(Featuring: Opening / The Story Begins / In Noctem / Wizard Wheezes / Ron's Victory / The Slug Party / Journey to the Cave / Dumbledore's Farewell / The Friends / The Weasley Stomp). By Nicholas Hooper. Arranged by Jerry Brubaker. For Full Orchestra. Full Orchestra. Pop Concert Full Orchestra. Light Concert; Movie. 4.5 (grade 4.5). Conductor Score and Parts. 232 pages. Published by Alfred Music Publishing

(Featuring: Opening / The Story Begins / In Noctem / Wizard Wheezes / Ron's Victory / The Slug Party / Journey to the Cave / Dumbledore's Farewell / The Friends / The Weasley Stomp). By Nicholas Hooper. Arranged by Jerry Brubaker. For Full Orchestra. Full Orchestra. Pop Concert Full Orchestra. Light Concert; Movie. 4.5 (grade 4.5). Conductor Score. 40 pages. Published by Alfred Music Publishing

By Nicholas Hooper. Arranged by Michael Story and Michael Story. For Full Orchestra. Full Orchestra. Pop Intermediate Full Orchestra. Light Concert; Movie. 3 (grade 3). Conductor Score. 16 pages. Published by Alfred Music Publishing

By Nicholas Hooper. Arranged by Michael Story and Michael Story. For Full Orchestra. Full Orchestra. Pop Intermediate Full Orchestra. Light Concert; Movie. 3 (grade 3). Conductor Score and Parts. 120 pages. Published by Alfred Music Publishing

By Elliot Del Borgo. (Set). Boosey and Hawkes Orchestra. Published by Boosey and Hawkes.

Orchestra - Grade 3

SKU: AP.43785S

Composed by Michael Hopkins. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Concert String Orchestra. Score. 20 pages. Duration 6:20. Belwin Music #00-43785S. Published by Belwin Music (AP.43785S).

UPC: 038081505077. English.

Written to honor the victims of the 2012 Sandy Hook School shooting that shattered the town but not their spirit, this piece will provide the needed mood for any commemorative time or serve as an expressive piece for a festival. (6:20).

Orchestra - Grade 3

SKU: AP.43785

Composed by Michael Hopkins. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Concert String Orchestra. Score and Part(s). 126 pages. Duration 6:20. Belwin Music #00-43785. Published by Belwin Music (AP.43785).

UPC: 038081505060. English.

Written to honor the victims of the 2012 Sandy Hook School shooting that shattered the town but not their spirit, this piece will provide the needed mood for any commemorative time or serve as an expressive piece for a festival. (6:20).

(Featuring: Hooray for Hollywood / Singin' in the Rain / Over the Rainbow / As Time Goes By / A Day in the Life of a Fool). Arranged by Carl Strommen. Orchestra. Full Orchestra. Pop Concert Full Orchestra. Light Concert; Movie; Novelty. Grade 4. Conductor Score and Parts. 222 pages

(Featuring: Hooray for Hollywood / Singin' in the Rain / Over the Rainbow / As Time Goes By / A Day in the Life of a Fool). Arranged by Carl Strommen. Orchestra. Full Orchestra. Pop Concert Full Orchestra. Light Concert; Movie; Novelty. Grade 4. Conductor Score. 32 pages

(Concert Overture). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Christopher Hogwood. For Orchestra. Baerenreiter Studienpartituren - Study scores. Study Score; Urtext Edition. Op. 26. Duration 10'

Featuring "Another Story," "Flight of the Order of the Phoenix," "Professor Umbridge," "Dumbledore's Army," and "The Room Requirements". By Nicholas Hooper And John Williams. For Full Orchestra. Full Orchestra. Pop Concert Full Orchestra. Movie. Score. 36 pages. Published by Alfred Publishing. (29696S) Level: 4 (grade 4).

Featuring "Another Story," "Flight of the Order of the Phoenix," "Professor Umbridge," "Dumbledore's Army," and "The Room Requirements". By Nicholas Hooper And John Williams. Arranged by Victor Lopez. For Full Orchestra. Full Orchestra. Pop Concert Full Orchestra. Movie. Conductor Score

(Orchestra)

SKU: HL.48030700

Boosey & Hawkes Miscellaneous. Published by Hal Leonard (HL.48030700).

UPC: 884088938611.

(Deluxe Score). Composed by Johnny Mercer and Richard A. Whiting. Arranged by John Williams. For Full Orchestra. John Williams Signature Edition Orchestra. 32 pages. Published by Hal Leonard

By Erich Korngold. Arranged by Roy Phillippe. For Full Orchestra. Full Orchestra. Pop Intermediate Full Orchestra. Movie. Level: 3 (grade 3). Conductor Score & Parts. 120 pages. Published by Alfred Publishing.

(Score and Parts). Composed by Johnny Mercer and Richard A. Whiting. Arranged by John Williams. For Full Orchestra. John Williams Signature Edition Orchestra. Published by Hal Leonard

By Erich Korngold. Arranged by Roy Phillippe. For Full Orchestra. Full Orchestra. Pop Intermediate Full Orchestra. Level: 3 (grade 3). Conductor Score. 16 pages. Published by Alfred Publishing.

Orchestra

SKU: PR.416415760

For Really Big Orchestra. Composed by PDQ Bach. Edited by Prof. Peter Schickele. Study Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576. Published by Theodore Presser Company (PR.416415760).

UPC: 680160636532. 9 x 12 inches.

The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams.

Orchestra

SKU: PR.41641576L

For Really Big Orchestra. Composed by PDQ Bach. Edited by Peter Schickele. Large Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576L. Published by Theodore Presser Company (PR.41641576L).

UPC: 680160636549. 11 x 17 inches.

The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams.

(Warm-up Exercises for Tone and Technique for Advanced String Orchestra (Piano Acc.)). Composed by Bob Phillips and Kirk Moss. Orchestra. For Piano Acc.. This edition: Piano Accompaniment. Book; Method/Instruction; SmartMusic; String Orchestra Method/Supplement. Sound Innovations Series for Strings. 108 pages. Published by Alfred Music

Arranged by Sandra Dackow. Orchestra. Part(s); Score; SmartMusic; String Orchestra. Orchestra Expressions Book 1. Folk. Grade 1. 66 pages. Published by Alfred Music

(Warm-up Exercises for Tone and Technique for Advanced String Orchestra (Bass)). By Bob Phillips and Kirk Moss. Orchestra. For Bass. This edition: Bass. Book; Method/Instruction; SmartMusic; String Orchestra Method/Supplement. Sound Innovations Series for

Orchestra orchestra - Grade 2.5

SKU: KJ.SO344C

Composed by Mary Elledge and Robert Frost. Score and parts. Neil A. Kjos Music Company #SO344C. Published by Neil A. Kjos Music Company (KJ.SO344C).

UPC: 8402704187.

One of the final pieces from the pen of Robert S. Frost, and perhaps one of his best! A 4-movement suite with each movement depicting special characters from the forest, starting with Robin Hood and his merry men! Each movement is unique and the entire work includes an optional piano part created by Mary Elledge.

Duration: 9:23.

Orchestra orchestra - Grade 2.5

SKU: KJ.SO344F

Composed by Mary Elledge and Robert Frost. Score only. Neil A. Kjos Music Company #SO344F. Published by Neil A. Kjos Music Company (KJ.SO344F).

UPC: 8402704188.

One of the final pieces from the pen of Robert S. Frost, and perhaps one of his best! A 4-movement suite with each movement depicting special characters from the forest, starting with Robin Hood and his merry men! Each movement is unique and the entire work includes an optional piano part created by Mary Elledge.

Duration: 9:23.

Arranged by Ralph Ford. Conductor's score and set of performance parts for full orchestra (1 - flute, 1 - oboe, 1 - 1st clarinet, 1 - 2nd clarinet, 1 - bass clarinet, 1 - bassoon, 1 - 1st horn in F, 1 - 2nd horn in F, 1 - 3rd horn in F, 1 - 4th horn in F, 1 - 1st trumpet, 1 - 2nd trumpet, 1 -

Orchestra

SKU: HL.50514368

Composed by Twinn. Lengnick Publishing. Classical. Book Only. Alfred Lengnick & Co #AL1867A. Published by Alfred Lengnick & Co (HL.50514368).