Cello and orchestra SKU: HL.49015261 En forme de Pas de trois. Com...(+)
Cello and orchestra
SKU: HL.49015261
En forme de Pas de
trois. Composed by
Bernd Alois Zimmermann.
This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Piano
Reduction with Solo Part.
Composed 1965-1966. 106
pages. Duration 24'.
Schott Music #ED 7164.
Published by Schott Music
(HL.49015261).
ISBN
9790001075091.
9.25x12.0x0.305
inches.
3 (3. auch
Picc.) * 3 (2., 3. auch
Ob. d'am.) * 3 (3. auch
Bassklar.) * Altsax.
(auch Sopransax.) * 3 (3.
auch Kfg.) - 2 * 2 (auch
Cornett in B) * 2 * 1 -
P. (1 Spieler) S. (2
Beck. * 3 hg. Beck. *
Tamb. * Trgl. * Hi-Hat *
3 Tomt. * Ruhrtr. * kl.
Tr. * gr. Tr. * Holztr. *
Ratsche * Peitsche *
Schuttelrohr * Mar. *
Kuhgl. * Gurke * Kast. *
Clav. * Glsp. * Vibr.) (5
Spieler) - Git. (auch
E-Git.) * Mand. * Hfe. *
Klav. (auch Cemb.) *
Glasharfe (Cel.) * Zimbal
- Str. (7 * 7 * 6 * 5 *
4).
Men's choir (TTBB) and small orchestra or accordion orchestra (Score) - easy ...(+)
Men's choir (TTBB) and
small orchestra or
accordion orchestra
(Score) - easy
SKU:
HL.49001244
Eine
Reise durch Deutschland
mit Volksliedern und
Tanzen. Composed by
Karl Haus. Sheet music.
Schott Chorverlag (Choral
Music). Classical. Score.
28 pages. Duration 22'.
Schott Music #C 44274.
Published by Schott Music
(HL.49001244).
Orchestra (Score) SKU: HL.49006176 Study Score. Composed by Bernd ...(+)
Orchestra (Score)
SKU:
HL.49006176
Study
Score. Composed by
Bernd Alois Zimmermann.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 1968. 88 pages.
Duration 12'. Schott
Music #ED6311. Published
by Schott Music
(HL.49006176).
ISBN
9790001067140. UPC:
073999353518.
8.25x11.75x0.26
inches.
Cello and orchestra (Score) - easy SKU: HL.49006190 En forme de Pas de...(+)
Cello and orchestra
(Score) - easy
SKU:
HL.49006190
En
forme de Pas de
trois. Composed by
Bernd Alois Zimmermann.
This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Composed
1965-1966. 104 pages.
Duration 24'. Schott
Music #ED 6329. Published
by Schott Music
(HL.49006190).
ISBN
9790001067300.
8.25x11.75x0.301
inches.
3 (3. auch
Picc.) * 3 (2., 3. auch
Ob. d'am.) * 3 (3. auch
Bassklar.) * Altsax.
(auch Sopransax.) * 3 (3.
auch Kfg.) - 2 * 2 (auch
Cornett in B) * 2 * 1 -
P. (1 Spieler) S. (2
Beck. * 3 hg. Beck. *
Tamb. * Trgl. * Hi-Hat *
3 Tomt. * Ruhrtr. * kl.
Tr. * gr. Tr. * Holztr. *
Ratsche * Peitsche *
Schuttelrohr * Mar. *
Kuhgl. * Gurke * Kast. *
Clav. * Glsp. * Vibr.) (5
Spieler) - Git. (auch
E-Git.) * Mand. * Hfe. *
Klav. (auch Cemb.) *
Glasharfe (Cel.) * Zimbal
- Str. (7 * 7 * 6 * 5 *
4).
String orchestra SKU: VD.ED14055 Composed by Georg Anton Benda. Edited by...(+)
String orchestra
SKU:
VD.ED14055
Composed
by Georg Anton Benda.
