitur-Bibliothek (Score Library). Symphonic poem; Late-romantic; Early modern. Study Score. 80 pages. Duration 20'. Breitkopf and Haertel #PB 5587-07. Published by Breitkopf and Haertel (BR.PB-5587-07).

ISBN 9790004213971. 6.5 x 9 inches.

... a forest god in New YorkThe symphonic poem Tapiola is the final major composition for orchestra that Sibelius was able to complete and publish. In January 1926 he had accepted the commission from the conductor Walter Damrosch to compose an orchestral work of at most 20 minutes in length for a performance in New York at the end of that year. Shortly thereafter Sibelius was successful in getting Breitkopf & Hartel to do the first publication of this tone poem. The premiere of Tapiola took place on 26 December 1926. The edition takes over the music text published in volume I/16 of the complete edition Jean Sibelius Works.

Recorded by Frank Sinatra. Edited by Rob DuBoff, Jeffrey Sultanof, and Dylan Canterbury. Arranged by Don Costa. Jazz, Swing. Score and parts. Published by Jazz Lines Publications (JL.JLP-9510).

Orchestra

SKU: LM.28739

Composed by Bruno Mantovani. Classical: 20th Century (Contemporary). Score. Editions Henry Lemoine #28739. Published by Editions Henry Lemoine (LM.28739).

ISBN 9790230987394.

Orchestra - Grade 4

SKU: WD.080689111396

Composed by Richard Kingsmore. Arranged by Richard Kingsmore. Coronation Series. Modern Christian, Sacred, Orchestral. Orchestration. Word Music #080689111396. Published by Word Music (WD.080689111396).

UPC: 080689111396.

About Coronation Series

Cor onation Series Instrumentation:
Woodwinds: 2 Flute, Oboe, 2 Clarinet, Bass Clarinet (doubles Tuba), Alto Sax (doubles French Horn), Tenor Sax/Baritone T.C. (doubles Trombone,) - All charts released since 3/1/02 include a Bari Sax part that doubles Tuba.
Brass: 2 French Horn, 3 Trumpet, 3 Trombone, Tuba
Percussio n:Percussion
Strings: 2 Violin*, Viola* Cello/Bassoon, String Bass
*simplified parts included
Addit ional Parts: Harp, Rhythm, String Reduction

Orchestra - Grade 4

SKU: WD.080689277696

Composed by Michael Lawrence. Arranged by Michael Lawrence. Coronation Series. Modern Christian, Sacred, Orchestral. Orchestration. Word Music #080689277696. Published by Word Music (WD.080689277696).

UPC: 080689277696.

About Coronation Series

Cor onation Series Instrumentation:
Woodwinds: 2 Flute, Oboe, 2 Clarinet, Bass Clarinet (doubles Tuba), Alto Sax (doubles French Horn), Tenor Sax/Baritone T.C. (doubles Trombone,) - All charts released since 3/1/02 include a Bari Sax part that doubles Tuba.
Brass: 2 French Horn, 3 Trumpet, 3 Trombone, Tuba
Percussio n:Percussion
Strings: 2 Violin*, Viola* Cello/Bassoon, String Bass
*simplified parts included
Addit ional Parts: Harp, Rhythm, String Reduction