Orchestra - Grade 2 SKU: AP.29656 Featuring: One Heart / Some Hearts /...(+)
Orchestra - Grade 2
SKU: AP.29656
Featuring: One Heart /
Some Hearts / Put a
Little Love in Your
Heart. Arranged by
Douglas E. Wagner.
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Beginning String
Orchestra. Form: Medley.
Light Concert; Pop. Score
and Part(s). 78 pages.
Duration 2:40. Alfred
Music #00-29656.
Published by Alfred Music
(AP.29656).
Serie IX (Schriften) Vol. 4.3: Briefe 1952-1956. Composed by Hanns Eisler ...(+)
Serie IX (Schriften) Vol.
4.3: Briefe 1952-1956.
Composed by Hanns Eisler
(1898-1962). Edited by
Maren
Koster. Restless Times.
Breitkopf and Haertel #BV
350. Published by
Breitkopf
and Haertel
Opera in Three Acts. Composed by Meredith Oakes. Full Orchestra (Full Score); ...(+)
Opera in Three Acts.
Composed
by Meredith Oakes. Full
Orchestra (Full Score);
Larger Works;
Masterworks;
Performance Music
Ensemble.
Faber Edition.
Masterwork.
Score. Faber Music #12-
057153872X. Published by
Faber Music
Orchestra SKU: SU.91580100 For Orchestra. Composed by Steven Mercu...(+)
Orchestra
SKU:
SU.91580100
For
Orchestra. Composed
by Steven Mercurio.
Vocal/Choral, Opera. CD
(Audio). Subito Music
Corporation #91580100.
Published by Subito Music
Corporation
(SU.91580100).
A Grateful Tail
- Movement by Movement
Siriusly, Dog Star
Sirius, the brightest
star in the night sky,
has been used by
travelers and navigators
for thousands of years as
a guiding star and so it
is here as the opening
movement for the
symphony. Sirius, the
cornerstone to the
constellation Canis
Maggiore or Big Dog sits
at the foot of Orion, the
hunter, leading the way.
Highly cinematic, the
movement evokes both a
musical and visual sense
of the mythological and
mysterious elements of
Sirius and its Dog
Godstar secrets. From the
clarion call of the
opening, Sirius theme,
the sound is buoyant and
frisky emulating the
nature of doggy playtime.
Puppy pleasures abound as
a doggy four-step, my
turn on the traditional
American two-step dance,
is introduced. The
movement transforms into
an actual orchestrated
frolic of small, large
and medium dog barks
beginning with the winds
(smaller dogs) and
ultimately, the big dog,
brass. The movement
climaxes with the coda
or, Dog Park, where the
winds and the brass bark
and play together over
the, doggy ostinato
four-step rhythm,
culminating with the
final call of the Sirius
theme. Let Sleeping Dogs
Lie, Peacefully It's all
in a dog's day and life.
Tranquility presides over
this supremely gentle,
intermezzo-like movement.
After a day of play,
every dog needs rest. Let
Sleeping Dogs Lie, is a
lyrical andante inspired
by the profound serenity
and beauty of a dog at
rest. The Last Will and
Testament of Silverdene
Emblem O'Neill Based on a
powerful piece of prose
written by the American
playwright, Eugene
O'Neill this text was
intended as a consolation
piece for Carlotta, his
wife, who had become
grief-stricken over the
loss of their beloved
dog, the Dalmatian known
as Blemie.Written for a
singing actor who
personifies the role of
Blemie, a dog at the end
of his life, the movement
plays like a one act,
musical drama as we
follow Blemie through a
wonderfully
three-dimensional,
emotional and
psychological journey
writing his Last Will and
Testament, for those who
have loved him. Wagging
the Tail: Ossia Fido's
Lament A life-affirming
rumba/samba using
Blemie's final words from
O'Neill's text, this
final movement employs
the most unique American
musical invention, the
gospel choir. In order to
make the dances come
alive, this movement also
calls upon the colors of
a rhythm section.
