(Featuring: Give My Regards to Broadway / Ain't Misbehavin' / My Funny Valentine...(+)
(Featuring: Give My
Regards to Broadway /
Ain't Misbehavin' / My
Funny Valentine / I've
Grown Accustomed to Her
Face / Thou Swell).
Arranged by Carl
Strommen. Orchestra. For
Full Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Broadway.
4 (grade 4). Score. 28
pages
Salute to Broadway Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
Featuring: Give My Regards to Broadway / Ain't Misbehavin' / My Funny Valentine ...(+)
Featuring: Give My
Regards to Broadway /
Ain't Misbehavin' / My
Funny Valentine / I've
Grown Accustomed to Her
Face / Thou Swell.
Arranged by Carl
Strommen. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Broadway.
Level: 4 (grade 4).
Conductor Score and
Parts. 206 pages.
Published by Alfred
Publishing.
Full orchestra SKU: LO.30-3387L Composed by Jay Rouse. Arranged by Ed Hog...(+)
Full orchestra
SKU:
LO.30-3387L
Composed
by Jay Rouse. Arranged by
Ed Hogan. Choral. Sacred
Anthem, Christmas.
Orchestral score and
parts. Lorenz Publishing
Company #30/3387L.
Published by Lorenz
Publishing Company
(LO.30-3387L).
UPC:
000308144864.
Jay
Rouse give the timeless
Henry Longfellow text a
breath of fresh air in
this splendid yuletide
anthem. Including a
charming original melody
and a rich and versatile
optional orchestration by
Ed Hogan, this lyric
setting is a universal
prayer for peace.
Orchestra - Intermediate SKU: LO.765762191600 Composed by Tom Payne. Alle...(+)
Orchestra - Intermediate
SKU:
LO.765762191600
Composed by Tom Payne.
Allegis. Orchestration,
enhanced CD. Lillenas
Publishing Company
#765762191600. Published
by Lillenas Publishing
Company
(LO.765762191600).
UPC:
765762191600.
The
fresh and creative
Allegis Orchestral Series
is designed to give small
to mid-sized churches an
instrumental resource
that fits the needs of
any size group, from
eight players (minimum)
to a full orchestra.
These moderately
difficult hymn
arrangements have been
created in popular styles
that your
instrumentalists and
congregation alike with
love. Three accompaniment
options (piano, live
rhythm section, or
recorded rhythm
tracks).Everything you
need for practice and
performance is included
on the Enhanced CD:
printable instrumental
parts, (incl. opt parts),
plus the rhythm
accompaniment track and
demonstration track.
Minimum Instrumentation:
Part 1 – Fl; Part
2 – Ob (Cl, S
Sax); Part 3 – Cl
(A Sax); Part 4 –
Tpt; Part 5 – Tpt
(A Sax); Part 6 –
Hn (A Sax, Cl); Part 7
– Tbn (Bari TC, T
Sax); Part 8 – Tbn
(Bari TC, Bari Sax).
To God I Give My Heart and Soul, BWV 92. By Johann Sebastian Bach. Arranged by A...(+)
To God I Give My Heart
and Soul, BWV 92. By
Johann Sebastian Bach.
Arranged by Arnold
Schering. (Study Score).
Schott. 48 pages.
Published by Eulenburg.
A Journey with the
Shepherd. Composed by
Pepper Choplin.
Brookfield Choral Series.
Cantata, Christ The Good
Shepherd, General
Worship, Psalm, Sacred.
Softcover. Duration 2280
seconds. Published by
Brookfield Press
(HL.195818).
UPC:
888680642617.
8.5x14.0x3.0
inches.
This major
work is an affirmation of
assurance that takes us
on a musical and
spiritual pilgrimage
through the beloved 23rd
Psalm. Singers and
listeners will be carried
from peaceful meadows to
the shadowed valleys, and
from the fragile hope of
faith, to life
everlasting. A work of
scope and substance,
Psalm 23 - A Journey with
the Shepherd gives
directors a wonderful
opportunity to program
outside the seasonal box.
A glorious orchestration
by Michael Lawrence
decorates the expressive
choral writing with color
and a theatrical sweep.
