Orchestra (Study Score) SKU: HL.51489064 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489064
Study Score.
Composed by Franz Joseph
Haydn. Edited by Gernot
Gruber. Henle Music
Folios. Classical.
Softcover. G. Henle
#HN9064. Published by G.
Henle (HL.51489064).
UPC: 840126937640.
6.75x9.5x0.214
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic oeuvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95.
Hailing from 1791, the
Symphony in D major no.
96 numbers among the
first symphonies written
in and for London. The
epithet given to it by
posterity, “The
Miracleâ€, was
bestowed erroneously, for
the miracle - that no one
was injured when a
chandelier fell during a
concert - took place
during a performance of a
different Haydn symphony.
And yet it is a miracle
of musical esprit
nonetheless; from the
subtle relations between
the motives consisting of
broken triads that open
all four movements, to
the virtuosic shifts in
mood owing to surprising
harmonies, Haydn here
submits a prime example
of how he develops
musical ideas. This study
edition adopts the
musical text of the Haydn
Complete Edition, thereby
guaranteeing the highest
scholarly quality. An
informative preface and a
brief Critical Report
make the handy score an
ideal companion for all
current and soon-to-be
Haydn fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
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research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
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Conte d'Avril Orchestre SATB, Orchestre [Conducteur] Crescendo Music Publications
Orchestra SKU: C4.9790-900969361 Composed by Charles Marie Widor. Edited ...(+)
Orchestra
SKU:
C4.9790-900969361
Composed by Charles Marie
Widor. Edited by Daniel
Mitterdorfer and Harold
Fabrikant. Spiral-bound.
Full score (A3).
Crescendo Music
Publications
#9790-900969361.
Published by Crescendo
Music Publications
(C4.9790-900969361).
2003. Composed by
Rowland Lee. Choral Works
(inc. Oratorios). Edition
Peters. Book. Composed
2003; First Performance:
December 3rd, 2003, at
Saint Martin in the
Fields. 148 pages.
Duration 01:10:00.
Edition Peters
#98-EP72184. Published by
Edition Peters
(PE.EP72184).
ISBN
9790577000282.
English.
Text
selected from the Requiem
Mass, D.H. Lawrence,
Percy Bysshe Shelley and
the Old
Testament
First
performance 3rd December
2003 at St.
Martin-in-the-Fields
<
p>Subsequent revisions
have been small, mainly
consisting of a brand new
Benedictus (to replace
one which, in the
original performance, had
beeen borrowed from a
liturgical setting of the
Mass), the expansion of
the Dies Irae and the
creation of a bigger
orchestration, as an
alternative to the
chamber scoring, to make
the most of the forces
available at the second
performance, in St.
Petersburg.
Composed by Joseph Haydn; Johann Peter Salomon. Edited by Robert von Zahn; Gerno...(+)
Composed by Joseph Haydn;
Johann Peter Salomon.
Edited by Robert von
Zahn; Gernot Gruber. For
orchestra (2 flutes/2
oboes/2 bassoons/2
horns/2
trumpets/timpani). This
edition: Urtext edition.
Stapled. Set of wind
parts. Hob. I:96.
Published by Baerenreiter
Verlag
Orchestra (Score) SKU: HL.14008392 Caroline Mathilde Act I (Concert Su...(+)
Orchestra (Score)
SKU:
HL.14008392
Caroline Mathilde Act
I (Concert Suite).
Composed by Sir Peter
Maxwell Davies. Music
Sales America. 20th
Century. Book
[Softcover]. Composed
1999. 74 pages. Chester
Music #CH60949. Published
by Chester Music
(HL.14008392).
ISBN
9780711936942.