Edited by Peter Albrecht.
Das Schottener
Kantatenarchiv Vol. 39.
Classical. Set of parts.
Schott Music #ED14055.
Published by Schott Music
(VD.ED14055).
String orchestra SKU: VD.ED14059 Composed by Liebhold. Edited by Peter Al...(+)
String orchestra
SKU:
VD.ED14059
Composed
by Liebhold. Edited by
Peter Albrecht. Das
Schottener Kantatenarchiv
Vol. 40. Classical. Set
of parts. Schott Music
#ED14059. Published by
Schott Music
(VD.ED14059).
Orchestra SKU: SU.32040140 For Orchestra. Composed by Amy Riebs Mi...(+)
Orchestra
SKU:
SU.32040140
For
Orchestra. Composed
by Amy Riebs Mills.
Orchestra. Full Score.
Subito Music Corporation
#32040140. Published by
Subito Music Corporation
(SU.32040140).
2222; 4331;
timp, 2 perc, pno; stgs
Duration: 13'30 Composed:
2016 Published by: Amy
Mills Music, LLC Like a
modern Pictures at an
Exhibition…. Ha
Shamayim is an original
piece for orchestra that
was inspired by
photographs taken by the
Hubble space telescope.
Each section is inspired
by one photo; the title
of each section is the
title that NASA gave to
the photograph. The words
Ha Shamayim are Hebrew
for The Heavens. They are
written in Genesis 1:1,
In the beginning God
created the heavens and
the earth. The words are
also seen in Psalm 19.
Section I: Warped Edge-On
Galaxy ESO 510-G13
The piece begins in outer
space with its glistening
stars. Glissandi are used
to depict the strange but
beautiful warp seen in
the photograph. Section
II: Galaxy Fires at
Neighboring Galaxy
Suddenly the piece erupts
as one galaxy fires blue
gas at its neighbor. They
engage in a cosmic
battle. Section III:
Youthful-looking Galaxy
May Be an Adult The
adolescent galaxy is
personified by a
humorous, gawky melody
reminiscent of teenage
boys who walk on feet
that are still too big.
Occasionally there is an
argument with an
authority figure, but the
joy of exploring the
universe quickly returns.
Section IV: Star Birth in
Galaxy M83 The
dramatic photograph looks
like a womb with veins.
The music begins on one
note, then it begins to
explore the initial
swelling and stretching.
It morphs into an
energetic fast theme,
still growing. Ultimately
it becomes glorious and
expansive, like the new
star. Section V: String
of ‘Cosmic
Pearls’ Surrounds
an Exploding Star The
first theme is a happy
circle dance inspired by
the circle of white dots
in the photograph. The
second theme is noble and
joyful. It is reminiscent
of the melody in the
famous chorus in
Haydn’s The
Creation with the words
from Psalm 19, The
heavens are telling the
glory of God. The music
then has flashbacks to
the earlier sections, and
ends in triumph. The five
sections in Ha Shamayim
are continuous with no
breaks. Difficulty Level:
5 (Advanced/Professional)
See composer website for
audio sample. Performance
materials available on
rental only:.
Suite from Hamilton Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
Featuring: You'll Be Back / Helpless / My Shot / Dear Theodosia / It's Quiet Upt...(+)
Featuring: You'll Be Back
/ Helpless / My Shot /
Dear Theodosia / It's
Quiet Uptown / One Last
Time. Composed by
Lin-Manuel Miranda
(1980-). Arranged by
Jerry Brubaker. Full
Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Broadway. 214
pages. Published by
Alfred Music
Suite from Hamilton Orchestre [Conducteur] - Intermédiaire Alfred Publishing
Featuring: You'll Be Back / Helpless / My Shot / Dear Theodosia / It's Quiet Upt...(+)
Featuring: You'll Be Back
/ Helpless / My Shot /
Dear Theodosia / It's
Quiet Uptown / One Last
Time. Composed by
Lin-Manuel Miranda
(1980-). Arranged by
Jerry Brubaker. Full
Orchestra; Score. Pop
Concert Full Orchestra.
