Orchestra SKU: HL.49007393 Orchester-Fragmente in memoriam David Rokea...(+)
Orchestra
SKU:
HL.49007393
Orchester-Fragmente in
memoriam David
Rokeah. Composed by
Heinz Holliger. Sheet
music. Edition Schott.
Classical. Study Score.
Composed 1985. 34 pages.
Duration 15'. Schott
Music #ED 7624. Published
by Schott Music
(HL.49007393).
ISBN
9790001079655.
11.5x16.5x0.178
inches.
4 (auch 1
Picc., auch 1 Altfl.) * 3
(auch Engl. Hr.) * 4
(auch 1 Es-Klar., auch
Bassklar.) * 3 (auch
Kfg.) - 4 * 3 (auch Trp.
in hoch B) * 3 * 1 - 3 P.
S. (5 Beck. auf Stander *
Sizzle-Beck. * gr. Beck.
* 3 Tamt. * kl. Tamt.
[Wassertamt.] * ant.
Zimb. * 2 Tomt.
[mittel/tief] * gr. Tr. *
5 jap. Tempelgl. * 3
Gongs * 2 Hyoshigi * hg.
Bambusstabe * gedeckter
Metallbehalter mit
Glasscherben * Glsp. *
Xylomarimba) (4 Spieler)
- Hfe. * Klav. - Str. (14
* 12 * 10 * 8 * 6 [3 m. 5
Saiten]).
Orchestra SKU: HL.14015535 Composed by Herbert Howells. Music Sales Ameri...(+)
Orchestra
SKU:
HL.14015535
Composed
by Herbert Howells. Music
Sales America. 20th
Century. Score. 36 pages.
Music Sales #NOV890201.
Published by Music Sales
(HL.14015535).
ISBN
9780711986220.
8.25x11.75x0.135
inches.
Howells
wrote Penguinski for a
visit made to the Royal
College of Music in
London on 10 May 1933.
This score pays light and
affectionate tribute to
the considerable
popularity of Stravinksy
in London from the teens
of the twentieth century.
In Penguinski Howells
creates a knockabout
piece which shadowboxes
Petrushka. Whilst
underlining Howells's
versatility, the score
gives a colourful insight
into the prevailing
influences of the time,
and is an intriguing
example of how Stravinsky
must have sounded to his
English
contemporaries.
Wonderful Worlds Orchestre [Conducteur] - Facile Alfred Publishing
Orchestra - Grade 3 SKU: AP.48065S Featuring: What a Wonderful World /...(+)
Orchestra - Grade 3
SKU: AP.48065S
Featuring: What a
Wonderful World / (What
a) Wonderful World.
By Bob Thiele, George
David Weiss, Herb Alpert,
Lou Adler, and Sam Cooke.
Arranged by Victor Lopez.
Full Orchestra;
Performance Music
Ensemble; Single Titles.
Pop Concert Full
Orchestra. Light Concert;
Pop/Rock. Score. 20
pages. Duration 4:00.
Alfred Music #00-48065S.
Published by Alfred Music
(AP.48065S).
ISBN
9781470655655. UPC:
038081559186. English.
Words; music for What a
Wonderful World by George
David Weiss; Bob Thiele;
Words; music for (What a)
Wonderful World by Sam
Cooke; Herb Alpert; Lou
Adler.
A true
musical showcase from
jazz legend Louis
Armstrong and pop artist
Sam Cooke arranged by
Victor López. Fresh
harmonies and a new
rendition of two classic
hits from the sixties
that will certainly be
memorable and a real joy
for your students and
audience. Includes an
optional part for a male
or female vocalist.
(4:00).
Orchestra - Grade 3 SKU: AP.48065 Featuring: What a Wonderful World / ...(+)
Orchestra - Grade 3
SKU: AP.48065
Featuring: What a
Wonderful World / (What
a) Wonderful World.
By Bob Thiele, George
David Weiss, Herb Alpert,
Lou Adler, and Sam Cooke.
Arranged by Victor Lopez.
Full Orchestra;
Performance Music
Ensemble; Single Titles.
Pop Concert Full
Orchestra. Light Concert;
Pop/Rock. Score and
Part(s). 222 pages.
Duration 4:00. Alfred
Music #00-48065.
Published by Alfred Music
(AP.48065).
ISBN
9781470655648. UPC:
038081559179. English.
George David Weiss; Bob
Thiele; Sam Cooke; Herb
Alpert; Lou
Adler.
A true
musical showcase from
jazz legend Louis
Armstrong and pop artist
Sam Cooke arranged by
Victor López. Fresh
harmonies and a new
rendition of two classic
hits from the sixties
that will certainly be
memorable and a real joy
for your students and
audience. Includes an
optional part for a male
or female vocalist.
(4:00).
Orchestra SKU: PR.496001100 Composed by Jonathan Leshnoff. Sws. Full scor...(+)
Orchestra
SKU:
PR.496001100
Composed
by Jonathan Leshnoff.
