Featuring: Kumbalawe / Triangle Tango / O / Pageant / If I Could Reach Your Heart. Arranged by Douglas E. Wagner. For Full Orchestra. Full Orchestra. Pop Intermediate Full Orchestra. Pop. Level: 3 (grade 3). Score. 20 pages. Published by Alfred Publishing.

Full orchestra

SKU: LO.30-3593L

Composed by Mary McDonald. Choral. Sacred Anthem. Orchestral score and parts. Lorenz Publishing Company #30/3593L. Published by Lorenz Publishing Company (LO.30-3593L).

UPC: 000308150506.

Orche stral Score and Parts for With All Your Heart (10/5148L) Based on Proverbs 3:5–6, this earnest ballad explores what it means to trust in the Lord with all your heart. This inspiring collaboration between Mary McDonald and Rose Aspinall is enhanced by Michael Lawrence’s sensitive orchestration.

Full orchestra

SKU: LO.30-3594L

Composed by Mary McDonald. Choral. Sacred Anthem. Orchestral score and CD with printable parts. Lorenz Publishing Company #30/3594L. Published by Lorenz Publishing Company (LO.30-3594L).

UPC: 000308150513.

Orche stral Score and CD with Printable Parts for With All Your Heart (10/5148L) Based on Proverbs 3:5–6, this earnest ballad explores what it means to trust in the Lord with all your heart. This inspiring collaboration between Mary McDonald and Rose Aspinall is enhanced by Michael Lawrence’s sensitive orchestration.

Full orchestra

SKU: LO.30-3607MD

Composed by Mary McDonald. Choral. Sacred Anthem, Advent, Christmas. Orchestral score and parts. Medallion Music #30/3607MD. Published by Medallion Music (LO.30-3607MD).

UPC: 000308150896.

Orche stral Score and Parts for Joy of Every Longing Heart (10/5178MD) Your choir and congregation will love this celebratory arrangement by Mary McDonald. It brings together the familiar text of Come, Thou Long-Expected Jesus and the well-known hymn tune WARRENTON. Boost the festivity with the optional orchestra.

Orchestra - Grade 2.5

SKU: AP.40426

Composed by Michael Story. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Halloween; Programmatic. Score and Part(s). 126 pages. Belwin Music #00-40426. Published by Belwin Music (AP.40426).

UPC: 038081451190. English.

Here is a musical depiction of the classic Edgar Allan Poe short story. The cellos, basses, and optional percussion provide the image of the beating of his hideous heart! Provide vivid connections for your young orchestra to the familiar, frequently read story. This title is available in MakeMusic Cloud.

Full Orchestra (Score) - Grade 4

SKU: HL.4491497

Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Bob Krogstad. HL Full Orchestra. Disney, Movies. 28 pages. Published by Hal Leonard (HL.4491497).

UPC: 888680022037. 9.0x12.0x0.069 inches.

Includes: Do You Want to Build a Snowman?, For the First Time in Forever, Frozen Heart, In Summer, Let It Go. Click to view score with recording.

(from Titanic). By James Horner. Arranged by Robert Longfield. Essential Elements String Orchestra Series - Artist Level. Size 9x12 inches. Published by Hal Leonard.

(From the Broadway Show (Featuring: Gonna Fly Now / Fight from the Heart / Eye of the Tiger)). Arranged by Patrick Roszell. Orchestra. Full Orchestra; Part(s); Score. Pop Symphonic Full Orchestra. Form: Medley. Broadway; Movie. Grade 4. 230 pages. Published by Alfred Music

(Featuring: Kumbalawé / Triangle Tango / O / Pageant / If I Could Reach Your Heart). Arranged by Douglas E. Wagner. Orchestra. Full Orchestra. Pop Intermediate Full Orchestra. Form: Suite. Contemporary; Light Concert; Pop. Grade 3. Conductor Score and Parts. 238 pages

Arranged by Ralph Ford. For Full Orchestra. Full Orchestra. Pop Concert Full Orchestra. Video Game. Level: 5 (grade 5). Conductor Score and Parts. 256 pages. Published by Alfred Publishing.

Arranged by Ralph Ford. For Full Orchestra. Full Orchestra. Pop Concert Full Orchestra. Video Game. Conductor Score. 56 pages. Published by Alfred Publishing.
Level: 5 (grade 5).

Orchestra

SKU: HL.14011919

Composed by Karsten Fundal. Music Sales America. Score. Music Sales #KP01477. Published by Music Sales (HL.14011919).