Songs include: We Are Not
Alone; The Lord Is My
Shepherd; Restore My
Soul; Lead Me on the
Paths of Righteousness;
Though I Walk through the
Valley; You Comfort Me;
My Cup Overflows; We Are
Not Alone (reprise);
Surely Goodness and
Mercy. Score and Parts
(fl 1-2, ob, cl 1-2, bn,
tpt 1-3, hn 1-2, tbn 1-2,
tbn 3/tba, perc 1-2,
timp, hp, pno, vn 1-2,
va, vc, db) available as
a Printed Edition and as
a digital download.
Orchestra (Study Score) SKU: HL.51489053 (La Reine) Orchestra Study Sc...(+)
Orchestra (Study Score)
SKU: HL.51489053
(La Reine) Orchestra
Study Score. Composed
by Franz Joseph Haydn.
Edited by Hiroshi Nakano.
Study Score. Paperbound.
Henle Study Scores.
Classical. Softcover. 51
pages. G. Henle #HN9053.
Published by G. Henle
(HL.51489053).
ISBN
9790201890531. UPC:
888680950651.
6.5x9.0x0.131 inches.
Preface: Ullrich
Schneidler.
Composed by Camille Saint-Saens (1835-1921). Edited by Michael Stegemann. This e...(+)
Composed by Camille
Saint-Saens (1835-1921).
Edited by Michael
Stegemann. This edition:
urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus 78,
No. 3. Baerenreiter
Verlag #BA07896.
Published by Baerenreiter
Verlag (BA.BA07896).
Composed by Camille Saint-Saens (1835-1921). Edited by Michael Stegemann. This e...(+)
Composed by Camille
Saint-Saens (1835-1921).
Edited by Michael
Stegemann. This edition:
urtext. Stapled. Organ
part. 16 pages. Published
by Baerenreiter Verlag
(BA.BA7896-67).
Orchestra SKU: HL.14021435 Composed by Palle Mikkelborg. Music Sales Amer...(+)
Orchestra
SKU:
HL.14021435
Composed
by Palle Mikkelborg.
Music Sales America.
Classical. Score. Music
Sales #KP01379. Published
by Music Sales
(HL.14021435).
ISBN
9788759878606.
English.
Palle
Mikkelborg GOING TO
PIECES WITHOUT FALLING
APART 2002 for violin,
harpe og strygereTilegnet
Elise Batnes og Helen
DaviesForord l
Programnote En solful d
morgentur i Melbourne
bragte mig forbi en
boghandel der
specialiserede sig i
spiritualbooks, og i
vinduet faldt mine ojne
pa et citat som
ojeblikkeligt ramte mig
folelsesmaessigtstaerkt-
og jeg folte at jeg havde
fundet titlen pa den
komposition jeg pa
tankeplan allerede vari
gang med. Citatet
lod:going to pieces ...
without falling apartTre
temaer og relaterede
skalaer, baseret pa
henholdsvis Elise
Batnes', Helen Davies' og
BergenKammerensembles
navne, har vaeret
afgorende for dele af
tonesproget, og
forekommer badeielose-up
og mere douche i
kompositionens syv
hovedafsnit. Det
barnlige, det enkle, det
her-og-nu naive, det
umiddelbare, kom til at
spille en vigtig
rolleunder arbejdet. Ikke
fordi selve mit tonesprog
er saerligt meget
anderledes end ellers
(hvordanskulle det ogsa
kunne blive det?), men
formuleringen: at go to
pieces fik mig til at
taenke pa atblive som
barn pa ny, atter at
vaere u-bange, at turde
tro pa det enkle.Udover
denne- i bedste
betydning- enkle
inspiration er onsket at
kompositionens kurve
kanopleves som en mulig
meditiations-rejse: i
starten en tro pa egen
ro, langsomt breder
uroensig, og i lystfulde
glimt ser man sig selv
danse en rituel dans, med
andehuller her og der:
ogfristelsen til at rive
forhaenget vaek og go to
pieces, og angsten for
maske at miste sig selv
undervejs,breder sig.
Dog, til sidst erkender
man at det var rejsen
vaerd, og at man heller
ikke denne gangfaldt
apart, men kan se frem
mod atter at vise livet
sin respekt ved
spirituelt fuldstaendigt
at givesig hen, dog vel
vidende at livet
merciless & merciful, med
kaerlig hand villade
diggo to pieces ...
without falling apartMen
selvklart er mit
egentlige onske: at man
blot lader musikken leve
sit eget ordlose liv -
atlytteren har sin egen
rejse. Palle
Mikkelborg.
Orchestra (Full Score) SKU: HL.1283366 Composed by George M. Cohan. Arran...(+)
Orchestra (Full Score)
SKU: HL.1283366
Composed by George M.