Sws. Full score. Duration
22 minutes. Leshnoff
Publishing #496-00110.
Published by Leshnoff
Publishing
(PR.496001100).
ISBN
9781491121405. UPC:
680160680740.
A
commission by a
consortium of orchestras
led to Leshnoff's first
Violin Concerto. For its
premiere by the Columbus
Symphony (Markand Thakar,
conducting), Leshnoff
consulted soloist Charles
Wetherbee, after which
the Concerto underwent
extensive rewrite. This
revised version would
lead to standing ovations
and critical acclaim. As
Wetherbee has noted, From
the first time I heard
Jonathan's music, I felt
there was something in it
that makes the hair stand
up on the back of my
neck. It feels like it's
coming from the heart.
Violin Concerto No. 1 is
recorded on the Naxos
all-Leshnoff album with
Distant Reflections.
Cello Orchestra SKU: HL.49006360 Music from the Last Movement of the N...(+)
Cello Orchestra
SKU:
HL.49006360
Music
from the Last Movement of
the Ninth Symphony
Cello. Composed by
Ludwig van Beethoven.
Arranged by Herbert von
Karajan. Sheet music.
Edition Schott.
Classical. Individual
part. 1 pages. Duration
2' 15''. Schott Music
#ED6488-14. Published by
Schott Music
(HL.49006360).
ISBN
9790001068918. UPC:
073999351262.
8.25x11.75x0.004
inches.
The
European Hymn is the hymn
not only of the European
Union but of Europe in a
broader sense. The melody
has been taken from the
Ninth Symphony by Ludwig
van Beethoven from
1823.In the last movement
of this symphony
Beethoven set music to
the 'Ode to Joy' by
Friedrich von Schiller
from 1785. This poem
sprang from Schiller's
idealistic vision of men
who become brothers - a
vision Beethoven shared
with him.In 1972 the
Council of Europe adopted
Beethoven's 'Ode to Joy'
as its anthem. The
well-known conductor
Herbert von Karajan was
commissioned to arrange
three instrumental
versions - for solo
piano, wind orchestra and
symphony orchestra.
Without words, in the
universal language of
music, the anthem is an
expression of the
idealistic values of
freedom, peace and
solidarity which Europe
stands for.In 1985 the
heads of state and
government adopted the
hymn as the EU's official
anthem. It does not
replace the national
anthems of the member
states, but rather
celebrates common values
as well as unity in
diversity.The score of
this offical anthem is
exclusively available
from the Schott
publishing house.
Orchestra (Score) SKU: HL.49006355 Music from the Last Movement of the...(+)
Orchestra (Score)
SKU:
HL.49006355
Music
from the Last Movement of
the Ninth Symphony
Score. Composed by
Ludwig van Beethoven.
Arranged by Herbert von
Karajan. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Score. 12
pages. Duration 2' 15''.
Schott Music #ED6488.
Published by Schott Music
(HL.49006355).
ISBN
9790001068864. UPC:
884088033194.
9.0x12.0x0.081
inches.
The
European Hymn is the hymn
not only of the European
Union but of Europe in a
broader sense. The melody
has been taken from the
Ninth Symphony by Ludwig
van Beethoven from
1823.In the last movement
of this symphony
Beethoven set music to
the 'Ode to Joy' by
Friedrich von Schiller
from 1785. This poem
sprang from Schiller's
idealistic vision of men
who become brothers - a
vision Beethoven shared
with him.In 1972 the
Council of Europe adopted
Beethoven's 'Ode to Joy'
as its anthem. The
well-known conductor
Herbert von Karajan was
commissioned to arrange
three instrumental
versions - for solo
piano, wind orchestra and
symphony orchestra.
Without words, in the
universal language of
music, the anthem is an
expression of the
idealistic values of
freedom, peace and
solidarity which Europe
stands for.In 1985 the
heads of state and
government adopted the
hymn as the EU's official
anthem. It does not
replace the national
anthems of the member
states, but rather
celebrates common values
as well as unity in
diversity.The score of
this offical anthem is
exclusively available
from the Schott
publishing house.
Violin 2 Orchestra SKU: HL.49006358 Music from the Last Movement of th...(+)
Violin 2 Orchestra
SKU: HL.49006358
Music from the Last
Movement of the Ninth
Symphony Violin 2.
Composed by Ludwig van
Beethoven. Arranged by
Herbert von Karajan. This
edition: ED6488-12. Sheet
music. Edition Schott.
Classical. Individual
part. 1 pages. Duration
2' 15''. Schott Music #ED
6488-12. Published by
Schott Music
(HL.49006358).
ISBN
9790001068895. UPC:
073999351248.
8.25x11.75x0.005
inches.
