Composed by Twila Paris. Arranged by Mary McDonald. For full orchestra. Choral. ...(+)
Composed by Twila Paris.
Arranged by Mary
McDonald. For full
orchestra. Choral. Sacred
Anthem. Orchestral score
and CD with printable
parts. Lorenz Publishing
Company #30/3103L.
Published by Lorenz
Publishing Company
Freedom Finale Orchestre [Conducteur et Parties séparées] - Débutant Alfred Publishing
(Featuring: America the Beautiful / Chester / America (My Country 'Tis of Thee) ...(+)
(Featuring: America the
Beautiful / Chester /
America (My Country 'Tis
of Thee) / Battle Hymn of
the Republic). Arranged
by Michael Story and
Michael Story. Orchestra.
Full Orchestra; Part(s);
Score; SmartMusic.
Beginning Full Orchestra.
Form: Fantasia; Medley.
Patriotic. Grade 1.5. 118
pages. Published by
Alfred Music Publishing
Composed by Hanson Howard. Arranged by Todd Parrish. Folio. Score and part(s...(+)
Composed by Hanson
Howard.
Arranged by Todd Parrish.
Folio. Score and part(s).
138+Cover pages. Duration
4
minutes, 47 seconds. Carl
Fischer Music #AS66.
Published by Carl Fischer
Music
(I. Thrice Welcome, II. In the Shadow of the Mountain). Composed by Howard Shore...(+)
(I. Thrice Welcome, II.
In the Shadow of the
Mountain). Composed by
Howard Shore. Arranged by
Victor L�³pez.
Orchestra. Full
Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Form: Suite.
Movie. Grade 3.5. 230
pages. Published by
Alfred Music
(I. Thrice Welcome, II. In the Shadow of the Mountain). Composed by Howard Shore...(+)
(I. Thrice Welcome, II.
In the Shadow of the
Mountain). Composed by
Howard Shore. Arranged by
Victor L�³pez.
Orchestra. Full
Orchestra; Score. Pop
Concert Full Orchestra.
Form: Suite. Movie. Grade
3.5. 24 pages. Published
by Alfred Music
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Full orchestra SKU: LO.30-3739MD Composed by Mary McDonald. Arranged by J...(+)
Full orchestra
SKU:
LO.30-3739MD
Composed
by Mary McDonald.
Arranged by Jay Rouse.
Choral, cantatas. Advent,
Christmas, Sacred.
Instrumental parts.
Medallion Music
#30/3739MD. Published by
Medallion Music
(LO.30-3739MD).
UPC:
000308154788.
Set
of Parts for 65/2104MD
Mary McDonald and Jay
Rouse combine their
compositional gifts to
bring us this moving
musical for Advent and
Christmas. Beautiful
music from Mary and Jay,
deeply thoughtful
narrations from Rose
Aspinall, and a fabulous
orchestration by Ed Hogan
and Jay highlight the
message at the heart of
Christmas—Godâ€
™s love through Jesus
Christ. You’ll
find a bit of everything
here, including original
songs, familiar carols,
fresh settings of
timeless Christmas
favorites, and ministry
songs that will reach the
heart of every listener.
Songs like Mary’s
Sing Out Our
Savior’s Birth and
Look on Him with Love and
Jay’s A Midwinter
Noel and Love Made a Way
all serve to bring into
focus God’s
undeserved and
unfathomable love through
Jesus Christ. Celebrate
how love made a way for
each of us with this
impactful musical! His
coming means freedom for
the captive, sight for
the blind, good news for
the poor. Jesus is Love
incarnate, and He alone
makes a way home for
fallen man..
Full orchestra SKU: LO.30-3741MD Composed by Mary McDonald. Arranged by J...(+)
Full orchestra
SKU:
LO.30-3741MD
Composed
by Mary McDonald.
Arranged by Jay Rouse.
Choral, cantatas. Advent,
Christmas, Sacred. Score
and parts, plus CD with
printable parts.
Medallion Music
#30/3741MD. Published by
Medallion Music
(LO.30-3741MD).
UPC:
000308154764.
Score
and Parts plus CD with
Printable Parts for
65/2104MD Mary McDonald
and Jay Rouse combine
their compositional gifts
to bring us this moving
musical for Advent and
Christmas. Beautiful
music from Mary and Jay,
deeply thoughtful
narrations from Rose
Aspinall, and a fabulous
orchestration by Ed Hogan
and Jay highlight the
message at the heart of
Christmas—Godâ€
™s love through Jesus
Christ. You’ll
find a bit of everything
here, including original
songs, familiar carols,
fresh settings of
timeless Christmas
favorites, and ministry
songs that will reach the
heart of every listener.