Cohan. Arranged by Eric
Knight. LKM Music.
Standards. Softcover.
Duration 360 seconds.
Edward B. Marks Music
#MP077075. Published by
Edward B. Marks Music
(HL.1283366).
UPC:
196288166665.
Medle
y contents: Grand Old
Flag; I'm a Yankee Doodle
Dandy; Mary's a Grand Old
Name; Over There;
Harrigan; Forty-Five
Minutes from Broadway;
Give My Regards to
Broadway. Duration:
approx. 6:15.
Instrumentation: 2+Picc.
2+EH.2+BCl.2+CBsn:
4.4.3.1: Timp.Perc(3):
Hp.Pno: Str.
ISBN
9790006558285. 33 x 24 cm
inches. Preface: Sylvie
Bouissou. Text: Louis
Fuzelier.
The new
scholarly-critical
edition of the score of
Rameau’s
“ballet
hroïque†Les
Indes galantes finally
clears up its convoluted
source history. At the
first performance, on 23
August 1735, it consisted
of a prologue and three
acts: Le Turc gnreux, Les
Incas du Prou and Les
Fleurs. But Les Fleurs
already proved
controversial in the
early performances, and
from 11 September of that
same year it was given a
wholly new form. For the
revival on 10 March 1736
Rameau and Fuzelier added
an entirely new act Les
Sauvages, and in the
years that followed, the
“ballet
hroïque†was
presented either complete
(1743, 1751 and 1761) or
abridged with a prologue,
Les Incas du Prou and Les
Sauvages
(1751–73).
With regard to the
instrumental movements
(dances and descriptive
pieces), the present
publication is based on
the complete edition
Opera Omnia Rameau (OOR)
volumes IV/2 and IV/7
edited by Sylvie Bouissou
which are currently in
preparation. It includes
not only the orchestral
pieces in the version
deemed valid by Rameau in
1736 (with version 2 of
Les Fleurs and Les
Sauvages), but also those
from the first version of
Les Fleurs (1735) as well
as its 1743 and 1773
revisions. Performers are
thus given a complete
selection of all the
orchestral numbers from
one of Rameau’s
central stage works for
use also in concert
performance.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra (2.2.2.2 - 2.2.3.0 - timp - str) SKU: BR.PB-5208 Grand Symph...(+)
Orchestra (2.2.2.2 -
2.2.3.0 - timp - str)
SKU: BR.PB-5208
Grand Symphony in C
major - Urtext.
Composed by Franz
Schubert. Edited by Peter
Hauschild. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). Peter
Hauschilds Urtext edition
of the Great C major
Symphony i the first
source critical edition
of the posthumously
published work which can
be used in performance as
well. Symphony; Romantic.
Full score. 148 pages.
Duration 50'. Breitkopf
and Haertel #PB 5208.
Published by Breitkopf
and Haertel (BR.PB-5208).
ISBN 9790004210390. 10
x 12.5 inches.
This
edition is based on
authentic sources con
sisting of the autograph
and contemporary
performance material. It
goes without saying that
the issue of the proper
numbering of the Schubert
symphonies - as
controversial as ever
today - is given a
decisive and definitive
treatment in the
Preface.
Peter
Hauschilds Urtext edition
of the Great C major
Symphony i the first
source critical edition
of the posthumously
published work which can
be used in performance as
well.
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos J...(+)
Orchestra
SKU:
BA.BA06861
Sinfonie
(1923-1928). Composed
by Leos Janacek. Arranged
by Leoš Faltus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek H/3.
Complete edition, Score,
Set of parts. Duration 40
minutes. Baerenreiter
Verlag #BA06861_00.
Published by Baerenreiter
Verlag (BA.BA06861).
ISBN 9790260104211.
34.3 x 27 cm
inches.
Leoš
Janácek’s
symphonic fragment Dunaj
(The Danube) dates from
the period of the
composition of
“Katya
Kabanovaâ€. The
composer was not
concerned with a
musical-picturesque
description of a river
landscape, but with the
mythical link between
women’s destinies
and
water.
“Pale
green waves of the
Danube! There are so many
of you, and one followed
by another. You remain
interlocked in a
continuous flow. You
surprise yourselves where
you ended up – on
the Czech shores! Look
back downstream and you
will have an impression
of what you have left
behind in your haste. It
pleases you here. Here I
will rest with my
symphony.†Thus
Leoš Janácek
described the idea behind
the composition project
which occupied him in
1923/24. However, after
further work, it remained
incomplete in 1926. His
“symphonyâ€
entitled Dunaj has
survived as a
continuously-notated,
four-movement bundle of
sketches in score form.