The
story centres on the
English princess Caroline
Mathilde (1751-1775),
sister of George III, who
at the age of 15 was sent
to Denmark to marry the
17-year-old eccentric and
schizophrenic Danish
King, Christian VII. The
ballet portrays her
unhappy marriage, the
King's growing madness
and her fatal love-affair
with Struensee, the
King's influential
physician, which leads to
their arrest, his
execution and her exile,
at the age of 20,
separated from her two
young children. In
keeping with the period,
and perhaps also with the
traditions of Romantic
ballet, the music is
relatively simple in
harmony and form, and
most of the action is
conveyed in set-piece
dances. The suite, which
consists essentially of
the second half of Act I,
begins with one of these,
a bristling interplay of
wind and string ensembles
in D major, portraying in
the ballet a curious
nuptial game with the
king and princess on
movable pedestals. The
slow music that follows
has to do with the king's
healing by Dr. Struensee
and the new queen's
unquiet reverie (oboe and
cor anglais solos). Then
the suite, like the act,
is capped by a pair of
pas-de-deux, the first
savage and bizarre for
the royal couple, the
second rich and
passionate for the queen
and the miracle-working
doctor. Score
(miniature). Duration c.
25mins.
Orchestra SKU: PR.PH000796 Composed by Franz Joseph Haydn. Arranged by H....(+)
Orchestra
SKU:
PR.PH000796
Composed
by Franz Joseph Haydn.
Arranged by H. C. Landon.
With Standard notation.
Universal Edition
#PH000796. Published by
Universal Edition
(PR.PH000796).
Orchestra SKU: HL.49019910 Composed by John Casken. This edition: Saddle ...(+)
Orchestra
SKU:
HL.49019910
Composed
by John Casken. This
edition: Saddle
stitching. Sheet music.
Study Score. Softcover.
Composed 2007. 76 pages.
Duration 20'. Schott
Music #ED13617. Published
by Schott Music
(HL.49019910).
ISBN
9790220134395. UPC:
888680089528.
8.25x11.75x0.25
inches.
My Concerto
for Orchestra (2007) is a
twenty-minute work in
which different sections
of the orchestra, as well
as individual solos and
duos from within the
orchestra, are
highlighted as the music
unfolds. The work
continues my interest in
two-movement forms that
began with my Cello
Concerto (1991), and was
later developed in
Sortilege (1996) and
Symphony (Broken Consort)
(2004). In these works,
and in the Concerto for
Orchestra, each movement
is given equal weight and
importance with the
second developing earlier
material and taking it in
new directions.The
two-movement form of the
Concerto for Orchestra
derives from a symphonic
sonata structure,
reshaping the traditional
four-movement form and
combining this with
aspects of sonata form, a
tradition that goes back
to Liszt, Schoenberg and
Sibelius:1st movement (i)
exposition of ideas -
dramatic and sudden (ii)
scherzo and development 1
- resolute2nd movement
(iii) adagio - calm and
unhurried (iv)
development 2 with
recapitulation - intense
and energeticThe Concerto
for Orchestra was
commissioned by the
Musikalische Akademie des
Nationaltheatre-Orchester
s Mannheim with the
support of Die Landesbank
Baden-Wurttemberg for its
first two performances on
31st March and 1st April
2008 conducted by
Friedemann Layer. The
score is dedicated in
friendship and admiration
to Ronald Zollman.John
Casken
Beethoven Complete Edition, Series XI, Vol. 3 Paperbound Score. Composed by ...(+)
Beethoven Complete
Edition,
Series XI, Vol. 3
Paperbound
Score. Composed by Ludwig
van Beethoven
(1770-1827).
Edited by Susanne Cox.
Henle
Complete Edition.
Softcover.
136 pages. G. Henle
#HN4421.
Published by G. Henle
Orchestra SKU: B9.548 Overture-fantasia for orchestra. Composed by...(+)
Orchestra
SKU:
B9.548
Overture-fantasia for
orchestra. Composed
by D.J. Sparr. This
edition: spiral bound.
Score. Duration 8
minutes. Bill Holab Music
#548. Published by Bill
Holab Music (B9.548).
8.5 x 14
inches.
Overture-Fa
ntasia for
orchestra duration:
ca. 8
minutes Commissione
d by the Califorina
Symphony
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos J...(+)
Orchestra
SKU:
BA.BA06861
Sinfonie
(1923-1928). Composed
by Leos Janacek. Arranged
by Leoš Faltus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek H/3.
