Orchestra - all SKU: PR.816600040 Composed by Wolfgang Amadeus Mozart. CD...(+)
Orchestra - all
SKU:
PR.816600040
Composed
by Wolfgang Amadeus
Mozart. CD Sheet Music
(Version 1). Full Scores
to all of the major works
for orchestra by Mozart -
parts not included.
Classical Period. CD
Sheet Music. 2000
printable pages.
Published by Theodore
Presser Company
(PR.816600040).
UPC:
680160600045. 5.5x5
inches.
This disk
contains study scores of
all 41 of Mozart's
Symphonies, as well as
Concertos for Winds and
Strings (Piano Concertos
are on a companion
CD-ROM), Serenades, Opera
Overtures, Divertimentos,
and other works.
About CD Sheet
Music (Version
1)
CD
Sheet Music (Version 1)
was the initial CD Sheet
Music series distributed
by Theodore Presser. The
CDs include thousands of
pages of music that are
viewable and printable on
Mac or PC. Version 1
titles are a great value
at 40% off, as we make
room in our warehouse for
the newly enhanced CD
Sheet Music (Version 2.0)
series.
Orchestra (Score) SKU: HL.14008392 Caroline Mathilde Act I (Concert Su...(+)
Orchestra (Score)
SKU:
HL.14008392
Caroline Mathilde Act
I (Concert Suite).
Composed by Sir Peter
Maxwell Davies. Music
Sales America. 20th
Century. Book
[Softcover]. Composed
1999. 74 pages. Chester
Music #CH60949. Published
by Chester Music
(HL.14008392).
ISBN
9780711936942.
The
story centres on the
English princess Caroline
Mathilde (1751-1775),
sister of George III, who
at the age of 15 was sent
to Denmark to marry the
17-year-old eccentric and
schizophrenic Danish
King, Christian VII. The
ballet portrays her
unhappy marriage, the
King's growing madness
and her fatal love-affair
with Struensee, the
King's influential
physician, which leads to
their arrest, his
execution and her exile,
at the age of 20,
separated from her two
young children. In
keeping with the period,
and perhaps also with the
traditions of Romantic
ballet, the music is
relatively simple in
harmony and form, and
most of the action is
conveyed in set-piece
dances. The suite, which
consists essentially of
the second half of Act I,
begins with one of these,
a bristling interplay of
wind and string ensembles
in D major, portraying in
the ballet a curious
nuptial game with the
king and princess on
movable pedestals. The
slow music that follows
has to do with the king's
healing by Dr. Struensee
and the new queen's
unquiet reverie (oboe and
cor anglais solos). Then
the suite, like the act,
is capped by a pair of
pas-de-deux, the first
savage and bizarre for
the royal couple, the
second rich and
passionate for the queen
and the miracle-working
doctor. Score
(miniature). Duration c.
25mins.
Performed by Bryan Adams. By Bryan Adams, Robert John Lange. Edited by George Me...(+)
Performed by Bryan Adams.
By Bryan Adams, Robert
John Lange. Edited by
George Megaw. Arranged by
Bob Cerulli. Orchestra.
Level: medium easy. 375
pages. Published by
Alfred Publishing.
Orchestra - Grade 3.5 SKU: AP.7155EB7XC From the Motion Picture Rob...(+)
Orchestra - Grade 3.5
SKU: AP.7155EB7XC
From the Motion
Picture Robin Hood:
Prince of
Thieves. By Bryan
Adams, Michael Kamen, and
Robert John Mutt Lange.
Arranged by Bob Cerulli.
Full Orchestra;
Performance Music
Ensemble; Single Titles.
Pop Concert Full
Orchestra. Movie;
Pop/Rock. Score. 16
pages. Belwin Music
#00-7155EB7XC. Published
by Belwin Music
(AP.7155EB7XC).
UPC:
654979194309. English.
Bryan Adams; Robert John
Mutt Lange; Michael
Kamen.
From the
movie Robin Hood - Prince
of Thieves, this very
musical arrangement will
soothe your listeners.
Melodic content is fluid,
with a rich harmonic
foundation. A real
winner!
By Vincent Persichetti. Orchestra. For Flute I, Flute II, Oboe I, Oboe II, Clari...(+)
By Vincent Persichetti.
Orchestra. For Flute I,
Flute II, Oboe I, Oboe
II, Clarinet I, Clarinet
II, Bassoon I, Bassoon
II, Horn I, Horn II, Horn
III, Horn IV, Trumpet in
C I, Trumpet in C II,
Tenor I, Tenor II, Tenor
III, Tuba, Timpani,
Violin I, Violin II,
Viola, Cello, Double
Bass, Flute, Oboe,
Clarinet, Bassoon, Horn,
Trumpet, Tenor, Tuba,
Timpani, Violin I, Violin
II, Viola, Cello,
Contrabass. This edition:
study score. First
performed by the
Louisville Orchestra on
November. Classical. Full
Score - Study. 76 pages.
Published by Theodore
Presser Company.
The Doors on Tour Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Featuring: Light My Fire / People Are Strange / Hello, I Love You). Composed by...(+)
(Featuring: Light My Fire
/ People Are Strange /
Hello, I Love You).
Composed by The Doors.
Arranged by Patrick
Roszell. Orchestra. Full
Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Form: Medley.
Rock. Grade 3. 226 pages.
Published by Alfred Music
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
(Conductor's Score - Fascile of the Composer's Manuscript). By Steven Stucky (19...(+)
(Conductor's Score -
Fascile of the Composer's
Manuscript). By Steven
Stucky (1949-).
Orchestra. For Flute I,
Flute II, Flute III,
Piccolo, Oboe I, Oboe II,
Oboe III, English Horn,
Clarinet I, Clarinet II,
Clarinet III, Bass
Clarinet, Bassoon I,
Bassoon II, Bassoon III,
Contra Bassoon, Horn I,
Horn II, Horn III, Horn
IV, Trumpet I, Trumpet
II, Trumpet II. First
performance: Philadelphia
Orchestra, Riccardo Muti
conducting, October 29,
1988. Full Score - Study.
Standard notation. 104
pages. Published by
Theodore Presser Company
Composed by Franz Joseph Haydn (1732-1809). Edited by Andreas Friesenhagen. This...(+)
Composed by Franz Joseph
Haydn (1732-1809). Edited
by Andreas Friesenhagen.
This edition: urtext
edition. Stapled. Urtext
from: Joseph Haydn Werke,
G. Henle Verlag Munchen.
Score. Hob. I:89.
Duration 22 minutes.
Published by Baerenreiter
Verlag (BA.BA10979).
(Cycle of Five Pieces - Study Score). By William Schuman (1910-1992). Orchestra....(+)
(Cycle of Five Pieces -
Study Score). By William
Schuman (1910-1992).
Orchestra. For Flute I,
Flute II, Flute III,
Piccolo, Oboe I, Oboe II,
English Horn, Clarinet I,
Clarinet II, Bass
Clarinet, Bassoon I,
Bassoon II, Contra
Bassoon, Horn I, Horn II,
Horn III, Horn IV,
Trumpet in C I, Trumpet
in C II, Trumpet in C
III, Tenor I, Tenor II, .
First performance:
Eastman Philharmonic,
Gustav Meier conducting,
on October 29, 1972. Full
score (study). Standard
notation. 111 pages.
Duration 25 minutes.
Published by Theodore
Presser Company
By Maurice Ravel (1875-1937). For orchestra. Full Orchestra (Full Score). Dover ...(+)
By Maurice Ravel
(1875-1937). For
orchestra. Full Orchestra
(Full Score). Dover
Edition. Impressionistic.
Full score. Introductory
text and glossary of
French terms. 193 pages.
Published by Dover
Publications . full
score. Impressionistic.
Composed by Claude Debussy (1862-1918). Orchestra. For orchestra. Full Orchestra...(+)
Composed by Claude
Debussy (1862-1918).
Orchestra. For orchestra.
Full Orchestra (Full
Score); Larger Works;
Masterworks; Score. Dover
Edition. Impressionistic;
Masterwork. Full score.
224 pages. Published by
Dover Publications
A Double Concerto for Violin, Violoncello, and Orchestra (Full Score). By Henri ...(+)
A Double Concerto for
Violin, Violoncello, and
Orchestra (Full Score).
By Henri Lazarof.