Broadway. 28 pages.
Published by Alfred Music
Orchestra SKU: HL.14027979 Composed by Poul Ruders. Music Sales America. ...(+)
Orchestra
SKU:
HL.14027979
Composed
by Poul Ruders. Music
Sales America. Score. 111
pages. Edition Wilhelm
Hansen #KP00695.
Published by Edition
Wilhelm Hansen
(HL.14027979).
ISBN
9788759888780.
English.
Corona -
The Solar Trilogy No. 3
for Orchestra was
composed by Poul Ruders
in 1995. Programme note:
CORONA makes the final
part of the
SOLAR-TRILOGY, a huge
symphonic triptych about
the life and behavior of
the Sun. The first'panel'
GONG depicts the birth,
life and final collapse
of our nearest star, the
second ZENITH describes
in its ultra-slow tempo
the patient rise of the
Sun toward midday
ferocity and its
subsequent setting.
CORONA, then, is a
symphonic 'portrait' of
the phenomenally hot
whispy brim encircling
and radiating from the
Sun, a sizzling halo of
electrons and photons
visible only during a
total eclipse. Formally
CORONA follows the
process of such
totalityin progress:the
gradual eclipsing by the
Moon - total darkness
with thefierce, sparkling
outer corona - the
gradual 'rebirth' of the
light toward the full
gl.ory and warmth of the
Sun.Besides the obvious
astronomical narrative of
the SOLAR-TRILOGY there's
a metaphysical angle too,
underlying each of the
three compositions: GONG,
in spite of its apparent
energy, may be the most
pessimistic of them all,
epitomizing the death and
ultimate annihilation of
the prime source of Life
itself. ZENITH is a
hommage to human
aspiration and spiritual
endurance and CORONA ends
with Hope and Glory after
a journey from depression
throughtotal despair.
Super-structurally, the
zenith of ZENITH makes
the zenith of the entire
trilogy, i.e. when the E-
flat of the unisone horns
in ZENITH is heard, we
are exactly halfway
through the collected
work. Poul Ruders.
Orchestra (Score) SKU: HL.49045561 Richard Strauss Werke Complete Edit...(+)
Orchestra (Score)
SKU:
HL.49045561
Richard Strauss Werke
Complete Edition Score
Band 4. Composed by
Richard Strauss. Edited
by Stefan Schenk and
Walter Werbeck. This
edition: Hardback/Hard
Cover. Sheet music.
Edition Schott.
Classical. Hardcover.
Composed 1888-1891. Op.
23. 236 pages. Duration
18'. Schott Music
#RSW304. Published by
Schott Music
(HL.49045561).
ISBN
9783901974045.
Stra
uss's first tone poem
distinguishes itself from
all other subsequent
orchestral compositions
in its existence in three
different versions. Even
among the operas and
other compositions in his
hand there is no other
work with a comparable
history of origin and
publication. What is
more, the final version
of Macbeth is the only
valid form of the work
and the only variant with
further sources (cf.
Critical Report) in
addition to the autograph
score. In contrast, the
second version has only
been preserved in an
autograph score and
autograph piano reduction
(the orchestral parts
which must have existed
have obviously not
survived). This was never
printed and was replaced
by the published third
version. The two
surviving versions should
therefore not be
considered to be of equal
status. Unlike the case
of Ariadne auf Naxos in
which the earlier version
was for a time the sole
valid alternative and was
yet never completely
displaced by the soon
dominating later version
of the opera, only the
final third version of
Macbeth is considered as
valid. Right from the
outset, it was a matter
of course for the editors
of the present volume to
include the second
version as a first
publication (in addition
to the above-mentioned
surviving pages of the
first version), albeit in
different forms. The
surviving pages of the
first version are
reproduced in facsimile
and the second version,
as a subordinate form of
the work, appears
alongside Strauss's piano
reduction in a modified
source edition, i.e.
without intervention on
the part of the editors.
