By Antonio Carlos Jobim. Edited by Rob Duboff and Jeffrey Sultanof. Arranged by Claus Ogerman. For studio orchestra (English Vocal, Portuguese Vocal, Woodwind 1: Piccolo/Bass Flute (Alto Flute Alt Part)/C Flute, Woodwind 2: Piccolo/Bass Flute (Alto Flute Alt Part)/C Flute/Alto Flute, Woodwind 3: Bass Flute (Alto Flute Alt Part)/C Flute/Alto Flute, Woodwind 4: Bass Flute). Recorded by Antonio Carlos Jobim. Bossa Nova. Medium. Score and parts. Published by Jazz Lines Publications

(Teacher's Manual). By Bob Phillips. Orchestra. For Teacher's Manual. String Orchestra Collection. Jazz. Book and CD. 48 pages

Arranged by Sandra Dackow. Conductor's score and set of performance parts for string orchestra (8 - 1st violin, 8 - 2nd violin, 5 - 3rd violin/viola (treble clef), 5 - viola, 5 - cello, 5 - string bass, 1 - piano accompaniment). Series: Orchestra Expressions Series. Published by Alfred Publishing.

By Charlie Parker. Edited by Jeffrey Sultanof. Arranged by Joe Lippman. For studio ensemble with alto saxophone soloist (Solo Alto Saxophone, Oboe, French Horn, 4 Violins, 2 Violas, Cello, Harp, Guitar (Optional), Piano, Bass, Drums). Ballad. Difficult. Published by Jazz Lines Publications

Orchestra

SKU: PE.EP68785

Composed by Tyshawn Sorey. Edition Peters. Book. 16 pages. Edition Peters #98-EP68785. Published by Edition Peters (PE.EP68785).

ISBN 9790300762319. English.

Compose d for trumpet, electric guitar (with volume pedal) and ensemble, Tyshawn Sorey's For Bill Dixon and A. Spencer Barefield was commissioned by the Louisville Orchestra for a world premiere on March 9, 2019, with Teddy Abrams conducting. Ansyn Banks and Craig Wagner premiered the solo parts for trumpet and guitar, which nod toward the pair of experimental jazz musicians who inspired this contemplative, 11-minute work: A. Spencer Barefield, guitarist, and the late trumpeter Bill Dixon.

This score is published as part of the Peters Contemporary Library and includes performance notes from the composer. Solo and orchestral parts are available for rental.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

By Antonio Carlos Jobim. Edited by Rob Duboff and Jeffrey Sultanof. Arranged by Claus Ogerman. For studio orchestra (Woodwind 1: Flute, Woodwind 2: Flute/Piccolo, Woodwind 3: Flute, Woodwind 4: Alto Flute, Woodwind 5: Alto Flute/Oboe, Woodwind 6: Bass Cla

(Scores from the Original Parts) Performed by Miles Davis. For alto saxophone, baritone saxophone, trumpet, horn, trombone, tuba, piano, bass and drum set. Format: full score (multiple copies needed for performance). With full score notation and introductory text. Jazz. Series: Hal Leonard Transcribed Scores. 168 pages. 9x12 inches. Published by Hal Leonard.

Orchestra - Intermediate

SKU: KJ.125PA

Composed by R Scott Whittington. Orchestra method/study. Music book. Neil A. Kjos Music Company #125PA. Published by Neil A. Kjos Music Company (KJ.125PA).

Orchestra

SKU: PR.11641867L

Composed by William Kraft. Spiral. Large Score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867L. Published by Theodore Presser Company (PR.11641867L).

UPC: 680160683215.

Conte xtures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.

Orchestra

SKU: PR.11641867S

Composed by William Kraft. Full score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867S. Published by Theodore Presser Company (PR.11641867S).

UPC: 680160683208.

Conte xtures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.

Orchestra - Grade 2

SKU: AP.33643S

Arranged by Sandra Dackow. Performance Music Ensemble; Single Titles; String Orchestra. Orchestra Expressions. Folk; World. Score. 8 pages. Alfred Music #00-33643S. Published by Alfred Music (AP.33643S).

UPC: 038081394268. English. Bulgarian Folk Dance.

Bulgarian folk music is noted for irregular rhythms, but not in this arrangement. The rhythms are straightforward but the phrases fall in groups of three measures rather than four. Easy double and triple stops make the instruments ring. This simple and happy tune provides the basis for contrast and variation. Correlated to Orchestra Expressions, Book 2.

About Orchestra Expressions

< p>Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.

