Orchestra SKU: HL.14014101 Composed by Johan Halvorsen. Music Sales Ameri...(+)
Orchestra
SKU:
HL.14014101
Composed
by Johan Halvorsen. Music
Sales America. Classical.
Score. Composed 2005. 68
pages. Edition Wilhelm
Hansen #WH24209.
Published by Edition
Wilhelm Hansen
(HL.14014101).
ISBN
9788759854440.
This
is the full score edition
of Johann Halvorsen's
Norske Eventyrbilleder
for Orchestra.
Orchestra SKU: HL.14022908 Composed by Carl August Nielsen. Music Sales A...(+)
Orchestra
SKU:
HL.14022908
Composed
by Carl August Nielsen.
Music Sales America.
Classical. Score.
Composed 2002. 16 pages.
Edition Wilhelm Hansen
#WH25085. Published by
Edition Wilhelm Hansen
(HL.14022908).
ISBN
9788759857007.
8.25x11.75x0.095 inches.
English.
Orchestra (Full Score) SKU: HL.268907 Full Score. Composed by Carl...(+)
Orchestra (Full Score)
SKU: HL.268907
Full Score.
Composed by Carl August
Nielsen. Music Sales
America. Classical.
Softcover. 4 pages.
Edition Wilhelm Hansen
#WH32064. Published by
Edition Wilhelm Hansen
(HL.268907).
Sang til
Vilhelm from Bartrums
skuespil Fra Rold til
Rebild 'Vi er jyder' -
for solo (Hans), kor og
orkester. Oversized Full
Score corresponding to
The Carl Nielsen Edition
(CN00043).
Orchestra (Score) SKU: HL.14000908 Composed by Hans Abrahamsen. Music Sal...(+)
Orchestra (Score)
SKU:
HL.14000908
Composed
by Hans Abrahamsen. Music
Sales America. Classical.
Score. 126 pages. Music
Sales #KP00206. Published
by Music Sales
(HL.14000908).
ISBN
9788759854648.
12.0x16.0x0.677 inches.
English.
The title
Marchenbilder, or
Fairy-tale Pictures,
borrowed from Schumann,
awakens notions of music
which in itself has a
pictorial quality. In
all, the score comprises
six Fairytale Pictures,
the first three of which
form the first movement,
the next two the second,
whilst the sixth forms
the last movement which
is linked with the second
without a break. The
first two pictures have
the same duration - one
minute each - whilst the
remainder hesitantly
inerease in length until
the final picture is
almost five minutes long.
For 14 instruments.
Orchestra - Grade 3 SKU: HL.14043017 Composed by Pelle Gudmundsen-holmgre...(+)
Orchestra - Grade 3
SKU: HL.14043017
Composed by Pelle
Gudmundsen-holmgreen.
Music Sales America.
Classical. Softcover.
Composed 2013. Edition
Wilhelm Hansen #WH31699.
Published by Edition
Wilhelm Hansen
(HL.14043017).
ISBN
9788759826591.
Prel
ude To Your Silence was
composed in 1978 by
Danish composer Pelle
Gudmundsen-Holmgreen
.
Composed by Camille Saint-Saens (1835-1921), arranged by Merle J. Isaac, edited ...(+)
Composed by Camille
Saint-Saens (1835-1921),
arranged by Merle J.
Isaac, edited by George
Megaw. Full score for
full orchestra. With full
score notation. 44 pages.
Published by Alfred
Publishing.
Composed by Camille Saint-Saens (1835-1921), arranged by Merle J. Isaac, edited ...(+)
Composed by Camille
Saint-Saens (1835-1921),
arranged by Merle J.
Isaac, edited by George
Megaw. Full score and set
of performance parts for
full orchestra. Medium.
With full score notation
and standard notation.
176 pages. Published by
Alfred Publishing.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra (Score & Parts) - Grade 2-3 SKU: HL.4490819 Arranged by James C...(+)
Orchestra (Score & Parts)
- Grade 2-3
SKU:
HL.4490819
Arranged
by James Curnow. Easy
Music For Strings.
Christmas. Softcover.
Published by Hal Leonard
(HL.4490819).
UPC:
884088264765. 9x12
inches.
This German
carol continues to appeal
to all audiences with its
melodic simplicity and
adaptability to
instrumental settings.
James Curnow's
arrangement is skilled in
every way, offering a
superb program choice for
your holiday program.
Duration: 3:00.
Vol. 1 - Recueil du Chef D'Orchestre. Concert Band Method. Essential Elements fo...(+)
Vol. 1 - Recueil du Chef
D'Orchestre. Concert Band
Method. Essential
Elements for Band. French
Edition. Score (with
Media Online). 358 pages.
Published by Hal Leonard
King William's March Orchestre [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Jeremiah Clarke (1674-1707). Arranged by Bob Phillips. Orchestra. Full Orches...(+)
By Jeremiah Clarke
(1674-1707). Arranged by
Bob Phillips. Orchestra.
Full Orchestra;
Masterworks; Part(s);
Score. Beginning Full
Orchestra. Form: March.
Baroque; Masterwork
Arrangement. Grade 1.5.
120 pages. Published by
Alfred Music Publishing
Score Orchestra (Full Score) SKU: HL.290039 For Orchestra. Compose...(+)
Score Orchestra (Full
Score)
SKU:
HL.290039
For
Orchestra. Composed
by Britta Byströ and
m. Classical. Softcover.
36 pages. Duration 480
seconds. Edition Wilhelm
Hansen #WH33141.
Published by Edition
Wilhelm Hansen
(HL.290039).
ISBN
9788759841327. UPC:
888680921958.
This
short work for orchestra
is dedicated to the
memory of Danish composer
Pelle
Gudmundsen-Holmgreen.
3.2+ca.2.2/4.3.3.1/2ti
mp.2perc/pf.2org/Str :
distant orchestra: S:
2.1.2.0/1.0.0.0/timp.hp/s
tr1.1.2. Composed by
Rued Langgaard. Arranged
by Bo Gunge. Score Only.
Composed 2023. 102 pages.
Edition Wilhelm Hansen
#WH33527. Published by
Edition Wilhelm Hansen
(BT.WH33527).
(Scores from the Original Parts) Performed by Miles Davis. For alto saxophone, b...(+)
(Scores from the Original
Parts) Performed by Miles
Davis. For alto
saxophone, baritone
saxophone, trumpet, horn,
trombone, tuba, piano,
bass and drum set.
Format: full score
(multiple copies needed
for performance). With
full score notation and
introductory text. Jazz.
Series: Hal Leonard
Transcribed Scores. 168
pages. 9x12 inches.
Published by Hal Leonard.
Orchestra SKU: BT.WH33466 Composed by Hans Abrahamsen. Classical. Score O...(+)
Orchestra
SKU:
BT.WH33466
Composed
by Hans Abrahamsen.
Classical. Score Only.
Composed 2023. 134 pages.
Edition Wilhelm Hansen
#WH33466. Published by
Edition Wilhelm Hansen
(BT.WH33466).
Orchestra (Full Score) SKU: HL.14042350 Full Score. Composed by S&...(+)
Orchestra (Full Score)
SKU: HL.14042350
Full Score.
Composed by Sø and
ren Nils Eichberg. Music
Sales America. Classical,
Contemporary. Softcover.
Composed 2013. Edition
Wilhelm Hansen #WH31627.
Published by Edition
Wilhelm Hansen
(HL.14042350).
ISBN
9788759826164.
S
øren Nils
Eichberg's
Morpheus -
Concerto for
Orchestra
(2013). Commissioned by
The Danish National
Symphony Orchestra /
DR.
Parts are
available on hire:
hire@ewh.dk
Programme
note
Morpheus in the Greek
mythology is the most
powerful of the Oneroi,
the gods of dreams. He is
the one who sends us our
dreams and he may appear
to us within the dreams
in disguise.
Analogous to the logic
of dreams, in
Morpheus
everything is interwoven,
as chains of associations
appear to logically lead
us from one line of
thought to another.
Everything seems
strangelyfamiliar. But
the logic is treacherous
and we already feel, it
may only be valid within
the dream. Nothing that
appears similar is
actually ever really the
same.
Half
awakening, we struggle to
hold on to a vanishing
world we felt we were on
the verge of
understanding, but which
we already know will
eventually escape us when
we fully awake.
Orchestra SKU: HL.14018566 Music Sales America. Classical. Set (Score & P...(+)
Orchestra
SKU:
HL.14018566
Music
Sales America. Classical.
Set (Score & Parts).
Composed 2002. Edition
Wilhelm Hansen #WH21328.
Published by Edition
Wilhelm Hansen
(HL.14018566).
Orchestra SKU: SU.91580100 For Orchestra. Composed by Steven Mercu...(+)
Orchestra
SKU:
SU.91580100
For
Orchestra. Composed
by Steven Mercurio.
Vocal/Choral, Opera. CD
(Audio). Subito Music
Corporation #91580100.
Published by Subito Music
Corporation
(SU.91580100).
A Grateful Tail
- Movement by Movement
Siriusly, Dog Star
Sirius, the brightest
star in the night sky,
has been used by
travelers and navigators
for thousands of years as
a guiding star and so it
is here as the opening
movement for the
symphony. Sirius, the
cornerstone to the
constellation Canis
Maggiore or Big Dog sits
at the foot of Orion, the
hunter, leading the way.
Highly cinematic, the
movement evokes both a
musical and visual sense
of the mythological and
mysterious elements of
Sirius and its Dog
Godstar secrets. From the
clarion call of the
opening, Sirius theme,
the sound is buoyant and
frisky emulating the
nature of doggy playtime.
Puppy pleasures abound as
a doggy four-step, my
turn on the traditional
American two-step dance,
is introduced. The
movement transforms into
an actual orchestrated
frolic of small, large
and medium dog barks
beginning with the winds
(smaller dogs) and
ultimately, the big dog,
brass. The movement
climaxes with the coda
or, Dog Park, where the
winds and the brass bark
and play together over
the, doggy ostinato
four-step rhythm,
culminating with the
final call of the Sirius
theme. Let Sleeping Dogs
Lie, Peacefully It's all
in a dog's day and life.
Tranquility presides over
this supremely gentle,
intermezzo-like movement.
After a day of play,
every dog needs rest. Let
Sleeping Dogs Lie, is a
lyrical andante inspired
by the profound serenity
and beauty of a dog at
rest. The Last Will and
Testament of Silverdene
Emblem O'Neill Based on a
powerful piece of prose
written by the American
playwright, Eugene
O'Neill this text was
intended as a consolation
piece for Carlotta, his
wife, who had become
grief-stricken over the
loss of their beloved
dog, the Dalmatian known
as Blemie.Written for a
singing actor who
personifies the role of
Blemie, a dog at the end
of his life, the movement
plays like a one act,
musical drama as we
follow Blemie through a
wonderfully
three-dimensional,
emotional and
psychological journey
writing his Last Will and
Testament, for those who
have loved him. Wagging
the Tail: Ossia Fido's
Lament A life-affirming
rumba/samba using
Blemie's final words from
O'Neill's text, this
final movement employs
the most unique American
musical invention, the
gospel choir. In order to
make the dances come
alive, this movement also
calls upon the colors of
a rhythm section.
Creating the spirit of an
Irish Funeral, the
movement is a joyful and
revival-like celebration
of a dog's life as its
spirit lives on forever
in the hearts and minds
of dog lovers everywhere.
Remember Me, remember me!
My spirit is wagging a
grateful tail. Published
by: Subito Music
Publishing Release Date:
July 9, 2013.
By Per Norgard. For Orchestra (Score). Music Sales America. 20th Century. 132 pa...(+)
By Per Norgard. For
Orchestra (Score). Music
Sales America. 20th
Century. 132 pages.
Edition Wilhelm Hansen
#WH29399. Published by
Edition Wilhelm Hansen