The ultimate third
version is published as a
full edition (please
refer to the Critical
Report for further
details). In order to
facilitate a comparative
study of the second and
third versions, the
relevant page numbers of
the score are placed
opposite one another (the
autograph piano reduction
of the second version is
included at the end of
the music section of the
volume). The editors hope
that this synoptic
representation will
prompt interest in
further studies on
Strauss's art of
orchestration: a field of
research which has still
remained insufficiently
examined. A study of
Macbeth namely
illuminates as clearly as
could be wished how much
significance Strauss
allotted to sound
alongside form. The
subjects were not merely
intended to generate an
individual figure, but
also specific tonal
colours, and the
instrumentation was
simultaneously designed
to provide an optimal
communication of
thematic-motivic texture
to the audience. The 'new
path' threw up
consequences which caused
Strauss a considerable
amount of difficulty. He
was however a fast
learner and had already
swum free with Don Juan
and all the more with Tod
und Verklarung.
For
orchestra. Composed
by Ryan Wigglesworth.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Softcover. Composed 2010.
60 pages. Duration 9'.
Schott Music #ED13471.
Published by Schott Music
(HL.49019158).
ISBN
9790220133206.
8.25x11.75x0.222
inches.
Written in
2010 for the Royal
Liverpool Philharmonic,
Wigglesworth's
nine-minute work explores
the idea of perpetuum
mobile (continuous
movement) in seven
connected, miniature
inventions. A regular
pulse forms the work's
core, with elaborations
of the central musical
idea shifting constantly
around it in jagged
rhythms and sumptuous
orchestration. The
composer writes, The
seven sections can very
briefly be described
thus: 1) an active,
miniature 'theme and
variations'; 2) the
juxtaposition of various
fragmentary two-part
inventions; 3) a tremolo
string ostinato with
woodwind interjections,
building towards the
first climax; 4) an
ostinato passing between
horns and muted trumpets
together with a dialogue
for high woodwind and low
strings; 5) a very slow
canon for string
harmonics and pizzicato
double basses; 6) a fast,
one-part invention
beginning with solo
piccolo, and gradually
leading to the second
climax; 7) chorale.This
is a lively orchestral
miniature which gives the
impression of a
kaleidoscope, with short
musical ideas cutting
across each other in
quick succession.
Orchestra (Study Score) SKU: HL.49045788 Suite for Orchestra 1919 Edit...(+)
Orchestra (Study Score)
SKU: HL.49045788
Suite for Orchestra
1919 Edition Eulenburg
No. 1475. Composed by
Igor Stravinsky. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Writing music to
heighten dramatic
situations, such as
battle and crisis, was a
speciality of Igor
Stravinsky. In his
ballet, The Firebird,
premiered in 1910, the 27
year old composer
surpassed many of today's
film composers by
depicting a breathtaking
ba. Classical. Softcover.
Composed 1919. 124 pages.
Duration 1200 seconds.
Schott Music #ETP1475.
Published by Schott Music
(HL.49045788).
ISBN
9783795714567. UPC:
888680747985.
6.0x8.75x0.309 inches.
Edition Eulenburg No.
1475.
Igor
Stravinsky's musical
setting of the Slavic
fable The Firebird is one
of the most
ground-breaking
orchestral works of the
early 20th century. The
reviews of the world
premiere of the ballet at
the Theatre National de
l'Opera in Paris lauded
Stravinsky's 'dazzling
music in all shades of
colour'; as a
consequence, he composed
two orchestral suites of
his ballet. The version
of 1919 is now published
as a new edition with a
modern notation and new
orchestral material.