It is one of the works
which occupied him until
his death. The scholarly
reconstruction by the two
Brno composers Miloš
Štedron and Leoš
Faltus closely follows
the original
manuscript.
A
whole conglomeration of
motifs stands behind the
incomplete work. What at
first seems like a
counterpart to
Smetana’s Vltava,
in fact doesn’t
turn out to be a musical
depiction of the Danube.
On the contrary, the
fateful link between the
destiny of women, water
and death permeates the
range of motifs found in
the work. It seems to be
no coincidence that
Janácek, whilst
working on the opera
Katya Kabanova, in which
the Volga, as the river
bringing death plays an
almost mythical role,
planned a Danube
symphony, and that its
content was linked with
the destiny of women: in
the sketches, two poems
were found which may have
provided the stimulus for
several movements of the
symphony. He copied a
poem by Pavla
Kriciková into the
second movement, in which
a girl remarks that
whilst bathing in a pond,
she was observed by a
man. Filled with shame,
the young naked woman
jumps into the water and
drowns. The outer
movements likewise draw
on the poem
“Lola†by the
Czech writer Sonja
Špálová,
published under the
pseudonym Alexander
Insarov. This is about a
prostitute who asks for
her heart’s
desire: she is given a
palace, but then goes on
a long search for it and
is finally no longer
wanted by anyone. She
suffers, feels cold and
just wants a warm fire.
Janácek adds his
remark “she jumps
into the Danube†to
the inconclusive
ending.
To these
tangible literary models
is added Adolf
Veselý’s verbal
account which reports
that the composer wanted
to portray “in the
Danube, the female sex
with all its passions and
driving forcesâ€.
The third movement is
said to characterise the
city of Vienna in the
form of a
woman.
It is
evident that in his
composition, Janácek
was not striving for a
simple, natural lyricism.
The River Danube is
masculine in the Slavic
language –
“ten Dunajâ€
– and assumes an
almost mythical
significance in the
national character,
indeed often also a role
bringing death. The four
movements are motivically
conceived. Elements of
sound painting, small
wave-like figures in the
first movement, motoric,
driving movements in the
third are obvious
evocations of water. And
the content and the
literary level are easy
to discover. The
“tremolo of the
four timpaniâ€,
which was amongst
Janácek’s first
inspirations, appears in
the second movement. It
is not difficult to
retrace in it the fate of
the drowning bather. The
oboe enters lamentoso
towards the end of the
movement over timpani
playing tremolo, its
descending figure is
taken over by the flute,
then upper strings and
intensified considerably.
The motif of drowning
– Lola’s
despair – returns
again in the fourth
movement in the clarinet,
before the work ends
abruptly and
dramatically.
One
special effect is the use
of a soprano voice in the
motor-driven third
movement. The singer
vocalises mainly in
parallel with the solo
oboe, but also in
dialogue with other parts
such as the viola
d’amore, which
Janácek used in
several late works as a
sort of “voice of
loveâ€.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra (solo: pno - 3(picc).3(cor ang).2.2 - 4.2.3.1 - timp.perc - hp - cel -...(+)
Orchestra (solo: pno -
3(picc).3(cor ang).2.2 -
4.2.3.1 - timp.perc - hp
- cel - str)
SKU:
BR.PB-15154-07
Impresiones sinfonicas
- Urtext. Composed by
Manuel de Falla. Edited
by Ullrich Scheideler.
Orchestra; Softcover.
Partitur-Bibliothek
(Score Library). Solo
concerto; Symphonic poem;
Late-romantic; Early
modern. Study Score.
Duration 23'. Breitkopf
and Haertel #PB 15154-07.
Published by Breitkopf
and Haertel
(BR.PB-15154-07).
ISBN
9790004215593. 6.5 x 9
inches.
Composed by
Manuel de Falla during
his lengthy residence in
Paris, these three
symphonic impressions for
piano and orchestra are
an expressive work
bringing the southern
Spanish gardens, which
are laid out in the
European and
Arabic-Moorish tradition,
to life. The influence of
contemporary French music
is noticeable in this
composition. Despite many
modifications, involving
among other things, the
scoring, number of
movements, as well as
layout and content, the
basic idea of a nocturnal
impression is retained
from the outset. The work
was finished - and
likewise the orchestral
material - only shortly
before its premiere on 9
April 1916, which was a
great success. World War
I prevented its
publication, though
further performances
followed, played then
from manuscript material.