Songs like Mary’s
Sing Out Our
Savior’s Birth and
Look on Him with Love and
Jay’s A Midwinter
Noel and Love Made a Way
all serve to bring into
focus God’s
undeserved and
unfathomable love through
Jesus Christ. Celebrate
how love made a way for
each of us with this
impactful musical! His
coming means freedom for
the captive, sight for
the blind, good news for
the poor. Jesus is Love
incarnate, and He alone
makes a way home for
fallen man..
Full orchestra SKU: LO.30-3738MD Composed by Mary McDonald. Arranged by J...(+)
Full orchestra
SKU:
LO.30-3738MD
Composed
by Mary McDonald.
Arranged by Jay Rouse.
Choral, cantatas. Advent,
Christmas, Sacred. Full
score. Medallion Music
#30/3738MD. Published by
Medallion Music
(LO.30-3738MD).
UPC:
000308154795.
Full
Score for 65/2104MD Mary
McDonald and Jay Rouse
combine their
compositional gifts to
bring us this moving
musical for Advent and
Christmas. Beautiful
music from Mary and Jay,
deeply thoughtful
narrations from Rose
Aspinall, and a fabulous
orchestration by Ed Hogan
and Jay highlight the
message at the heart of
Christmas—Godâ€
™s love through Jesus
Christ. You’ll
find a bit of everything
here, including original
songs, familiar carols,
fresh settings of
timeless Christmas
favorites, and ministry
songs that will reach the
heart of every listener.
Songs like Mary’s
Sing Out Our
Savior’s Birth and
Look on Him with Love and
Jay’s A Midwinter
Noel and Love Made a Way
all serve to bring into
focus God’s
undeserved and
unfathomable love through
Jesus Christ. Celebrate
how love made a way for
each of us with this
impactful musical! His
coming means freedom for
the captive, sight for
the blind, good news for
the poor. Jesus is Love
incarnate, and He alone
makes a way home for
fallen man..
Full orchestra SKU: LO.30-3740MD Composed by Mary McDonald. Arranged by J...(+)
Full orchestra
SKU:
LO.30-3740MD
Composed
by Mary McDonald.
Arranged by Jay Rouse.
Choral, cantatas. Advent,
Christmas, Sacred. CD
with printable parts.
Medallion Music
#30/3740MD. Published by
Medallion Music
(LO.30-3740MD).
UPC:
000308154771.
CD
with Printable Parts for
65/2104MD Mary McDonald
and Jay Rouse combine
their compositional gifts
to bring us this moving
musical for Advent and
Christmas. Beautiful
music from Mary and Jay,
deeply thoughtful
narrations from Rose
Aspinall, and a fabulous
orchestration by Ed Hogan
and Jay highlight the
message at the heart of
Christmas—Godâ€
™s love through Jesus
Christ. You’ll
find a bit of everything
here, including original
songs, familiar carols,
fresh settings of
timeless Christmas
favorites, and ministry
songs that will reach the
heart of every listener.
Songs like Mary’s
Sing Out Our
Savior’s Birth and
Look on Him with Love and
Jay’s A Midwinter
Noel and Love Made a Way
all serve to bring into
focus God’s
undeserved and
unfathomable love through
Jesus Christ. Celebrate
how love made a way for
each of us with this
impactful musical! His
coming means freedom for
the captive, sight for
the blind, good news for
the poor. Jesus is Love
incarnate, and He alone
makes a way home for
fallen man..
Orchestra (Study Score) SKU: HL.51489064 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489064
Study Score.
Composed by Franz Joseph
Haydn. Edited by Gernot
Gruber. Henle Music
Folios. Classical.
Softcover. G. Henle
#HN9064. Published by G.
Henle (HL.51489064).
UPC: 840126937640.
6.75x9.5x0.214
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic oeuvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95.
Hailing from 1791, the
Symphony in D major no.
96 numbers among the
first symphonies written
in and for London. The
epithet given to it by
posterity, “The
Miracleâ€, was
bestowed erroneously, for
the miracle - that no one
was injured when a
chandelier fell during a
concert - took place
during a performance of a
different Haydn symphony.
And yet it is a miracle
of musical esprit
nonetheless; from the
subtle relations between
the motives consisting of
broken triads that open
all four movements, to
the virtuosic shifts in
mood owing to surprising
harmonies, Haydn here
submits a prime example
of how he develops
musical ideas. This study
edition adopts the
musical text of the Haydn
Complete Edition, thereby
guaranteeing the highest
scholarly quality. An
informative preface and a
brief Critical Report
make the handy score an
ideal companion for all
current and soon-to-be
Haydn fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
(Conductor's Score). By Bob Phillips and Kirk Moss. Orchestra. For Conductor's S...(+)
(Conductor's Score). By
Bob Phillips and Kirk
Moss. Orchestra. For
Conductor's Score.
Method/Instruction;
Score; SmartMusic; String
Orchestra
Method/Supplement. Sound
Innovations Series for
Strings. 228 pages.
Published by Alfred Music
Publishing
Orchestra - Grade 0.5 SKU: AP.41233 Arranged by Jack Bullock. Performance...(+)
Orchestra - Grade 0.5
SKU: AP.41233
Arranged by Jack Bullock.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Orchestra Expressions.
Christmas; Sacred;
Traditional; Winter.
Score and Part(s). 74
pages. Duration 1:30.
Alfred Music #00-41233.
Published by Alfred Music
(AP.41233).
UPC:
038081504742. English.
Traditional.
Known
for its simplistic
beauty, this melody is
supported by a simple,
but beautiful
harmonization. A lovely
setting! (1:30).
About
Orchestra
Expressions
<
p>Play great songs such
as Over the Rainbow,
Batman, This Land Is Your
Land, and Star Wars (Main
Title). Listen to and
play a variety of styles
of music: popular,
traditional, classical,
folk and patriotic. Read
and write music; compose
and improvise. Perform in
a concert and play for
your family and friends.
Be a conductor of the
orchestra. Learn about
composers, such as
Antonin Dvorak, Johann
Pachelbel, Jacques
Offenbach, Pytor Ilyich
Tchaikovsky, Giuseppe
Verdi, George M. Cohan,
George Frideric Handel,
Ludwig van Beethoven,
Johann Sebastian Bach,
Wolfgang Amadeus Mozart,
Giacomo Puccini, Georges
Bizet, Neal Hefti, and
John Williams. Discover
how music and art are
related. Learn about a
variety of musical
ensembles including
string orchestra, full
orchestra, mariachi band,
steel drum band,
dixieland jazz band, rock
band, and more. Play
music from around the
world, including North
America, Europe, Latin
America, Asia, and
Africa.
Arranged by Sandra
Dackow. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Orchestra Expressions.
Form: Waltz. Folk;
Traditional; World. Score
and Part(s). 66 pages.
Alfred Music #00-46676.
Published by Alfred Music
(AP.46676).
UPC:
038081535135. English.
Australian
Traditional.
Botany
Bay, arranged by Sandra
Dackow, is a wonderful
piece that is correlated
with Orchestra
Expressions, Book 1. Your
students will enjoy the
opportunity to play and
sing! Everyone gets to
experience a pizzicato
accompaniment and the
beautiful melody. This
piece will be the
highlight of any concert
or festival program and a
great way to introduce
the waltz style to your
beginning orchestra. This
title is available in
MakeMusic Cloud.
About
Orchestra
Expressions
<
p>Play great songs such
as Over the Rainbow,
Batman, This Land Is Your
Land, and Star Wars (Main
Title). Listen to and
play a variety of styles
of music: popular,
traditional, classical,
folk and patriotic. Read
and write music; compose
and improvise. Perform in
a concert and play for
your family and friends.
Be a conductor of the
orchestra. Learn about
composers, such as
Antonin Dvorak, Johann
Pachelbel, Jacques
Offenbach, Pytor Ilyich
Tchaikovsky, Giuseppe
Verdi, George M. Cohan,
George Frideric Handel,
Ludwig van Beethoven,
Johann Sebastian Bach,
Wolfgang Amadeus Mozart,
Giacomo Puccini, Georges
Bizet, Neal Hefti, and
John Williams. Discover
how music and art are
related. Learn about a
variety of musical
ensembles including
string orchestra, full
orchestra, mariachi band,
steel drum band,
dixieland jazz band, rock
band, and more. Play
music from around the
world, including North
America, Europe, Latin
America, Asia, and
Africa.
Arranged by Sandra
Dackow. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Orchestra Expressions.
Form: Waltz. Folk;
Traditional; World.
Score. 12 pages. Alfred
Music #00-46676S.
Published by Alfred Music
(AP.46676S).
UPC:
038081535142. English.
Australian
Traditional.
Botany
Bay, arranged by Sandra
Dackow, is a wonderful
piece that is correlated
with Orchestra
Expressions, Book 1. Your
students will enjoy the
opportunity to play and
sing! Everyone gets to
experience a pizzicato
accompaniment and the
beautiful melody. This
piece will be the
highlight of any concert
or festival program and a
great way to introduce
the waltz style to your
beginning orchestra. This
title is available in
MakeMusic Cloud.
About
Orchestra
Expressions
<
p>Play great songs such
as Over the Rainbow,
Batman, This Land Is Your
Land, and Star Wars (Main
Title). Listen to and
play a variety of styles
of music: popular,
traditional, classical,
folk and patriotic. Read
and write music; compose
and improvise. Perform in
a concert and play for
your family and friends.
Be a conductor of the
orchestra. Learn about
composers, such as
Antonin Dvorak, Johann
Pachelbel, Jacques
Offenbach, Pytor Ilyich
Tchaikovsky, Giuseppe
Verdi, George M. Cohan,
George Frideric Handel,
Ludwig van Beethoven,
Johann Sebastian Bach,
Wolfgang Amadeus Mozart,
Giacomo Puccini, Georges
Bizet, Neal Hefti, and
John Williams. Discover
how music and art are
related. Learn about a
variety of musical
ensembles including
string orchestra, full
orchestra, mariachi band,
steel drum band,
dixieland jazz band, rock
band, and more. Play
music from around the
world, including North
America, Europe, Latin
America, Asia, and
Africa.
Composed by Poul Ruders.
Music Sales America.
Classical. Set. 86 pages.
Edition Wilhelm Hansen
#WH29830. Published by
Edition Wilhelm Hansen
(HL.14027994).
ISBN
9788759864593.
New
York is the city which
fascinates and inspires
Ruders. Time and again he
goes back there to work.
'Manhattan Abstraction'
(1982) subtitles - a
symphonic skyline for
large orchestra - was
conceived there. Ruders'
Brittish colleague Oliver
Knussen defines the piece
as: - a performance of an
extraordinary
Morden-Times-like
construction. It is a
sort of symphonic
sculpture, which in the
composer's own words
words propels forth from
one particular
inspiration: the New York
profile, as seen from
Liberty Island, one icy
cold January day with
it's open, clear sky and
dazzling sun light.
'Manhatten Abstraction'
appears as an amalgam of
some of the
compositorical habits
found in present pieces.
For instance, are present
here compositorical ideas
and melodic loans from
'Capriccio Pian'e Forte',
2nd String Quartet(1979),
'Four Compositions'
(1980), and 2nd Piano
Sonata(1982). The
question at hand is
mainly concerned with the
enhanced elaboration of
Ruders' use of the
classic English
change-ringing system: a
permuting method
pre-determining the order
of tone-appearances and
/or tone groups; a serial
technique in other words.
In spite of the rigidly
fixed material, Ruders
somehow manages to chisel
out a personal expression
by way of emphasising
contrasting elements
already existing within
the material itself. The
spiky, repetitive
sections form a
counterpart to a more
human violin-solo. This
dialectical tension is -
as hinted by the title -
a symphonic abstraction
of a fascinating
metropolis; the most
beautiful and the
ugliest. The subtitle: a
symphonic skyline
reflects the musical
erection of the Manhattan
profile, which under the
clear sky, materializes
into the most powerful
and compelling man-made
sculpture on earth. Thus
'Manhattan Abstraction'
is a homage to, as well
as a vision of, this
giant contraption of
concrete, glass, and
chrome.
Orchestra - intermediate to advanced SKU: HL.49001684 Score. Compo...(+)
Orchestra - intermediate
to advanced
SKU:
HL.49001684
Score. Composed by
Pietro Nardini. Edited by
Guenter Kehr. This
edition: Saddle
stitching. Sheet music.
Concertino (Chamber
Orchestra). Classical.
Condensed Score. Op. 1/1.
32 pages. Duration 13'.
Schott Music #CON 109.
Published by Schott Music
(HL.49001684).
ISBN
9790001023146.
8.25x11.75x0.133
inches.
Pietro
Nardini was the most
important pupil of
Tartini regarding both
violin playing and
composition. Like his
teacher, he attached
special significance to
the beauty of sound and
the -suitability for
singing, as is shown by
reports of his
contemporaries. Leopold
Mozart, for example,
wrote in one of his
letters that he had heard
a certain Nardini and
that there could not be
heard anything more
beautiful in the tonal
beauty, purity, harmony
and in the singable
taste.The two concertos
in A major and F major
consist of three
movements with the
traditional tempo order
quick-slow-quick, each
movement giving the
soloist the opportunity
to play a solo
cadence.
Orchestra - intermediate to advanced SKU: HL.49001686 Set of String Pa...(+)
Orchestra - intermediate
to advanced
SKU:
HL.49001686
Set of
String Parts.
Composed by Pietro
Nardini. Edited by
Guenter Kehr. Sheet
music. Concertino
(Chamber Orchestra).
Classical. Set of
supplemental string
parts. Op. 1/1. 46 pages.
Duration 13'. Schott
Music #CON 109-60.
Published by Schott Music
(HL.49001686).
ISBN
9790001023160.
9.0x12.0x0.097
inches.
Pietro
Nardini was the most
important pupil of
Tartini regarding both
violin playing and
composition. Like his
teacher, he attached
special significance to
the beauty of sound and
the -suitability for
singing, as is shown by
reports of his
contemporaries. Leopold
Mozart, for example,
wrote in one of his
letters that he had heard
a certain Nardini and
that there could not be
heard anything more
beautiful in the tonal
beauty, purity, harmony
and in the singable
taste.The two concertos
in A major and F major
consist of three
movements with the
traditional tempo order
quick-slow-quick, each
movement giving the
soloist the opportunity
to play a solo
cadence.
Double Bass; Orchestra (STUDY SCORE) SKU: HL.51487451 Study Score....(+)
Double Bass; Orchestra
(STUDY SCORE)
SKU:
HL.51487451
Study
Score. Composed by
Serge Koussevitzky.
Edited by Tobias Glö
and ckler. Henle Study
Scores. Classical.
Softcover. 92 pages. G.
Henle #HN7451. Published
by G. Henle
(HL.51487451).
UPC:
196288158110.
6.75x9.5x0.294
inches.
Thanks to
its skilful combination
of Romantic melody and
sparkling virtuosity,
KoussevitzkyÂ’s Double
Bass Concerto op. 3 has
been one of the most
popular works of its
genre since its Moscow
premiere in 1905. No
wonder, for the virtuoso
double bass player
Koussevitzky had composed
it for his very own
instrument. As early as
1906/07 a first piano
reduction was published
in Moscow, followed by a
second in 1910 in
Leipzig. However, both
contain so many mistakes
in the solo part that
there is still
uncertainty about the
correct musical text in
many passages to this
day. The double bass
player Tobias Glöckler
has therefore prepared
his Urtext edition using
several sources: as well
as the manuscript
performance material and
the piano reductions
published during the
composer's lifetime, he
has also studied
recordings with
Koussevitzky as soloist -
thereby finally producing
a
thoroughly-researchedUrte
xt edition of the
orchestral score and
piano reduction of this
classic of the double
bass literature. As with
all double bass concertos
published by Henle
Publishers, this edition
also contains the piano
reduction by Christoph
Sobanski in two keys (E
minor and F sharp minor)
for performance with solo
or orchestral tuning.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.51489059 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489059
Study Score.
Composed by Franz Joseph
Haydn. Edited by Andreas
Friesenhagen. Henle Study
Scores. Classical.
Softcover. 58 pages. G.
Henle #HN9059. Published
by G. Henle
(HL.51489059).
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.51489060 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489060
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Andreas
Friesenhagen. Henle Study
Scores. Classical.
Softcover. 64 pages. G.
Henle #HN9060. Published
by G. Henle
(HL.51489060).
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.51489058 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489058
Study Score.
Composed by Franz Joseph
Haydn. Edited by Andreas
Friesenhagen. Henle Study
Scores. Classical.
Softcover. 63 pages. G.
Henle #HN9058. Published
by G. Henle
(HL.51489058).
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Featuring: Newt Says
Goodbye to Tina / Jacob's
Bakery. Composed by
James Newton Howard.