Creating the spirit of an
Irish Funeral, the
movement is a joyful and
revival-like celebration
of a dog's life as its
spirit lives on forever
in the hearts and minds
of dog lovers everywhere.
Remember Me, remember me!
My spirit is wagging a
grateful tail. Published
by: Subito Music
Publishing Release Date:
July 9, 2013.
Suite from Hamilton Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
Featuring: You'll Be Back / Helpless / My Shot / Dear Theodosia / It's Quiet Upt...(+)
Featuring: You'll Be Back
/ Helpless / My Shot /
Dear Theodosia / It's
Quiet Uptown / One Last
Time. Composed by
Lin-Manuel Miranda
(1980-). Arranged by
Jerry Brubaker. Full
Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Broadway. 214
pages. Published by
Alfred Music
Suite from Hamilton Orchestre [Conducteur] - Intermédiaire Alfred Publishing
Featuring: You'll Be Back / Helpless / My Shot / Dear Theodosia / It's Quiet Upt...(+)
Featuring: You'll Be Back
/ Helpless / My Shot /
Dear Theodosia / It's
Quiet Uptown / One Last
Time. Composed by
Lin-Manuel Miranda
(1980-). Arranged by
Jerry Brubaker. Full
Orchestra; Score. Pop
Concert Full Orchestra.
Broadway. 28 pages.
Published by Alfred Music
A Cantata for
Christmas. Composed
by Heather Sorenson.
Daybreak Christmas
Choral. Advent, Cantata,
Carol, Christmas,
Christmas/Advent Sacred,
General Worship, Sacred.
Softcover. Duration 3000
seconds. Published by
Daybreak Music
(HL.226377).
ISBN
9781495091506. UPC:
888680674618.
8.5x11.0x2.3
inches.
Composed in
both traditional and
blended choral stylings,
this cantata weaves the
historic symbolism of
both the Lion of Judah
and the Lamb of God into
the Christmas story.
Through original songs
and traditional carols,
singers and listeners are
reminded that this story
is not just an event in
history, but a living
story that still impacts
the world today.
Narration, solos,
congregational
participation and
optional children's
voices, along with
gorgeous orchestrations
by Keith Christopher, all
work together to make
this service a time of
both celebration and
worship. Songs include:
Overture/Sing Christmas!;
And So We Wait; It Came
upon a Midnight Clear;
Who's the Little Baby?;
Sleep Little Lion, Sleep
Little Lamb; Where Is
Peace Tonight?; In This
Moment; Angels from the
Realms of Glory; Carol of
the King. Score and Parts
(fl 1-2/pic, ob, cl 1-2,
bn, tpt 1-3, hn 1-2, tbn
1-2, tbn 3/tba, perc 1-2,
timp, hp, pno, rhy, vn
1-2, va, vc, db)
available as a Printed
Edition and as a digital
download.
Composed by Gustav Holst (1874-1934). Arranged by Colin Matthews and Imogen ...(+)
Composed by Gustav Holst
(1874-1934). Arranged by
Colin
Matthews and Imogen
Holst.
This edition: Limited.
Full
Orchestra (Full Score);
Orchestra Resources;
Resources. Classical;
Masterwork. Score. 272
pages.
Faber Music
#12-0571542735.
Published by Faber Music
(Deluxe Score). By Dimitri Tiomkin (1894-1979). Arranged by Patrick Russ and Pau...(+)
(Deluxe Score). By
Dimitri Tiomkin
(1894-1979). Arranged by
Patrick Russ and Paul
Henning. For Full
Orchestra (Score).
Symphony Pops. Grade 5.
32 pages. Published by
Hal Leonard
Rites of Tamburo Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Robert W. Smith. By Robert W. Smith. For Full Orchestra. Full Orchestra. Belw...(+)
By Robert W. Smith. By
Robert W. Smith. For Full
Orchestra. Full
Orchestra. Belwin
Intermediate Full
Orchestra. Level: Easy to
Medium Easy (grade
II-III). Conductor Score
& Parts. 316 pages.
Published by Alfred
Publishing.
By Johann Sebastian Bach (1685-1750). Edited by Heinrich Besseler; Hans Gruss. F...(+)
By Johann Sebastian Bach
(1685-1750). Edited by
Heinrich Besseler; Hans
Gruss. For orchestra (3
trumpets/timpani/2
oboes/2
violins/viola/basso
continuo (cello/double
bass/harpsichord)). This
edition: Stapled, Urtext
edition. Score. Text
Language: German/English.
BWV 1068. 50 pages.
Duration 24'. Published
by Baerenreiter Verlag
Orchestra SKU: HL.14025900 Composed by Bernard Herrmann. Music Sales Amer...(+)
Orchestra
SKU:
HL.14025900
Composed
by Bernard Herrmann.
Music Sales America.
Classical. Studyscore.
Music Sales #NOV750028.
Published by Music Sales
(HL.14025900).
0.453
inches.
Herrmann
wanted to write a musical
portrait of his friend
and colleague Alfred
Hitchcok, so choose
motifs from the movie The
Trouble With Harry, one
of Hitchcock's more
personal and humorous
films. This
single-movement work for
Orchestra employs some of
the more familiar
elements of Herrmann's
compositional style:
short musical phrases
repeated and then
repeated again in other
positions, sharp use of
dynamics among them. From
the first note, the
creepiness begins.Bernard
Herrmann was among the
very greatest of all
composers of music for
cinema and there are many
who avow that he was the
greatest of all. A very
short list of the films
for which this
award-winning
composercreated
soundtracks includes
Citizen Kane, The Man Who
Knew Too Much, Vertigo,
Jason and Argonauts,
Fahrenheit 451, Obsession
and Taxi Driver. He had a
long and fertile
association with Alfred
Hitchcock during the most
productive period of
Hitchcock's career and
with Orson Welles from
the time of the Mercury
Theatre on the Air. In
addition to his
conducting and composing
work for the
entertainment world,
Herrmann wrote concert
pieces, including a
symphony, opera and
cantata.
March and One Step. Composed by Henry Fillmore (1881-1958). Edited by Robert E. ...(+)
March and One Step.
Composed by Henry
Fillmore (1881-1958).
Edited by Robert E.
Foster. Arranged by
Robert E. Foster.
Authentic Fillmore
Edition. Score and
part(s). With Standard
notation. Duration 1
minute, 48 seconds. Carl
Fischer #CB148. Published
by Carl Fischer
By George E. Strombeck. For Mixed Large Ensemble. Large Ensemble for Mixed Large...(+)
By George E. Strombeck.
For Mixed Large Ensemble.
Large Ensemble for Mixed
Large Ensemble. Meter:
3/4, 4/4. Traditional.
Level: 1.5-2.5. Duration
1'30". Published by David
E. Smith Publications.
Cranford Suite Orchestre [Conducteur] Faber Music Limited
For Small Orchestra. Composed by Carl Davis (1935-). Full Orchestra; Larg...(+)
For Small
Orchestra. Composed
by Carl Davis (1935-).
Full Orchestra; Larger
Works; Score. Faber
Edition. TV. Published by
Faber Music
(AP.12-0571535984).
Orchestra SKU: SU.32040140 For Orchestra. Composed by Amy Riebs Mi...(+)
Orchestra
SKU:
SU.32040140
For
Orchestra. Composed
by Amy Riebs Mills.
Orchestra. Full Score.
Subito Music Corporation
#32040140. Published by
Subito Music Corporation
(SU.32040140).
2222; 4331;
timp, 2 perc, pno; stgs
Duration: 13'30 Composed:
2016 Published by: Amy
Mills Music, LLC Like a
modern Pictures at an
Exhibition…. Ha
Shamayim is an original
piece for orchestra that
was inspired by
photographs taken by the
Hubble space telescope.
Each section is inspired
by one photo; the title
of each section is the
title that NASA gave to
the photograph. The words
Ha Shamayim are Hebrew
for The Heavens. They are
written in Genesis 1:1,
In the beginning God
created the heavens and
the earth. The words are
also seen in Psalm 19.
Section I: Warped Edge-On
Galaxy ESO 510-G13
The piece begins in outer
space with its glistening
stars. Glissandi are used
to depict the strange but
beautiful warp seen in
the photograph. Section
II: Galaxy Fires at
Neighboring Galaxy
Suddenly the piece erupts
as one galaxy fires blue
gas at its neighbor. They
engage in a cosmic
battle. Section III:
Youthful-looking Galaxy
May Be an Adult The
adolescent galaxy is
personified by a
humorous, gawky melody
reminiscent of teenage
boys who walk on feet
that are still too big.
Occasionally there is an
argument with an
authority figure, but the
joy of exploring the
universe quickly returns.
Section IV: Star Birth in
Galaxy M83 The
dramatic photograph looks
like a womb with veins.
The music begins on one
note, then it begins to
explore the initial
swelling and stretching.
It morphs into an
energetic fast theme,
still growing. Ultimately
it becomes glorious and
expansive, like the new
star. Section V: String
of ‘Cosmic
Pearls’ Surrounds
an Exploding Star The
first theme is a happy
circle dance inspired by
the circle of white dots
in the photograph. The
second theme is noble and
joyful. It is reminiscent
of the melody in the
famous chorus in
Haydn’s The
Creation with the words
from Psalm 19, The
heavens are telling the
glory of God. The music
then has flashbacks to
the earlier sections, and
ends in triumph. The five
sections in Ha Shamayim
are continuous with no
breaks. Difficulty Level:
5 (Advanced/Professional)
See composer website for
audio sample. Performance
materials available on
rental only:.
Orchestra SKU: HL.14010856 Composed by Manuel de Falla. Music Sales Ameri...(+)
Orchestra
SKU:
HL.14010856
Composed
by Manuel de Falla. Music
Sales America. Classical.
Score. Composed 2002.
Chester Music #CH61022.
Published by Chester
Music (HL.14010856).
ISBN 9780711960879.
0.575
inches.
Fuego Fatuo has
an interesting history.
Manuel De Falla
(1876-1946), often
regarded as the greatest
Spanish composer of the
20th century, wanted to
write an opera based
around themes from
Chopin, whomhe greatly
admired. The stage work
was never finished;
however, several attempts
have been made to arrange
the work for orchestra,
most successfully by the
Catalan conductor
Antoni
Ros-Marba.
Des
pite its history,this
orchestral suite is far
from being a mere
mish-mash of Chopin
melodies; it is more of a
meditation on Chopin's
work in general, with the
focus on the harmonic and
textural elements which
De Falla drew
from his work.It forms a
fascinating insight into
the mind of a great
musician.
Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099).
ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German.
On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009.
Full orchestra SKU: LO.30-3489MD Composed by Jay Rouse. Choral, cantatas....(+)
Full orchestra
SKU:
LO.30-3489MD
Composed
by Jay Rouse. Choral,
cantatas. Advent,
Christmas, Sacred. Full
score and parts, plus CD
with printable parts.
Medallion Music
#30/3489MD. Published by
Medallion Music
(LO.30-3489MD).
UPC:
000308147704.
And
It Came to Pass,
Emmanuel: A compelling
musical triumph that
invites the listener on a
journey that ultimately
leads to worship of the
Christ Child. The text of
the Christmas story
blends seamlessly with
original narrative and
exquisite lyric writing
from Rose Aspinall, and
Jay Rouse's incredible
ability to fashion
original melodies and
arrange Christmas
favorites with nuance and
passion is on full
display. The musical
opens with an ethereal
underscore that leads
effortlessly into a 6/8
interpretation of Adeste
Fideles, followed
directly by the theme
song and anchor ballad
for the musical, And It
Came to Pass. Also
included are a song
written specifically for
this work that gives
voice to Joseph's fears
and longings; a
traditional gospel
setting of the all-time
favorite Jesus, What a
Wonderful Child; a
syncopated, upbeat angel
and shepherd announcement
song titled Fire in the
Sky; and a tender worship
moment at the manger
called Jesus, Prince of
Peace. With a little
something for everyone,
this creative work is
sure to be an important
part of your Christmas
season.
Atmospheres, S.S., (Engraved E by Gyorgy Ligeti (1923-2006). For Orchestra. Full...(+)
Atmospheres, S.S.,
(Engraved E by Gyorgy
Ligeti (1923-2006). For
Orchestra. Full score
(study). Standard
notation. Duration 9
minutes. Published by
Universal Edition
Orchestra - Grade 2.5 SKU: AP.49016 Featured in the Disney/Pixar Movie...(+)
Orchestra - Grade 2.5
SKU: AP.49016
Featured in the
Disney/Pixar Movie
Soul. Composed by
Curtis Mayfield. Arranged
by Chris M. Bernotas. 5
or More; MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
Solo Small Ensembles;
String Orchestra. Pop
Intermediate String
Orchestra. Jazz; Light
Concert; Movie; Pop;
Swing. Score and Part(s).
87 pages. Duration 2:30.
Alfred Music #00-49016.
Published by Alfred Music
(AP.49016).
ISBN
9781470646899. UPC:
038081566122.
English.
This title
features Alfred Music's
String Orchestra FLEX
options. That means that
every part in this set is
now transposed into every
other part, so you can
play this title with any
combination of like- or
mixed-string ensemble.
After purchasing this
set, decide what
additional parts you need
to meet the unique needs
of your ensemble, then
download and print them
for free at
alfred.com/supplemental--
-free of charge.
Written by Curtis
Mayfield and made famous
in the 1960s by The
Impressions, this
timeless classic has been
covered by several major
artists and was featured
in the Disney/Pixar smash
hit movie Soul. This
arrangement by Chris M.
Bernotas will put a smile
on everyone's face and
will be a great way to
help students learn to
play in the swing style.
(2:30) This title is
available in MakeMusic
Cloud.
Orchestra - Grade 2.5 SKU: AP.49016S Featured in the Disney/Pixar Movi...(+)
Orchestra - Grade 2.5
SKU: AP.49016S
Featured in the
Disney/Pixar Movie
Soul. Composed by
Curtis Mayfield. Arranged
by Chris M. Bernotas. 5
or More; MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
Solo Small Ensembles;
String Orchestra. Pop
Intermediate String
Orchestra. Jazz; Light
Concert; Movie; Pop;
Swing. Score. 12 pages.
Duration 2:30. Alfred
Music #00-49016S.
Published by Alfred Music
(AP.49016S).
ISBN
9781470646905. UPC:
038081566139.
English.
This title
features Alfred Music's
String Orchestra FLEX
options. That means that
every part in this set is
now transposed into every
other part, so you can
play this title with any
combination of like- or
mixed-string ensemble.
After purchasing this
set, decide what
additional parts you need
to meet the unique needs
of your ensemble, then
download and print them
for free at
alfred.com/supplemental--
-free of charge.
Written by Curtis
Mayfield and made famous
in the 1960s by The
Impressions, this
timeless classic has been
covered by several major
artists and was featured
in the Disney/Pixar smash
hit movie Soul. This
arrangement by Chris M.
Bernotas will put a smile
on everyone's face and
will provide a great way
to help students learn to
play in the swing style.
(2:30) This title
available in MakeMusic
Cloud.