The
European Hymn is the hymn
not only of the European
Union but of Europe in a
broader sense. The melody
has been taken from the
Ninth Symphony by Ludwig
van Beethoven from
1823.In the last movement
of this symphony
Beethoven set music to
the 'Ode to Joy' by
Friedrich von Schiller
from 1785. This poem
sprang from Schiller's
idealistic vision of men
who become brothers - a
vision Beethoven shared
with him.In 1972 the
Council of Europe adopted
Beethoven's 'Ode to Joy'
as its anthem. The
well-known conductor
Herbert von Karajan was
commissioned to arrange
three instrumental
versions - for solo
piano, wind orchestra and
symphony orchestra.
Without words, in the
universal language of
music, the anthem is an
expression of the
idealistic values of
freedom, peace and
solidarity which Europe
stands for.In 1985 the
heads of state and
government adopted the
hymn as the EU's official
anthem. It does not
replace the national
anthems of the member
states, but rather
celebrates common values
as well as unity in
diversity.The score of
this offical anthem is
exclusively available
from the Schott
publishing house.
Violin 1 Orchestra SKU: HL.49006357 Music from the Last Movement of th...(+)
Violin 1 Orchestra
SKU: HL.49006357
Music from the Last
Movement of the Ninth
Symphony Violin 1.
Composed by Ludwig van
Beethoven. Arranged by
Herbert von Karajan.
Sheet music. Edition
Schott. Classical.
Individual part. Duration
2' 15''. Schott Music
#ED6488-11. Published by
Schott Music
(HL.49006357).
ISBN
9790001068888. UPC:
073999351255.
8.25x11.75x0.004
inches.
The
European Hymn is the hymn
not only of the European
Union but of Europe in a
broader sense. The melody
has been taken from the
Ninth Symphony by Ludwig
van Beethoven from
1823.In the last movement
of this symphony
Beethoven set music to
the 'Ode to Joy' by
Friedrich von Schiller
from 1785. This poem
sprang from Schiller's
idealistic vision of men
who become brothers - a
vision Beethoven shared
with him.In 1972 the
Council of Europe adopted
Beethoven's 'Ode to Joy'
as its anthem. The
well-known conductor
Herbert von Karajan was
commissioned to arrange
three instrumental
versions - for solo
piano, wind orchestra and
symphony orchestra.
Without words, in the
universal language of
music, the anthem is an
expression of the
idealistic values of
freedom, peace and
solidarity which Europe
stands for.In 1985 the
heads of state and
government adopted the
hymn as the EU's official
anthem. It does not
replace the national
anthems of the member
states, but rather
celebrates common values
as well as unity in
diversity.The score of
this offical anthem is
exclusively available
from the Schott
publishing house.
Wind Band Score Orchestra (Score) SKU: HL.49006362 Music from the Last...(+)
Wind Band Score Orchestra
(Score)
SKU:
HL.49006362
Music
from the Last Movement of
the Ninth Symphony Wind
Band Score. Composed
by Ludwig van Beethoven.
Arranged by Herbert von
Karajan. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Score. 12
pages. Duration 2' 15''.
Schott Music #ED6489.
Published by Schott Music
(HL.49006362).
ISBN
9790001068932. UPC:
073999352177.
10.5x13.25x0.099
inches.
The
European Hymn is the hymn
not only of the European
Union but of Europe in a
broader sense. The melody
has been taken from the
Ninth Symphony by Ludwig
van Beethoven from
1823.In the last movement
of this symphony
Beethoven set music to
the 'Ode to Joy' by
Friedrich von Schiller
from 1785. This poem
sprang from Schiller's
idealistic vision of men
who become brothers - a
vision Beethoven shared
with him.In 1972 the
Council of Europe adopted
Beethoven's 'Ode to Joy'
as its anthem. The
well-known conductor
Herbert von Karajan was
commissioned to arrange
three instrumental
versions - for solo
piano, wind orchestra and
symphony orchestra.
Without words, in the
universal language of
music, the anthem is an
expression of the
idealistic values of
freedom, peace and
solidarity which Europe
stands for.In 1985 the
heads of state and
government adopted the
hymn as the EU's official
anthem. It does not
replace the national
anthems of the member
states, but rather
celebrates common values
as well as unity in
diversity.The score of
this offical anthem is
exclusively available
from the Schott
publishing
house.
(1
Piccolo-Flote, 2 Floten,
2 Oboen, 2 Fagotte, 1
Kontrafagott, 1
Klarinette in Es, 3
Klarinetten in B, 1
Bass-Klarinette in B, 2
Alt-Saxophone in Es, 1
Tenor-Saxophon in B, 1
Bariton-Saxophon in Es, 3
Trompeten in B, 2
Kornette in B, 2 Horner
in F, 3 Posaunen, 2
Flugelhorner in B, 3
Tenorhorner in B, 1
Bariton, 2 Tuben, Pauken,
Kontrabass).
Orchestra - intermediate SKU: HL.49000208 Cello/Bass. Composed by ...(+)
Orchestra - intermediate
SKU: HL.49000208
Cello/Bass.
Composed by Orlando
Gibbons. Edited by
Herbert Just. Arranged by
Herbert Just. This
edition: Saddle
stitching. Sheet music.
Antiqua (Chamber Music).
Classical. Individual
part. 4 pages. Schott
Music #ANT 44-15.
Published by Schott Music
(HL.49000208).
ISBN
9790001001946. UPC:
073999286946.
9.0x12.0x0.015 inches.
English -
German.
Bass/Keyboard Orchestra SKU: HL.49006361 Music from the Last Movement ...(+)
Bass/Keyboard Orchestra
SKU: HL.49006361
Music from the Last
Movement of the Ninth
Symphony
Bass/Keyboard.
Composed by Ludwig van
Beethoven. Arranged by
Herbert von Karajan. This
edition: ED6488-15. Sheet
music. Edition Schott.
Classical. Individual
part. 1 pages. Duration
2' 15''. Schott Music #ED
6488-15. Published by
Schott Music
(HL.49006361).
ISBN
9790001068925. UPC:
073999351286.
8.25x11.75x0.004
inches.
The
European Hymn is the hymn
not only of the European
Union but of Europe in a
broader sense. The melody
has been taken from the
Ninth Symphony by Ludwig
van Beethoven from
1823.In the last movement
of this symphony
Beethoven set music to
the 'Ode to Joy' by
Friedrich von Schiller
from 1785. This poem
sprang from Schiller's
idealistic vision of men
who become brothers - a
vision Beethoven shared
with him.In 1972 the
Council of Europe adopted
Beethoven's 'Ode to Joy'
as its anthem. The
well-known conductor
Herbert von Karajan was
commissioned to arrange
three instrumental
versions - for solo
piano, wind orchestra and
symphony orchestra.
Without words, in the
universal language of
music, the anthem is an
expression of the
idealistic values of
freedom, peace and
solidarity which Europe
stands for.In 1985 the
heads of state and
government adopted the
hymn as the EU's official
anthem. It does not
replace the national
anthems of the member
states, but rather
celebrates common values
as well as unity in
diversity.The score of
this offical anthem is
exclusively available
from the Schott
publishing house.
Viola Orchestra SKU: HL.49006359 Music from the Last Movement of the N...(+)
Viola Orchestra
SKU:
HL.49006359
Music
from the Last Movement of
the Ninth Symphony
Viola. Composed by
Ludwig van Beethoven.
Arranged by Herbert von
Karajan. This edition:
ED6488-13. Sheet music.
Edition Schott.
Classical. Individual
part. 1 pages. Duration
2' 15''. Schott Music #ED
6488-13. Published by
Schott Music
(HL.49006359).
ISBN
9790001068901. UPC:
073999351279.
8.25x11.75x0.008
inches.
The
European Hymn is the hymn
not only of the European
Union but of Europe in a
broader sense. The melody
has been taken from the
Ninth Symphony by Ludwig
van Beethoven from
1823.In the last movement
of this symphony
Beethoven set music to
the 'Ode to Joy' by
Friedrich von Schiller
from 1785. This poem
sprang from Schiller's
idealistic vision of men
who become brothers - a
vision Beethoven shared
with him.In 1972 the
Council of Europe adopted
Beethoven's 'Ode to Joy'
as its anthem. The
well-known conductor
Herbert von Karajan was
commissioned to arrange
three instrumental
versions - for solo
piano, wind orchestra and
symphony orchestra.
Without words, in the
universal language of
music, the anthem is an
expression of the
idealistic values of
freedom, peace and
solidarity which Europe
stands for.In 1985 the
heads of state and
government adopted the
hymn as the EU's official
anthem. It does not
replace the national
anthems of the member
states, but rather
celebrates common values
as well as unity in
diversity.The score of
this offical anthem is
exclusively available
from the Schott
publishing house.
Orchestra SKU: HL.49006356 Set of Wind Parts. Composed by Ludwig v...(+)
Orchestra
SKU:
HL.49006356
Set of
Wind Parts. Composed
by Ludwig van Beethoven.
Arranged by Herbert von
Karajan. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Wind Band
Parts. 34 pages. Duration
2' 15''. Schott Music
#ED6488-10. Published by
Schott Music
(HL.49006356).
ISBN
9790001068871.
8.25x12.0x0.088
inches.
The
European Hymn is the hymn
not only of the European
Union but of Europe in a
broader sense. The melody
has been taken from the
Ninth Symphony by Ludwig
van Beethoven from
1823.In the last movement
of this symphony
Beethoven set music to
the 'Ode to Joy' by
Friedrich von Schiller
from 1785. This poem
sprang from Schiller's
idealistic vision of men
who become brothers - a
vision Beethoven shared
with him.In 1972 the
Council of Europe adopted
Beethoven's 'Ode to Joy'
as its anthem. The
well-known conductor
Herbert von Karajan was
commissioned to arrange
three instrumental
versions - for solo
piano, wind orchestra and
symphony orchestra.