The Urtext edition
presented by Ullrich
Scheideler takes as the
main source the first
edition of the score. The
Critical Report gives
detailed information
about the source
situation.
Tempus Fugit Orchestre [Conducteur d'étude / Miniature] Boosey and Hawkes
Orchestra (Study Score) SKU: HL.48024683 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.48024683
Orchestra Study
Score. Composed by
Magnus Lindberg. Boosey &
Hawkes Scores/Books.
Classical. Softcover. 144
pages. Boosey & Hawkes
#M060135880. Published by
Boosey & Hawkes
(HL.48024683).
ISBN
9781784545062. UPC:
888680952570. 8.25x11.75
inches.
TEMPUS
FUGIT was commissioned to
celebrate the centenary
of Finnish independence
on 6 December 2017 and it
received its first
performance in Helsinki
on that day, given by the
Finnish Radio Symphony
Orchestra.
The
composer says that
“if you translate
TEMPUS FUGIT as 'Time
Flies', you could say
that Finland has
travelled a long way
already -but 100 years is
a short time-span, and
living as a human in this
part of the world started
long ago and, we hope,
will continue
formillennia to come.
This relates to my
fascination with Bernd
Alois Zimmermann's
concept of spherical time
- that the past, the
present and the future
are continuously linked
and within reach. You can
also examine the
inter-connection of
musical time in the
earlier works of
Stockhausen such as
Kontakte and Gruppen
which had a big impact on
me as a young composer. A
translation of TEMPUS
FUGIT that I prefer is
'Time in Flight',
offering the idea that
time escapes from us but
bequeaths a tangible
residue, rather like
aplane travelling towards
the distance but leaving
a visible vapour
trail.” This
30-minute score is a
major addition to the
orchestral repertory.
Orchestra SKU: PO.PME11S Composed by John Ritchie. Perfect. Score. Promet...(+)
Orchestra
SKU:
PO.PME11S
Composed by
John Ritchie. Perfect.
Score. Promethean
Editions #PME11S.
Published by Promethean
Editions (PO.PME11S).
Rich with
kaleidoscopic images,
Papanui Road gives a
vivid 'snapshot' of
bustling central
Christchurch during the
1950s—one that
encompasses not only the
cityscape but much of the
composer's own experience
and spirit. The composer
writes: Having lived
near Papanui Road for
most of my
life—having cycled,
driven and walked on it,
having shopped, eaten and
prayed in or on it, I
feel at home there. As
young people say, it has
'vibes' for me. It
certainly has memories...
This concert overture
tries to hint at the
bustle, the vitality and
the peace of Papanui
Road; an impression
rather than a picture...
For all its pictorialism
this concert overture is
a serious, even a solemn
and nostalgic work. Its
aim is to evoke memories
and the atmosphere of an
important, busy
thoroughfare in the
composer's home town.
Orchestra SKU: HL.49019910 Composed by John Casken. This edition: Saddle ...(+)
Orchestra
SKU:
HL.49019910
Composed
by John Casken. This
edition: Saddle
stitching. Sheet music.
Study Score. Softcover.
Composed 2007. 76 pages.
Duration 20'. Schott
Music #ED13617. Published
by Schott Music
(HL.49019910).
ISBN
9790220134395. UPC:
888680089528.
8.25x11.75x0.25
inches.
My Concerto
for Orchestra (2007) is a
twenty-minute work in
which different sections
of the orchestra, as well
as individual solos and
duos from within the
orchestra, are
highlighted as the music
unfolds. The work
continues my interest in
two-movement forms that
began with my Cello
Concerto (1991), and was
later developed in
Sortilege (1996) and
Symphony (Broken Consort)
(2004). In these works,
and in the Concerto for
Orchestra, each movement
is given equal weight and
importance with the
second developing earlier
material and taking it in
new directions.The
two-movement form of the
Concerto for Orchestra
derives from a symphonic
sonata structure,
reshaping the traditional
four-movement form and
combining this with
aspects of sonata form, a
tradition that goes back
to Liszt, Schoenberg and
Sibelius:1st movement (i)
exposition of ideas -
dramatic and sudden (ii)
scherzo and development 1
- resolute2nd movement
(iii) adagio - calm and
unhurried (iv)
development 2 with
recapitulation - intense
and energeticThe Concerto
for Orchestra was
commissioned by the
Musikalische Akademie des
Nationaltheatre-Orchester
s Mannheim with the
support of Die Landesbank
Baden-Wurttemberg for its
first two performances on
31st March and 1st April
2008 conducted by
Friedemann Layer. The
score is dedicated in
friendship and admiration
to Ronald Zollman.John
Casken
Romantic opera in
three acts. Composed
by Franz Schubert. Edited
by Walther Durr. This
edition: complete
edition, urtext edition.
