Composed by Robert W. Smith. Orchestra. Full Orchestra. Belwin Intermediate Full...(+)
Composed by Robert W.
Smith. Orchestra. Full
Orchestra. Belwin
Intermediate Full
Orchestra. Grade 2.5.
Conductor Score and
Parts. 222 pages.
Duration 2:04. Published
by Belwin Music
New music
(post-2000). Full score.
Composed 2016/17/20. 48
pages. Duration 8'.
Breitkopf and Haertel #PB
5432. Published by
Breitkopf and Haertel
(BR.PB-5432).
ISBN
9790004212790. 10 x 12.5
inches.
Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020.
Orchestra (Study Score) SKU: HL.51489063 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489063
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Robert v. Zahn.
Henle Study Scores.
Classical. Softcover. 55
pages. G. Henle #HN906.
Published by G. Henle
(HL.51489063).
UPC:
840126932867.
6.75x9.5x0.204
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic ouvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95.
Probably composed in the
winter of 1791/92, the
Symphony in D major no.
93 was, with its easily
accessible (butby no
means simple!) musical
structure, perfectly
tailored to London
tastes, which demanded
melodic clarity and
expressive pathos. The
Baroque echoes of Handel
in the slow introduction
to the first movement and
in the festive mood of
the finale with its
timpani and trumpets
would have been well
received - no wonder the
symphony had to be
repeated multiple times
in the same season after
its performance in 1792!
This study edition adopts
the musical text of the
Haydn Complete Edition,
thereby guaranteeing the
highest scholarly
quality. An informative
preface and a brief
Critical Report make the
handy score an ideal
companion for all current
and soon-to-be Haydn
fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.51489064 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489064
Study Score.
Composed by Franz Joseph
Haydn. Edited by Gernot
Gruber. Henle Music
Folios. Classical.
Softcover. G. Henle
#HN9064. Published by G.
Henle (HL.51489064).
UPC: 840126937640.
6.75x9.5x0.214
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic oeuvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95.
Hailing from 1791, the
Symphony in D major no.
96 numbers among the
first symphonies written
in and for London. The
epithet given to it by
posterity, “The
Miracleâ€, was
bestowed erroneously, for
the miracle - that no one
was injured when a
chandelier fell during a
concert - took place
during a performance of a
different Haydn symphony.
And yet it is a miracle
of musical esprit
nonetheless; from the
subtle relations between
the motives consisting of
broken triads that open
all four movements, to
the virtuosic shifts in
mood owing to surprising
harmonies, Haydn here
submits a prime example
of how he develops
musical ideas. This study
edition adopts the
musical text of the Haydn
Complete Edition, thereby
guaranteeing the highest
scholarly quality. An
informative preface and a
brief Critical Report
make the handy score an
ideal companion for all
current and soon-to-be
Haydn fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra - Grade 2.5 SKU: AP.BFO9910C Composed by Robert W. Smith. Full ...(+)
Orchestra - Grade 2.5
SKU: AP.BFO9910C
Composed by Robert W.
Smith. Full Orchestra;
Performance Music
Ensemble. Belwin
Intermediate String/Full
Orchestra. Score. 20
pages. Duration 2:04.
Belwin Music
#00-BFO9910C. Published
by Belwin Music
(AP.BFO9910C).
UPC:
029156991710.
English.
The Sound
and the Fury was inspired
by the literary work of
the same name by William
Faulkner, known for his
epic portrayal of the
conflicts between the old
and new South. Opening
with a vibrant drama of
punctuating thrusts in
strings, winds, and
percussion, the mood only
shifts when we move to a
lyrical and ambient
section of contrasting
sounds. Powerful strokes
return, moving to a
dramatic conclusion. A
superior choice for
concert or contest with
guaranteed stunning
audience appeal. Playable
by strings or by adding
any winds and percussion
up to full orchestra.
(2:04).
Orchestra - Grade 2 SKU: AP.46708S Arranged by Richard Meyer. MakeMusic C...(+)
Orchestra - Grade 2
SKU: AP.46708S
Arranged by Richard
Meyer. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Explorer. Christmas;
Sacred; Traditional;
Winter. Score. 8 pages.
Highland/Etling
#00-46708S. Published by
Highland/Etling
(AP.46708S).
UPC:
038081532820. English.
Traditional.
Teachi
ng opportunities abound
in this fresh and
creative arrangement of
the carol We Three Kings.
The piece depicts the
kings' famous nocturnal
trek across the desert
and is a great way to
introduce your students
to low finger patterns
(B-flats and E-flats),
simple time-signature
changes, and the concept
of tone painting.
Percussion parts have
been added to enhance the
mysterious mood. A real
change of pace on your
next holiday concert!
This title is available
in MakeMusic Cloud.
Orchestra - Grade 3 SKU: AP.49897 Composed by Anthony Granata. MakeMusic ...(+)
Orchestra - Grade 3
SKU: AP.49897
Composed by Anthony
Granata. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Concert String Orchestra.
Score and Part(s).
Duration 3:00. Belwin
Music #00-49897.
Published by Belwin Music
(AP.49897).
ISBN
9781470657291. UPC:
038081575445.
English.
A Utopian
Fantasia, by Anthony
Granata, depicts a
beautifully majestic and
serene landscape shrouded
in mystery and wonder.
Set in the key of E
minor, the opening
features a rich legato
ballad with an eerily
somber melody passing
through each section of
the orchestra. The mood
abruptly shifts to a
jarring and heavily
accented six-note motif.
Reminiscent of Classical
literature, a small
contrapuntal passage
develops this motif,
interspersed with the
original opening melody.
Inversions of the theme
finally give way to a
call-and-response
dialogue within the
different sections of the
orchestra before finally
ending quietly and slowly
with a subtle hint to the
opening. (3:00).
Orchestra - Grade 3 SKU: AP.49897S Composed by Anthony Granata. Performan...(+)
Orchestra - Grade 3
SKU: AP.49897S
Composed by Anthony
Granata. Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Concert String
Orchestra. Score.
Duration 3:00. Belwin
Music #00-49897S.
Published by Belwin Music
(AP.49897S).
ISBN
9781470657307. UPC:
038081575452.
English.
A Utopian
Fantasia, by Anthony
Granata, depicts a
beautifully majestic and
serene landscape shrouded
in mystery and wonder.
Set in the key of E
minor, the opening
features a rich legato
ballad with an eerily
somber melody passing
through each section of
the orchestra. The mood
abruptly shifts to a
jarring and heavily
accented six-note motif.
Reminiscent of Classical
literature, a small
contrapuntal passage
develops this motif,
interspersed with the
original opening melody.
Inversions of the theme
finally give way to a
call-and-response
dialogue within the
different sections of the
orchestra before finally
ending quietly and slowly
with a subtle hint to the
opening. (3:00).
Orchestra - Grade 3 SKU: AP.49898 From African Suite. Composed by ...(+)
Orchestra - Grade 3
SKU: AP.49898
From African
Suite. Composed by
Samuel Coleridge-Taylor.
Arranged by Kirk Moss.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Concert String Orchestra.
Form: Dance. Masterwork
Arrangement. Score and
Part(s). Duration 3:00.
Belwin Music #00-49898.
Published by Belwin Music
(AP.49898).
ISBN
9781470657314. UPC:
038081575469.
English.
Originally
composed for piano as the
final movement of African
Suite, Danse begins with
two introductory chords
followed by energetic
swinging rhythms and
repeated angular
melodies. Students will
love the moods in this
festive overture,
evocative of later
Broadway musicals. The
artistic turning point of
Samuel Coleridge-Taylor's
career happened in his
twenties when he met the
African-American poet
Paul Laurence Dunbar.
Dunbar influenced the
young composer to
concentrate on his
African heritage. Born in
suburban London to Alice
Martin, an Englishwoman
and the daughter of a
blacksmith, his father,
Dr. Daniel Peter Hughes
Taylor, was a Creole of
Sierra Leone who
qualified as a Member of
the Royal College of
Surgeons (MRCS) and
returned to Africa before
his son's birth. Called
Coleridge by his family,
he was raised in Croydon,
Surrey, by his mother and
her father, Benjamin
Holmans, who taught him
the violin. (3:00).
Orchestra (Study Score) SKU: HL.49004865 Score. Composed by Werner...(+)
Orchestra (Study Score)
SKU: HL.49004865
Score. Composed by
Werner Egk. Edition
Schott. Classical. Book
with Audio-Online.
Composed 1952. 132 pages.
Schott Music #ED4408.
Published by Schott Music
(HL.49004865).
ISBN
9781423413134. UPC:
073999276947.
6.0x9.0x0.366
inches.
Diction
lessons on each aria in
the series recorded by
top language coaches from
the Metropolitan Opera
and the Juilliard School
plus International
Phonetic Alphabet and
word for word
translations
<
br>With these
book/CDpackages that
match the standard aria
collections edited by
Robert L. Larsen, any
singer anywhere has
access to the best
diction coaching
available at a very
affordable price. Each
aria is recorded twice.
In the first version
thecoach recites the text
as an actor would speak
it, showing flow of the
language and the mood.
The second version is a
slow, deliberate lesson,
allowing time for the
student to repeat each
line. These experienced
language coachesadapt the
“R” in German
and French in the slow
versions for singers.
They also are very
sensitive to liaisons
between word sounds in
the musical settings. The
book includes
International Phonetic
Alphabet for each ariaand
word for word
translations.
The native speaking
professional diction
coaches from the
Metropolitan Opera and
the Juilliard School are:
Corradina Caporello for
Italian, Pierre Vallet
for French, Irene
Spiegelmanfor German,
Kathryn LaBouff for
English, Yveta Synek
Graff for Czech, and Gina
Levinson for Russian.
Companion to 50483986
Coloratura Arias for
Soprano.
Dicti
on lessons on each aria
in the series recorded by
top language coaches from
the Metropolitan Opera
and the Juilliard School
plus International
Phonetic Alphabet and
word for word
translations
<
br>With these
book/CDpackages that
match the standard aria
collections edited by
Robert L. Larsen, any
singer anywhere has
access to the best
diction coaching
available at a very
affordable price. Each
aria is recorded twice.
In the first version
thecoach recites the text
as an actor would speak
it, showing flow of the
language and the mood.
The second version is a
slow, deliberate lesson,
allowing time for the
student to repeat each
line. These experienced
language coachesadapt the
“R” in German
and French in the slow
versions for singers.
They also are very
sensitive to liaisons
between word sounds in
the musical settings. The
book includes
International Phonetic
Alphabet for each ariaand
word for word
translations.
The native speaking
professional diction
coaches from the
Metropolitan Opera and
the Juilliard School are:
Corradina Caporello for
Italian, Pierre Vallet
for French, Irene
Spiegelmanfor German,
Kathryn LaBouff for
English, Yveta Synek
Graff for Czech, and Gina
Levinson for Russian.
Companion to 50483986
Coloratura Arias for
Soprano.
Dicti
on lessons on each aria
in the series recorded by
top language coaches from
the Metropolitan Opera
and the Juilliard School
plus International
Phonetic Alphabet and
word for word
translations
<
br>With these
book/CDpackages that
match the standard aria
collections edited by
Robert L. Larsen, any
singer anywhere has
access to the best
diction coaching
available at a very
affordable price. Each
aria is recorded twice.
In the first version
thecoach recites the text
as an actor would speak
it, showing flow of the
language and the mood.
The second version is a
slow, deliberate lesson,
allowing time for the
student to repeat each
line. These experienced
language coachesadapt the
“R” in German
and French in the slow
versions for singers.
They also are very
sensitive to liaisons
between word sounds in
the musical settings. The
book includes
International Phonetic
Alphabet for each ariaand
word for word
translations.
The native speaking
professional diction
coaches from the
Metropolitan Opera and
the Juilliard School are:
Corradina Caporello for
Italian, Pierre Vallet
for French, Irene
Spiegelmanfor German,
Kathryn LaBouff for
English, Yveta Synek
Graff for Czech, and Gina
Levinson for Russian.
Companion to 50483986
Coloratura Arias for
Soprano.
Dicti
on lessons on each aria
in the series recorded by
top language coaches from
the Metropolitan Opera
and the Juilliard School
plus International
Phonetic Alphabet and
word for word
translations
<
br>With these
book/CDpackages that
match the standard aria
collections edited by
Robert L. Larsen, any
singer anywhere has
access to the best
diction coaching
available at a very
affordable price. Each
aria is recorded twice.
In the first version
thecoach recites the text
as an actor would speak
it, showing flow of the
language and the mood.
The second version is a
slow, deliberate lesson,
allowing time for the
student to repeat each
line. These experienced
language coachesadapt the
“R” in German
and French in the slow
versions for singers.
They also are very
sensitive to liaisons
between word sounds in
the musical settings. The
book includes
International Phonetic
Alphabet for each ariaand
word for word
translations.
The native speaking
professional diction
coaches from the
Metropolitan Opera and
the Juilliard School are:
Corradina Caporello for
Italian, Pierre Vallet
for French, Irene
Spiegelmanfor German,
Kathryn LaBouff for
English, Yveta Synek
Graff for Czech, and Gina
Levinson for Russian.
Companion to 50483986
Coloratura Arias for
Soprano.
Dicti
on lessons on each aria
in the series recorded by
top language coaches from
the Metropolitan Opera
and the Juilliard School
plus International
Phonetic Alphabet and
word for word
translations
<
br>With these
book/CDpackages that
match the standard aria
collections edited by
Robert L. Larsen, any
singer anywhere has
access to the best
diction coaching
available at a very
affordable price. Each
aria is recorded twice.
In the first version
thecoach recites the text
as an actor would speak
it, showing flow of the
language and the mood.
The second version is a
slow, deliberate lesson,
allowing time for the
student to repeat each
line. These experienced
language coachesadapt the
“R” in German
and French in the slow
versions for singers.
They also are very
sensitive to liaisons
between word sounds in
the musical settings. The
book includes
International Phonetic
Alphabet for each ariaand
word for word
translations.
The native speaking
professional diction
coaches from the
Metropolitan Opera and
the Juilliard School are:
Corradina Caporello for
Italian, Pierre Vallet
for French, Irene
Spiegelmanfor German,
Kathryn LaBouff for
English, Yveta Synek
Graff for Czech, and Gina
Levinson for Russian.
Companion to 50483986
Coloratura Arias for
Soprano.
Arranged by Mark Weston, Transcr. And Scored By Douglas E. Wagner. Traditional. ...(+)
Arranged by Mark Weston,
Transcr. And Scored By
Douglas E. Wagner.
Traditional. For Full
Orchestra. Full
Orchestra. Belwin
Intermediate Full
Orchestra. Conductor
Score & Parts. Published
by Alfred Publishing.
Level: 2.5 (Green)
(grade 2.5 Green).
Orchestra (Study Score) SKU: HL.51489061 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489061
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Robert v. Zahn.
Henle Study Scores.
Classical. Softcover. 58
pages. G. Henle #HN9061.
Published by G. Henle
(HL.51489061).
UPC:
840126932836.
6.75x9.5x0.22
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic ouvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95.
Probably composed in the
winter of 1791/92, the
Symphony in D major no.
93 was, with its easily
accessible (butby no
means simple!) musical
structure, perfectly
tailored to London
tastes, which demanded
melodic clarity and
expressive pathos. The
Baroque echoes of Handel
in the slow introduction
to the first movement and
in the festive mood of
the finale with its
timpani and trumpets
would have been well
received - no wonder the
symphony had to be
repeated multiple times
in the same season after
its performance in 1792!
This study edition adopts
the musical text of the
Haydn Complete Edition,
thereby guaranteeing the
highest scholarly
quality. An informative
preface and a brief
Critical Report make the
handy score an ideal
companion for all current
and soon-to-be Haydn
fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Arranged by Sandra
Dackow. Performance Music
Ensemble; Single Titles;
String Orchestra.
Orchestra Expressions.
Folk; Traditional; World.
Score. 8 pages. Alfred
Music #00-38406S.
Published by Alfred Music
(AP.38406S).
UPC:
038081438634. English.
Traditional
Scottish.
Conjure
images of bagpipes,
drums, and parades, and
enjoy familiar Scottish
music in this lovely
arrangement of an ancient
tune. All parts remain in
1st position. The
optional percussion will
add to the mood but is
also cued in the lower
strings.
About
Orchestra
Expressions
<
p>Play great songs such
as Over the Rainbow,
Batman, This Land Is Your
Land, and Star Wars (Main
Title). Listen to and
play a variety of styles
of music: popular,
traditional, classical,
folk and patriotic. Read
and write music; compose
and improvise. Perform in
a concert and play for
your family and friends.
Be a conductor of the
orchestra. Learn about
composers, such as
Antonin Dvorak, Johann
Pachelbel, Jacques
Offenbach, Pytor Ilyich
Tchaikovsky, Giuseppe
Verdi, George M. Cohan,
George Frideric Handel,
Ludwig van Beethoven,
Johann Sebastian Bach,
Wolfgang Amadeus Mozart,
Giacomo Puccini, Georges
Bizet, Neal Hefti, and
John Williams. Discover
how music and art are
related. Learn about a
variety of musical
ensembles including
string orchestra, full
orchestra, mariachi band,
steel drum band,
dixieland jazz band, rock
band, and more. Play
music from around the
world, including North
America, Europe, Latin
America, Asia, and
Africa.
Orchestra - Grade 3 SKU: AP.47472S Celebrating the past, while creatin...(+)
Orchestra - Grade 3
SKU: AP.47472S
Celebrating the past,
while creating the
future. Composed by
Bob Phillips. Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Score. 20
pages. Duration 4:24.
Highland/Etling
#00-47472S. Published by
Highland/Etling
(AP.47472S).
UPC:
038081542034.
English.
With
lovely harmonies and
surprising melodic and
mood changes, this piece
will be perfect for
festivals and to bring
any concert to a rousing
close. From the
contemplative beginning
into a mysterious
interlude, then a driving
melody that moves from
4/4, this piece
transitions into an
accented segment in C
major, a playful
pizzicato section, and
then closes with the
original melody set in
9/8, creating a feeling
of coming home. With such
a wide variety of
settings in one piece,
teaching opportunities
abound.
1st Movement. Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged b...(+)
1st Movement.
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Arranged by
Richard Meyer. Full
Orchestra; Masterworks;
Part(s); Score.
Highland/Etling First
Philharmonic. Classical;
Masterwork Arrangement.
196 pages. Published by
Highland/Etling
(AP.44853).
Orchestra - Grade 0.5 SKU: AP.47424 Composed by Peter Ilyich Tchaikovsky....(+)
Orchestra - Grade 0.5
SKU: AP.47424
Composed by Peter Ilyich
Tchaikovsky. Arranged by
Michael Story.
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Very Beginning String
Orchestra. Form: Dance.
Christmas; Masterwork
Arrangement; Winter.
Score and Part(s). 70
pages. Duration 1:28.
Belwin Music #00-47424.
Published by Belwin Music
(AP.47424).
UPC:
038081545622.
English.
This piece
is sure to get your
students and audiences in
the holiday mood. The
familiar melody,
straightforward rhythms,
and optional percussion
create a wonderful
arrangement of this
timeless classic. A great
opener for any holiday
concert.
Orchestra SKU: AP.1-ADV40011 For Soprano or Tenor Saxophone, String Or...(+)
Orchestra
SKU:
AP.1-ADV40011
For
Soprano or Tenor
Saxophone, String
Orchestra, Harp, and
Percussion. Composed
by Bill Dobbins.
Performance Music
Ensemble; Single Titles;
String Orchestra. Advance
Music. Jazz. Score.
Advance Music
#01-ADV40011. Published
by Advance Music
(AP.1-ADV40011).
UPC:
805095400113.
English.
The
Stranger is titled after
the novel of the same
name by the French
existentialist
philosopher and writer
Albert Camus. The piece
seems to capture some of
the general mood of the
story, with its
underlying feeling of
melancholy and sense of
inevitability. Since the
music is written in an
even eighth-note style,
with either a
contemporary classical or
a Latin rhythmic feeling,
the string section is not
required to phrase in a
jazz or swing style. The
use of light percussion
rather than a drumset
makes the arrangement
ideal for acoustic
performance without
amplification.
Orchestra SKU: AP.1-ADV40010 For Soprano or Tenor Saxophone, String Or...(+)
Orchestra
SKU:
AP.1-ADV40010
For
Soprano or Tenor
Saxophone, String
Orchestra, Harp, and
Percussion. Composed
by Bill Dobbins.
Performance Music
Ensemble; Single Titles;
String Orchestra. Advance
Music. Jazz. Score and
Part(s). Advance Music
#01-ADV40010. Published
by Advance Music
(AP.1-ADV40010).
UPC:
805095400106.
English.
The
Stranger is titled after
the novel of the same
name by the French
existentialist
philosopher and writer
Albert Camus. The piece
seems to capture some of
the general mood of the
story, with its
underlying feeling of
melancholy and sense of
inevitability. Since the
music is written in an
even eighth-note style,
with either a
contemporary classical or
a Latin rhythmic feeling,
the string section is not
required to phrase in a
jazz or swing style. The
use of light percussion
rather than a drumset
makes the arrangement
ideal for acoustic
performance without
amplification.
Composed by Elliot Del
Borgo. Solo or Ensemble.
Apex String Orchestra.
Score and set of parts.
Kendor Music Inc #10143.
Published by Kendor Music
Inc (KN.10143).
UPC:
822795101430.
For
student string orchestras
this expressive tone poem
beautifully portrays the
changing moods of the sea
with soaring melodies and
lush, late-Romantic
harmonies. The lyrical
opening theme should be
played with great
sensitivity and warmth,
while the dramatic
closing theme should be
played with energy and
passion. Playing with
clarity, precision and
balance is particularly
important in fugal
passages. In the final
analysis, Del Borgo says
players shouldn't be
afraid to wear their
hearts on their
sleeves.
Loreta Fin : Minor Moods Orchestre [Conducteur et Parties séparées] - Débutant Alfred Publishing
(For the victims of the 2011 Queensland Floods). By Loreta Fin. Orchestra. Part(...(+)
(For the victims of the
2011 Queensland Floods).
By Loreta Fin. Orchestra.
Part(s); Score; String
Orchestra. Wilfin String
Orchestra: Young String
Ensemble Series. Grade 1;
Grade 1.5. 66 pages.
Published by Alfred Music
Cello; Orchestra (Study Score) SKU: HL.280392 Cello and Orchestra Stud...(+)
Cello; Orchestra (Study
Score)
SKU:
HL.280392
Cello
and Orchestra Study
Score. Composed by
Brian Elias. Music Sales
America. Classical.
Softcover. 68 pages.
Duration 1500 seconds.
Chester Music #CH83886.
Published by Chester
Music (HL.280392).
UPC: 888680971069.
8.5x11.75x0.281
inches.
The Cello
Concerto is in four main
sections that are played
without a break. As with
most of my work, the
music throughout is
generated from the ideas
presented in the fi rst
few bars, and these ideas
and their variants appear
freely in the different
sections. Recurring
material and references
to earlier sections are
used deliberately to
create not only a sense
of unity but also an
impression of familiarity
that aspires to induce a
dream-like perception of
the passing music, a kind
of spiral. The piece
opens with a slow
introduction that
gradually quickens into
the first main section,
an allegro. The form of
the second section, which
is in a lighter mood, is
based on an early 13th
century verse form, the
Sestina, which consists
of six stanzas of
sixlines each, followed
by an envoi. The words
that end each line in the
first stanza are rotated
in a strictly prescribed
pattern* to give the
line-endings of the
remaining stanzas; in
this adaptation, each
line consists of four
bars, and the repetitions
ensue according to the
plan. The intricate
repetition inherent in
this form can also be
seen as a form of spiral.
The third section is an
extended slow movement
interrupted by a quicker
episode that refers to
the fi rst section.
Generally lighter and in
a similar vein to the
second section, the final
section includes a
reference to the slow
movement before returning
to the lighter music that
ends the piece. This work
is dedicated to Natalie
Clein.
Orchestra - Grade 2 SKU: AP.45892S Music of the Alaska Gold Rush. ...(+)
Orchestra - Grade 2
SKU: AP.45892S
Music of the Alaska
Gold Rush. Arranged
by Andrew H. Dabczynski.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Alternatives. Form:
Medley. Folk;
Traditional. Score. 16
pages. Duration 3:50.
Highland/Etling
#00-45892S. Published by
Highland/Etling
(AP.45892S).
UPC:
038081526546. English.
Traditional
American.
Imagining
the Alaska Klondike gold
rush calls up visions of
fortune seekers,
turn-of-the-century dance
halls, and adventure!
Klondike Fiddles captures
those moods in a medley
of two authentic fiddle
tunes from that by-gone
era by Andrew H.
Dabczynski. These
delightful
melodies---March of the
Gold Miners and Crooked
Stovepipe---fall under
the fingers of
intermediate string
students, with
interesting parts for all
players, body percussion
sounds, and challenging
optional improvisation
opportunities. Here's a
piece that complements
any concert program and
will have the players and
audience tapping their
toes! (3:50).
Orchestra - Grade 2 SKU: AP.45892 Music of the Alaska Gold Rush. A...(+)
Orchestra - Grade 2
SKU: AP.45892
Music of the Alaska
Gold Rush. Arranged
by Andrew H. Dabczynski.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Alternatives. Form:
Medley. Folk;
Traditional. Score and
Part(s). 128 pages.
Duration 3:50.
Highland/Etling
#00-45892. Published by
Highland/Etling
(AP.45892).
UPC:
038081526539. English.
Traditional
American.
Imagining
the Alaska Klondike gold
rush calls up visions of
fortune seekers,
turn-of-the-century dance
halls, and adventure!
Klondike Fiddles captures
those moods in a medley
of two authentic fiddle
tunes from that by-gone
era by Andrew H.
Dabczynski. These
delightful
melodies---March of the
Gold Miners and Crooked
Stovepipe---fall under
the fingers of
intermediate string
students, with
interesting parts for all
players, body percussion
sounds, and challenging
optional improvisation
opportunities. Here's a
piece that complements
any concert program and
will have the players and
audience tapping their
toes! (3:50).
Composed by Traditional.