Without words, in the
universal language of
music, the anthem is an
expression of the
idealistic values of
freedom, peace and
solidarity which Europe
stands for.In 1985 the
heads of state and
government adopted the
hymn as the EU's official
anthem. It does not
replace the national
anthems of the member
states, but rather
celebrates common values
as well as unity in
diversity.The score of
this offical anthem is
exclusively available
from the Schott
publishing house.
Orchestra SKU: HL.14040171 Composed by Jean Rivier. Music Sales America. ...(+)
Orchestra
SKU:
HL.14040171
Composed
by Jean Rivier. Music
Sales America. Score
Only. Editions Musicales
Transatlantiques
#ETR000499. Published by
Editions Musicales
Transatlantiques
(HL.14040171).
Composed by Jean Sibelius (1865-1957). Edited by Ulrich Mahlert. This edition: u...(+)
Composed by Jean Sibelius
(1865-1957). Edited by
Ulrich Mahlert. This
edition: urtext.
Partitur-Bibliothek
(Score Library). Study
score. 116 pages.
Published by Breitkopf
and Haertel
(BR.PB-5564-07).
Orchestra SKU: M7.AV-5856-40 Overture. Composed by Herbert Kuster....(+)
Orchestra
SKU:
M7.AV-5856-40
Overture. Composed
by Herbert Kuster. Sheet
music. Piano score and
parts. 40 pages. MDS
(Music Distribution
Services) #AV 5856-40.
Published by MDS (Music
Distribution Services)
(M7.AV-5856-40).
Orchestra (1 perc,hp,str) SKU: TM.07066SET Composed by Victor Herbert. Se...(+)
Orchestra (1 perc,hp,str)
SKU: TM.07066SET
Composed by Victor
Herbert. Set Type: D. Set
of parts. Lucks Music
Library #A7312. Published
by Lucks Music Library
(TM.07066SET).
Orchestrated by
Rimsky-Korsakov. Dawn on
the Moska River (Act I
Scene 1). For famous
introduction, see #05505
KHOVANTCHINA, LA:
Entr'acte Act IV, Scene 2
No. 5 Galitian
Journey.
Orchestra (1 perc,hp,str) SKU: TM.07066SC Composed by Victor Herbert. Sco...(+)
Orchestra (1 perc,hp,str)
SKU: TM.07066SC
Composed by Victor
Herbert. Score. Lucks
Music Library #A7312.
Published by Lucks Music
Library (TM.07066SC).
Orchestrated by
Rimsky-Korsakov. Dawn on
the Moska River (Act I
Scene 1). For famous
introduction, see #05505
KHOVANTCHINA, LA:
Entr'acte Act IV, Scene 2
No. 5 Galitian
Journey.
Orchestra SKU: PR.11641867L Composed by William Kraft. Spiral. Large Scor...(+)
Orchestra
SKU:
PR.11641867L
Composed
by William Kraft. Spiral.
Large Score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867L. Published by
Theodore Presser Company
(PR.11641867L).
UPC:
680160683215.
Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death.
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra
SKU:
PR.11641867S
Composed
by William Kraft. Full
score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867S. Published by
Theodore Presser Company
(PR.11641867S).
UPC:
680160683208.
Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death.
Mass No. 3 in F minor Orchestre [Set de Parties séparées] LudwigMasters Publications
Orchestra 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum)*: Str (4-4-3-3-3 in set): Sol...(+)
Orchestra 2.2.2.2:
2.2.3.0: Timp: Org (ad
libitum)*: Str (4-4-3-3-3
in set): Solo SATB: Mix
Chor. *Organ ad limitum
absent from Haas edition
SKU: AP.36-A258196
Arranged by Anton
Bruckner and ed./arr. by
Robert Maria Haas. Mass,
Orchestra Accompaniment,
Bass Part. Critical
Editions. Part(s).
LudwigMasters
Publications #36-A258196.
Published by
LudwigMasters
Publications
(AP.36-A258196).
ISBN
9798892701891. UPC:
659359762505.
English.
Anton
Bruckner (1824-1896)
completed the 1st version
of his Mass No. 3 in F
minor in 1863, as Otto
Kitzler was introducing
him to the music of
Richard Wagner, the
composer he would emulate
for the rest of his life.
John Herbeck, who
conducted the initial
rehearsals for its
premiere at the
Augustinerkirch on June
16, 1872, warmly declared
that it stood beside
Beethoven's Missa
Solemnis in greatness.
Bruckner, often
self-critical as a
composer, went on to
revise the work no less
than four times until it
was finally published it
in 1894. More often heard
today in the concert hall
than in the church, the
sprawling, hour-long work
is admired today for its
powerful directness. This
critical edition was
created in 1944 for the
Bruckner Gesamtausgabe by
Robert Maria Haas.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra (picc.2.2.cor
ang.2.B-clar.2.dble bsn -
4.3.3.1. - timp.perc(3) -
hp - cel - str)
SKU:
BR.PB-5105-07
Study score.
Composed by Jurg Baur.
Softbound.
Partitur-Bibliothek
(Score Library).
World
premiere: Bremen,
February 1, 1982
Symphony; Music
post-1945. Study Score.
Composed 1981. 68 pages.
Duration 17'. Breitkopf
and Haertel #PB 5105-07.
Published by Breitkopf
and Haertel
(BR.PB-5105-07).
ISBN
9790004208557. 9 x 12
inches.
Gesualdo,
Don Carlo, Furst von
Venosa (1560-1613) gehort
zu den eigenwilligsten
italienischen
Madrigal-Komponisten der
Spatrenaissance. Seine
ungewohnlich kuhne,
selbst fur heutige Ohren
modern klingende
Harmonik, seine
chromatischen
Stimmfortschreitungen,
seine ubersteigerte
expressive Tonsprache
regten mich schon vor
Jahren zu einer grosseren
Orgelkomposition an und
inspirierten mich 1981 zu
den >>Sinfonischen
Metamorphosen<<. Dieses
Werk ist eine
vielgestaltige
weitausgesponnene
Fantasie. Sieben
choralartige typische
Klangbeispiele aus
Gesualdos spaten
funfstimmigen Madrigalen
(4., 5. u. 6. Band)
werden teils streng,
teils frei zitiert und
von Holz- oder
Blechblasern intoniert.
Diese Zitate gliedern,
als formale und
inhaltliche Schwer- und
Ruhepunkte, den Verlauf
des gesamten Werks. Jedes
Zitat steht zu Beginn
eines neuen
Satzabschnitts; die
darauffolgenden
>>Metamorphosen<<
entwickeln sich als
rhapsodische
kontrastreiche
Charakterstucke. Im
>>Preludio<< werden aus
den vertonbaren
Buchstaben vom Namen
>>Gesualdo<< (G - E - Es
- A - D) schwebende
Klangflachen,
rezitativische Gedanken
und ein pragnantes
rhythmisches Paukenthema
gebildet. Diese
,,Grundelemente
(Grundstrukturen) tauchen
im Verlauf des Stucks
immer wieder
leitmotivisch auf. Im
zweiten Abschnitt stehen
sich lineare
Streicher-Episoden und
dichte
Blaser-Klangballungen
kontrastierend gegenuber.
Der dritte Teil lauft als
Passacaglia (Thema ist
der Bass eines
Gesualdo-Zitats) in
mehreren Variationen ab.
Im vierten Abschnitt
dominiert lebhafte
Streicherbewegung,
kontrapunktiert von
tiefen Blaser-Signalen.
Der funfte Teil steigert
sich- nach kantablem
Beginn- zum ekstatischen
Trauermarsch. Abschnitt
sechs stellt sich als
>>Rondello<< dar, mit um
sich selbst kreisenden
Klangfiguren (in
verschiedenen Tongruppen
(zwei, drei, funf). Im
siebten und letzten Teil
wird die
verhalten-resignierende
Stimmung des Anfangs
beschworen, ehe eine
knappe Stretta in den
hymnischen Schluss
mundet. In den Textender
ausgewahlten Zitatstellen
geht es meist um
Todessehnsucht,
Liebesqual und
Verzweiflung. z. B. 1.
und 2. Zitat: Moro lasso,
al mio duolo (Ich sterbe,
matt, an meiner Qual) (6.
Buch) 3. Zitat: Gia
piansi nel dolore; o
dolorosa Sorte (Schon
weinte ich in Schmerzen,
oh schmerzliches
Geschick) (6. Buch) 4.
Zitat: Ahi gia mi
discolero (Ach schon
entfarbte ich mich)
(Wehe, der Tod kommt) (4.
Buch) 5. Zitat:
Dolcissima mia vita (Mein
allerliebstes Leben)
(Dich zu lieben oder zu
sterben) (5. Buch) 6.
Zitat: lo moro (Ich
sterbe) (5. Buch) Dem
Werk liegen zwar eine
Reihe von
dodekaphonischen
Strukturen zugrunde (die
teilweise von Gesualdos
Klangzitaten abgeleitet
wurden), doch sind die
einzelnen Abschnitte
auf,,tonale Pfeiler (G -
E - A - D) gegrundet; das
Stuck beginnt in G und
endet aufD, ist also
ubergeordnet tonal
konzipiert, - der Versuch
einer Synthese moderner
Ausdrucksmittel von
Vergangenheit und
Gegenwart. Die
>>Metamorphosen<< sind
ein Stuck Bekenntnismusik
- Bekenntnis zum Leben
und Schaffen Gesualdos,
eines Mannes, der vom
Schicksal gezeichnet war,
denn der Chronik Neapels
bekannt war durch die
Ermordung seiner ersten
Frau und ihres
Liebhabers. Dieser
eminente Musiker war
zugleich ein Mensch von
ubertriebener
Sensibilitat und wilder
ekstatischer Heftigkeit:
,,Er wurde von einer
Horde von Damonen
heimgesucht, die ihm
keine Ruhe gaben, heisst
es in einem
zeitgenossischen Bericht.