Complete edition, Score,
Set of parts. Duration 40
minutes. Baerenreiter
Verlag #BA06861_00.
Published by Baerenreiter
Verlag (BA.BA06861).
ISBN 9790260104211.
34.3 x 27 cm
inches.
Leoš
Janácek’s
symphonic fragment Dunaj
(The Danube) dates from
the period of the
composition of
“Katya
Kabanovaâ€. The
composer was not
concerned with a
musical-picturesque
description of a river
landscape, but with the
mythical link between
women’s destinies
and
water.
“Pale
green waves of the
Danube! There are so many
of you, and one followed
by another. You remain
interlocked in a
continuous flow. You
surprise yourselves where
you ended up – on
the Czech shores! Look
back downstream and you
will have an impression
of what you have left
behind in your haste. It
pleases you here. Here I
will rest with my
symphony.†Thus
Leoš Janácek
described the idea behind
the composition project
which occupied him in
1923/24. However, after
further work, it remained
incomplete in 1926. His
“symphonyâ€
entitled Dunaj has
survived as a
continuously-notated,
four-movement bundle of
sketches in score form.
It is one of the works
which occupied him until
his death. The scholarly
reconstruction by the two
Brno composers Miloš
Štedron and Leoš
Faltus closely follows
the original
manuscript.
A
whole conglomeration of
motifs stands behind the
incomplete work. What at
first seems like a
counterpart to
Smetana’s Vltava,
in fact doesn’t
turn out to be a musical
depiction of the Danube.
On the contrary, the
fateful link between the
destiny of women, water
and death permeates the
range of motifs found in
the work. It seems to be
no coincidence that
Janácek, whilst
working on the opera
Katya Kabanova, in which
the Volga, as the river
bringing death plays an
almost mythical role,
planned a Danube
symphony, and that its
content was linked with
the destiny of women: in
the sketches, two poems
were found which may have
provided the stimulus for
several movements of the
symphony. He copied a
poem by Pavla
Kriciková into the
second movement, in which
a girl remarks that
whilst bathing in a pond,
she was observed by a
man. Filled with shame,
the young naked woman
jumps into the water and
drowns. The outer
movements likewise draw
on the poem
“Lola†by the
Czech writer Sonja
Špálová,
published under the
pseudonym Alexander
Insarov. This is about a
prostitute who asks for
her heart’s
desire: she is given a
palace, but then goes on
a long search for it and
is finally no longer
wanted by anyone. She
suffers, feels cold and
just wants a warm fire.
Janácek adds his
remark “she jumps
into the Danube†to
the inconclusive
ending.
To these
tangible literary models
is added Adolf
Veselý’s verbal
account which reports
that the composer wanted
to portray “in the
Danube, the female sex
with all its passions and
driving forcesâ€.
The third movement is
said to characterise the
city of Vienna in the
form of a
woman.
It is
evident that in his
composition, Janácek
was not striving for a
simple, natural lyricism.
The River Danube is
masculine in the Slavic
language –
“ten Dunajâ€
– and assumes an
almost mythical
significance in the
national character,
indeed often also a role
bringing death. The four
movements are motivically
conceived. Elements of
sound painting, small
wave-like figures in the
first movement, motoric,
driving movements in the
third are obvious
evocations of water. And
the content and the
literary level are easy
to discover. The
“tremolo of the
four timpaniâ€,
which was amongst
Janácek’s first
inspirations, appears in
the second movement. It
is not difficult to
retrace in it the fate of
the drowning bather. The
oboe enters lamentoso
towards the end of the
movement over timpani
playing tremolo, its
descending figure is
taken over by the flute,
then upper strings and
intensified considerably.
The motif of drowning
– Lola’s
despair – returns
again in the fourth
movement in the clarinet,
before the work ends
abruptly and
dramatically.
One
special effect is the use
of a soprano voice in the
motor-driven third
movement. The singer
vocalises mainly in
parallel with the solo
oboe, but also in
dialogue with other parts
such as the viola
d’amore, which
Janácek used in
several late works as a
sort of “voice of
loveâ€.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding