Cello and orchestra

SKU: HL.49015261

En forme de Pas de trois. Composed by Bernd Alois Zimmermann. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Piano Reduction with Solo Part. Composed 1965-1966. 106 pages. Duration 24'. Schott Music #ED 7164. Published by Schott Music (HL.49015261).

ISBN 9790001075091. 9.25x12.0x0.305 inches.

3 (3. auch Picc.) * 3 (2., 3. auch Ob. d'am.) * 3 (3. auch Bassklar.) * Altsax. (auch Sopransax.) * 3 (3. auch Kfg.) - 2 * 2 (auch Cornett in B) * 2 * 1 - P. (1 Spieler) S. (2 Beck. * 3 hg. Beck. * Tamb. * Trgl. * Hi-Hat * 3 Tomt. * Ruhrtr. * kl. Tr. * gr. Tr. * Holztr. * Ratsche * Peitsche * Schuttelrohr * Mar. * Kuhgl. * Gurke * Kast. * Clav. * Glsp. * Vibr.) (5 Spieler) - Git. (auch E-Git.) * Mand. * Hfe. * Klav. (auch Cemb.) * Glasharfe (Cel.) * Zimbal - Str. (7 * 7 * 6 * 5 * 4).

Cello/Bass Part Orchestra

SKU: HL.49005318

Cello/Double Bass Part. Composed by Antonio Vivaldi. Edited by Walter Kolneder. Sheet music. Edition Schott. Classical. Individual part. Op. 12/1. 4 pages. Schott Music #ED4987-14. Published by Schott Music (HL.49005318).

ISBN 9790001057196. UPC: 073999736144. 8.5x11.75x0.015 inches.

Violin, string orchestra and harpsichord (piano).

Cello Orchestra

SKU: HL.49004399

Cello Part. Composed by George Frideric Handel. Edited by Helmuth Walcha. This edition: ED3832-16. Sheet music. Edition Schott. Classical. Individual part. Composed 1740. Op. 7/1. 4 pages. Duration 20'. Schott Music #ED 3832-16. Published by Schott Music (HL.49004399).

ISBN 9790001045681. UPC: 073999375244. 9.0x12.0x0.025 inches.

By Richard Strauss. Arranged by Stephan Kohler. (Study Score). Schott. 172 pages. Published by Eulenburg.

Orchestra

SKU: HL.49019910

Composed by John Casken. This edition: Saddle stitching. Sheet music. Study Score. Softcover. Composed 2007. 76 pages. Duration 20'. Schott Music #ED13617. Published by Schott Music (HL.49019910).

ISBN 9790220134395. UPC: 888680089528. 8.25x11.75x0.25 inches.

My Concerto for Orchestra (2007) is a twenty-minute work in which different sections of the orchestra, as well as individual solos and duos from within the orchestra, are highlighted as the music unfolds. The work continues my interest in two-movement forms that began with my Cello Concerto (1991), and was later developed in Sortilege (1996) and Symphony (Broken Consort) (2004). In these works, and in the Concerto for Orchestra, each movement is given equal weight and importance with the second developing earlier material and taking it in new directions.The two-movement form of the Concerto for Orchestra derives from a symphonic sonata structure, reshaping the traditional four-movement form and combining this with aspects of sonata form, a tradition that goes back to Liszt, Schoenberg and Sibelius:1st movement (i) exposition of ideas - dramatic and sudden (ii) scherzo and development 1 - resolute2nd movement (iii) adagio - calm and unhurried (iv) development 2 with recapitulation - intense and energeticThe Concerto for Orchestra was commissioned by the Musikalische Akademie des Nationaltheatre-Orchester s Mannheim with the support of Die Landesbank Baden-Wurttemberg for its first two performances on 31st March and 1st April 2008 conducted by Friedemann Layer. The score is dedicated in friendship and admiration to Ronald Zollman.John Casken

3(3.pic).2. ca.2(2.Ebcl).bcl.3(3.cbsn )-4.3(1.Dtpt).2.btbn.1-ti mp.3perc(crot, vib, tub bells, sizz cym, Chinese cym, h.h, Swiss cow-bell, gong, horizontal gong, 2tam-t, tamb, bng, s.d, 5tom-t, b.d, clav, casts, marac, 5tempbl, wdbl, cabaca, vibraslap)-hp-str.