Arranged by Bob Phillips.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Concert String Orchestra.
Form: Medley. Halloween;
Movie. Score. 12 pages.
Duration 3:20. Alfred
Music #00-45857S.
Published by Alfred Music
(AP.45857S).
UPC:
038081528892.
English.
Enjoy the
fantasy and thrills of
the adventures from J. K.
Rowling in this
delightful setting from
Fantastic Beasts and
Where to Find Them. Very
simple, elegant, and
beautiful, this is also a
great piece to work on
shifting. The violins use
3rd position while the
cellos use both 3rd and
4th positions. There are
spots that will work
nicely in positions other
than those marked for the
violas and basses if you
want to have all sections
work on shifting.
Featuring Newt Says
Goodbye to Tina and
Jacob's Bakery. (3:20)
This title is available
in MakeMusic Cloud.
Salamander Eyes Orchestre [Conducteur] - Facile Alfred Publishing
Orchestra - Grade 3 SKU: AP.47425S From the Warner Bros. Picture Sound...(+)
Orchestra - Grade 3
SKU: AP.47425S
From the Warner Bros.
Picture Soundtrack
Fantastic Beasts: The
Crimes of
Grindelwald.
Composed by James Newton
Howard. Arranged by Bob
Phillips. Performance
Music Ensemble; Single
Titles; String Orchestra.
Pop Concert String
Orchestra. Light Concert;
Movie; Pop. Score. 8
pages. Duration 2:33.
Alfred Music #00-47425S.
Published by Alfred Music
(AP.47425S).
UPC:
038081548289.
English.
More
fantastic entertainment
from the world of wizards
that gave us Harry
Potter! Including a
harp/synth part that can
be played on harp, synth,
or piano, the
interweaving lines of
this piece are perfect
for string orchestra.
Beautiful music that will
delight audiences and
players!
Orchestra - Grade 1.5 SKU: AP.48071S Featuring Themes from Take Me Out...(+)
Orchestra - Grade 1.5
SKU: AP.48071S
Featuring Themes from
Take Me Out to the Ball
Game and the Ninth
Symphonies of Franz
Shubert, AntonÃn
Dvorák, and Ludwig van
Beethoven. Composed
by Albert Von Tilzer,
Antonin Dvorak, Franz
Shubert, and Ludwig van
Beethoven. Arranged by
Bob Phillips. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
Solo Small Ensembles;
String Orchestra. Sound
Innovations for String
Orchestra. Masterwork
Arrangement. Score. 8
pages. Duration 2:30.
Alfred Music #00-48071S.
Published by Alfred Music
(AP.48071S).
UPC:
038081557601.
English.
This title
features Alfred Music's
String Orchestra FLEX
options. That means that
every part in this set is
now transposed into every
other part, so you can
play this title with any
combination of like- or
mixed-string ensemble.
After purchasing this
set, decide what
additional parts you need
to meet the unique needs
of your ensemble, then
download and print them
for free at
alfred.com/supplemental--
-free of charge.
Tongue-in-cheek
and beautiful, Bottom of
the Ninths is the perfect
way to delve into these
masterworks with young
players in a fun context!
All sections remain in
1st position, in the key
of D major, with no high
3's or low 1's as the
melodies are passed
throughout the orchestra.
Easy to play and
showcasing the beauty of
these great composers,
this piece, arranged by
Bob Phillips, would shine
at a festival or contest.
The medley features Take
Me Out to the Ball Game;
the opening theme from
Schubert's Symphony No. 9
which is, of course, at
the beginning of that
work; the famous Going
Home theme from the
middle of Dvorák's
Symphony No. 9; and the
Ode to Joy theme from
Beethoven's Symphony No.
9, which is at the end,
or the bottom, of the
9th. Correlated to Sound
Innovations for String
Orchestra, Book 1, Level
5. (2:30) This title
available in MakeMusic
Cloud.
Orchestra - Grade 3 SKU: AP.44813S Opus 11. Composed by Gabriel Fa...(+)
Orchestra - Grade 3
SKU: AP.44813S
Opus 11. Composed
by Gabriel Faure.
Arranged by Douglas E.
Wagner. Masterworks;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Concert String Orchestra.
Impressionistic;
Masterwork Arrangement;
Romantic. Score. 16
pages. Belwin Music
#00-44813S. Published by
Belwin Music (AP.44813S).