Orchestra - Grade 2-3

SKU: AP.49068S

Composed by Mark Wood. Performance Music Ensemble; Single Titles; String Orchestra. Mark Wood Series. Pop/Rock; Rock. Score. Duration 2:45. Alfred Music #00-49068S. Published by Alfred Music (AP.49068S).

ISBN 9781470647834. UPC: 038081567051. English.

This multi-level piece includes a full set of parts for grade 2 as well as a full set for grade 3 ensembles. Mix and match the parts as you need---perfect for mixed-ability ensembles!

String Thang by Mark Wood is based on the twelve-bar blues. The blues has deep roots in American history, developed out of the work songs and chants of African-American slaves. The Great Migration of the first half of the 20th century saw freed slaves and their descendants move to northern and eastern parts of the U.S., taking their music with them. The blues took on different forms; in turn it helped to create rock, jazz, hip-hop, and other popular genres. A twelve-bar blues uses a repeating chord progression which allows musicians to express themselves creatively with each recurrence. If anything defines the blues, it is the use of blue notes---pitches that don't usually belong in a given key---and elements of improvisation. String Thang uses both blue notes in the main tune and the solo violin's part, as well as improvisational principles in the solo. For string orchestra with optional rock rhythm section parts. (2:45)

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Orchestra - Grade 2-3

SKU: AP.49068

Composed by Mark Wood. Performance Music Ensemble; Single Titles; String Orchestra. Mark Wood Series. Pop/Rock; Rock. Score and Part(s). Duration 2:45. Alfred Music #00-49068. Published by Alfred Music (AP.49068).

ISBN 9781470647827. UPC: 038081567044. English.

This multi-level piece includes a full set of parts for grade 2 as well as a full set for grade 3 ensembles. Mix and match the parts as you need---perfect for mixed-ability ensembles!

String Thang by Mark Wood is based on the twelve-bar blues. The blues has deep roots in American history, developed out of the work songs and chants of African-American slaves. The Great Migration of the first half of the 20th century saw freed slaves and their descendants move to northern and eastern parts of the U.S., taking their music with them. The blues took on different forms; in turn it helped to create rock, jazz, hip-hop, and other popular genres. A twelve-bar blues uses a repeating chord progression which allows musicians to express themselves creatively with each recurrence. If anything defines the blues, it is the use of blue notes---pitches that don't usually belong in a given key---and elements of improvisation. String Thang uses both blue notes in the main tune and the solo violin's part, as well as improvisational principles in the solo. For string orchestra with optional rock rhythm section parts. (2:45)

Download Play-Along Track

Orchestra - Grade 2.5

SKU: AP.41218S

Composed by Luigi Denza. Arranged by Sandra Dackow. Performance Music Ensemble; Single Titles; String Orchestra. Orchestra Expressions. Light Concert. Score. 16 pages. Duration 3:10. Alfred Music #00-41218S. Published by Alfred Music (AP.41218S).

UPC: 038081504711. English.

It was always fun to sing this Italian song in elementary school music classes---who could resist the swinging tarantella rhythms, which made you want to sing and dance together? No need to resist, join the fun! (3:10).

About Orchestra Expressions

< p>Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.

Composed by Luigi Denza (1846-1922). Arranged by Sandra Dackow. Orchestra. Part(s); Score; String Orchestra. Orchestra Expressions Book 2. Grade 2.5. 152 pages. Published by Alfred Music

Orchestra

SKU: BT.MUSM570366729

Composed by Simon Bainbridge. Classical. Score Only. 64 pages. University of York Music Press #MUSM570366729. Published by University of York Music Press (BT.MUSM570366729).

English.

Counter points for Jazz Bass and Ensemble. Commissioned by Britten Sinfonia. World Premiere given by Eddie Gomez and Britten Sinfonia, Milton Court, London, 18th November 2015. The solo part, written for Eddie Gomez, uses improvisation throughout. Various motives have been provided in the bass part, creating a particell which includes the most prominent orchestral elements of each section. It is expected that the soloist will develop these ideas freely and in dialogue with the orchestral musicians.

Orchestra - Grade 3.5

SKU: AP.31616S

Composed by Tim Aucoin. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Alternatives. Light Concert. Score. 16 pages. Duration 3:50. Highland/Etling #00-31616S. Published by Highland/Etling (AP.31616S).

UPC: 038081335667. English.

Feel the relaxed energy of a hot afternoon while the gators bask on the banks of the Tchefuncte River in Louisiana! This swingin' feel-good jazz shuffle features a catchy melody over a Blues in G with a middle section reminiscent of Count Basie taking it home. Written out solos for violin, viola and cello are included with backgrounds for all sections. Let the Good Times Roll! (3:50).