ISBN 9788759878644. English-Danish.

Orc hestration: 3(pic)(afl).2+ca.1+2bcl.2 +cbn/4.3.3.1/timp.2perc/h p/pf/strParts are for hire: hire@ewh.dkProgramnote Hush er et studie i morke og lys, kold og varm lyd. Jeg har ogsa i dette stykke forsogt at introducere staerke folelsesmaessige udtryk, ved brug af instrumentale farver og tonale virkemidler. Titlen Hush er forbundet med et slags indre digt jeg har haft i tankerne medens jeg komponerede. Da jeg jo ikke er digter i ord, er det ufuldstaendigt og utilstraekkeligt i sin form, men derfor alligevel meget godt beskrivende for stykkets vaesen. Det lyder nogenlunde sadan her i mit hoved:Hush little heart- hush.!!was time running too fast or did the hours sometimesseem long?,Were your beats too many or were they too few in the end?Hush little heart- hushdid you see too little or did you sometimes see too much?,was life too small or was it sometimes larger than life?was your thirst quenched or did you end up drained?hush, hush, little heart- hush!!,Don't be afraid, maybe you knew all the time:that one day you would have to be still-or maybe you didn't?Is that why you were beating so fast?hush, hush little heart-hush,- be comforted, 'cause even as you feel so small Your very existence is strange and beautiful - so, hush, hush, be comforted, be still my beating heart.

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score)

SKU: HL.49018099

Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099).

ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German.

On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009.

Full orchestra

SKU: LO.30-3739MD

Composed by Mary McDonald. Arranged by Jay Rouse. Choral, cantatas. Advent, Christmas, Sacred. Instrumental parts. Medallion Music #30/3739MD. Published by Medallion Music (LO.30-3739MD).

UPC: 000308154788.

Set of Parts for 65/2104MD Mary McDonald and Jay Rouse combine their compositional gifts to bring us this moving musical for Advent and Christmas. Beautiful music from Mary and Jay, deeply thoughtful narrations from Rose Aspinall, and a fabulous orchestration by Ed Hogan and Jay highlight the message at the heart of Christmas—God†™s love through Jesus Christ. You’ll find a bit of everything here, including original songs, familiar carols, fresh settings of timeless Christmas favorites, and ministry songs that will reach the heart of every listener. Songs like Mary’s Sing Out Our Savior’s Birth and Look on Him with Love and Jay’s A Midwinter Noel and Love Made a Way all serve to bring into focus God’s undeserved and unfathomable love through Jesus Christ. Celebrate how love made a way for each of us with this impactful musical! His coming means freedom for the captive, sight for the blind, good news for the poor. Jesus is Love incarnate, and He alone makes a way home for fallen man..

Full orchestra

SKU: LO.30-3741MD

Composed by Mary McDonald. Arranged by Jay Rouse. Choral, cantatas. Advent, Christmas, Sacred. Score and parts, plus CD with printable parts. Medallion Music #30/3741MD. Published by Medallion Music (LO.30-3741MD).

UPC: 000308154764.

Score and Parts plus CD with Printable Parts for 65/2104MD Mary McDonald and Jay Rouse combine their compositional gifts to bring us this moving musical for Advent and Christmas. Beautiful music from Mary and Jay, deeply thoughtful narrations from Rose Aspinall, and a fabulous orchestration by Ed Hogan and Jay highlight the message at the heart of Christmas—God†™s love through Jesus Christ. You’ll find a bit of everything here, including original songs, familiar carols, fresh settings of timeless Christmas favorites, and ministry songs that will reach the heart of every listener. Songs like Mary’s Sing Out Our Savior’s Birth and Look on Him with Love and Jay’s A Midwinter Noel and Love Made a Way all serve to bring into focus God’s undeserved and unfathomable love through Jesus Christ. Celebrate how love made a way for each of us with this impactful musical! His coming means freedom for the captive, sight for the blind, good news for the poor. Jesus is Love incarnate, and He alone makes a way home for fallen man..

Full orchestra

SKU: LO.30-3738MD

Composed by Mary McDonald. Arranged by Jay Rouse. Choral, cantatas. Advent, Christmas, Sacred. Full score. Medallion Music #30/3738MD. Published by Medallion Music (LO.30-3738MD).

UPC: 000308154795.