Linen. New Schubert
Edition (Neue Ausgabe
samtlicher Werke) Series
II, Volume 6. 3 part
volumes. Opern, dt.
(German Opera). Complete
edition, Score. D 732.
Duration 2 hours, 30
minutes. Baerenreiter
Verlag #BA05540_00.
Published by Baerenreiter
Verlag (BA.BA05540).
ISBN 9790006497126. 33
x 26 cm inches. Text:
Franz von
Schober.
In late
September or early
October 1821 Schubert and
his close friend, Franz
von Schober, vacationed
in the countryside of
Lower Austria. Their
first stopover was at
Ochsenburg Castle, which
belonged to the Bishop of
St. Pölten (a close
relative of
Schober’s), after
which they moved on to
St. Pölten itself.
Roughly a year earlier,
two stage works by
Schubert had been
performed in Vienna: the
one-act singspiel Die
Zwillingsbrüder and
the melodrama Die
Zauberharfe. The
librettos were both
written by the seasoned
Viennese playwright Georg
von Hofmann, who blamed
the press for the
indifferent reception the
two works were given by
the audience. Schubert
and Schober now decided,
it would seem, to write a
grand romantic opera
uninfluenced by the
workaday world of the
theatre and beholden
solely to their own ideas
of what an opera should
be.
Not until 24
June 1854 was the opera
finally performed in
Weimar, under the baton
of Franz Liszt. It only
achieved success,
however, in an
arrangement by Johann
Nepomuk Fuchs that was
staged on many German and
Austrian stages in
1881–2, allegedly
with brilliant
acclaim.
About
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MUSICOLOGICA
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Orchestra (Study Score) SKU: HL.51489064 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489064
Study Score.
Composed by Franz Joseph
Haydn. Edited by Gernot
Gruber. Henle Music
Folios. Classical.
Softcover. G. Henle
#HN9064. Published by G.
Henle (HL.51489064).
UPC: 840126937640.
6.75x9.5x0.214
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic oeuvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95.
Hailing from 1791, the
Symphony in D major no.
96 numbers among the
first symphonies written
in and for London. The
epithet given to it by
posterity, “The
Miracleâ€, was
bestowed erroneously, for
the miracle - that no one
was injured when a
chandelier fell during a
concert - took place
during a performance of a
different Haydn symphony.
And yet it is a miracle
of musical esprit
nonetheless; from the
subtle relations between
the motives consisting of
broken triads that open
all four movements, to
the virtuosic shifts in
mood owing to surprising
harmonies, Haydn here
submits a prime example
of how he develops
musical ideas. This study
edition adopts the
musical text of the Haydn
Complete Edition, thereby
guaranteeing the highest
scholarly quality. An
informative preface and a
brief Critical Report
make the handy score an
ideal companion for all
current and soon-to-be
Haydn fans.
About Henle
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Henle Urtext
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error-free, reliable
musical texts based on
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bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
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For Narrator and Orchestra. By Vincent Persichetti. Orchestra. For Piccolo, Flut...(+)
For Narrator and
Orchestra. By Vincent
Persichetti. Orchestra.
For Piccolo, Flute, Oboe,
English Horn, Clarinet,
Bass Clarinet, Bassoon,
Bassoon, Horn, Trumpet
(in C), Tenor, Tuba,
Timpani, Snare Drum,
Suspended Cymbal, Chimes,
Tenor Drum, Bass Drum
(Head Up), Suspended
Cymbal II, Violin I,
Violin II, Viola, Cello,
Contrabass. The world
premiere was given on
January 25, 1973 in St.
Louis, Missouri by the
St. :ouis Symphony
Orchestra, Walter
Susskind conducting and
narrated by William
Warfield. Classical. Full
Score - Study. Opus 124.
35 pages. Published by
Theodore Presser Company.