Arranged by Lenny
Niehaus. Solo or
Ensemble. Voyager String
Orchestra. Score and Set
of Parts. Kendor Music
Inc #9203. Published by
Kendor Music Inc
(KN.9203).
UPC:
822795092035.
Suppl
emented by an optional
part for snare drum, bass
drum and triangle, this
artistic rendering of
three Hebrew songs gives
everyone a chance to play
melodic material. Moods
range from expressively
romantic to vigorously
intense, and harmonic
textures include both
conventional and
contemporary chords. The
finale is strong and
dramatic. Duration ca.
4:40.
Orchestra - Grade 1.5 SKU: AP.40460S Composed by Richard Meyer. Performan...(+)
Orchestra - Grade 1.5
SKU: AP.40460S
Composed by Richard
Meyer. Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Explorer. Light Concert;
Novelty. Score. 8 pages.
Highland/Etling
#00-40460S. Published by
Highland/Etling
(AP.40460S).
UPC:
038081456324.
English.
Your
students' imaginations
will run wild as they
rehearse and perform this
charming Spanish-flavored
salute to cats. Glissando
meows, threatening
hisses, and even an
enthusiastic visit from a
dog set the mood for what
is sure to be the
highlight of any concert.
A great way to introduce
shifting basics and high
vs. low finger patterns,
this selection is also a
wonderful way for
students to learn about
tone painting. Includes a
simple part for maracas
and claves, as well as
piano accompaniment and
violin III parts.
Composed by Todd Parrish.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Programmatic.
Score and Part(s). 62
pages. Highland/Etling
#00-46723. Published by
Highland/Etling
(AP.46723).
UPC:
038081532394.
English.
Reflecting
the beauty and grace of
clouds passing by, this
very easy work gives
young students a chance
to explore the full range
of the key of G major.
Sky Islands, a grade 1
piece by Todd Parrish,
includes staccato quarter
notes contrasted by half
notes and slurred eighth
notes to reinforce
beginning level rhythms.
Interesting dynamic
changes from piano to
forte enhance the mood,
while melodies and
counter-melodies flow
through all parts. This
title is available in
MakeMusic Cloud.
Composed by Todd Parrish.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score. 8
pages. Highland/Etling
#00-46723S. Published by
Highland/Etling
(AP.46723S).
UPC:
038081532400.
English.
Reflecting
the beauty and grace of
clouds passing by, this
very easy work gives
young students a chance
to explore the full range
of the key of G major.
Sky Islands, a grade 1
piece by Todd Parrish,
includes staccato quarter
notes contrasted by half
notes and slurred eighth
notes to reinforce
beginning level rhythms.
Interesting dynamic
changes from piano to
forte enhance the mood,
while melodies and
counter-melodies flow
through all parts. This
title is available in
MakeMusic Cloud.
String Orchestra string
orchestra (88555) with
optional 3rd violin/viola
TC (3) and piano - Grade
1.5
SKU: KN.8303
Composed by Frank
Halferty. Accent String
Orchestra. Score and set
of parts. Duration 3
minutes, 5 seconds.
Kendor Music Inc #8303.
Published by Kendor Music
Inc (KN.8303).
UPC:
822795083033.
This
imaginative original
contains three movements
that correspond to the
major areas found in a
typical castle: The Gate
House, an energetic,
fanfare-style theme; The
Dungeon, featuring
special sound effects;
and The Great Hall, which
captures a mood of
celebration. It's full of
excitement and surprises
from start to finish!
Duration 3:05.
(Rapsodie Espangnole, Mother Goose Suite, Valses Nobles et Sentimentales, and Pa...(+)
(Rapsodie Espangnole,
Mother Goose Suite,
Valses Nobles et
Sentimentales, and Pavane
for a Dead Princess).
Composed by Maurice Ravel
(1875-1937). Orchestra.
Full Orchestra (Full
Score); Larger Works;
Masterworks; Score. Dover
Edition. Impressionistic;
Masterwork. Published by
Dover Publications