Orchestra (Study Score) SKU: HL.49046988 Lyric Trilogy After Maurice M...(+)
Orchestra (Study Score)
SKU: HL.49046988
Lyric Trilogy After
Maurice Maeterlinck Study
Score, French.
Composed by Aribert
Reimann. Edition Schott.
Classical. Softcover. 280
pages. Duration 5400
seconds. Schott Music
#ED23491. Published by
Schott Music
(HL.49046988).
ISBN
9781705174333. UPC:
842819115281.
8.25x11.75x0.695
inches.
SYNOPSIS
Aribert Reimann's
'Trilogie lyrique' is
based on three plays by
Maurice Maeterlinck: In
L'Intruse, a family is
sitting at the table with
their blind grandfather.
They are waiting for the
doctor to arrive and tend
to his daughter who is
lying ill in bed after
having given birth: her
new-born son has not yet
made a single sound. The
old man senses that
something is wrong due to
the uneasy atmosphere in
the room. Who is sitting
in our midst? he asks. He
is the only one who
cansee the presence of
death. Interieur: Once
again a family is
gathered round the table
in the evening, but this
time we observe the
action from outside,
looking through the
window with the
grandfather and a
stranger: no sound can be
heard. Outside the house,
the stranger reports that
the eldest daughter has
drowned and that he has
pulled her out of the
river. Although the
corpse is already being
carried through the
village to the family,
the grandfather cannot
bring himself to destroy
this idyll. La Mort de
Tintagiles: The young
Tintagiles is told a
story about a mysterious
castle and the aged queen
who has all potential
heirsto the throne
murdered. His siblings
sense that Tintagiles has
been summoned to the
castle to be murdered,
but nobody openly
expresses this fact. It
is the sinister
messengers of death from
the interludes, now
visible as the queens
servants, who ful?l her
demand and snatch the
sleeping boy from his
sisters'arms. Commentary
'In comparison with his
Medea for example with
its stormy outbreaks of
emotion and violence,
Reimann's score is worked
in an impressive
refinement of sound. It
begins with rumbling,
hesitating and expressive
music in the first
section, demanding highly
ingenious sound effects
from the lower strings
including tapping and
faltering glissandos in
its noisy expression of
mortal fear. Inthe second
part, the woodwind
formation plays at times
almost in chamber music
fashion and is then
suddenly painfully
shrill. The third part
luxuriates and rages in
its rich, full
orchestration. The manner
in which Reimann displays
his mastery in textural
shading, the invention of
sounds welling up and
fading away, the rhythmic
and melodic capacity of
suffering and the music's
inner violence are all
utterly
compelling.'(Wolfgang
Schreiber, Opernwelt,
November 2017).
Orchestra (Orchestra) SKU: HL.49008405 Composed by Rodion Shchedrin. This...(+)
Orchestra (Orchestra)
SKU: HL.49008405
Composed by Rodion
Shchedrin. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Study Score.
Composed 1996. 26 pages.
Duration 10'. Schott
Music #ED 9400. Published
by Schott Music
(HL.49008405).
ISBN
9790001131209.
8.25x11.75x0.121
inches.
Shchedrin
has turned these
well-known piano pieces
into contemporary
orchestral works without
losing any of their verve
and flavour. The
transcriptions are based
on movements in A minor,
and in D major with
additional quotes from
other piano pieces by
Albeniz.
Soli, Speakers, Mixed Choir, Children's Choir and Orchestra SKU: HL.49006396<...(+)
Soli, Speakers, Mixed
Choir, Children's Choir
and Orchestra
SKU:
HL.49006396
A
little Theatre of the
World. Composed by
Carl Orff. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Piano
reduction. Composed 1938.
176 pages. Duration 90'.
Schott Music #ED6529.
Published by Schott Music
(HL.49006396).
ISBN
9790001069472. UPC:
884088464165.
9.0x12.0x0.417 inches.
German -
English.
Carl
Orff's Der Mond (or The
Moon) is an opera in one
act, based on a fairy
tale written by The
Brothers Grimm.This Vocal
score contains a Piano
reduction of the original
Orchestral
accompaniment.
3
(auch 3 Picc.) * 3 (3.
auch Engl. Hr.) * 3 (3.
auch Bassklar.) * 2
(2. auch Kfg.) - 4 * 3 *
3 * 1 - P. S. (gr. Tr. *
kl. Tr. * Ruhrtr. * Tamb.
* Trgl. * Xyl. * Cymb. *
versch. Beck. * gr. Tamt.
* Ratsche * Rute *
Schlittenschellen * Kast.
* Uhrgl. * Rohrengl. *
Glasersp. * Glsp. * Met.)
(5 Spieler) - Hfe. * Cel.
* Klav. * Harm. * Akk. *
Zither -
Str. Buhnenmusik: gem.
Chor - Wachterhr. (Tuba)
- Org. - S. (Glocke * 3
Ruhrtr. * gr. Tr. * Beck.
* Tamt. * Donnermasch. *
Windmasch. * Blitz,
Einschlag).
Orchestra
(pic.2.afl.2.ca.2Acl.0.bc
l.2.cbsn-4.3.2.btbn.1-tim
p.3perc(glsp, mar, crot,
tub bells, bell tree,
2sus cym, clash cym,
claves, b.d, wdbl)-str)
SKU: HL.49018422
Reflections on the
life and work of Paula
Modersohn-Becker
(1876-1907). Composed
by Sir Peter Maxwell
Davies. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Das 30minutige
Orchesterwerk in drei
Satzen, das von den
Bremer Philharmonikern in
Auftrag gegeben und von
diesen 2007 uraufgefuhrt
wurde, gehort zu den
Schlusselwerken von
Maxwell Davies der
letzten Jahre. Study
score. Composed 2006. Op.
276. 8 pages. Duration
30'. Schott Music
#ED13366. Published by
Schott Music
(HL.49018422).
ISBN
9790220132391. UPC:
884088614515.
8.25x11.75x0.232
inches.
Maxwell
Davies' 'Das Rauschende
der Farbe' (The Sound of
Colour) is a reflection
on the life and work of
the German artist Paula
Modersohn-Becker who died
aged 31 in 1907. Maxwell
Davies first got to know
the artist's work whilst
on a school exchange in
Hamburg in 1951 and the
composer has since
written that
Modersohn-Becker's work
has influenced the way
that he views the
relationship between art
and the landscape in
which it is produced.
This is a particularly
significant statement for
a composer whose music is
often a response to the
land and seascape of his
adopted home in the
Orkney Isles.
Commissioned by the
Bremer Philharmoniker and
first performed by them
in 2007, the 30 minute
orchestral work in three
movements is one of the
key works by Maxwell
Davies in recent
years.
Composed
by Joji Yuasa. Sheet
music. Edition Schott.
Classical. Study Score.
Composed 1975-1976. 40
pages. Duration 19'.
Schott Music #ED 6820.
Published by Schott Music
(HL.49006684).
(Death
& Transfiguration)
Clothbound Score,
Complete Edition in
G. Edition Schott.
Classical. Hardcover.
Duration 1440 seconds.
Schott Music #RSW306.
Published by Schott Music
(HL.49047172).
UPC:
196288143406.
When
the 24-year-old Richard
Strauss, assistant
conductor in Munich,
began the composition of
his third tone poem in
the summer of 1888, he
saw himself close to the
aspiration prescribed by
his mentor Alexander
Ritter: to become the
successor of Richard
Wagner as a musical
dramatist. Strauss had
already been working on
the text of his first
opera Guntram for a year
and additionally devoted
himself to programmatic
orchestral works oriented
to the musical language
of Liszt and Wagner in
order to prepare himself
compositionally for his
new task. With the aid of
Strauss and other
musicians including
Ludwig Thuille and
Friedrich Rösch who
had been gathering for
“Ritter's round
table†in Munich
between 1886 and 1889,
RitterÂ’s intention
was to achieve success on
a broad front with the
New German School
following the death of
its two protagonists
Wagner and Liszt. We do
not know whether Ritter
and his supporters
jointly planned Strauss's
compositional path
towards opera, determined
the subjectsof his
prospective tone poems
and considered various
strategies of their
musical realization, but
the influence of this
group shouldnot be
underestimated. It cannot
be ruled out that the
number of three tone
poems was fixed, as was
their sequence of
composition, which would
progressively achieve its
zenith in an increasing
orientation to Liszt and
Wagner. The circle could
possibly have also
discussed initial links
to literary subjects
(Macbeth and Don Juan)
and ultimately the
abstention from this
practice in the third and
final tone poem. The
subject of the work, or
rather in StraussÂ’s
formulation its
“poetic
modelâ€, has
occasionally been
interpreted from an
autobiographical aspect.
Strauss however did not
experience serious
illness until May 1891
and once more in June
1892, long after Tod und
Verklärung had been
composed. Even without an
external reason, the
material would have been
only too attractive for
an admirer of Wagner and
Liszt like Strauss, not
to mention for his mentor
Alexander Ritter. The
concept of 'death and
transfiguration' had
already played a central
role in LisztÂ’s
symphonic poems Tasso and
Prometheus.
Orchestra (PART3) - intermediate to advanced SKU: HL.49004884 Leichte ...(+)
Orchestra (PART3) -
intermediate to advanced
SKU: HL.49004884
Leichte Spielstucke
zur Einfuhrung in das
Orchesterspiel mit
praktischen Anweisungen
fur Nachwuchsgruppen und
Unterricht. Composed
by Curt Mahr. Edition
Schott. Classical. Score
Only. 32 pages. Schott
Music #HL50490190.
Published by Schott Music
(HL.49004884).
ISBN
9781423495499. UPC:
884088510923.
English(UK).
John Corigliano (b.
1938) is an American
composer. One of his most
enjoyable compositions is
The Mannheim
Rocket,
commissioned by the
Mannheim orchestra in the
year 2000. It takes
inspiration from
theRocket of the
title – a famous
compositional device
invented by the orchestra
in the 1700s. From there
it swiftly traverses 200
years of German music,
cleverly hiding quotes
from some of the most
famous orchestralworks of
the era, rising to its
zenith before falling
back to earth –
exactly as a real rocket
would.
Described
by the composer as a
“marvellous
journey”, this
orchestral piece is one
of the mostentertaining
in the repertoire –
both to play and to
listen to.
(Fantasia Sevillana)
Guitar and Orchestra
Score. Composed by
Joaquin Rodrigo.
Ediciones Joaquin
Rodrigo. Classical.
Softcover. 48 pages.
Duration 600 seconds.
Schott Music #EJR190146.
Published by Schott Music
(HL.49044966).
UPC:
196288103134.
9.0x12.25x0.135
inches.
Includes
conductor score,
orchestral materials,
solo part and piano
reduction.
Orchestra (Score) - advanced SKU: HL.49002109 Set of Parts. Compos...(+)
Orchestra (Score) -
advanced
SKU:
HL.49002109
Set of
Parts. Composed by
Carl Philipp Emanuel
Bach. Edited by Walter
Lebermann. Sheet music.
Concertino (Chamber
Orchestra). Classical.
Set of Parts. Composed
1773. 74 pages. Duration
11'. Schott Music
#CON8-70. Published by
Schott Music
(HL.49002109).
ISBN
9790001021050. UPC:
073999473391.
8.5x11.75x0.2
inches.
Among his
orchestral works, the
symphonies (Wq 182) are
certainly those with
which C.Ph.E. Bach
advances farthest into
new ground in music.
Contrast and surprise as
well as the permanent
change of affections are
the essential principles
of this music.
Orchestra SKU: HL.49017939 In memoriam Robert Schumann. Composed b...(+)
Orchestra
SKU:
HL.49017939
In
memoriam Robert
Schumann. Composed by
Aribert Reimann. This
edition: Saddle
stitching. Sheet music.
Study Score. Study score.
Composed 1988. 56 pages.
Duration 14'. Schott
Music #ED20024. Published
by Schott Music
(HL.49017939).
ISBN
9790001144711. UPC:
884088566869.
8.25x11.75x0.205
inches.
This most
frequently played
orchestral work by
Aribert Reimann quotes
from and makes use of
Robert Schumann's last
finished composition, the
so-called
'Geistervariationen'
[Ghost Variations] in E
flat major for piano from
1854, composed shortly
before Schumann's suicide
attempt. Reflecting on
Schumann's subsequent
life in Endenich, Reimann
leaves the lyrical
character of the original
unchanged. But the
breaking up of the theme
into the third, fifth and
seventh fragments
symbolizes the transition
from dreamy imagination
to sickly brooding.
4 voices (ATTB) and string orchestra SKU: HL.49019906 For four voices ...(+)
4 voices (ATTB) and
string orchestra
SKU:
HL.49019906
For
four voices (ATTB) and
string orchestra.
Composed by Gavin Bryars.
This edition: Saddle
stitching. Sheet music.
Study Score. Softcover.
Composed 2012. 36 pages.
Duration 15'. Schott
Music #ED13579. Published
by Schott Music
(HL.49019906).
ISBN
9790220134180. UPC:
888680623623.
8.25x11.75x0.16 inches.
English.
Written
for the Hilliard Ensemble
and the strings of the
Norwegian Chamber
Orchestra, the composer
sets two texts from St.
Columba about the power
of the human voice. The
work is divided into two
parts in line with the
texts, with string
orchestral episodes
preceding each. Despite
some divisi in the string
writing, The Voice of St.
Columba promotes the
clarity and directness of
the texts through its
simplicity. Part one,
'Colum's Voice', is a
description of the
extraordinary physical
and magical power of St.
Columba's voice, and its
revelatory qualities are
observed in part two, 'On
Hinba'.
Eulenburg Audio+Score
Series, Vol. 94.
Composed by Edward Elgar.
Edited by Brian Bowen.
This edition:
Paperback/Soft Cover.
Sheet music with CD.
Study Score. Classical.
Softcover with CD.
Composed 1901-1930. Op.
39/1-5. 148 pages.
Duration 29'. Schott
Music #EAS194. Published
by Schott Music
(HL.49045174).
ISBN
9783795765941. UPC:
841886020313.
6.5x9.0x0.325 inches.
German -
English.
The
Eulenburg Audio+Score
Series contains the
orchestral world's
treasures from the
baroque, classical and
romantic repertoire.
Volume 94 includes a
Naxos CD with a
performance by the New
Zealand Symphony
Orchestra.
Orchestra (Complete Edition) SKU: HL.49012382 Carl Maria von Weber Com...(+)
Orchestra (Complete
Edition)
SKU:
HL.49012382
Carl
Maria von Weber Complete
Edition - Series 5 Volume
1. Composed by Carl
Maria von Weber. Edited
by Joachim Veit. This
edition: Full-cloth
binding. Sheet music.
Carl Maria von Weber -
Samtliche Werke.
Classical. Score. 428
pages. Schott Music #WGA
1051. Published by Schott
Music (HL.49012382).
ISBN 9783795793517.
UPC: 073999538991.
10.25x13.25x1.551
inches.
Contents:
Sinfonie No. 1 C-Dur (WeV
M.2) * Sinfonie Nr. 2
C-Dur (WeV M.3) -- Zur
Edition.