Orchestra. Full Score -
Study. 68 pages. Duration
22:00. Published by
Theodore Presser Company.
(For Piano and Orchestra - Full Score). By Ellen Taaffe Zwilich (1939-). Orchest...(+)
(For Piano and Orchestra
- Full Score). By Ellen
Taaffe Zwilich (1939-).
Orchestra. For Piccolo,
Flute I, Flute II, Oboe,
English Horn, Clarinet,
Bass Clarinet, Bassoon,
Contra Bassoon, Horn I,
Horn II, Trumpet in C I,
Trumpet in C II,
Suspended Cymbals,
Hi-Hat, Pedal Bass Drum,
Sizzle Cymbal, Piano
Solo, Violin I, Violin
II, Viola, Cello, C.
Premiered September 22,
2000 - Cincinnati
Symphony Orchestra, Jesus
Lopez-Cobos, conductor,
Jeffrey Biegel, pianist.
Full score (study).
Standard notation. 68
pages. Duration 20
minutes. Published by
Theodore Presser Company
Orchestra (Score) SKU: HL.283507 Orchestra Score. Composed by Bent...(+)
Orchestra (Score)
SKU:
HL.283507
Orchestra Score.
Composed by Bent
Sorensen. Music Sales
America. Classical.
Softcover. 49 pages.
Duration 780 seconds.
Edition Wilhelm Hansen
#KP01914. Published by
Edition Wilhelm Hansen
(HL.283507).
Exit Music for
Orchestra was composed by
Bent Sorensen in 2006-07.
Exit Music was
commissioned by the
Bergen International
Festival for the Bergen
Philharmonic Orchestra,
and is dedicated to Per
Norgard on the occasion
of his 75th birthday.
Programme note It began
with a dream, as it
always does when I
compose. I dreamt that I
was standing in an open
doorway on a hill in an
otherwise open landscape.
I do not know what was
behind the door, but in
front of it - towards the
landscape - I saw my
music disappearing. I
stood looking for the
music, and started to
hear it, to remember it
in time with its
disappearance. The dream
continued to recur as
strange pictures in my
daydreams, and I
continued to try to write
down the music that had
vanished. It was also the
dream that gave the piece
its title- Exit Music.
Exit Music is based on
three simple songs (the
songs that vanish through
the doorway): a little
lullaby, which continues
to reappearin fragments;
a strange polyphonic pop
song that refers to a
section of my opera Under
the Sky; and a passionate
little love song, which
concludes the piece on
the strings, very quietly
and in unison. These
simple songs are then
constantly overpainted by
enervating repeated motes
in fairly simple rhythms,
which push the songs out
of the room. (Bent
Sorensen).
For Viola, Women's Chorus and Orchestra. By William Schuman. Orchestra. First pe...(+)
For Viola, Women's Chorus
and Orchestra. By William
Schuman. Orchestra. First
performance: Boston
Symphony Orchestra under
the direction of Michael
Tilson Thomas, with Donal
McInnes, Viola Soloist,
and the Radcliffe Choral
Society, November 29,
1973, Boston,
Massachusetts. Full Score
- Study. 151 pages.
Duration 40:00:00.
Published by Theodore
Presser Company.
(I. The Way of the Ship, II. Mists and Mystery, III. Songs in the Salty Air, IV....(+)
(I. The Way of the Ship,
II. Mists and Mystery,
III. Songs in the Salty
Air, IV. Waltz of the
Clipper Ships, V. Finale,
introducing the S.S.
Eagle March). Composed by
Robert Russell Bennett
(1894-1981). Concert
Band. Concert Band;
Score. Belwin Classic
Band. TV. Grade 5. 88
pages. Published by
Belwin Music
Featuring: Kumbalawe / Triangle Tango / O / Pageant / If I Could Reach Your Hear...(+)
Featuring: Kumbalawe /
Triangle Tango / O /
Pageant / If I Could
Reach Your Heart.
Arranged by Douglas E.
Wagner. For Full
Orchestra. Full
Orchestra. Pop
Intermediate Full
Orchestra. Pop. Level: 3
(grade 3). Score. 20
pages. Published by
Alfred Publishing.
Six Bagatelles Orchestre [Conducteur d'étude / Miniature] Theodore Presser Co.