Seine Kunst und sein
Leben stand unter dem
Gesetz der inneren
Zerrissenheit, zwischen
Auflehnung und
Resignation (Verzweiflung
und Hoffnung), zwischen
Zartheit und
Leidenschaft. Davon will
meine Musik etwas
aussagen. (Jurg
Baur)CD:Sinfonieorchester
des Westdeutschen
Rundfunks, cond. Rudolf
BarschaiCD Thorofon CTH
2270Bibliography:Abels,
Robert: Studien zur
Gesualdo-Rezeption durch
Komponisten des 20.
Jahrhunderts (= Studien
zur Musik 20), Leiden u.
a.: Wilhelm Fink 2017,
pp. 277-345,
485-489.Wallerang, Lars:
Die Orchesterwerke Jurg
Baurs als Dialog zwischen
Tradition und Moderne,
Koln: Dohr 2003.
Orchestra (2(picc).2.2.2.
- 4.3.3.1. - timp.perc(4)
- hp - str)
SKU:
BR.PB-4850-07
Music (based on G.
Ungaretti) in memoriam B.
A. Zimmermann.
Composed by Jurg Baur.
Softbound.
Partitur-Bibliothek
(Score Library).
World
premiere: Aachen, June 2,
1971
Music post-1945.
Study Score. Composed
1971. 84 pages. Duration
17'. Breitkopf and
Haertel #PB 4850-07.
Published by Breitkopf
and Haertel
(BR.PB-4850-07).
ISBN
9790004206485. 6.5 x 9
inches.
Dieses
vierteilige Opus ist
keine avantgardistische
Musik, sondern fur den
Normalhorer gedacht,
obwohl darin verschiedene
moderne
Kompositionstechniken
verwendet werden. Die
vier Satze des Werkes
sind Impressionen uber
Gedichte des grossen
italienischen Lyrikers G.
Ungaretti, der 1970
82jahrig starb. Giorno
per giorno (Tag fur Tag)
ist der Titel des Zyklus
auf den Tod eines seiner
Kinder - in der Musik fur
Orchester zugleich die
Uberschrift fur das ganze
Werk und den ersten Satz
- und bedeutet
inhaltlich: Schmerz ohne
Trostung und ohne Ausweg
( es hat irgendeine
Trostung notwendig, mein
armes zerfallenes Herz).
Auch die anderen
Satzbezeichnungen stehen
uber einzelnen Gedichten
oder Gedichtgruppen von
Ungaretti; so ist der
zweite Satz uberschrieben
Allegria di naufragi
(Freude der
Schiffbruche). Das Wagnis
dieser Schiffbruche wird
musikalisch durch
aleatorische Strukturen
symbolisiert (Und auf
einmal nimmst du die
Fahrt wieder auf). Der
dritte Satz tragt die
Uberschrift La terra
promessa (Das verheissene
Land'. Die Stille einer
mediterranen
Herbstlandschaft klingt
an (Die Traube ist reif,
das Feld ist bestellt).
Das Finale mit dem Titel
Soldati beginnt mit einer
falschen Fanfare und
steigert sich nach
mehreren unruhigen
Episoden zu einem
aggressiven Schlussteil
(Den Tod busst man lebend
ab).(Jurg Baur).
Mass No. 3 in F minor Orchestre [Set de Parties séparées] LudwigMasters Publications
Orchestra 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum)*: Str (4-4-3-3-3 in set): Sol...(+)
Orchestra 2.2.2.2:
2.2.3.0: Timp: Org (ad
libitum)*: Str (4-4-3-3-3
in set): Solo SATB: Mix
Chor. *Organ ad limitum
absent from Haas edition
SKU: AP.36-A258195
Arranged by Anton
Bruckner and ed./arr. by
Robert Maria Haas. Mass,
Orchestra Accompaniment,
Tenor Part. Critical
Editions. Part(s).
LudwigMasters
Publications #36-A258195.
Published by
LudwigMasters
Publications
(AP.36-A258195).
ISBN
9798892701884. UPC:
659359625268.
English.
Anton
Bruckner (1824-1896)
completed the 1st version
of his Mass No. 3 in F
minor in 1863, as Otto
Kitzler was introducing
him to the music of
Richard Wagner, the
composer he would emulate
for the rest of his life.
John Herbeck, who
conducted the initial
rehearsals for its
premiere at the
Augustinerkirch on June
16, 1872, warmly declared
that it stood beside
Beethoven's Missa
Solemnis in greatness.