Full Score for 65/2104MD Mary McDonald and Jay Rouse combine their compositional gifts to bring us this moving musical for Advent and Christmas. Beautiful music from Mary and Jay, deeply thoughtful narrations from Rose Aspinall, and a fabulous orchestration by Ed Hogan and Jay highlight the message at the heart of Christmas—God†™s love through Jesus Christ. You’ll find a bit of everything here, including original songs, familiar carols, fresh settings of timeless Christmas favorites, and ministry songs that will reach the heart of every listener. Songs like Mary’s Sing Out Our Savior’s Birth and Look on Him with Love and Jay’s A Midwinter Noel and Love Made a Way all serve to bring into focus God’s undeserved and unfathomable love through Jesus Christ. Celebrate how love made a way for each of us with this impactful musical! His coming means freedom for the captive, sight for the blind, good news for the poor. Jesus is Love incarnate, and He alone makes a way home for fallen man..

Full orchestra

SKU: LO.30-3740MD

Composed by Mary McDonald. Arranged by Jay Rouse. Choral, cantatas. Advent, Christmas, Sacred. CD with printable parts. Medallion Music #30/3740MD. Published by Medallion Music (LO.30-3740MD).

UPC: 000308154771.

CD with Printable Parts for 65/2104MD Mary McDonald and Jay Rouse combine their compositional gifts to bring us this moving musical for Advent and Christmas. Beautiful music from Mary and Jay, deeply thoughtful narrations from Rose Aspinall, and a fabulous orchestration by Ed Hogan and Jay highlight the message at the heart of Christmas—God†™s love through Jesus Christ. You’ll find a bit of everything here, including original songs, familiar carols, fresh settings of timeless Christmas favorites, and ministry songs that will reach the heart of every listener. Songs like Mary’s Sing Out Our Savior’s Birth and Look on Him with Love and Jay’s A Midwinter Noel and Love Made a Way all serve to bring into focus God’s undeserved and unfathomable love through Jesus Christ. Celebrate how love made a way for each of us with this impactful musical! His coming means freedom for the captive, sight for the blind, good news for the poor. Jesus is Love incarnate, and He alone makes a way home for fallen man..

Orchestra

SKU: HL.50513700

Composed by L. Markham. Lengnick Publishing. Classical. Set (Score & Parts). Alfred Lengnick & Co #AL1091A. Published by Alfred Lengnick & Co (HL.50513700).

Full orchestra

SKU: LO.30-2953L

Composed by Chris Tomlin. Arranged by Jesse Reeves. Choral. Sacred Anthem. Orchestral score and CD with printable parts. Lorenz Publishing Company #30/2953L. Published by Lorenz Publishing Company (LO.30-2953L).

UPC: 000308133875.

Mary McDonald has crafted a beautiful setting of this compelling contemporary hymn of praise and a prayer that the glory of Christ may be at the heart of the church's mission. Orchestration by Camp Kirkland for 2 Fl, Ob, 2 Cl, Bsn, 2 Hn, 3 Tpt, 2 Tbn, Tuba (sub Tbn 3), Timp, Perc, Harp, 2 Vln, Vla, Cello, Bass, Rhythm.

Full orchestra

SKU: LO.30-3730L

Composed by Matt Redman. Arranged by Mary McDonald. Choral. Sacred Anthem. Orchestral score and CD with printable parts. Lorenz Publishing Company #30/3730L. Published by Lorenz Publishing Company (LO.30-3730L).

UPC: 000308154566.

Orche stral Score and CD with Printable Parts for 10/5351L Mary McDonald infuses this classic worship song with new life in this impactful arrangement. The inclusion of the treasured hymn Holy, Holy, Holy! Lord God Almighty! increases the appeal of the robust choral setting. Add the optional orchestra (with live instruments or accompaniment track) to establish a foundation for a profound and moving worship experience!

Arranged by Billy Payne. For Orchestra. Coronation Series. Modern Christian, Sacred, Orchestral. Grade 4. Orchestration. Published by Word Music

By Lloyd Larson. Arranged by Victor C Johnson. For orchestration (2 flutes, oboe, 2 clarinets, bassoon, 2 horns, 3 trumpets, 2 trombones, tuba, 2 percussion, harp, piano, 2 violins, viola, cello, bass). Cantatas. Christmas, Sacred. Full score, set of part

Arranged by Keith Christopher. For Orchestra. Modern Christian: Sacred, Orchestral. Grade 4. Orchestration. Duration 2'10 . Published by Word Music