(For Orchestra - Study Score). By George Perle (1915-). Orchestra. For Piccolo, ...(+)
(For Orchestra - Study
Score). By George Perle
(1915-). Orchestra. For
Piccolo, Flute I, Flute
II, Oboe I, Oboe II,
English Horn, Clarinet I,
Clarinet II, Bass
Clarinet, Bassoon I,
Bassoon II, Contra
Bassoon, Horn I, Horn II,
Horn III, Horn IV,
Trumpet in full score
(study)
G! I Like Echoes Orchestre [Conducteur et Parties séparées] - Débutant Kendor Music Inc.
String Orchestra string orchestra (88555) with opt. 3rd Violin/Viola TC 3 and pi...(+)
String Orchestra string
orchestra (88555) with
opt. 3rd Violin/Viola TC
3 and piano - Grade 1
SKU: KN.8277
Composed by Lorie
Gruneisen. Accent String
Orchestra. Score and set
of parts. Duration 2
minutes. Kendor Music Inc
#8277. Published by
Kendor Music Inc
(KN.8277).
UPC:
822795082777.
This
lively piece focuses on
three concepts:
note-reading on the G
string, combined quarter
and eighth note rhythm
patterns, and dynamic
changes. Written in echo
style, it's lots of fun
to play and hear.
Duration 2:00. Available
in SmartMusic.
Composed by Franz Joseph Haydn (1732-1809). Edited by Andreas Friesenhagen; Chri...(+)
Composed by Franz Joseph
Haydn (1732-1809). Edited
by Andreas Friesenhagen;
Christin Heitmann. This
edition: urtext edition.
Stapled. Score. Hob.
I:26. Duration 17
minutes. Published by
Baerenreiter Verlag
(BA.BA10975).
By John Farrar. Arranged by Douglas E. Wagner. For Full Orchestra. Full Orchestr...(+)
By John Farrar. Arranged
by Douglas E. Wagner. For
Full Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Pop.
Level: 3 (grade 3).
Conductor Score. 12
pages. Published by
Alfred Publishing.
By John Farrar. Arranged by Douglas E. Wagner. For Full Orchestra. Full Orchestr...(+)
By John Farrar. Arranged
by Douglas E. Wagner. For
Full Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Pop.
Level: 3 (grade 3).
Conductor Score & Parts.
55 pages. Published by
Alfred Publishing.
Orchestra SKU: PR.11641602S A Suite For Orchestra. Composed by Sam...(+)
Orchestra
SKU:
PR.11641602S
A
Suite For Orchestra.
Composed by Samuel Adler.
Study Score. 122 pages.
Duration 18 minutes.
Theodore Presser Company
#116-41602S. Published by
Theodore Presser Company
(PR.11641602S).
Orchestra SKU: PR.11641602L A Suite For Orchestra. Composed by Sam...(+)
Orchestra
SKU:
PR.11641602L
A
Suite For Orchestra.
Composed by Samuel Adler.
Large Score. 122 pages.
Duration 18 minutes.
Theodore Presser Company
#116-41602L. Published by
Theodore Presser Company
(PR.11641602L).
An Orchestral Set. By Charles Ives. For Flute, Oboe, Clarinet, Bassoon, Horn, Tr...(+)
An Orchestral Set. By
Charles Ives. For Flute,
Oboe, Clarinet, Bassoon,
Horn, Trumpet, Trombone,
2 Violin, Viola,
Violoncello, Contrabass,
Percussion, Timpani,
Piano. Full Score -
Study. Published by
Theodore Presser Company.
Score. By Roger Huntington Sessions. Orchestra. Premiered January 17, 1980 by th...(+)
Score. By Roger
Huntington Sessions.
Orchestra. Premiered
January 17, 1980 by the
Syracuse Symphony
Orchestra, Christopher
Keene, conductor. Full
Score - Study. 90 pages.
Duration 25:00:00.
Published by Theodore
Presser Company.
By Steven Stucky. Orchestra. First Performance: March 12, 2004, Walt Disney Conc...(+)
By Steven Stucky.
Orchestra. First
Performance: March 12,
2004, Walt Disney Concert
HAll, Los Angeles. Full
Score - Study. Composed
2003. 189 pages. Duration
26:00:00. Published by
Theodore Presser Company.