Bruckner, often
self-critical as a
composer, went on to
revise the work no less
than four times until it
was finally published it
in 1894. More often heard
today in the concert hall
than in the church, the
sprawling, hour-long work
is admired today for its
powerful directness. This
critical edition was
created in 1944 for the
Bruckner Gesamtausgabe by
Robert Maria Haas.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra (Full Score) SKU: HL.234787 Full Score. Composed by Igor...(+)
Orchestra (Full Score)
SKU: HL.234787
Full Score.
Composed by Igor
Shcherbakov. LKM Music.
Classical. Softcover.
Lauren Keiser Music
Publishing #X074041.
Published by Lauren
Keiser Music Publishing
(HL.234787).
ISBN
9781581065510. UPC:
888680688653.
9.0x12.0x0.242
inches.
Recorded by
Jozsef Ormeny, piano with
the Lviv Philharmonic
Symphony Orchestra, Roman
Rewakowicz, conductor.
Instrumentation: Piano
Solo: 2+1.2.2.2: 4.3 Bb
Tpt.3.1: Timp.Perc(2).Hp:
Str Duration: circa 15
minutes.
Mass No. 3 in F minor Orchestre [Set de Parties séparées] LudwigMasters Publications
Orchestra 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum)*: Str (4-4-3-3-3 in set): Sol...(+)
Orchestra 2.2.2.2:
2.2.3.0: Timp: Org (ad
libitum)*: Str (4-4-3-3-3
in set): Solo SATB: Mix
Chor. *Organ ad limitum
absent from Haas edition
SKU: AP.36-A258193
Arranged by Anton
Bruckner and ed./arr. by
Robert Maria Haas. Mass,
Orchestra Accompaniment,
Soprano Part. Critical
Editions. Part(s).
LudwigMasters
Publications #36-A258193.
Published by
LudwigMasters
Publications
(AP.36-A258193).
ISBN
9798892701860. UPC:
659359564956.
English.
Anton
Bruckner (1824-1896)
completed the 1st version
of his Mass No. 3 in F
minor in 1863, as Otto
Kitzler was introducing
him to the music of
Richard Wagner, the
composer he would emulate
for the rest of his life.
John Herbeck, who
conducted the initial
rehearsals for its
premiere at the
Augustinerkirch on June
16, 1872, warmly declared
that it stood beside
Beethoven's Missa
Solemnis in greatness.
Bruckner, often
self-critical as a
composer, went on to
revise the work no less
than four times until it
was finally published it
in 1894. More often heard
today in the concert hall
than in the church, the
sprawling, hour-long work
is admired today for its
powerful directness. This
critical edition was
created in 1944 for the
Bruckner Gesamtausgabe by
Robert Maria Haas.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
(Rob Roy Overture). By Hector Berlioz (1803-1869). Edited by Chalres Malherbe & ...(+)
(Rob Roy Overture). By
Hector Berlioz
(1803-1869). Edited by
Chalres Malherbe & Felix
Weingartner. Orchestra.
For [2d1, 1+1, 2, 2 - 4,
3, 3, 0], timpani, harp,
strings. This edition:
Paperback. Overture
Original Works. Romantic
Period; Historical,
French,
Celtic/Irish/Scottish.
Study Score. 72 pages.
Published by Serenissima
Orchestra 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum)*: Str (4-4-3-3-3 in set): Sol...(+)
Orchestra 2.2.2.2:
2.2.3.0: Timp: Org (ad
libitum)*: Str (4-4-3-3-3
in set): Solo SATB: Mix
Chor. *Organ ad limitum
absent from Haas edition
SKU: AP.36-A258101
Arranged by Anton
Bruckner and ed./arr. by
Robert Maria Haas. Mass,
Orchestra Accompaniment,
Conductor Score. Critical
Editions. Score.
LudwigMasters
Publications #36-A258101.
Published by
LudwigMasters
Publications
(AP.36-A258101).
ISBN
9798892701853. UPC:
659359980039.
English.
Anton
Bruckner (1824-1896)
completed the 1st version
of his Mass No. 3 in F
minor in 1863, as Otto
Kitzler was introducing
him to the music of
Richard Wagner, the
composer he would emulate
for the rest of his life.
John Herbeck, who
conducted the initial
rehearsals for its
premiere at the
Augustinerkirch on June
16, 1872, warmly declared
that it stood beside
Beethoven's Missa
Solemnis in greatness.
Bruckner, often
self-critical as a
composer, went on to
revise the work no less
than four times until it
was finally published it
in 1894. More often heard
today in the concert hall
than in the church, the
sprawling, hour-long work
is admired today for its
powerful directness. This
critical edition was
created in 1944 for the
Bruckner Gesamtausgabe by
Robert Maria Haas.
Instrumentation: 2.2.2.2:
2.2.3.0: Timp: Org (ad
libitum): Str (4-4-3-3-3
in set): Solo SATB: Mix
Chor. The organ ad
libitum is absent from
the Haas edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.